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Eugenia Sojka
  • Eugenia Sojka,  D.Litt., Ph.D., M.A.
    Associate Professor of Canadian Literature
    Director of  Canadian Studies Centre
    University of Silesia in Katowice
    Ul. Gen. Stefana Grota-Roweckiego 5
    41-205 Sosnowiec
    POLAND
The book examines the concept of Indigenous theatre as theorized by artist-scholar-researcher Floyd Favel (Cree) from Poundmaker reserve, Canada. It focuses both on his pioneering critical work on Indigenous theatre and essays devoted to... more
The book examines the concept of Indigenous theatre as theorized by artist-scholar-researcher Floyd Favel (Cree) from Poundmaker reserve, Canada. It focuses both on his pioneering critical work on Indigenous theatre and essays devoted to diverse aspects of Indigenous cultures in Canada. Favel was the only Indigenous student of Jerzy Grotowski, Polish revolutionary theatre artist, and scholar. The book contains translations into Polish of Favel's select critical essays, poetry, and his play. It also contains four essays on his work and theatre methodologies, as well as on Cree culture and storytelling.
Canadian writer Alice Munro is the 2013 Nobel Laureate in Literature. This collection of essays by authors from Poland, Canada and France presents an intercultural perspective on her work and a new approach to Munro’s art of short story... more
Canadian writer Alice Munro is the 2013 Nobel Laureate in Literature. This collection of essays by authors from Poland, Canada and France presents an intercultural perspective on her work and a new approach to Munro’s art of short story writing. It offers literary interpretation of the genre, critical perspectives on film and stage adaptations of her work, comparative analysis to the writings of Mavis Gallant and Eudora Welty, exclusive reminiscences of encounters with Alice Munro by Canadian writers Tomson Highway and Daphne Marlatt, and a unique African-Canadian perspective on Munro’s work by George Elliott Clarke.
The book is a collection of essays on the construction and questioning of Canadian nationalist discourses and cultural identity. The notion of Canadianness is discussed on the basis of literature, critical theory, film, theatre, painting... more
The book is a collection of essays on the construction and questioning of Canadian nationalist discourses and cultural identity. The notion of Canadianness is discussed on the basis of literature, critical theory, film, theatre, painting music, politics and sociology. This interdisciplinary project presents views of writers and critics of various ethnic and cultural backgrounds.
Essays in this collection discuss various forms of otherness (etnicity, race,  class,  accent,  gender)  as examined in literature,  culture and the arts of multiple Canadian cultural diasporas, as well as Indigenous people of Canada.
These papers consitute the Conference Proceedings from Cultural Transformations and Civil Society: Reflecting on a Decade of Change, May 13-16, 1999 at Jagiellonian University in Krakow, Poland. True to the conference organizational... more
These papers consitute the Conference Proceedings from Cultural Transformations and Civil Society: Reflecting on a Decade of Change, May 13-16, 1999 at Jagiellonian University in Krakow, Poland. True to the conference organizational design, the essays in this book are grouped thematically rather than by discipline. Thus, the reader finds varying perspectives on a number of cultural processes that are observable in the region: tradition revived and contested, inventions and innovations, new publics, and the politics of culture. We use this approach to encourage crossdisciplinary and cross-national dialogue.
Polityka kulturowa rządu kanadyjskiego w stosunku do grup narodowych innych niż angielskie i francuskie zmieniała się wielokrotnie. Metanarracje narodowe tworzone przez polityków, krytyków, pisarzy i artystów opierały się najpierw na idei... more
Polityka kulturowa rządu kanadyjskiego w stosunku do grup narodowych innych niż angielskie i francuskie zmieniała się wielokrotnie. Metanarracje narodowe tworzone przez polityków, krytyków, pisarzy i artystów opierały się najpierw na idei dwukulturowości, a od roku 1971 na oficjalnej polityce wielokulturowości, która miała na celu stworzenie dogodnych warunków rozwoju wszystkich kultur zamieszkujących Kanadę i stała się wzorem do naśladowania przez wiele państw. Krytycy kanadyjskiej polityki wielokulturowości twierdzą jednak, iż dyskurs „inności” przenika instytucje kultury, a etniczno- rasowe mniejszości znajdują się poza kręgiem kanadyjskiego „wyobrażonego społeczeństwa”, a co za tym idzie, kultury narodowej. Podział literatury i kultury kanadyjskiej na stale rosnącą liczbę kategorii takich jak: azjatycko- kanadyjska, afrykańsko-kanadyjska, diasporyczna kanadyjska czy kanadyjska ludność rdzenna, jest uznawany za przejaw jej instytucjonalizacji, a tym samym „kontroli epistemologicz...
The paper examines Indigenous theatre theories by Floyd Favel (Cree) and his essays on Indigenous cultures
These papers consitute the Conference Proceedings from Cultural Transformations and Civil Society: Reflecting on a Decade of Change May 13-16 1999 at Jagiellonian University in Krakow Poland. True to the conference organizational design... more
These papers consitute the Conference Proceedings from Cultural Transformations and Civil Society: Reflecting on a Decade of Change May 13-16 1999 at Jagiellonian University in Krakow Poland. True to the conference organizational design the essays in this book are grouped thematically rather than by discipline. Thus the reader finds varying perspectives on a number of cultural processes that are observable in the region: tradition revived and contested inventions and innovations new publics and he politics of culture. We use this approach to encourage crossdisciplinary and cross-national dialogue.
The study analyzes language- and theory-focused texts by four Canadian women writers: Lola Lemire Tostevin, Betsy Warland, Gail Scott and Erin Moure. The texts are read as representative of a contemporary avant-garde. The term... more
The study analyzes language- and theory-focused texts by four Canadian women writers: Lola Lemire Tostevin, Betsy Warland, Gail Scott and Erin Moure. The texts are read as representative of a contemporary avant-garde. The term avant-garde, when used in conjunction with modernism or postmodernism, points to the more radical, norm-breaking aspects of both movements. Avant-garde writing is read as a reincarnation of the spirit of carnival. The concept of “carnival,” with all its Bakhtinian and Kristevan associations, when translated into literature accounts for multiple subversions of language and forms of writing. Such forms of feminist writing as "ecriture feminine" and "feminnage" are examined in the thesis. The writers explore the writing itself as a process of finding a form through a dialogue with multiple genres and modes of writing. -- These language-focused texts explore the concept of intersemiotic translation of body into a written script. In this process...
These papers consitute the Conference Proceedings from Cultural Transformations and Civil Society: Reflecting on a Decade of Change, May 13-16, 1999 at Jagiellonian University in Krakow, Poland. True to the conference organizational... more
These papers consitute the Conference Proceedings from Cultural Transformations and Civil Society: Reflecting on a Decade of Change, May 13-16, 1999 at Jagiellonian University in Krakow, Poland. True to the conference organizational design, the essays in this book are grouped thematically rather than by discipline. Thus, the reader finds varying perspectives on a number of cultural processes that are observable in the region: tradition revived and contested, inventions and innovations, new publics, and the politics of culture. We use this approach to encourage crossdisciplinary and cross-national dialogue.