Massimo Leone
Full Tenured Professor ("Professore Ordinario") of Philosophy of Communication and Cultural Semiotics at the University of Turin, Italy, Permanent Part-Time Visiting Full Professor of Semiotics at the University of Shanghai, China, Associate Member of Cambridge Digital Humanities, Cambridge University, and Director of the Center for Religious Studies, "Bruno Kessler Foundation", Trento, Italy. He has obtained two ERC Grants, in 2018 and in 2022. Since 2024, he is an Ordinary Member of the Academy of Europe. He graduated in Communication Studies from the University of Siena, and holds a DEA in History and Semiotics of Texts and Documents from Paris VII, an MPhil in Word and Image Studies from Trinity College Dublin, a PhD in Religious Studies from the Sorbonne, and a PhD in Art History from the University of Fribourg (CH). He was visiting scholar at the CNRS in Paris, at the CSIC in Madrid, Fulbright Research Visiting Professor at the Graduate Theological Union, Berkeley, Endeavour Research Award Visiting Professor at the School of English, Performance, and Communication Studies at Monash University, Melbourne, Faculty Research Grant Visiting Professor at the University of Toronto, “Mairie de Paris” Visiting Professor at the Sorbonne, DAAD Visiting Professor at the University of Potsdam, Visiting Professor at the École Normale Supérieure of Lyon (Collegium de Lyon), Visiting Professor at the Center for Advanced Studies at the University of Munich, Visiting Professor at the University of Kyoto, Visiting Professor at the Institute of Advanced Study, Durham University, Visiting Professor at The Research Institute of the University of Bucharest, Eadington Fellow at the Center for Gaming Research, University of Nevada, Las Vegas, Fellow of the Käte Hamburger Kolleg „Dynamics in the History of Religions Between Asia and Europe“ (Bochum, Germany), Visiting Senior Professor at the Internationales Forschungszentrum Kulturwissenschaften, Vienna, High-End Foreign Expert and Visiting Professor at the University of Shanghai, China, Visiting Senior Professor at the Centre for Advanced Studies, South Eastern Europe (Croatia), Visiting Senior Professor at the Polish Institute of Advanced Studies, Warsaw (PIAST), Visiting Senior Professor at the Freiburg Institute of Advanced Studies (FRIAS, Freiburg), Senior Visiting Professor at the Paris Seine Institute of Advanced Studies, Visiting Fellow at CRASSH, University of Cambridge, Visiting Professor ("Directeur d'Études Associé) at the Fondation Maison des Sciences de l'Homme (Paris), at the Stellenbosch Institute for Advanced Studies, South Africa, at the Center for Advanced Studies, University of Buenos Aires, at the University of Liège, at the Graduate Theological Union, Berkeley, and at the Hamburg Institute for Advanced Studies. His work on the semiotic study of cultures, with particular enphasis on religion and images. Massimo Leone has single-authored fifteen books, among which _Religious Conversion and Identity: The Semiotic Analysis of Texts_ (London and New York: Routledge, 2004; 242 pp.), _Saints and Signs: A Semiotic Reading of Conversion in Early Modern Catholicism_ (Berlin and New York: Walter de Gruyter, 2010; 656 pp.), _Sémiotique de l'âme_, 3 vols (Berlin et al.: Presses Académiques Francophones, 2012), _Annunciazioni: percorsi di semiotica della religione_, 2 vols (Rome: Aracne, 2014, 1000 pp.), _Spiritualità digitale: il senso religioso nell'era della smaterializzazione_ (Udine: Mimesis, 2014), _Sémiotique du fondamentalisme : messages, rhétorique, force persuasive_ (Paris: l’Harmattan, 2014; translated into Arabic in 2015), and _Signatim: Profili di semiotica della cultura_ (Rome: Aracne, 2015, 800 pp.), _A Cultural Semiotics of Religion_ (in Chinese) [Series “Semiotics & Media”] (Chengdu, China: University of Sichuan Press, 2018, 210 pp.), _On Insignificance_ (London and New York: Routledge, 2019, 226 pp.; Chinese translation 2019), _Colpire nel segno: La semiotica dell'irragionevole_ (Rome: Aracne, 2020, 260 pp.), and _Scevà: Parasemiotiche_ (Rome: Aracne, 2020, 260 pp.), edited more than fifty collective volumes, and published more than five hundred articles in semiotics, visual studies, and religious studies. He has lectured in Africa, Asia, Australia, Europe, and the Americas. He is Editor-In-Chief of _Semiotica_ (De Gruyter) the Journal of the International Association for Semiotic Studies, and _Lexia_, the Semiotic Journal of the Center for Interdisciplinary Research on Communication, University of Turin, Italy, and editor of the book series “I Saggi di Lexia” (Rome: Aracne), “Semiotics of Religion” (Berlin and Boston: Walter de Gruyter), and "FACETS Advances in Face Studies" (London and New York: Routledge). He directed the MA Program in Communication Studies at the University of Turin, Italy (2015-2018) and was vice-director for research at the Department of Philosophy and Educational Sciences, University of Turin, Italy (2018-2021).
Supervisors: Omar CALABRESE, Anne-Marie CHRISTIN, Barbara WRIGHT, Jean-Robert ARMOGATHE, and Victor I. STOICHITA
Phone: 0039 011 670 2748
Address: Department of Philosophy
University of Turin
Via S. Ottavio 20
10124 - Turin
ITALY
Supervisors: Omar CALABRESE, Anne-Marie CHRISTIN, Barbara WRIGHT, Jean-Robert ARMOGATHE, and Victor I. STOICHITA
Phone: 0039 011 670 2748
Address: Department of Philosophy
University of Turin
Via S. Ottavio 20
10124 - Turin
ITALY
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Books by Massimo Leone
https://www.degruyter.com/journal/key/semi/2024/257/html
The book semiotically delves into the multifaceted realm of the digital face, exploring its biological and social functions, the concept of masks, the impact of COVID-19, AI systems, digital portraiture, symbolic faces in films, viral communication, alien depictions, personhood in video games, online intimacy, and digital memorials. The human face is increasingly living a life that is not only that of the biological body but also that of its digital avatar, spread through a myriad of new channels and transformable through filters, post-productions, digital cosmetics, all the way to the creation of deepfakes. The digital face expresses new and largely unknown meanings, which this book explores and analyzes through an interdisciplinary but systematic approach.
The volume will interest researchers, scholars, and advanced students who are interested in digital humanities, communication studies, semiotics, visual studies, visual anthropology, cultural studies, and, broadly speaking, innovative approaches about the meaning of the face in present-day digital societies.
https://www.degruyter.com/journal/key/semi/2024/257/html
The book semiotically delves into the multifaceted realm of the digital face, exploring its biological and social functions, the concept of masks, the impact of COVID-19, AI systems, digital portraiture, symbolic faces in films, viral communication, alien depictions, personhood in video games, online intimacy, and digital memorials. The human face is increasingly living a life that is not only that of the biological body but also that of its digital avatar, spread through a myriad of new channels and transformable through filters, post-productions, digital cosmetics, all the way to the creation of deepfakes. The digital face expresses new and largely unknown meanings, which this book explores and analyzes through an interdisciplinary but systematic approach.
The volume will interest researchers, scholars, and advanced students who are interested in digital humanities, communication studies, semiotics, visual studies, visual anthropology, cultural studies, and, broadly speaking, innovative approaches about the meaning of the face in present-day digital societies.
En el ámbito humano, la hibridación se manifiesta tanto en la genética, con rastros de Neandertales y Denisovanos en nuestro ADN, como en el intercambio cultural. Este proceso ha dado lugar a innovaciones y nuevas formas de expresión en diversas áreas, desde la gastronomía hasta la literatura.
Con el desarrollo de la inteligencia artificial, la hibridación adopta nuevas dimensiones, generando "hibridez ciborg" que mezcla la creatividad humana con la eficiencia algorítmica. Esto plantea desafíos éticos, además de oportunidades para innovar. Para abordar esta complejidad, surge la idea de una "hipersemiótica", una disciplina que busca entender la comunicación en un mundo híbrido, integrando perspectivas de biología, sociología y ciencias de la computación.
El estudio de los híbridos y su semiótica se convierte en una herramienta crucial para navegar en un entorno donde lo biológico, lo cultural y lo artificial convergen, invitándonos a repensar conceptos tradicionales de vida, identidad e interacción.
The article tracks the transformation of knots through the industrial revolution's mechanization of weaving and the rise of computational systems, where knots become abstract configurations in digital networks and information systems. It highlights the parallels between physical knots and the conceptual structures underlying language and computation, emphasizing the transition from material to symbolic and computational knots in modern technologies.
The discussion culminates in an analysis of quantum entanglement, where knots transcend traditional spatial dimensions and engage with time and reality in novel ways. This entanglement, alongside the advent of artificial intelligence, introduces a new form of knotting that challenges the boundary between representation and intervention in nature itself. The article concludes by considering the legal and philosophical implications of these developments, questioning the extent to which humanity can control or comprehend the increasingly complex knots it creates in the realms of AI and quantum computing.
By integrating insights from physics, semiotics, and legal studies, this interdisciplinary reflection highlights the enduring relevance of knots as both literal and metaphorical structures in shaping human interaction with the world.
This presentation is titled “The Rebellion of Objects in the Digital and Quantum Age” in reference to Vladimir Mayakovsky’s play, Vladimir Mayakovsky, a Tragedy, which originally bore the name The Rebellion of Things. It draws on the tradition of the theater of objects, a form where the human presence is minimized or entirely removed, and objects themselves assume the roles of characters. Within this tradition, as seen in the works of avant-garde artists like Alfred Jarry, Filippo Tommaso Marinetti, and Mayakovski himself, objects become active agents that challenge human centrality, attaining autonomy and symbolic meaning. They do not simply serve as props but acquire their own existence, often taking on lives, emotions, and intentions independent of human will.
In our contemporary context, the theater of objects finds new relevance in the digital and quantum realms, where objects—whether data points, digital twins, or AI-driven avatars—transcend their material confines and take on new, autonomous roles. The concept of usurpation extends here: intelligent entities such as AI, chatbots, deepfakes, and digital tween mimic, replicate, and even replace human identities, forcing a reconsideration of what it means to “be” and “own” in a digital age. The intrusion of quantum theory further complicates this narrative by suggesting that objects exist in multiple states and can defy traditional notions of identity and ownership. In this sense, objects themselves engage in a new form of rebellion, disrupting established hierarchies and asserting their agency in ways that challenge both human authority and the laws of physics.
This presentation explores how the dynamics of usurpation, traditionally applied to human actions, are reconfigured in this new landscape. The analysis draws on the anthropological and psychological significance of imitation, recognizing that mimicry—whether in nature or culture—has always been a tool for survival and transformation. From the avant-garde movements’ use of objects as characters to contemporary digital entities acting autonomously, the presentation reveals usurpation as an ongoing evolutionary pattern in both biological and cultural contexts.
By exploring the shifting terrains of legal and cultural histories of usurpation—from the Roman practice of usucapio to modern debates on data rights and digital doppelgangers—this exploration considers whether intelligent objects are mere tools or active agents participating in the ancient pattern of usurpation. In a world where objects simulate, supersede, and even entangle with us at the quantum level, the keynote questions whether humans remain the primary agents of usurpation or have become subjects of it. Thus, it prompts a rethinking of transformation, ownership, and identity in an era where every entity—human, natural, or artificial—may be seen as a potential usurper.
Le nuove tecnologie digitali stanno forse mettendo in crisi in maniera definitiva la possibilità di trovare la verità dentro i testi? Saremo condannati a un raffronto sempre più diretto con una supposta realtà empirica? E che cosa succederà quando questa sarà difficile o impossibile da raggiungere?
announce the final episode of our webinar series “Artificial Intelligence and
Religion – AIR2020/21”, which will be dedicated to a discussion of directions for future research in AI and religion.
Tecniche e dispositivi immersivi occorrono lungo la storia delle religioni e delle arti, spesso nell’intreccio delle une e delle altre, ricercando un punto ipnotico di fusione dell’io con il tutto, dei sensi con il sentito. Oggi, quando si dice “immersione”, si pensa immediatamente alle realtà virtuali. L’immersività, però, è cosa antica, e affonda le sue radici anche nel senso delle culture religiose. Le nuove tecnologie del metaverso danno nuova veste tecnica a questo sogno di trasformazione liquida dell’intorno, di sfaldamento del confine fra sé e mondo, di leggerezza del corpo, ma al contempo risvegliano antichi percorsi di senso.
Vi è, tuttavia, qualcosa di ancora ignoto nella moltiplicazione tecnica dell’immersione, che risveglia preoccupazioni nuove: cosa succede al corpo nell’oceano digitale? Che cosa alla mente? E come si regolano i rapporti fra sé e altri nell’immersione? Vi è forse anche nell’immersione digitale, come in quella subacquea, il pericolo di perdersi? E quali punti di luce offrire, oggi, anche rivisitando le tradizioni etiche e religiose della storia, a chi s’immerga nei flutti di questo oceano digitale?
A centralidade social do rosto se manifesta também na onipresença de suas representações. O cérebro humano está organizado para detectar padrões visuais em forma de rosto no ambiente, como indicam o fenômeno da pareidolia ou a síndrome de Charles Bonnet; ao mesmo tempo, a maioria das culturas humanas representa extensivamente o rosto humano em contextos variados, com vários materiais e através de técnicas diferentes, desde as máscaras funerárias do Egito antigo até os retratos hiper-realistas da arte digital atual.
Dentro desse complexo quadro trans-histórico e transcultural, a palestra investiga o surgimento e a consolidação de representações faciais e, portanto, à criação dum imaginário antropomórfico da natureza.
Many religious cultures constitutively adopt visual artifacts and representations for several ‘internal’ reasons: remembering the deeds of deities, saints, and martyrs; worshipping their spiritual legacy; instructing the new generations or the neophytes about the main tenets of a creed; displaying a visual apologetics for a faith; enhancing communication with the spiritual dimension, etc.
In many historical and sociocultural circumstances, however, images also exert a crucial agency in the specific relations between insiders and outsiders. This agency can unfold in many ways: on the one hand, through a representation of the “Other” as unbeliever, disbeliever, potential confessional enemy, ally of obscure powers, or simply as someone who has not received yet the possibility to have access to the ‘rightful’ spiritual truth; on the other hand, images can also be created, diffused, and adopted so as to decrease or eliminate the difference between insiders and outsiders, through the discourse and the practice of religious persuasion.
In this case, not only the content, but also the form and the style of the visual representation become a fundamental ingredient so as to attract, retain, and modify the spiritual mindset of the spectator. Images, however, can also play a symmetrically negative role in religious communities that feel somehow under the siege of alien persuasive religious discourses, and that, depending on the circumstances, react to them either through iconoclasm or by culturally appropriating and, as a result, somewhat defusing these iconic attempts at persuasion.
Focusing on examples and case studies related to different religious cultures at different stages of their history, the group of scholars will seek to single out lines of continuity and discontinuity in the religious usage of images for persuasive or dissuasive purposes, with the intent of detecting relations of hegemony, areas of conflict, and opportunities for dialogue.
Universidad ORT Uruguay. El propósito está centrado en la publicación de artículos originales y la difusión de entrevistas, ensayos y resultados de investigaciones que tienen lugar en el campo de la comunicación y disciplinas afines, con especial atención en los procesos de mediatización social y el estudio de los fenómenos mediáticos contemporáneos. El
contenido está dirigido a investigadores, docentes, estudiantes universitarios de grado y de posgrado y personas con interés en todas las áreas de la comunicación. Antes de su publicación, los manuscritos son revisados, en
primera instancia, por los Editores Asociados y el Comité Académico, conformado por expertos de distintos países, el Editor Invitado de cada número, y luego son evaluados a través del sistema doble ciego con la intervención de árbitros externos. La revista lleva adelante una política de acceso abierto, recibe contribuciones escritas en español, inglés y
portugués y el/la autor/a no paga ningún costo por el procesamiento ni la publicación de los manuscritos. InMediaciones de la Comunicación se publica en formato papel y en formato digital con el objetivo de fomentar
la publicación abierta de manuscritos que son el resultado de la tarea realizada por los investigadores y darle impulso al abordaje de los más diversos temas y las problemáticas que atraviesan el campo de la comunicación. A lo largo de los años ha contado con contribuciones de investigadores y referentes académicos de reconocida trayectoria, quienes aportan su mirada acerca de los debates suscitados por la permanente renovación de los fenómenos comunicacionales en Hispanoamérica y en el mundo.
The discourse on legal protection for the elderly is deeply intertwined with the broader Human Rights dialogue, underscoring the necessity for laws that defend the dignity and rights of the aged. These discussions often mirror a society’s dedication to maintaining equality and non-discrimination, as enshrined in universal human rights. Semiotics and semioethics can enrich this dialogue by examining the impact of legal language and practices on societal attitudes toward the elderly and by shedding light on the ethical aspects of legal narratives and elder care practices. How and to what extent is law effective in protecting the elders? What are the implicit ethical considerations enshrined in legal protections?
The experience of aging is increasingly analyzed through a gendered lens, revealing distinct disparities between the aging processes of different genders. Legal definitions and societal views of aging often possess gendered undertones, affecting how aging is legally addressed. The legal system strives to define and manage aging to ensure fair protection and benefits, yet it must continuously adapt to the nuanced realities of how aging differs between men and women. This includes acknowledging the unique challenges each gender faces, as well as guaranteeing that laws are inclusive and attuned to these gendered aspects of aging. Furthermore, the categorization of legal rules concerning the elderly frequently incorporates implicit factors that influence their application and interpretation. What are the often-neglected legal categorizations that shape legal perspectives on elder-related situations?
Semiótica de las fronteras digitales: el nuevo sentido de la exclusión
Coordinación: Massimo Leone, Laura Gherlone
Límite de participantes: 8
(ocho) El Simposio Temático se propone como un ejercicio semiótico de focalización, transformación y expansión. La focalización hace hincapié en el concepto de frontera, que es clave en los estudios semióticos y especialmente en el enfoque lotmaniano. Se trata de un concepto que interpela la dimensión espacial, temporal, lingüística, corporal y afectiva y que, relacionándose estrechamente con la "modelización" de la identidad (propia y ajena), resulta ser clave para analizar las sociedades contemporáneas y sus dinámicas de polarización y exclusión.
“Lexia”, la rivista internazionale peer-reviewed di CIRCe, il Centro Interdipartimentale di Ricerche sulla Comunicazione dell’Università di Torino, sollecita contributi da pubblicare nel n. 39-40 della nuova serie.
« Lexia », le journal international peer-reviewed de CIRCe, le Centre Interdépartemental de Recherche sur la Communication de l’Université de Turin, Italie, lance un appel à soumissions d’articles à publier dans le n. 39-40 de la nouvelle série.
“Lexia”, la revista internacional peer-reviewed de CIRCe, el Centro Interdepartamental de Búsqueda sobre la Comunicación de la Universidad de Torino, Italia, invita artículos a publicar en el n. 39-40 de la nueva serie.
‘El rostro digital latinoamericano’
Número enmarcado en el ERC Consolidator Grant Project ERC-2018-COG 816640: FACETS: Face Aesthetics in Contemporary E-Technological Societies
Serie Intersecciones
Coordinación
Massimo Leone (Università di Torino, Shanghái University) massimo.leone@unito.it
Cristina Voto (Università di Torino, Universidad Nacional de Tres de Febrero) crivoto@gmail.com
Con la colaboración de José Enrique Finol (Universidad del Zulia) joseenriquefinol@gmail.com
Fechas de recepción de artículos: del 1ro de abril al 30 de setiembre 2020
Ver condiciones de presentación de los artículos en http://www.designisfels.net/
Este número de DeSignis continua con el estudio de las culturas digitales iniciado por el n°5 Corpus digitalis y continuado por el n°30 Ciberculturas. Estará dedicado a la exploración del el rostro en el horizonte digital latinoamericano y tiene como objetivo reunir las diferentes miradas que pueden ofrecer los estudios semióticos sobre el cambio que está atravesando, a escala mundial, el significado del rostro con un enfoque específico a partir de las experiencias y los abordajes latinoamericanos. Desde tiempos arcaicos el rostro está en el centro de numerosas estrategias de significación, como es el caso de las prácticas de representación, control, enmascaramiento y veladura que atraviesan toda la historia de la humanidad, y de estrategias de lectura (estudios de fisonomía y circulación, en determinados momentos históricos, de dispositivos coloniales para la racialización de ciertos rostros), pero es con la actual digitalización de la cultura que se van desdibujando una serie de novedades imprescindibles para entender nuestra contemporaneidad.
La circulación y difusión de nuevas tecnologías y prácticas (la fotografía digital, los software para el reconocimiento facial); la creación y el establecimiento de nuevos géneros (la selfi, los filtros visuales y los efectos); los nuevos enfoques para la percepción, lectura y almacenamiento (como el “hacer scroll” en Tinder) cambian drásticamente nuestras maneras de conocer, interactuar e interpretar los rostros propios y los de las/os demás. Frente a estos cambios cognitivos, emotivos y pragmáticos, DeSignis encara las culturas digitales del rostro en el horizonte latinoamericano teniendo en cuenta varias dimensiones de intersección: la plasticidad de la imagen digital para la creación, circulación y uso de íconos faciales; la mutabilidad de los formatos de comunicación del rostro; la implicación económica y política del almacenamiento de grande volúmenes de datos digitales de rostros; la dialéctica entre estos almacenamientos y las contraculturas de los rostros; el valor del velo, la máscara y el anonimato en el mundo de los rostros digitales; el cambio en la dimensión introspectiva, empática e interactiva del rostro digital.
Para abordar este debate tan necesario cuanto incipiente, DeSignis organiza el número de la revista en distintos apartados sobre la semiosis del rostro digital en América Latina, entre ellos: la neurofisiología de la percepción y la cognición, el papel de las artes y los géneros artísticos junto con la dimensión política de las prácticas artísticas (las prácticas decoloniales, poscoloniales y de resistencia a la violencia institucional), los géneros de los rostros a través de la historia de la comunicación y la evolución de las estrategias de lectura del rostro y su relación con los contextos de big data.
The topic of the XXVI National Meeting of the Society for the Philosophy of Language (SFL) is the relationship between narrations, confabulations, and conspiracies. This relationship is quite stimulating for a variety of reasons. For it brings into the fore not only the issue of the relation between fiction and reality or more in general between the role of invention and the verisimilitude constraint in structuring a narration, but also the issue of the import of imaginations and beliefs in theory construction. In the respect, the theme can be fruitfully addressed from a plurality of perspectives: from philosophico-linguistic and semiotic approaches up to epistemological approaches, primarily in philosophy of mind and cognitive sciences.
Guest editors: Remo GRAMIGNA, University of Turin and Massimo LEONE, Universities of Shanghai and Turin. Sign Systems Studies is the oldest journal in the history of semiotics, and one of the most prestigious ones. It is presently an open-access international journal devoted to semiotic research with a focus on the semiotics of culture (Tartu School) and living nature. It is published by the University of Tartu Press; it is listed in SCOPUS and Web of Science. It is edited by distinguished semioticians Kalevi Kull, Mihhail Lotman, Timo Maran, Silvi Salupere, Ene-Reet Soovik, and Peeter Torop. The special issue, to be published late 2020, is devoted to "The Cultures of the Face".
The topic of the forthcoming issue is “Transhuman Visages”.