mix-blooded in transit identity subject, interested in landscape and space appropiation identitary strategies and patterns. Visual artist, creator-researcher, architect (FAU-Bennettt Rio de Janeiro), MsC urban and land planner (IUAV Venice), PhD arts and thought (UEB - Barcelona), participative, co-elaborative arts creation and cultural production
Producto de investigación sobre arte contemporáneoA través de testimonios directos el texto resal... more Producto de investigación sobre arte contemporáneoA través de testimonios directos el texto resalta la importancia de la experiencia para la producción de conocimientos surgidos mediante procesos de investigación-creación en el arte de la performance. Las narraciones corresponden al arte participativo vinculado a la marginalidad, la precariedad y la indigencia. El performer cuestionado utiliza el cuerpo artísticamente para señalar problemas sociopolíticos de las ciudades latinoamericanas, mediante acciones subyacentes al pensamiento del artista. Los testimonios impactan la concepción de juicios humanísticos de la cultura popular utilizados en el arte actual. Para reforzar el relato conceptual un dibujante indaga directamente al performer, lo interpreta y fortalece sus testimonios con dibujos, utilizados para aprovechar un lenguaje alternativo que explota el poder discursivo de la imagen.Index Arte contemporáne
Reflexionar desde las experiencias [Recurso electrónico]: una visión complementaria entre España, Francia y Brasil : actas del II Congreso Internacional de Educación Patrimonial : [28-31 oct. 2014, Madrid], 2014, ISBN 978-84-697-1504-8, págs. 403-411, 2014
La tesis es el resultado de realizacion de un trabajo que entrelaza los lenguajes de la imagen y ... more La tesis es el resultado de realizacion de un trabajo que entrelaza los lenguajes de la imagen y la palabra, la memoria, la identidad y el viaje para construir paisajes del camino del peyote partiendo desde Oklahoma en coche pasando por Tejas y Arizona, California,Nuevo Mexico, Chihuahua para terminar en la Sierra Tarahumara. Se trata de un trabajo documental progresivo, realizado en la ruta acompanando el poeta contemporaneo cheyenne Lance Henson. El formato del viaje en la ruta, refuerza la idea de la existencia y la accion creativa como una deriva, como un transito, transitoriedad de situaciones y de espacios, mestizajes y contaminaciones de personajes e identidades, sincretismos espaciales y simbolicos. El trabajo es el resultado del cruce de miradas establecido entre los lenguajes del autor de la tesis Francisco Cabanzo, artista visual, el cine documental de Federico Lanchares y la poesia de Henson permite apreciar como emergen diversos paisajes, como se solapan, se contrastan ...
Las prácticas artísticas representan una forma de investigación que admite un tipo de análisis cu... more Las prácticas artísticas representan una forma de investigación que admite un tipo de análisis cualitativo basado en historias de vida, imágenes, sonidos y experiencias sensoriales, tanto de investigadores como de participantes. Con ello surgen varias cuestiones asociadas con la gestión de los datos, que pueden ser territoriales, subjetivos o también relativos a las interacciones. La pesquisa que lleva a cabo la Red de lo patrimoniable de Colombia estudia los lugares a partir de las prácticas artísticas y de las realidades geográficas en hábitat popular. En este articulo se presenta un ejercicio de co-creación realizando en Internet a partir del cual se generó un rastreo desde abajo hacia arriba del patrimonio cultural, en contextos geográficos diversos. Los participantes georreferenciaron la información incluyendo registros de las percepciones, valoraciones estéticas y subjetivas de los lugares. En el articulo se argumenta que es posible utilizar un sistema de información geográfic...
Intervenciones contemporáneas en territorios con historia es la cuarta publicación de la Colecció... more Intervenciones contemporáneas en territorios con historia es la cuarta publicación de la Colección Hábitat y Patrimonio que integra reflexiones sobre la interacción entre proyectos urbano-arquitectónicos y entornos patrimoniales, donde se evidencia crítica, teoría, praxis investigativa y puesta en valor del territorio y sus comunidades, como unidad y continuo histórico; adicionalmente, se involucra el tema de accesibilidad y comunicación incluyente como parte de realidades actuales y visiones integradoras del patrimonial cultural; pasado y presente se interpretan como estratos sucesivos cargados de historia en los territorios, donde cada época hereda lo relevante del patrimonio cultural material y lo significativo de lo inmaterial para el presente, cuyo compromiso no solo es con la actualidad sino con el futuro por legar a generaciones receptoras de memorias. Para evidenciar el rol contemporáneo en territorios cargados de historia, se conjugó conocimientos y experiencias de investig...
A través de testimonios directos el texto resalta la importancia de la experiencia para la produc... more A través de testimonios directos el texto resalta la importancia de la experiencia para la producción de conocimientos surgidos mediante procesos de investigación-creación en el arte de la performance. Las narraciones corresponden al arte participativo vinculado a la marginalidad, la precariedad y la indigencia. El performer cuestionado utiliza el cuerpo artísticamente para señalar problemas sociopolíticos de las ciudades latinoamericanas, mediante acciones subyacentes al pensamiento del artista. Los testimonios impactan la concepción de juicios humanísticos de la cultura popular utilizados en el arte actual. Para reforzar el relato conceptual un dibujante indaga directamente al performer, lo interpreta y fortalece sus testimonios con dibujos, utilizados para aprovechar un lenguaje alternativo que explota el poder discursivo de la imagen.
This work stems from a reflection around the conceptual relationship established between heritage... more This work stems from a reflection around the conceptual relationship established between heritage education, cultural heritage, popular and contemporary ancestral habitat and artistic practices merging from a researchcreation project “Experiential artistic practices for the recognition of ‘the heritageable’ in Colombia: popular habitat and contemporary ancestral habitat in pilot places (Municipality of Choachí, neihborhoods Pardo Rubio, Minuto de Dios, Las Cruces, El Pañuelito, the locality of Rafael Uribe Uribe). The arguments are formulated from case studies, articulated in the “Heritageable Network”: coformed by observatory places that belong to urban and rural contexts of Bogotá and its edges. The need to confer and defend the significance of places in the ordinary or ancestral world based on aesthetic practices is argued in this chapter. “The heritageable” - recognized by the community - is arbitrated and located in space and time, past, present and future, restoring common sen...
Oklahoma-Nararachi: Paisajes del Camino del Peyote, parte uno. 2010. Cabanzo Francisco, Tesis Doctoral, Programa Arte y pensamiento, Facultad de Bellas Artes, Universidad de Barcelona, Barcelona. , 2010
OKLAHOMA-NARARACHI, PEYOTE ROAD LANDSCAPES PART ONE (OKLAHOMA-NARARACHI: PAISAJES DEL CAMINO DEL ... more OKLAHOMA-NARARACHI, PEYOTE ROAD LANDSCAPES PART ONE (OKLAHOMA-NARARACHI: PAISAJES DEL CAMINO DEL PEYOTE, PARTE UNO). Firts of three parts of PhD thesis creation-research process, presents the creative part of an art-based research made by Lance Henson (cheyenne poet) and Francisco Cabanzo (images), Arts and thought PhD Program, Fine Arts Program, Universidad de Barcelona - UEB, 2010.
This article resumes the motivations, methodological and the-oretical aspects of an arts-based re... more This article resumes the motivations, methodological and the-oretical aspects of an arts-based research around territory-sig-nificance density maps, built through key-words analysis, body behaviour, identities in transit, syncretism and metissage, cul-tural landscapes and transcendental art. This interdisciplinary arts work shows a set of “on the road” - visual and poetic land-scapes, part of research assistance for documentary production and a doctoral thesis. It demonstrates how art increases ‘terri-tory significance density’, and how in transit-syncretic native and mestizo resistance strategies are juxtaposed to material space cultural hegemonic dominance
Cultural heritage is an invention and a social construction.1 According to Bogumila Lisocka-Jaege... more Cultural heritage is an invention and a social construction.1 According to Bogumila Lisocka-Jaegermann “the definition of cultural heritage is a process that manifests close relationships between territory and identity, power relations and cultural aspirations”.2 Some authors highlight how heritage is the same social practice that defines the cultural asset.3,4 while others affirm that patrimonial assets are not unequivocal but “equivocal/ambiguous” and that its evaluation raises in the first place a problem of interpretation and in a second place of conservation.5‒7
espanolEn Colombia, el sesenta por ciento del habitat urbano esta constituido por barrios de desa... more espanolEn Colombia, el sesenta por ciento del habitat urbano esta constituido por barrios de desarrollo progresivo y de autoconstruccion, construidos sin que hayan mediado procesos planificados ni de arquitectura profesional, sufriendo procesos de gentrificacion. En el medio rural procesos de violencia y desplazamiento forzado amenazan comunidades indigenas contemporaneas que mantienen sus tradiciones ancestrales en forma adaptativa. En un proceso promovido por artistas, de abajo hacia arriba, se incentiva la creacion de una Red Latinoamericana de Observatorios de Patrimonio trabajando en esos ambitos. El habitat-popular es lugar de resistencia y adaptacion cultural, que ha permitido transmitir un legado de proveniencia ancestral, este legado pasa por lo vernacular y se transforma en lenguaje y forma de vida popular, observatorios: barrios Pardo Rubio, Las Cruces.El habitat-ancestral contemporaneo constituye un mosaico cultural de formas de vida, pensamiento y comprension del mundo ...
Intervenciones contemporáneas en territorios con historia es la cuarta publicación de la Colecció... more Intervenciones contemporáneas en territorios con historia es la cuarta publicación de la Colección Hábitat y Patrimonio que integra reflexiones sobre la interacción entre proyectos urbano-arquitectónicos y entornos patrimoniales, donde se evidencia crítica, teoría, praxis investigativa y puesta en valor del territorio y sus comunidades, como unidad y continuo histórico; adicionalmente, se involucra el tema de accesibilidad y comunicación incluyente como parte de realidades actuales y visiones integradoras del patrimonial cultural; pasado y presente se interpretan como estratos sucesivos cargados de historia en los territorios, donde cada época hereda lo relevante del patrimonio cultural material y lo significativo de lo inmaterial para el presente, cuyo compromiso no solo es con la actualidad sino con el futuro por legar a generaciones receptoras de memorias. Para evidenciar el rol contemporáneo en territorios cargados de historia, se conjugó conocimientos y experiencias de investigadores y profesionales especializados en áreas de la cultura, historia, urbanismo y arquitectura procedentes de Irán, Italia, España, Portugal, México, Guatemala, Brasil, Chile y Colombia, socializadas en las Cuartas Jornadas Internacionales de Reflexión en Patrimonio Cultural 2017, organizadas por la Universidad de La Salle y la Facultad Ciencias del Hábitat en Bogotá, Colombia. Se busca, entonces, generar escenarios para la reflexión a partir de realidades actuales, donde mucho está escrito y plasmado en obras materiales, evidenciando que la diversidad y las particularidades de los contextos ponen la pauta y, de alguna manera, condicionan la creación espacial actual, cuya responsabilidad no solo versa en la interacción entre períodos sino en la concreción de propuestas espaciales bajo criterios de calidad en la consolidación de contextos a través del diálogo entre mundos pasados y presentes
Cuadernos de Música, Artes Visuales y Artes Escénicas
El objetivo de este artículo es presentar las bases del proceso de reconocimiento de las activida... more El objetivo de este artículo es presentar las bases del proceso de reconocimiento de las actividades relacionadas con la creación artística, arquitectónica y del diseño como formas de producción de conocimiento en Colombia. En él se exponen los antecedentes, las definiciones y los criterios que alimentaron la discusión en los debates sobre la definición de políticas que establecen los mecanismos de evaluación de la producción de conocimiento, realizados entre el Departamento Administrativo de Ciencia y Tecnología (Colciencias), la Asociación Colombiana de Facultades y Programas de Artes (Acofartes), la Asociación Colombiana de Facultades de Arquitectura (ACFA) y la Asociación Colombiana Red Académica de Diseño (RAD) entre 2013 y 2016. La discusión condujo a la construcción de un modelo propio para medir la producción de investigadores creadores vinculados a grupos de investigación en artes, arquitectura y diseño (AAD). Tras introducir brevemente el contexto del Sistema de Ciencia y ...
Producto de investigación sobre arte contemporáneoA través de testimonios directos el texto resal... more Producto de investigación sobre arte contemporáneoA través de testimonios directos el texto resalta la importancia de la experiencia para la producción de conocimientos surgidos mediante procesos de investigación-creación en el arte de la performance. Las narraciones corresponden al arte participativo vinculado a la marginalidad, la precariedad y la indigencia. El performer cuestionado utiliza el cuerpo artísticamente para señalar problemas sociopolíticos de las ciudades latinoamericanas, mediante acciones subyacentes al pensamiento del artista. Los testimonios impactan la concepción de juicios humanísticos de la cultura popular utilizados en el arte actual. Para reforzar el relato conceptual un dibujante indaga directamente al performer, lo interpreta y fortalece sus testimonios con dibujos, utilizados para aprovechar un lenguaje alternativo que explota el poder discursivo de la imagen.Index Arte contemporáne
Reflexionar desde las experiencias [Recurso electrónico]: una visión complementaria entre España, Francia y Brasil : actas del II Congreso Internacional de Educación Patrimonial : [28-31 oct. 2014, Madrid], 2014, ISBN 978-84-697-1504-8, págs. 403-411, 2014
La tesis es el resultado de realizacion de un trabajo que entrelaza los lenguajes de la imagen y ... more La tesis es el resultado de realizacion de un trabajo que entrelaza los lenguajes de la imagen y la palabra, la memoria, la identidad y el viaje para construir paisajes del camino del peyote partiendo desde Oklahoma en coche pasando por Tejas y Arizona, California,Nuevo Mexico, Chihuahua para terminar en la Sierra Tarahumara. Se trata de un trabajo documental progresivo, realizado en la ruta acompanando el poeta contemporaneo cheyenne Lance Henson. El formato del viaje en la ruta, refuerza la idea de la existencia y la accion creativa como una deriva, como un transito, transitoriedad de situaciones y de espacios, mestizajes y contaminaciones de personajes e identidades, sincretismos espaciales y simbolicos. El trabajo es el resultado del cruce de miradas establecido entre los lenguajes del autor de la tesis Francisco Cabanzo, artista visual, el cine documental de Federico Lanchares y la poesia de Henson permite apreciar como emergen diversos paisajes, como se solapan, se contrastan ...
Las prácticas artísticas representan una forma de investigación que admite un tipo de análisis cu... more Las prácticas artísticas representan una forma de investigación que admite un tipo de análisis cualitativo basado en historias de vida, imágenes, sonidos y experiencias sensoriales, tanto de investigadores como de participantes. Con ello surgen varias cuestiones asociadas con la gestión de los datos, que pueden ser territoriales, subjetivos o también relativos a las interacciones. La pesquisa que lleva a cabo la Red de lo patrimoniable de Colombia estudia los lugares a partir de las prácticas artísticas y de las realidades geográficas en hábitat popular. En este articulo se presenta un ejercicio de co-creación realizando en Internet a partir del cual se generó un rastreo desde abajo hacia arriba del patrimonio cultural, en contextos geográficos diversos. Los participantes georreferenciaron la información incluyendo registros de las percepciones, valoraciones estéticas y subjetivas de los lugares. En el articulo se argumenta que es posible utilizar un sistema de información geográfic...
Intervenciones contemporáneas en territorios con historia es la cuarta publicación de la Colecció... more Intervenciones contemporáneas en territorios con historia es la cuarta publicación de la Colección Hábitat y Patrimonio que integra reflexiones sobre la interacción entre proyectos urbano-arquitectónicos y entornos patrimoniales, donde se evidencia crítica, teoría, praxis investigativa y puesta en valor del territorio y sus comunidades, como unidad y continuo histórico; adicionalmente, se involucra el tema de accesibilidad y comunicación incluyente como parte de realidades actuales y visiones integradoras del patrimonial cultural; pasado y presente se interpretan como estratos sucesivos cargados de historia en los territorios, donde cada época hereda lo relevante del patrimonio cultural material y lo significativo de lo inmaterial para el presente, cuyo compromiso no solo es con la actualidad sino con el futuro por legar a generaciones receptoras de memorias. Para evidenciar el rol contemporáneo en territorios cargados de historia, se conjugó conocimientos y experiencias de investig...
A través de testimonios directos el texto resalta la importancia de la experiencia para la produc... more A través de testimonios directos el texto resalta la importancia de la experiencia para la producción de conocimientos surgidos mediante procesos de investigación-creación en el arte de la performance. Las narraciones corresponden al arte participativo vinculado a la marginalidad, la precariedad y la indigencia. El performer cuestionado utiliza el cuerpo artísticamente para señalar problemas sociopolíticos de las ciudades latinoamericanas, mediante acciones subyacentes al pensamiento del artista. Los testimonios impactan la concepción de juicios humanísticos de la cultura popular utilizados en el arte actual. Para reforzar el relato conceptual un dibujante indaga directamente al performer, lo interpreta y fortalece sus testimonios con dibujos, utilizados para aprovechar un lenguaje alternativo que explota el poder discursivo de la imagen.
This work stems from a reflection around the conceptual relationship established between heritage... more This work stems from a reflection around the conceptual relationship established between heritage education, cultural heritage, popular and contemporary ancestral habitat and artistic practices merging from a researchcreation project “Experiential artistic practices for the recognition of ‘the heritageable’ in Colombia: popular habitat and contemporary ancestral habitat in pilot places (Municipality of Choachí, neihborhoods Pardo Rubio, Minuto de Dios, Las Cruces, El Pañuelito, the locality of Rafael Uribe Uribe). The arguments are formulated from case studies, articulated in the “Heritageable Network”: coformed by observatory places that belong to urban and rural contexts of Bogotá and its edges. The need to confer and defend the significance of places in the ordinary or ancestral world based on aesthetic practices is argued in this chapter. “The heritageable” - recognized by the community - is arbitrated and located in space and time, past, present and future, restoring common sen...
Oklahoma-Nararachi: Paisajes del Camino del Peyote, parte uno. 2010. Cabanzo Francisco, Tesis Doctoral, Programa Arte y pensamiento, Facultad de Bellas Artes, Universidad de Barcelona, Barcelona. , 2010
OKLAHOMA-NARARACHI, PEYOTE ROAD LANDSCAPES PART ONE (OKLAHOMA-NARARACHI: PAISAJES DEL CAMINO DEL ... more OKLAHOMA-NARARACHI, PEYOTE ROAD LANDSCAPES PART ONE (OKLAHOMA-NARARACHI: PAISAJES DEL CAMINO DEL PEYOTE, PARTE UNO). Firts of three parts of PhD thesis creation-research process, presents the creative part of an art-based research made by Lance Henson (cheyenne poet) and Francisco Cabanzo (images), Arts and thought PhD Program, Fine Arts Program, Universidad de Barcelona - UEB, 2010.
This article resumes the motivations, methodological and the-oretical aspects of an arts-based re... more This article resumes the motivations, methodological and the-oretical aspects of an arts-based research around territory-sig-nificance density maps, built through key-words analysis, body behaviour, identities in transit, syncretism and metissage, cul-tural landscapes and transcendental art. This interdisciplinary arts work shows a set of “on the road” - visual and poetic land-scapes, part of research assistance for documentary production and a doctoral thesis. It demonstrates how art increases ‘terri-tory significance density’, and how in transit-syncretic native and mestizo resistance strategies are juxtaposed to material space cultural hegemonic dominance
Cultural heritage is an invention and a social construction.1 According to Bogumila Lisocka-Jaege... more Cultural heritage is an invention and a social construction.1 According to Bogumila Lisocka-Jaegermann “the definition of cultural heritage is a process that manifests close relationships between territory and identity, power relations and cultural aspirations”.2 Some authors highlight how heritage is the same social practice that defines the cultural asset.3,4 while others affirm that patrimonial assets are not unequivocal but “equivocal/ambiguous” and that its evaluation raises in the first place a problem of interpretation and in a second place of conservation.5‒7
espanolEn Colombia, el sesenta por ciento del habitat urbano esta constituido por barrios de desa... more espanolEn Colombia, el sesenta por ciento del habitat urbano esta constituido por barrios de desarrollo progresivo y de autoconstruccion, construidos sin que hayan mediado procesos planificados ni de arquitectura profesional, sufriendo procesos de gentrificacion. En el medio rural procesos de violencia y desplazamiento forzado amenazan comunidades indigenas contemporaneas que mantienen sus tradiciones ancestrales en forma adaptativa. En un proceso promovido por artistas, de abajo hacia arriba, se incentiva la creacion de una Red Latinoamericana de Observatorios de Patrimonio trabajando en esos ambitos. El habitat-popular es lugar de resistencia y adaptacion cultural, que ha permitido transmitir un legado de proveniencia ancestral, este legado pasa por lo vernacular y se transforma en lenguaje y forma de vida popular, observatorios: barrios Pardo Rubio, Las Cruces.El habitat-ancestral contemporaneo constituye un mosaico cultural de formas de vida, pensamiento y comprension del mundo ...
Intervenciones contemporáneas en territorios con historia es la cuarta publicación de la Colecció... more Intervenciones contemporáneas en territorios con historia es la cuarta publicación de la Colección Hábitat y Patrimonio que integra reflexiones sobre la interacción entre proyectos urbano-arquitectónicos y entornos patrimoniales, donde se evidencia crítica, teoría, praxis investigativa y puesta en valor del territorio y sus comunidades, como unidad y continuo histórico; adicionalmente, se involucra el tema de accesibilidad y comunicación incluyente como parte de realidades actuales y visiones integradoras del patrimonial cultural; pasado y presente se interpretan como estratos sucesivos cargados de historia en los territorios, donde cada época hereda lo relevante del patrimonio cultural material y lo significativo de lo inmaterial para el presente, cuyo compromiso no solo es con la actualidad sino con el futuro por legar a generaciones receptoras de memorias. Para evidenciar el rol contemporáneo en territorios cargados de historia, se conjugó conocimientos y experiencias de investigadores y profesionales especializados en áreas de la cultura, historia, urbanismo y arquitectura procedentes de Irán, Italia, España, Portugal, México, Guatemala, Brasil, Chile y Colombia, socializadas en las Cuartas Jornadas Internacionales de Reflexión en Patrimonio Cultural 2017, organizadas por la Universidad de La Salle y la Facultad Ciencias del Hábitat en Bogotá, Colombia. Se busca, entonces, generar escenarios para la reflexión a partir de realidades actuales, donde mucho está escrito y plasmado en obras materiales, evidenciando que la diversidad y las particularidades de los contextos ponen la pauta y, de alguna manera, condicionan la creación espacial actual, cuya responsabilidad no solo versa en la interacción entre períodos sino en la concreción de propuestas espaciales bajo criterios de calidad en la consolidación de contextos a través del diálogo entre mundos pasados y presentes
Cuadernos de Música, Artes Visuales y Artes Escénicas
El objetivo de este artículo es presentar las bases del proceso de reconocimiento de las activida... more El objetivo de este artículo es presentar las bases del proceso de reconocimiento de las actividades relacionadas con la creación artística, arquitectónica y del diseño como formas de producción de conocimiento en Colombia. En él se exponen los antecedentes, las definiciones y los criterios que alimentaron la discusión en los debates sobre la definición de políticas que establecen los mecanismos de evaluación de la producción de conocimiento, realizados entre el Departamento Administrativo de Ciencia y Tecnología (Colciencias), la Asociación Colombiana de Facultades y Programas de Artes (Acofartes), la Asociación Colombiana de Facultades de Arquitectura (ACFA) y la Asociación Colombiana Red Académica de Diseño (RAD) entre 2013 y 2016. La discusión condujo a la construcción de un modelo propio para medir la producción de investigadores creadores vinculados a grupos de investigación en artes, arquitectura y diseño (AAD). Tras introducir brevemente el contexto del Sistema de Ciencia y ...
ABSTRACT
“Oklahoma – Nararachi, peyote road landscapes” puts together science and art knowledg... more ABSTRACT
“Oklahoma – Nararachi, peyote road landscapes” puts together science and art knowledge, this thesis work deals with images and words, memory and identity, travel and trance to build landscapes. Traveling by car, on the road, trip starts in Oklahoma, goes on through Texas, Arizona, California, and New Mexico, crossing the border towards Chihuahua, to finish at the Sierra Tarahumara. It is an artistic exploration and research work conducted as a work in progress, following the contemporary Cheyenne poet Lance Henson.
This work provides a crossing of glances crossing photography (Cabanzo Francisco, visual artist), documentary film (Federico Lanchares, documentarist) and poetry languages (Lance Henson, poet and writer, Sundance ceremonial dancer, Dogsoldier clan member, trip guide). This effort helps make landscapes emerge, overlap, contrast or be complementary, the documentary trip format, “road movie”, adopted reinforces the idea of the transit: creative action as trance practices, transit as process of self-conscousness, life itself as time-space transit, existence transcendence linked to transitory identities, to flowing of situations and places, construction of transitory characters and identities mixing and contamination, mutations of ambiguous spatial and symbolic syncretism.
Research work has been functionally focused towards a documentary project, begining with research assistance, the construction of the characterizations, and the hypothetical trip routes formulation. The work was extended in it’s objectives and results horizon. It developed into a work in process project a three hands storyboard, and preproduction successive re-project drafts writing. It also envolved direction assistance and project production management filming in Italy and then in the United States and Mexico. And finally visual and written results edition, treatment and interaction within public in the form of an artist book and an exhibition installation. The outcome of the field investigation, in addition to the results refered above, consists in a theorical and conceptual state of arts revision related to trascendcental arts.
The thesis is presented in three parts:
Part ONE contains the artistic and field work results. Photographic record of trip, scouting backstage and impressions of daily life (white and black) contrasting with insights and trance moments (treated polarized color and sound sequences), poetry writings facsimile (digital treatment) to add the ‘trip diary’ poems and writings. An artists book format is used for images and texts contrast contents within an interactive exhibition format conceived as a space installation mixing texts and photos with traces and objects collected during the trip. Sculptures of spatial archetypes help expectators-participants interaction activating trance sequences and sounds. The intraction helps to build his own experience from his own point of view, both perceptive and cultural. Building new landscapes. Closing the installation, people can see two documentaries loop, "Words from the edge" and "impressions from peyote road", (two pieces, of an unfinished triptych).
Part TWO contains a secondary sources review, as part of field work preliminary research. The theoretical framework, the focal orientation, as well as the characterizations of characters, situations, ceremonies and places, plus hypothetical routes and the research and artistic experimentation conclusions. The project remains open, conclusions are partial and presented as impressions besides possible transcendental art research and experimental developments.
Part THREE annex contains partial fieldwork results. Interviews and diaries, online key words information research and poems analysis. Significance territory density tables and maps. Exhibition installation and documentary projects.
NOTE FOR THIS RESUMED VERSION
Readers will notice a great difference between this resume and the complete version of this thesis, composed by three parts in two volumes. First of all, this is the resume of the second part, in which images or any visual material were taken away. It also lacks the artistic graphic and video material contained in part one plus two DVDs with videos.
The thing is that as there has not still been invented a method, or a language, able to resume images and sounds, and an effort to do so would have finished by just “cutting” ones or “leaving” others, with no plausible solution in terms of content and significacy. Therefore the choise was to eliminate them all. The absence of any visual material underlines the value of arts and visual discourses by themselves in the epistemological order, as vicual and sound information is crucial for art’s process of building discourses and knowledge.
This text also has no references or notes, just surnames of authors in parenthesis. Secondary information elaborations are contained in part three. No examples and cases that support the hipotesis are contained here, they can be found in the part two of the thesis.
ABSTRACT
“Oklahoma – Nararachi, peyote road landscapes” puts together science and art knowledg... more ABSTRACT
“Oklahoma – Nararachi, peyote road landscapes” puts together science and art knowledge, this thesis work deals with images and words, memory and identity, travel and trance to build landscapes. Traveling by car, on the road, trip starts in Oklahoma, goes on through Texas, Arizona, California, and New Mexico, crossing the border towards Chihuahua, to finish at the Sierra Tarahumara. It is an artistic exploration and research work conducted as a work in progress, following the contemporary Cheyenne poet Lance Henson.
This work provides a crossing of glances crossing photography (Cabanzo Francisco, visual artist), documentary film (Federico Lanchares, documentarist) and poetry languages (Lance Henson, poet and writer, Sundance ceremonial dancer, Dogsoldier clan member, trip guide). This effort helps make landscapes emerge, overlap, contrast or be complementary, the documentary trip format, “road movie”, adopted reinforces the idea of the transit: creative action as trance practices, transit as process of self-conscousness, life itself as time-space transit, existence transcendence linked to transitory identities, to flowing of situations and places, construction of transitory characters and identities mixing and contamination, mutations of ambiguous spatial and symbolic syncretism.
Research work has been functionally focused towards a documentary project, begining with research assistance, the construction of the characterizations, and the hypothetical trip routes formulation. The work was extended in it’s objectives and results horizon. It developed into a work in process project a three hands storyboard, and preproduction successive re-project drafts writing. It also envolved direction assistance and project production management filming in Italy and then in the United States and Mexico. And finally visual and written results edition, treatment and interaction within public in the form of an artist book and an exhibition installation. The outcome of the field investigation, in addition to the results refered above, consists in a theorical and conceptual state of arts revision related to trascendcental arts.
The thesis is presented in three parts:
Part ONE contains the artistic and field work results. Photographic record of trip, scouting backstage and impressions of daily life (white and black) contrasting with insights and trance moments (treated polarized color and sound sequences), poetry writings facsimile (digital treatment) to add the ‘trip diary’ poems and writings. An artists book format is used for images and texts contrast contents within an interactive exhibition format conceived as a space installation mixing texts and photos with traces and objects collected during the trip. Sculptures of spatial archetypes help expectators-participants interaction activating trance sequences and sounds. The intraction helps to build his own experience from his own point of view, both perceptive and cultural. Building new landscapes. Closing the installation, people can see two documentaries loop, "Words from the edge" and "impressions from peyote road", (two pieces, of an unfinished triptych).
Part TWO contains a secondary sources review, as part of field work preliminary research. The theoretical framework, the focal orientation, as well as the characterizations of characters, situations, ceremonies and places, plus hypothetical routes and the research and artistic experimentation conclusions. The project remains open, conclusions are partial and presented as impressions besides possible transcendental art research and experimental developments.
Part THREE annex contains partial fieldwork results. Interviews and diaries, online key words information research and poems analysis. Significance territory density tables and maps. Exhibition installation and documentary projects.
NOTE FOR THIS RESUMED VERSION
Readers will notice a great difference between this resume and the complete version of this thesis, composed by three parts in two volumes. First of all, this is the resume of the second part, in which images or any visual material were taken away. It also lacks the artistic graphic and video material contained in part one plus two DVDs with videos.
The thing is that as there has not still been invented a method, or a language, able to resume images and sounds, and an effort to do so would have finished by just “cutting” ones or “leaving” others, with no plausible solution in terms of content and significacy. Therefore the choise was to eliminate them all. The absence of any visual material underlines the value of arts and visual discourses by themselves in the epistemological order, as vicual and sound information is crucial for art’s process of building discourses and knowledge.
This text also has no references or notes, just surnames of authors in parenthesis. Secondary information elaborations are contained in part three. No examples and cases that support the hipotesis are contained here, they can be found in the part two of the thesis.
(SPANISH) Part TWO, contains a secondary sources review, as part of field work preliminary resear... more (SPANISH) Part TWO, contains a secondary sources review, as part of field work preliminary research. The theoretical framework, the focal orientation, as well as the characterizations of characters, situations, ceremonies and places, plus hypothetical routes and the research and artistic experimentation conclusions. The project remains open, conclusions are partial and presented as impressions besides possible transcendental art research and experimental developments.
ABSTRACT
“Oklahoma – Nararachi, peyote road landscapes” puts together science and art knowledge, this thesis work deals with images and words, memory and identity, travel and trance to build landscapes. Traveling by car, on the road, trip starts in Oklahoma, goes on through Texas, Arizona, California, and New Mexico, crossing the border towards Chihuahua, to finish at the Sierra Tarahumara. It is an artistic exploration and research work conducted as a work in progress, following the contemporary Cheyenne poet Lance Henson.
This work provides a crossing of glances crossing photography (Cabanzo Francisco, visual artist), documentary film (Federico Lanchares, documentarist) and poetry languages (Lance Henson, poet and writer, Sundance ceremonial dancer, Dogsoldier clan member, trip guide).
The second part is composed by a set of secondary informations that help to achieve the conceptual and methodological background research that was made by Francisco Cabanzo as a visual artist in order to achive the necessary information to develop a parallel work: first as the documentary research and direction assistant for director F. Lanchares following poet Lance Henson. An to help develop the work as a visual artist do build several video-art (sequencies) and photographic documentation (backstage) of "oklahoma-nararachi peyote road landscapes" trip."
(SPANISH) "Part THREE annex, contains secondary and primary information dealing with documentary ... more (SPANISH) "Part THREE annex, contains secondary and primary information dealing with documentary research assistance experimental method (For F. Lanchares's director: "impressions form peyote road" and "Words from the edge" documentaries production).
It provides partial fieldwork results, interviews and diaries, on-line key words information research and poems analysis. Significance territory density tables and maps. Exhibition installation and documentary projects."
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“Oklahoma – Nararachi, peyote road landscapes” puts together science and art knowledge, this thesis work deals with images and words, memory and identity, travel and trance to build landscapes. Traveling by car, on the road, trip starts in Oklahoma, goes on through Texas, Arizona, California, and New Mexico, crossing the border towards Chihuahua, to finish at the Sierra Tarahumara. It is an artistic exploration and research work conducted as a work in progress, following the contemporary Cheyenne poet Lance Henson.
This work provides a crossing of glances crossing photography (Cabanzo Francisco, visual artist), documentary film (Federico Lanchares, documentarist) and poetry languages (Lance Henson, poet and writer, Sundance ceremonial dancer, Dogsoldier clan member, trip guide). This effort helps make landscapes emerge, overlap, contrast or be complementary, the documentary trip format, “road movie”, adopted reinforces the idea of the transit: creative action as trance practices, transit as process of self-conscousness, life itself as time-space transit, existence transcendence linked to transitory identities, to flowing of situations and places, construction of transitory characters and identities mixing and contamination, mutations of ambiguous spatial and symbolic syncretism.
Research work has been functionally focused towards a documentary project, begining with research assistance, the construction of the characterizations, and the hypothetical trip routes formulation. The work was extended in it’s objectives and results horizon. It developed into a work in process project a three hands storyboard, and preproduction successive re-project drafts writing. It also envolved direction assistance and project production management filming in Italy and then in the United States and Mexico. And finally visual and written results edition, treatment and interaction within public in the form of an artist book and an exhibition installation. The outcome of the field investigation, in addition to the results refered above, consists in a theorical and conceptual state of arts revision related to trascendcental arts.
The thesis is presented in three parts:
Part ONE contains the artistic and field work results. Photographic record of trip, scouting backstage and impressions of daily life (white and black) contrasting with insights and trance moments (treated polarized color and sound sequences), poetry writings facsimile (digital treatment) to add the ‘trip diary’ poems and writings. An artists book format is used for images and texts contrast contents within an interactive exhibition format conceived as a space installation mixing texts and photos with traces and objects collected during the trip. Sculptures of spatial archetypes help expectators-participants interaction activating trance sequences and sounds. The intraction helps to build his own experience from his own point of view, both perceptive and cultural. Building new landscapes. Closing the installation, people can see two documentaries loop, "Words from the edge" and "impressions from peyote road", (two pieces, of an unfinished triptych).
Part TWO contains a secondary sources review, as part of field work preliminary research. The theoretical framework, the focal orientation, as well as the characterizations of characters, situations, ceremonies and places, plus hypothetical routes and the research and artistic experimentation conclusions. The project remains open, conclusions are partial and presented as impressions besides possible transcendental art research and experimental developments.
Part THREE annex contains partial fieldwork results. Interviews and diaries, online key words information research and poems analysis. Significance territory density tables and maps. Exhibition installation and documentary projects.
NOTE FOR THIS RESUMED VERSION
Readers will notice a great difference between this resume and the complete version of this thesis, composed by three parts in two volumes. First of all, this is the resume of the second part, in which images or any visual material were taken away. It also lacks the artistic graphic and video material contained in part one plus two DVDs with videos.
The thing is that as there has not still been invented a method, or a language, able to resume images and sounds, and an effort to do so would have finished by just “cutting” ones or “leaving” others, with no plausible solution in terms of content and significacy. Therefore the choise was to eliminate them all. The absence of any visual material underlines the value of arts and visual discourses by themselves in the epistemological order, as vicual and sound information is crucial for art’s process of building discourses and knowledge.
This text also has no references or notes, just surnames of authors in parenthesis. Secondary information elaborations are contained in part three. No examples and cases that support the hipotesis are contained here, they can be found in the part two of the thesis.
“Oklahoma – Nararachi, peyote road landscapes” puts together science and art knowledge, this thesis work deals with images and words, memory and identity, travel and trance to build landscapes. Traveling by car, on the road, trip starts in Oklahoma, goes on through Texas, Arizona, California, and New Mexico, crossing the border towards Chihuahua, to finish at the Sierra Tarahumara. It is an artistic exploration and research work conducted as a work in progress, following the contemporary Cheyenne poet Lance Henson.
This work provides a crossing of glances crossing photography (Cabanzo Francisco, visual artist), documentary film (Federico Lanchares, documentarist) and poetry languages (Lance Henson, poet and writer, Sundance ceremonial dancer, Dogsoldier clan member, trip guide). This effort helps make landscapes emerge, overlap, contrast or be complementary, the documentary trip format, “road movie”, adopted reinforces the idea of the transit: creative action as trance practices, transit as process of self-conscousness, life itself as time-space transit, existence transcendence linked to transitory identities, to flowing of situations and places, construction of transitory characters and identities mixing and contamination, mutations of ambiguous spatial and symbolic syncretism.
Research work has been functionally focused towards a documentary project, begining with research assistance, the construction of the characterizations, and the hypothetical trip routes formulation. The work was extended in it’s objectives and results horizon. It developed into a work in process project a three hands storyboard, and preproduction successive re-project drafts writing. It also envolved direction assistance and project production management filming in Italy and then in the United States and Mexico. And finally visual and written results edition, treatment and interaction within public in the form of an artist book and an exhibition installation. The outcome of the field investigation, in addition to the results refered above, consists in a theorical and conceptual state of arts revision related to trascendcental arts.
The thesis is presented in three parts:
Part ONE contains the artistic and field work results. Photographic record of trip, scouting backstage and impressions of daily life (white and black) contrasting with insights and trance moments (treated polarized color and sound sequences), poetry writings facsimile (digital treatment) to add the ‘trip diary’ poems and writings. An artists book format is used for images and texts contrast contents within an interactive exhibition format conceived as a space installation mixing texts and photos with traces and objects collected during the trip. Sculptures of spatial archetypes help expectators-participants interaction activating trance sequences and sounds. The intraction helps to build his own experience from his own point of view, both perceptive and cultural. Building new landscapes. Closing the installation, people can see two documentaries loop, "Words from the edge" and "impressions from peyote road", (two pieces, of an unfinished triptych).
Part TWO contains a secondary sources review, as part of field work preliminary research. The theoretical framework, the focal orientation, as well as the characterizations of characters, situations, ceremonies and places, plus hypothetical routes and the research and artistic experimentation conclusions. The project remains open, conclusions are partial and presented as impressions besides possible transcendental art research and experimental developments.
Part THREE annex contains partial fieldwork results. Interviews and diaries, online key words information research and poems analysis. Significance territory density tables and maps. Exhibition installation and documentary projects.
NOTE FOR THIS RESUMED VERSION
Readers will notice a great difference between this resume and the complete version of this thesis, composed by three parts in two volumes. First of all, this is the resume of the second part, in which images or any visual material were taken away. It also lacks the artistic graphic and video material contained in part one plus two DVDs with videos.
The thing is that as there has not still been invented a method, or a language, able to resume images and sounds, and an effort to do so would have finished by just “cutting” ones or “leaving” others, with no plausible solution in terms of content and significacy. Therefore the choise was to eliminate them all. The absence of any visual material underlines the value of arts and visual discourses by themselves in the epistemological order, as vicual and sound information is crucial for art’s process of building discourses and knowledge.
This text also has no references or notes, just surnames of authors in parenthesis. Secondary information elaborations are contained in part three. No examples and cases that support the hipotesis are contained here, they can be found in the part two of the thesis.
ABSTRACT
“Oklahoma – Nararachi, peyote road landscapes” puts together science and art knowledge, this thesis work deals with images and words, memory and identity, travel and trance to build landscapes. Traveling by car, on the road, trip starts in Oklahoma, goes on through Texas, Arizona, California, and New Mexico, crossing the border towards Chihuahua, to finish at the Sierra Tarahumara. It is an artistic exploration and research work conducted as a work in progress, following the contemporary Cheyenne poet Lance Henson.
This work provides a crossing of glances crossing photography (Cabanzo Francisco, visual artist), documentary film (Federico Lanchares, documentarist) and poetry languages (Lance Henson, poet and writer, Sundance ceremonial dancer, Dogsoldier clan member, trip guide).
The second part is composed by a set of secondary informations that help to achieve the conceptual and methodological background research that was made by Francisco Cabanzo as a visual artist in order to achive the necessary information to develop a parallel work: first as the documentary research and direction assistant for director F. Lanchares following poet Lance Henson. An to help develop the work as a visual artist do build several video-art (sequencies) and photographic documentation (backstage) of "oklahoma-nararachi peyote road landscapes" trip."
It provides partial fieldwork results, interviews and diaries, on-line key words information research and poems analysis. Significance territory density tables and maps. Exhibition installation and documentary projects."