André LANGE
Université de Liège, Media, Culture and Communication, former Senior Teaching Fellow, Scientific collaborator
André Lange is a researcher and expert in the field of cultural, media and visual studies. André Lange was expert and then Head of Department at the European Audiovisual Observatory from 1993 to 2015. He is the editor of the website "Histoire de la télévision" (http://www.histv.net). He was the editor and co-author of 20 editions of the Yearbook, has designed the initial versions of the databases LUMIERE and MAVISE. He also also edited various issues of the "FOCUS. Trends of the World Film Market" and numerous reports and presentations. Prior to joining the European Audiovisual Observatory in 1993 as part of the initial team, had a distinguished international career as a researcher, specialising in socio-economic aspects of the European media sector. Worked as university lecturer and researcher at the University of Liège, the European Institute for the Media in Manchester, the University of Paris-Dauphine and the Free University of Brussels, and held a lecturer traineeship (1988-89) with the Directorate of Human Rights at the Council of Europe. Headed the Audiovisual and Cultural Industries Department of the French research institute IDATE (1989-1993).Has published a large number of books, studies and scientific papers for international bodies, national ministries, professional organisations and research institutes. Formerly was lecturer on the History of television at the Free University of Brussels. Doctorate in Communications Studies from the University of Liège (1986). Member of the Académie André Delvaux and of the European Film Academy. Scientific collaborator at the University of Liège.
In March 2022, André created the Denis Diderot Committee, a network of academics and media professionals opposed to the continuation of the collaboration of European satellite companies (Eutelsat and SES) with the Russian apparatus of war propaganda and incitement to genocide.
In March 2022, André created the Denis Diderot Committee, a network of academics and media professionals opposed to the continuation of the collaboration of European satellite companies (Eutelsat and SES) with the Russian apparatus of war propaganda and incitement to genocide.
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The impartiality of the data presented is guaranteed by the Observatory’s
status as a pan-European public body.
The Yearbook constitutes an outstanding source for all those involved
in the audiovisual sector, whether policy makers, professionals or academics.
500 graphs and tables. The result is a unique overview of Europe’s audiovisual markets in film, television and video.
The impartiality of the data presented is guaranteed by the Observatory’s
status as a pan-European public body. The two volumes of the Yearbook
constitute an outstanding source for all those involved in the audiovisual
sector, whether policy makers, professionals or academics.
The impartiality of the data presented is guaranteed by the Observatory’s
status as a pan-European public body.
The two volumes of the Yearbook constitute an outstanding source for
all those involved in the audiovisual sector, whether policy makers, professionals or academics.
Vol. 2, “Television, cinema, video and on-demand audiovisual services – the pan-European picture”
European statistical tool, imagined in the 1920s, did not come to fruition. This was only achieved in the 1990s with the creation of the European Audiovisual Observatory and its LUMIERE database.
Une analyse statistique de la production et de la circulation des films de comédie dans l'Union européenne basée sur une exploitation de la base de données LUMIERE
La version complète avec enregistrement du commentaire est accessible ici : https://www.histv.net/comedie
THE PRODUCTION AND CIRCULATION OF FILMS FROM THE EU
NEW MEMBER STATES (1996-2012)
Audiovisual Summit "From MEDIA to CREATIVE EUROPE.
The experiences of the MEDIA Programme in New Europe countries. Challenges for the Future" organised by
the Media Desk Poland and the Polish Ministry of Culture.
Warsaw (10-12 December 2013)
The impartiality of the data presented is guaranteed by the Observatory’s
status as a pan-European public body.
The Yearbook constitutes an outstanding source for all those involved
in the audiovisual sector, whether policy makers, professionals or academics.
500 graphs and tables. The result is a unique overview of Europe’s audiovisual markets in film, television and video.
The impartiality of the data presented is guaranteed by the Observatory’s
status as a pan-European public body. The two volumes of the Yearbook
constitute an outstanding source for all those involved in the audiovisual
sector, whether policy makers, professionals or academics.
The impartiality of the data presented is guaranteed by the Observatory’s
status as a pan-European public body.
The two volumes of the Yearbook constitute an outstanding source for
all those involved in the audiovisual sector, whether policy makers, professionals or academics.
Vol. 2, “Television, cinema, video and on-demand audiovisual services – the pan-European picture”
European statistical tool, imagined in the 1920s, did not come to fruition. This was only achieved in the 1990s with the creation of the European Audiovisual Observatory and its LUMIERE database.
Une analyse statistique de la production et de la circulation des films de comédie dans l'Union européenne basée sur une exploitation de la base de données LUMIERE
La version complète avec enregistrement du commentaire est accessible ici : https://www.histv.net/comedie
THE PRODUCTION AND CIRCULATION OF FILMS FROM THE EU
NEW MEMBER STATES (1996-2012)
Audiovisual Summit "From MEDIA to CREATIVE EUROPE.
The experiences of the MEDIA Programme in New Europe countries. Challenges for the Future" organised by
the Media Desk Poland and the Polish Ministry of Culture.
Warsaw (10-12 December 2013)
co-organised by the Council of Europe and the Polish Film Institute
(Kraków, 11-13 September 2008)
sur les politiques cinématographiques, coorganisé par le Conseil de l’Europe et l’Institut cinématographique polonais (Cracovie, 11-13 septembre 2008)
Martin Kanzler en collaboration avec
Susan Newman-Baudais et André Lange
Observatoire européen de l’audiovisuel
Cette étude a fait l’objet d’une présentation lors des rencontres suivantes :
• ENIM 2017 7º ENCONTRO DE INVESTIGAÇÃO EM MÚSICA 7th CONFERENCE ON MUSICAL RESEARCH 9 - 11 Novembro 2017 / 9th - 11th November 2017 Universidade do Minho Organizado pela Sociedade Portuguesa de Investigação em Música em parceria com a Universidade do Minho (Braga)
• Journée d'étude du GREPs « Quand l’industrie du cinéma enquête sur ses publics » (16 novembre 2017, Université Paris Diderot-Paris 7
for a Ministerial Conference on Broadcasting organised by
the Irish Presidency of the European Union
Dublin & Drogheda 1 - 3 March 2004
Session 3 “The Impact of Transfrontier Broadcasting Services on Television Markets in Individual Member States"
fiction programmes on the basis of a
significant sample of European television
channels between 2006 and 2013.
1. On-line video market in EU in 2013
2. Recent development of the SvoD market in 2014
3. The proportion and proeminence of European works in VoD catalogues
4. The role of providers of VoD services and distribution platforms in the financing of European works
5. Measurement of fragmented audiovisual audiences.
André Lange was the supervisor of the report and co-author of sections 3 and 4.
Séminaire « Le développement de l’offre télévisuelle non-linéaire en Europe»
Montreux, 6 novembre 2008 organisé par l'Office fédéral suisse de la Communication et l'Observatoire européen de l'audiovisuel
A historical analysis of the regulation of inter-branch transfers in the European audiovisual industry and, in particular, of the contribution obligations of VoD service providers in the context of the 2018 European Directive on Audiovisual Media Services
Audiovisual Observatory is a unique pan-European
public service organisation dedicated
to gathering and distributing information on
the European audiovisual industry (film, television,
home video, new media). Currently
35 European States as well as the European
Community are members of the Observatory.
The Observatory functions within the framework
of an enlarged partial agreement of the
Council of Europe and carries out its mission
with a network of partners, correspondents
and professional organisations.
Collection and publication of statistics is one
of the important activities of the Observatory.
General strategy, methodological issues,
databases and recent results will be presented.
pouvoir convergent ? Régulation et jurisprudence
Evaluation de la concentration de l'audience TV et de vidéo en ligne dans différents pays européens (2011-2012)
A survey of available data and proposed methodologies for the assesment of the impact of digital technologies on the piracy of music and audiovisual works.
Captain (ret.) in the Royal Prussian Army, is one of the most unknown documents of the early history of television. It has never been quoted in the recent literature on this period,
and after two years of research André Lange has identified only one existing copy in the Österreichische Zentralbibliothek für Physik (Wien). Only two quotations of the
brochure are known, and both dated from 1898: in "Jan Szczepanik und Maximilian Plessner. Der Erfinder des Telektroskops und sein Vorläufer", Vom Fels zum Meer,
Stuttgart, Mai 1898, pp. 160-165, and in B. SCHÖFFLER, Die Phototelegraphie und das elektrische Fernsehen, W. Braumüller, Wien, 1898, p. 27. Although Plessner’s
contribution to the history of television can be considered as minimal, this brochure is of great interest, as demonstrated by Nils Klevjer Aas’ abstract and comments.
THE ITALIAN AUTHORITY LAUNCHES AN INVESTIGATION PROCEDURE.
The Denis Diderot Committee publishes a alert report on the Lebanese channel Al Mayadeen TV. This channel, broadcast to the Middle East, North Africa and Europe by two Eutelsat satellites from Italian territory, was not authorized by the Italian regulatory authority, Agcom.
LA CHAINE LIBANAISE AL MAYADEEN TV, PROMOTRICE DES ORGANISATIONS TERRORISTES ISLAMISTES, EST DIFFUSEE PAR DEUX SATELLITES EUTELSAT SANS LES AUTORISATIONS REQUISES – L’AUTORITE ITALIENNE LANCE UNE PROCEDURE D’INVESTIGATION.
Le Comité Denis Diderot publie un rapport de signalement de la chaîne libanaise Al Mayadeen TV. Cette chaîne, diffusée vers le Moyen-Orient, l'Afrique du Nord et l'Europe par deux satellites Eutelsat depuis le territoire italien n'a pas été autorisée par l'autorité italienne de régulation, l'Agcom.
INTRODUCTION
SYNTHESE ET RECOMMANDATIONS A L’ARCOM ET AUX AUTORITS FRANCAISES
CHAPITRE 1. LE CADRE JURIDIQUE DE L’INFORMATION TELEVISEE DANS LA FEDERATION DE RUSSIE
CHAPITRE 2 LES GRANDES CARACTERISTIQUES DU MARCHE DE LA
TELEVISION DANS LA FEDERATION DE RUSSIE
CHAPITRE 3. LE ROLE DES CHAÎNES D’ETAT DANS LA POLITIQUE RUSSE ET EN PARTICULIER DANS LA GUERRE CONTRE L’UKRAINE
CHAPITRE 4 LE ROLE D’EUTELSAT S.A. DANS LE SYSTEME TELEVISUEL RUSSE
CHAPITRE 5. LES COMPETENCES DE L’ARCOM SUR LES CHAÎNES RUSSES DIFFUSEES PAR LES SATELLITES FRANÇAIS
CHAPITRE 6. LES CLIENTS RUSSES D’EUTELSAT S.A. DANS LE DOMAINE
DE LA TELEVISION – PLATEFORMES DE TELEVISION A PEAGE
ET CHAÎNES INDIVIDUELLES
CHAPITRE 7. LES INTERRUPTIONS DE DIFFUSION DE CHAINES SUR LES PLATES-FORMES NTV PLUS ET TRIKOLOR.
CHAPITRE 8. SIGNALEMENT DES PROPOS TENUS SUR LES CHAÎNES
ROSSIYA 1, PERVIY KANAL ET NTV
CHAPITRE 9. L’EVOLUTION DE LA CONSOMMATION D’INFORMATION
EN RUSSIE DEPUIS L’INVASION DE L’UKRAINE
The international symposium Télé—Visions brings together a body of recent work on the influence of emission, transmission and reception technologies in the visual arts and visual culture, from the 19th century to the present. Beyond the medium of television itself, the plural “tele-visions” refers to the variety of remote viewing and image transmission techniques which, from semaphores to wireless telegraphy and up to fiber optics and contemporary networks, have configured new models for the circulation and transmission of images. Dialoguing with the history of science and technology as well as with media archaeology, the contributors to the conference will explore broad topics such as the joint evolution of perceptual regimes and remote transmission techniques, the modalities of “prosthetic vision,” the material effects of image transmission and the spatio-temporal issues inherent to network dynamics.
This conference takes as its core hypothesis that the “conquest of ubiquity” by the transport of images at any time and in any place described by Paul Valéry in 1928 anticipated the contemporary society of globalized exchanges and, as such, marks a turning point in the history of art. The association IMAGO—Cultures Visuelles proposes to study this turning point, placing it within the historical panorama of the great artistic changes brought about by technology, in the spirit of the importance respectively given to reproduction and storage technologies by Walter Benjamin and Friedrich A. Kittler. Recent research in media studies shows a growing interest in visual telecommunication technologies through such key concepts of “circulation,” “flow” and “network.” Télé—Visions proposes to broaden the scope of this new conceptual understanding of images by exploring the social factors, cultural strategies and technical-aesthetic concerns that have shaped the history of transmitted images and the artistic use of telecommunications.
This event is free and open to the public without reservation. The conference will be live-streamed via Zoom. It will be held in French and English.
Venue : Auditorium Jacqueline Lichtenstein, Institut national d’histoire de l’art (INHA), 2 rue Vivienne 75002 Paris, France.