My research engages with micropatrial digital and material representation by enclaves within the United Kingdom. I am investigating what these acts of subversive sovereignty achieve, how the power of humour is an intricate element of these nations, and where these liminal entities reside in the international community. Part of this will be accomplished through examining the national culture of each case study as well as becoming part of this community through the creation and maintenance of my own nation. Visit the International Embassy of the Nation of Heliotrope at http://www.nationofheliotrope.com/ to see an aspect of this work. Supervisors: Tim Cresswell
Diplomacy and recognition play central roles in the conventional conferral of state legitimacy an... more Diplomacy and recognition play central roles in the conventional conferral of state legitimacy and functioning of the inter-state system. In broadening the diplomatic frame by stepping outside the conventional state-system, this paper brings a poststructuralist and performative toolkit to mimetic diplomatic practices. Adapting Bhabha’s notion of mimicry to diplomatic discourse, it demonstrates how non-state diplomacies draw on, mimic and intervene in the realm of formal political action in ways which both promote ‘official’ state diplomacy as an ideal and dilute its distinction from other, ‘unofficial’ diplomacies. In thereby examining the enactment of international diplomacy in unexpected spaces, this paper brings together three empirical studies: a Government-in-Exile, a religious community and micropatrias (self-declared parodic nations). In each of these cases, attention focuses on: discourses of recognition; sovereignty and legitimacy; the diplomatic relationships fostered and institutions of diplomacy constructed; and the strategic position of such diplomacy vis-à-vis the conventional state-system. Unpacking the relationship between legitimacy, recognition and diplomacy and exploring the tension between state-centric and non-state diplomatic practices, this paper foregrounds the points of connection between the official and the unofficial. As a result, this paper expands the analytical gaze of diplomacy studies while incorporating lessons from the margins into our understandings of legitimacy, recognition, statecraft and sovereignty.
The waterways of London are an essential component of the city, with the River Thames playing a p... more The waterways of London are an essential component of the city, with the River Thames playing a prominent role in the heritage, history and identity of place. The upcoming 2012 Olympics are highlighting the Lea Valley waterways in east London as another important part of London’s waterscape, expanding London’s global presence as a ‘water city’. As part of the Creative Campus Initiative, we undertook a project based on the broad themes of water, London and the Olympics that would give voice to the changes taking place. The result is London’s Olympic Waterscape, a 20-minute film comprising both ‘expert’ interview material discussing broad themes and developments and an embodied record of our engagement with the Olympic area during a brief period in the construction process. The present article is about the journey we took through and around the east London ‘Olympic’ waterways as we attempted to capture this transitional moment on video.
Dominant ideology influences political identity, not only through the production of icons and mat... more Dominant ideology influences political identity, not only through the production of icons and material artifacts but also through attempts to control and eliminate alternative cultural expressions, such as graffiti. Antigraffiti campaigns seek to define notions of legitimacy and appropriateness in urban landscapes. Inscribing graffiti is an inherently spatial practice, one that provides opportunities for alternative expression. These expressions question the power and authority of dominant sociospatial practices and broaden definitions of citizenship and political appropriateness. In this article we analyze Graffiti Hurts, an organization devoted to the eradication of graffiti, in detail. By framing graffitists as outsiders and criminals, Graffiti Hurts seeks to justify the erasure of graffiti, and in so doing it reinforces exclusionary representations of culture, community, and landscape.
The waterways of London are an essential component of the city, with the River Thames playing a p... more The waterways of London are an essential component of the city, with the River Thames playing a prominent role in the heritage, history and identity of place. The upcoming 2012 Olympics are highlighting the Lea Valley waterways in east London as another important part of London’s waterscape, expanding London’s global presence as a ‘water city’. As part of the Creative Campus Initiative, we undertook a project based on the broad themes of water, London and the Olympics that would give voice to the changes taking place. The result is London’s Olympic Waterscape, a 20-minute film comprising both ‘expert’ interview material discussing broad themes and developments and an embodied record of our engagement with the Olympic area during a brief period in the construction process. The present article is about the journey we took through and around the east London ‘Olympic’ waterways as we attempted to capture this transitional moment on video.
Diplomacy and recognition play central roles in the conventional conferral of state legitimacy an... more Diplomacy and recognition play central roles in the conventional conferral of state legitimacy and functioning of the inter-state system. In broadening the diplomatic frame by stepping outside the conventional state-system, this paper brings a poststructuralist and performative toolkit to mimetic diplomatic practices. Adapting Bhabha’s notion of mimicry to diplomatic discourse, it demonstrates how non-state diplomacies draw on, mimic and intervene in the realm of formal political action in ways which both promote ‘official’ state diplomacy as an ideal and dilute its distinction from other, ‘unofficial’ diplomacies. In thereby examining the enactment of international diplomacy in unexpected spaces, this paper brings together three empirical studies: a Government-in-Exile, a religious community and micropatrias (self-declared parodic nations). In each of these cases, attention focuses on: discourses of recognition; sovereignty and legitimacy; the diplomatic relationships fostered and institutions of diplomacy constructed; and the strategic position of such diplomacy vis-à-vis the conventional state-system. Unpacking the relationship between legitimacy, recognition and diplomacy and exploring the tension between state-centric and non-state diplomatic practices, this paper foregrounds the points of connection between the official and the unofficial. As a result, this paper expands the analytical gaze of diplomacy studies while incorporating lessons from the margins into our understandings of legitimacy, recognition, statecraft and sovereignty.
The waterways of London are an essential component of the city, with the River Thames playing a p... more The waterways of London are an essential component of the city, with the River Thames playing a prominent role in the heritage, history and identity of place. The upcoming 2012 Olympics are highlighting the Lea Valley waterways in east London as another important part of London’s waterscape, expanding London’s global presence as a ‘water city’. As part of the Creative Campus Initiative, we undertook a project based on the broad themes of water, London and the Olympics that would give voice to the changes taking place. The result is London’s Olympic Waterscape, a 20-minute film comprising both ‘expert’ interview material discussing broad themes and developments and an embodied record of our engagement with the Olympic area during a brief period in the construction process. The present article is about the journey we took through and around the east London ‘Olympic’ waterways as we attempted to capture this transitional moment on video.
Dominant ideology influences political identity, not only through the production of icons and mat... more Dominant ideology influences political identity, not only through the production of icons and material artifacts but also through attempts to control and eliminate alternative cultural expressions, such as graffiti. Antigraffiti campaigns seek to define notions of legitimacy and appropriateness in urban landscapes. Inscribing graffiti is an inherently spatial practice, one that provides opportunities for alternative expression. These expressions question the power and authority of dominant sociospatial practices and broaden definitions of citizenship and political appropriateness. In this article we analyze Graffiti Hurts, an organization devoted to the eradication of graffiti, in detail. By framing graffitists as outsiders and criminals, Graffiti Hurts seeks to justify the erasure of graffiti, and in so doing it reinforces exclusionary representations of culture, community, and landscape.
The waterways of London are an essential component of the city, with the River Thames playing a p... more The waterways of London are an essential component of the city, with the River Thames playing a prominent role in the heritage, history and identity of place. The upcoming 2012 Olympics are highlighting the Lea Valley waterways in east London as another important part of London’s waterscape, expanding London’s global presence as a ‘water city’. As part of the Creative Campus Initiative, we undertook a project based on the broad themes of water, London and the Olympics that would give voice to the changes taking place. The result is London’s Olympic Waterscape, a 20-minute film comprising both ‘expert’ interview material discussing broad themes and developments and an embodied record of our engagement with the Olympic area during a brief period in the construction process. The present article is about the journey we took through and around the east London ‘Olympic’ waterways as we attempted to capture this transitional moment on video.
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