Savannah Shange
University of California, Santa Cruz, Anthropology, Faculty Member
- Social and Cultural Anthropology, Ethnic Studies, Urban Education, Africana Studies, Queer Theory, Race and Ethnicity, and 11 moreAfrican American Studies, Neoliberalism, Critical Geography, Comparative Ethnic Studies, Diasporic Identities, Race, Class, Sex and Gender, Anthropology, Communication, and Cultural Studiesedit
- Savannah Shange is an urban anthropologist who works at the intersections of race, place, sexuality, and the state. S... moreSavannah Shange is an urban anthropologist who works at the intersections of race, place, sexuality, and the state. She is Assistant Professor of Anthropology at the University of California, Santa Cruz with research interests in circulated and lived forms of blackness, ethnographic ethics, Afro-pessimism, and queer of color critique. Her dissertation, "Progressive Dystopia: Multiracial Coalition and the Carceral State" is an ethnography of social justice activism in San Francisco, focused on how anti-Black and settler colonial logics are both combated and perpetuated in multiracial progressive movements. Savannah has been a Ford Foundation Dissertation Fellow, a Jack Kent Cooke Foundation Fellow, and a Point Scholar.edit
Written at the confluence of Black girlhood studies and a critical anthropology of the state, this essay is an ethnography of social death in gentrifying San Francisco. I argue the gendered and raced patterns of school discipline at a San... more
Written at the confluence of Black girlhood studies and a critical anthropology of the state, this essay is an ethnography of social death in gentrifying San Francisco. I argue the gendered and raced patterns of school discipline at a San Francisco high school help us apprehend the afterlife of slavery. Within the context of schooling, the particular association of Black girls as loud and disobedient is well-documented in the literature. Using flesh (Spillers 1987) as a hermeneutic to understand Black embodiment in the late liberal US, the essay centers on two young women who are targeted for school push out. Ultimately, the self-making strategies employed by young Black women in San Francisco flummox the progressive political project and model "Black girl ordinary" as a practice of ethical refusal, both within and beyond the academy. [gender, youth, schooling, urban anthropology, blackness]
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Through ethnographic engagement with queer kids of color coming of age in the San Francisco Bay Area, this essay explores the co-production of Black queer common sense across gender and generation. A social justice themed alternative... more
Through ethnographic engagement with queer kids of color coming of age in the San Francisco Bay Area, this essay explores the co-production of Black queer common sense across gender and generation. A social justice themed alternative high school allows us to examine schools as not just hostile territories to queer teachers or students in isolation, but also potentially as sites of the collaborative, contested production of queer communities of color. Drawing on the work of Riley Snorton (2017), Kara Keeling (2007), Kaila Story (2017) and Mel Michelle Lewis (2017), I critically engage stud-femme sociality as a contested site of Black queer kinship. Struggling through conflict and collaboration, the young women of Frisco teach us to engage girlhood as a coalitional space of queer possibility.
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This article explores the deployment of race, queer sexuality, and femme gender performance in the work of rapper and pop musical artist Nicki Minaj. The author argues that Minaj’s complex assemblage of public personae functions as a sort... more
This article explores the deployment of race, queer sexuality, and femme gender performance in the work of rapper and pop musical artist Nicki Minaj. The author argues that Minaj’s complex assemblage of public personae functions as a sort of “bait and switch” on the laws of normativity, where she appears to perform as “straight” or “queer,” while upon closer examination, she refuses to be legible as either. Rather than perpetuate notions of Minaj as yet another pop diva, the author proposes that Minaj signals the emergence of the femmecee, or a rapper whose critical, strategic performance of queer femininity is inextricably linked to the production and reception of their rhymes. This article engages a pair of music video releases that reflect the range of Minaj’s gender performances as cinematic lenses into the strategic moves that Minaj is able to make from her femmecee stance. King Nicki’s hypervisibility as a black femmecee and refusal to cede to any regime of recognition confound the multiple common senses that seek to produce her as a compliant subject.
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A short reflection for Anthropology News on the national climate after a week of shootings.
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In this brief essay for The Feminist Wire, I explore antiblack racism and the ethics of queer reproduction in the context of a white lesbian family accidentally birthing a black daughter.