This paper discusses the process of creation of my sound piece Selva de Metal (Metal Jungle), which comes from mechanical manipulation of two works of art: metal sculptures (replicas)-series Bichos (Critters) by Lygia Clark-and ping pong...
moreThis paper discusses the process of creation of my sound piece Selva de Metal (Metal Jungle), which comes from mechanical manipulation of two works of art: metal sculptures (replicas)-series Bichos (Critters) by Lygia Clark-and ping pong balls-Series Ping Poem by Lenora de Barros. The noises and sounds that make up the base material for the production of the electronic sound piece, in combination with the voice in live action, were presented at the Mobile Radio-radio art web installed at the 30 th Bienal de São Paulo-Brazil, in 2012. Handled artworks, the split in the propositions of artists, the correspondence between actions, operations, procedures used, mix of means of expression and dissemination, as well as the hybrid nature of the Performance Art, highlight the concepts of territory, dester-ritorialization and ritornello, as designed and proposed by the French philosopher Gilles Deleuze.
