Zhana Popova
Zhana Popova
ztpopova@ uni-sofia.bg
49 Moskovska, study 26, 1000, Sofia, Bulgaria
23/03/2017 – CURRENT – Sofia, Bulgaria
ASSOC. PROF. AT FACULTY OF JOURNALISM AND MASSCOMMUNICATION – Sofia University
Books and research can be found here https://ras.nacid.bg/dissertation-preview/37253
23/05/2007 – 05/03/2017 – Sofia, Bulgaria
ASSIST. PROF. AT THE FACULTY OF JOURNALISM AND MASS COMMUNICATION – Sofia University
09/09/1999 – 12/08/2009 – Sofia, Bulgaria
BROADCAST EDITOR, REPORTER – Bulgarian National TV
05/03/1997 – 03/07/1999 – Sofia, Bulgaria
BROADCAST NEWS EDITOR – Sofia University Radio
09/09/2013 – 12/12/2019 – Sofia, Bulgaria
COLUMNIST – Kultura newspaper
01/01/2003 – 01/2006 – Sofia, Bulgaria
COLUMNIST – Mediaworld Magazine
01/02/2003 – 01/02/2006 – 49 Moskovska Str, study 26, Sofia, Bulgaria
PHD – Sofia University
Field(s) of study
Social sciences, journalism and information
PhD https://www.uni-sofia.bg/index.php/eng/education
Address: Bulgaria
1000 Sofia
49 Moskovska St, study 29
ztpopova@ uni-sofia.bg
49 Moskovska, study 26, 1000, Sofia, Bulgaria
23/03/2017 – CURRENT – Sofia, Bulgaria
ASSOC. PROF. AT FACULTY OF JOURNALISM AND MASSCOMMUNICATION – Sofia University
Books and research can be found here https://ras.nacid.bg/dissertation-preview/37253
23/05/2007 – 05/03/2017 – Sofia, Bulgaria
ASSIST. PROF. AT THE FACULTY OF JOURNALISM AND MASS COMMUNICATION – Sofia University
09/09/1999 – 12/08/2009 – Sofia, Bulgaria
BROADCAST EDITOR, REPORTER – Bulgarian National TV
05/03/1997 – 03/07/1999 – Sofia, Bulgaria
BROADCAST NEWS EDITOR – Sofia University Radio
09/09/2013 – 12/12/2019 – Sofia, Bulgaria
COLUMNIST – Kultura newspaper
01/01/2003 – 01/2006 – Sofia, Bulgaria
COLUMNIST – Mediaworld Magazine
01/02/2003 – 01/02/2006 – 49 Moskovska Str, study 26, Sofia, Bulgaria
PHD – Sofia University
Field(s) of study
Social sciences, journalism and information
PhD https://www.uni-sofia.bg/index.php/eng/education
Address: Bulgaria
1000 Sofia
49 Moskovska St, study 29
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Papers by Zhana Popova
Попова, Жана (2014). Телевизионният народ. В: Сб. "Студийната публика в телевизията" (съст. Вяра Ангелова). Враца, изд. "Медиа-груп", с. 22-32. ISBN 978-954-2955-18-4
Жана Попова
LILYANA DEYANOVA AND THE GARDENS OF MEMORY Friends and colleagues around the anniversary anthology 'Time and memory'
Zhana Popova
Резюме: В края на септември 2021 г. се състоя един от празниците за академичната общност-проф. Лиляна Деянова бе поздравена от колеги и приятели с издаването на юбилейния сборник "Време и памет". Съставители и организатори на академичното тържество са: Майя Грекова, Петя Кабакчиева, Момчил Христов, Милена Якимова.
Abstract: In the end of September 2021 one of the celebrations of the academic community took place – colleagues and friends congratulated prof. Lilyana Deyanova with the publishing of the anniversary anthology ‘Time and Memory’. Compilers and organizers of the academic celebration are Maya Grekova, Petya Kabakchieva, Momchil Hristov, Milena Yakimova.
Keywords: Lilyana Deyanova, memory, time, sociology, history
Abstract: The text presents the main conclusions based on the study of the political messages in the Turkish series broadcasted on Bulgarian television and on Netflix.
The main political messages in the series, showed on Bulgarian television, are the responsibility for decisions, connect with the life of a woman and a child. Among the important political topics are: migration, education abroad and returning home, conflicts between rich and poor.
Keywords: telenovela; Turkish series; cultural diplomacy; Netflix ideology
media websites in Bulgarian language and the three most popular television channels in the country. The aim is to establish what are the ethical violations most commonly committed in journalist materials, predominantly news. The main quests are linked to establishing the topics on which the journalist devices of increasing the sensationalism of materials and of neglecting the professional standards are being used most often. The researchers are led by the philosophy of the “Code of Ethics of Bulgarian Media” which reflects the general principles of journalist work. The researchers assume that they are generally valid for the ones practicing the profession of journalism irrespective of the fact that the media being studied might not be a party to the code. For the methodology of the study please see the appendix.
The authors
Ключови думи: естрадни музиканти, българска естрадна музика, медии, концертна публика, медийна аудитория
Summary: The research of the media publications and TV shows after 1989 with the participation of a certain group of musicians - the artists making Estrada - shows that there is an area where the power of the audience is a necessity that preserves the power of the author. The Estrada musicians describe their audience as a ‘good person’ or a child, they need to teach how to recognize valuable music. In the period 1990 - 2017 the musicians draw a couple of key images of the audience: the weddings audience, the parents and the child in the audience, the supranational symbol, the constantly reminded image of the “phenomenon soviet audience”. A key finding of the research is that the musicians clearly distinguish between “concert audience” and “media audience” as imaginary communities.
Key words: Estrada musicians, Bulgarian estrada music, media, concert public, media audience
Попова, Жана (2014). Телевизионният народ. В: Сб. "Студийната публика в телевизията" (съст. Вяра Ангелова). Враца, изд. "Медиа-груп", с. 22-32. ISBN 978-954-2955-18-4
Жана Попова
LILYANA DEYANOVA AND THE GARDENS OF MEMORY Friends and colleagues around the anniversary anthology 'Time and memory'
Zhana Popova
Резюме: В края на септември 2021 г. се състоя един от празниците за академичната общност-проф. Лиляна Деянова бе поздравена от колеги и приятели с издаването на юбилейния сборник "Време и памет". Съставители и организатори на академичното тържество са: Майя Грекова, Петя Кабакчиева, Момчил Христов, Милена Якимова.
Abstract: In the end of September 2021 one of the celebrations of the academic community took place – colleagues and friends congratulated prof. Lilyana Deyanova with the publishing of the anniversary anthology ‘Time and Memory’. Compilers and organizers of the academic celebration are Maya Grekova, Petya Kabakchieva, Momchil Hristov, Milena Yakimova.
Keywords: Lilyana Deyanova, memory, time, sociology, history
Abstract: The text presents the main conclusions based on the study of the political messages in the Turkish series broadcasted on Bulgarian television and on Netflix.
The main political messages in the series, showed on Bulgarian television, are the responsibility for decisions, connect with the life of a woman and a child. Among the important political topics are: migration, education abroad and returning home, conflicts between rich and poor.
Keywords: telenovela; Turkish series; cultural diplomacy; Netflix ideology
media websites in Bulgarian language and the three most popular television channels in the country. The aim is to establish what are the ethical violations most commonly committed in journalist materials, predominantly news. The main quests are linked to establishing the topics on which the journalist devices of increasing the sensationalism of materials and of neglecting the professional standards are being used most often. The researchers are led by the philosophy of the “Code of Ethics of Bulgarian Media” which reflects the general principles of journalist work. The researchers assume that they are generally valid for the ones practicing the profession of journalism irrespective of the fact that the media being studied might not be a party to the code. For the methodology of the study please see the appendix.
The authors
Ключови думи: естрадни музиканти, българска естрадна музика, медии, концертна публика, медийна аудитория
Summary: The research of the media publications and TV shows after 1989 with the participation of a certain group of musicians - the artists making Estrada - shows that there is an area where the power of the audience is a necessity that preserves the power of the author. The Estrada musicians describe their audience as a ‘good person’ or a child, they need to teach how to recognize valuable music. In the period 1990 - 2017 the musicians draw a couple of key images of the audience: the weddings audience, the parents and the child in the audience, the supranational symbol, the constantly reminded image of the “phenomenon soviet audience”. A key finding of the research is that the musicians clearly distinguish between “concert audience” and “media audience” as imaginary communities.
Key words: Estrada musicians, Bulgarian estrada music, media, concert public, media audience