TimeandMind:
TheJournalof
Archaeology,
Consciousness
andCulture
Volume2—Issue3
November2009
pp.265–286
DOI:
10.2752/175169609X12464529903092
Reprints available directly
from the publishers
Photocopying permitted by
license only
© Berg 2009
CaveExperiencesand
AncientGreekOracles
YuliaUstinova
Yulia Ustinova is an Associate Professor at the Department of
General History, Ben-Gurion University of the Negev, Israel.
Her research focuses on ancient Greek religion and makes
use of a multidisciplinary approach based on the application
of results of neuroscience, anthropology, and sociology to
the interpretation of historical phenomena. Among her
publications are articles on various aspects of religion and
culture in the Mediterranean area, and two books: The
Supreme Gods of the Bosporan Kingdom: Celestial Aphrodite
and the Most High God (Brill, 1999) and Caves and the Ancient
Greek Mind: Descending Underground in the Search for Ultimate
Truth (Oxford University Press, 2009). yulia@bgu.ac.il
Abstract
A great number of Greek oracular cults focused on caves,
notwithstanding the divergent nature of the divine patrons
of these cults. The fundamental reason for locating
prophetic activities in caves was the need of the gods’
mediums to attain divine inspiration, that is, to alter their
state of consciousness. For the purposes of divination
the Greeks used at least two methods. The easiest and
universally practiced technique was sensory deprivation.
Modern research demonstrates that reduction of external
stimuli leads to dream-like states, involving release of
internal imagery. In the geographic setting of Greece,
caverns and grottos provide an easy way to achieve
total or near-total isolation. The second technique was
based on special geological conditions, namely, a source
of poisonous gas having euphoriant or psychotropic
effect. The psychotropic or, in the opinion of the Greeks,
numinous quality of the caves was common knowledge to
such a degree that the association of seers and prophets
with caves became universal.
Key words: caves, altered states of consciousness,
sensory deprivation, ancient Greece, oracles
Time and Mind Volume 2—Issue 3—November 2009, pp. 265–286
266 Cave Experiences and Ancient Greek Oracles
Introduction1
In contrast to tradition in many other
cultures, oracles, and especially oracles
directly inspired by the gods, played an
extremely important role in ancient
Greek religion and culture. The will of the
immortals was announced to the mortals
either in established sanctuaries, by members
of temple personnel, or simply by laymen
who believed they were in direct contact
with the gods (Vernant 1974; Rosenberger
2001; Burkert 2005).
The sheer number of oracles known
to be focused on caves is no less than
astonishing. Of the forty centers marked by
V. Rosenberger on his map of the important
Greek oracles (Rosenberger 2001: 214–15),
natural and artificial grottos played a
crucial role in the vatic practices of eleven
(those at Delphi, Lebadeia, Ptoion, Oropus,
Aegira, Bura, Olympia, Lycosoura, Delos,
Hierapolis, and Claros). With the addition
of less famous oracular grottos, this number
increases considerably. Entering caves
regularly occurs as a major requirement for
a prophetic séance, both in established cults
and in the activities of individual seers.
There must be an important reason
for locating prophetic activities in caves. I
suggest that it was the need of the gods’
mediums to attain divine inspiration, that is,
to alter their state of consciousness. The
quest for the ultimate truth is the kernel
of inspired prophecy. For the Greeks, its
knowledge belonged to the gods alone,
and could not be perceived by the limited
human mind, held back by mundane thoughts
(Plato, Phaedo 66 DE; Snell 1960: 136; Starr
1968: 349, 351). To share in the immortals’
knowledge, one had to liberate the soul
from the burden of the mortal body by
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becoming entheos, “having the god inside
him- or herself ”: the seer or prophet
served as mediums, conveying superhuman
knowledge by means of their bodies. In the
grip of the god, the medium could display
a wide range of abnormal behavior, from
mere detachment and aloofness to violent
paroxysms. These mental states, which
today would be referred to as “altered
states of consciousness” or “non-ordinary
consciousness” were enthousiasmos (divine
possession) or mania (madness, frenzy)
for the Greeks (Plato Timaeus 71 E–72 B;
Phaedrus 244AB; Delatte 1934: 5; Motte
2004: 247–52; Dodds 1973: 64–101).
Whatever was perceived or uttered in
these states, prophecy, poetry, or mystical
insights, was considered to be inspired
by the gods and immeasurably superior
to anything deliberated by the senses in
sobriety (Cornford 1952: 88–106; Chadwick
1942; Vernant 1974: 12–13; Murray 1981).
In modern words, attaining altered states
of consciousness was a socially approved
and admired way of arriving at visions,
which were very different from any
thoughts produced by the normal waking
consciousness and interpreted encounters
with ultimate divine reality.
This article demonstrates that one
of the most common techniques of
attaining prophetic revelations in Greece
was a sojourn in an isolated chamber or
grotto. The fundamental reason for the
predilection for such places in the quest
of divine truth was that they provided an
environment where consciousness could be
manipulated with least difficulty. The easiest
and universally practiced technique was
sensory deprivation. The second technique
was based on special geological conditions,
Time and Mind Volume 2—Issue 3—November 2009, pp. 265–286
Cave Experiences and Ancient Greek Oracles 267
Yulia Ustinova
namely, a source of poisonous gas having
euphoriant or psychotropic effect.
Caves and Sensory Deprivation
Caves humble and overwhelm human beings
(Devereux 2000: 87–96). His rationality
notwithstanding, Seneca succumbed to the
numinosity of a huge cavern: “When a cave
supports a mountain on rocks deeply eroded
from within, not made by human hand, but
excavated to such size by natural causes, your
soul is seized by a religious apprehension”
(Epistulae 4.41.3).
Cave experiences are many-sided.
Caves are sometimes difficult to get to;
entering a cave means crossing the border
between the worlds of the familiar and the
unknown, a very significant action bringing
about discomfort, fear, and even true
claustrophobia (Whitehouse 2001; Roux
1999: 320–1). Disorientation and diminished
vision, as well as changes in olfactory and
auditory perception, make even a short
stay in a deep cave very different from
the routine experience of most people,
notwithstanding their cultural and social
diversity. Ridden by fear, people who enter
caves even for a short time may lose
control of their actions and feelings, just
as it happened in the Marabar Caves to
the characters of E.M. Foster’s A Passage to
India.
Deep caves are pitch black and almost
entirely sound-proof. When modern guides
leading cave tours switch off electricity, and
the visitors find themselves in absolute
darkness, with only the gentle plop of distant
drops of water or flutter of bat wings
breaking the complete silence, even those
with strong nerves grow tense. Now let
us imagine a mystic, shaman, or visionary
voluntarily entering a cave, perhaps after a
fast, and staying there alone for some time.
In a deep cave, under conditions of
almost total suppression of sensory input,
our mind enters a state of severe “stimulus
hunger,” and the subjective self emerges
forcefully (Solomon 1965; Zubek 1969;
Austin 1998: 102–4; La Barre 1980: 39;
Wulff 1997: 76; West 1975: 300; Martindale
1981: 316; Geels 1982; 44; Siikala 1982:
105; Merkur 1985: 172; Joseph 2003: 9).
Cavers and geologists who specialize in the
study of caves report visual and auditory
hallucinations, especially after remaining
underground for long periods (Clottes 2004).
When awake, the human mind needs
to be occupied permanently. Elimination
of external stimuli forces the mind to
concentrate within itself, and brings about
intensive discharge of inner imagery. This
condition is known as sensory deprivation.
Normal people participating in laboratory
tests, when placed in dark sound-proof
spaces, start to hallucinate after a few hours,
experience the sensation of floating, or press
the “panic button” to be let out (Suedfeld
1969; Kubie 1965; Vernon et al. 1965;
Freedman et al. 1965; Martindale 1981: 99,
255; Winkelman 2000: 149; Austin 1998: 102).
In an autobiographic account of experiments
with solitude-isolation tanks, physician and
psychoanalyst J.C. Lilly describes his own
“dreamlike states, trancelike states, mystical
states,” which comprised encounters with
celestial teachers and divine guardians (Lilly
1972: 40, 42).
Sensory deprivation is one of the
common techniques of inducing altered
states of consciousness. They can be
attained by different methods, and involve
different experiences, but they share a
Time and Mind Volume 2—Issue 3—November 2009, pp. 265–286
268 Cave Experiences and Ancient Greek Oracles
most important common characteristic:
they silence the waking consciousness and
free the mind from the limitations of the
alert ego, allowing self-transcendence and
awareness undisturbed by the external world
(James 1961: 329; Hood 1997; Ellwood
1980: 15–17; Geels 1982: 28–9; Laski 1990:
41; Hollenback 1996: 40–1; Shanon 2002:
262–3; Austin 1998: 24–30; Gimello 1978:
178; D’Aquili and Newberg 1998: 193–4; Lex
1979: 122–30; Ludwig 1968; Martindale 1981:
316–20; Wulff 1997: 188–99; Winkelman
2000: 148–52; 2002: 1878; 2004: 198;
Pearson 2002: 74).
Non-ordinary or altered states of
consciousness vary in their intensity, from
conditions in which the experiencer
remains aware of his environment to deep
unconscious states (Siikala 1982; LewisWilliams 2002: 134; Harner 1990: 48–9;
Austin 1998: 21). They are actively sought
within many societies (Shanon 2002: 324–6).
For example, in ancient Greece, certain
forms of madness, considered to be inspired
by supernatural forces, were actively sought.
“Our greatest blessings come to us by
way of madness, provided it is given us by
divine gift,” says Socrates in Plato’s Phaedrus
(244A; Dodds 1973: 64). In contrast, other
kinds of madness were expunged, either by
purifications or other religious means, or by
more rational methods (Ustinova 1992–8,
with refs).
For the experiencer the truth attained
in hallucinations is purer than mundane
knowledge and immutable (D’Aquili and
Newberg 1998: 195; Ellwood 1980: 20;
Shanon 2002: 264–6; Streng 1978: 146).
Altered states of consciousness create
“an enhanced sense of reality,” their noetic
quality manifests itself in the feelings of
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illumination and ultimate salience, and they
change the experiencer’s attitude to life
(Ramachandran and Blakeslee 1998: 180,
185–7; cf. Winkelman 2000: 152; Newberg
et al. 2001: 110; Andresen 2001: 268; Shanon
2002: 265). These states involve wordless
comprehension and are hence difficult to
describe; as a consequence, experiencers
and their community often regard them as
ineffable (Austin 1998: 515–16; Geels 1982: 52).
Floating in an isolation tank is the most
radical way to cut off somatosensory input.
However, sensory deprivation does not
need to be extreme in order to result in
altered states of consciousness. Withdrawal
to caves and solitary places is known
to lead to the attainment of visions and
revelations. Even reductions in information
input force the alert mind to start projecting
its own contents onto the consciousness:
the individual then has vivid fantasies or
hallucinates (Hastin Bennet 1965; Shurley
1962; La Barre 1980: 43; Merkur 1985:
172; Wulff 1997: 76.). Lack of external
input forces the mind to focus on every
minimal stimulus the environment offers.
Thus, rare sounds or a spot of light in the
dense darkness of a cave may lead to vivid
hallucinations (Martindale 1981: 317; Austin
1998: 102).
Mystics and ascetics practicing social
isolation in order to achieve enlightenment
attained alterations of consciousness by
reducing external stimuli: dwelling in a cave, in
a hollow tree, in an isolated cell, or at the top
of a pillar not only reduced the distractions
of the human society, but also caused
disturbances in body image and auditory and
visual hallucinations (Ludwig 1968: 71; Wulff
1997; Blacker 1975: 50, 53, 63–4; Hollenback
1996: 96–119; Merkur 1993: 30–3; Roux
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Cave Experiences and Ancient Greek Oracles 269
Yulia Ustinova
1999: 300–7; 310–15). Examples from
various periods and cultures are abundant.
Social isolation and sensory deprivation
are among the most common techniques
used by shamans in their deliberate vision
quest. Round about puberty, the individual
suffering anxiety and/or sensing his shamanic
vocation withdraws to a lonely place, such
as a cave, den, or hole in the snow, and stays
there for several days, fasting. During this vigil
the future shaman has a vision, which would
guide him for the rest of his life (Merkur
1985: 134, 144, 171–6; Merkur 1993: 31;
Winkelman 2002: 1876; Harner 1990: 22;
Lewis 1989: 32). D. Lewis-Williams (2002),
looking for the origins of the Palaeolithic
parietal art, argues convincingly that it was
mental imagery of shamanistic trances
experienced in the depth of the caves that
led the prehistoric painters to image-making
in caverns.
Accounts of the rigorous spiritual
discipline followed by Celtic seers, before
uttering prophecy, include preliminary
period of seclusion, special diet, and
absence of distraction (Chadwick 1942: 6).
Early Buddhists believed that in order to
obtain supernatural powers (of invisibility,
clairvoyance, traveling through the air, etc.)
one had to “bring his thoughts to a state of
quiescence, practice diligently the trances,
attain to insight, and be a frequenter of lonely
places” (Hollenback 1996: 190; 199; Gimello
1978: 180–3). The account of a yogic
method of achieving knowledge of Brachman,
the Absolute in the Svetasvatara Upanishad,
entails retirement to a solitary place, such
as a mountain cave, as a prerequisite for
meditation and realization of the truth
(Ellwood 1980: 49; Stace 1960: 42). In
Senegal, the Wolof marabouts still withdraw
into caverns in order to obtain visions
(Rouget 1990: 47, 52).
According to the Jewish tradition,
encounters of several spiritual leaders with
their God took place in caverns. Moses
spoke to the Lord in the Meeting Tent, but
when he asked to see God’s glory, the Lord
placed him in a hollow of a rock (Ex. 33.22).
Having fled from Jezebel, Elijah the prophet
abided in a cave in the wilderness, and
heard the voice of God (1 Kings 19.9–18).
Jewish apocalyptists combined isolation in
nocturnal darkness, fasting, sleep deprivation,
and deliberate mood alteration, in order to
attain visions and spiritual communion with
the divine (Merkur 1989). Rabbi Simeon ben
Yohai, miracle worker and sage, spent more
than twelve years in a cave together with his
son, left it by the god’s order, and performed
miracles and purifications (Babylonian Talmud,
Tractate Shabbat, 33B–34A; Rosenfeld 1999).
These narratives seem to reflect the popular
belief that the withdrawal into a cave was
inductive to numinous experiences of
hearing or seeing the god.
The most famous revelation ever
recorded, the Apocalypse of St. John, is
supposed to have been written in a cave
on the island of Patmos, where St. John was
banished in AD95 (Euseb. Hist. Eccl. 3.18.1;
3.20.8–9). The cave, known as the Holy
Grotto of Revelation, is now encircled by
the monastery of St. John the Theologian.
The legend associating the vision of the
Apocalypse with a cave may have been
prompted by the tradition of solitary
contemplation as a way to enlightenment,
which is attested in later Christianity (Roux
1999: 301–7; McGinn 2005: 243; Stace
1960: 186–96). The contemplative life of
Carmelite nuns is based on “stripping away”
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270 Cave Experiences and Ancient Greek Oracles
of all the distractions by living in a bare cell,
and by absolute silence (Chadwick 1942:
66–8; Rouget 1990: 44). The Shakers of
Saint Vincent (the Antilles) withdraw into
“secret rooms” where they undertake their
spiritual journeys in isolation and immobility
(Rouget 1990: 54). Thus, mystics of assorted
denominations seek a “kind of mentally
induced anesthesia of corporeal senses”
(Hollenback 1996: 170) in order to achieve
the state of consciousness leading to mystical
experience.
Chemical aspects of sensory deprivation
are most revealing. Many hallucinogenic
drugs act by impairing sensory input (Iversen
2001: 53). Altered states of consciousness,
usually associated with drug consumption,
can also be reached without these external
aids (Zuckerman 1969: 122). Endorphins,
natural opiates in the brain, act as natural
euphoriants in the human body, and one
of the triggers of endorphin discharge is
sensory deprivation (Lewis 1989: 10, 34;
Blackmore 1993: 107; Winkelman 2004: 208)
Hence, blocking sensory input in any way
seems to lead to visions and hallucinations,
irrespective of the technique employed,
whether drug use or withdrawal to an
isolated place.
In neurological terms, there is no
consensus on the biochemical and
neurophysiological mechanism of
hallucination in a state of sensory deprivation
(Wulff 1997: 77; D’Aquili and Newberg 1998:
194; Newberg et al. 2001: 40; Lex 1979:
132–47; Newberg and D’Aquili 2000: 56; cf.
Andresen 2001: 260–1). Subjective senses of
absolute spacelessness and of limitlessness
of self are prominent in the descriptions of
sensory deprivation. Another subjective
result of sensory isolation may be reaching
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an out-of-body experience (OBE), known
also as ecsomatic state, transport, soul
flight, soul journey, or astral projection. Such
experiences range from brief, “everyday”
sensations of watching oneself from a
distance, which can be felt while quite awake,
to a deep mystical state (Blackmore 1993;
Gabbard and Twemlow 1984: 22–3; Green
1968). Cross-cultural distribution of these
experiences suggests that they result from
the common neurological characteristics of
the human mind.
Thus caves and dark spaces, creating
conditions of stimulus hunger or sensory
deprivation, can be instrumental in attaining
various altered states of consciousness,
ranging from intense contemplation to
visions, hallucinations, and out-of-body
experiences. Haruki Murakami weaves these
ideas into the plot of his novel The Windup Bird Chronicle, making its main character
descend into a deep well to live through a
breathtaking adventure of hallucinations and
visions.
Cave Oracles
To comprehend the reasons which impelled
the Greeks to associate inspired divination
with caves and grottos, we will now briefly
survey textual and archaeological evidence
on some oracular shrines and reassess
the nature of their cults. Then we will
juxtapose this data with observations on
the neuropsychology of altered states of
consciousness. The resulting insights will
provide some keys to the Greek predilection
for caves in their quest of divine wisdom.
Oracles of the Nymphs and Pan
Caves were often sacred to the Nymphs,
youthful and mischievous residents of
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Cave Experiences and Ancient Greek Oracles 271
Yulia Ustinova
water-springs, rivers, mountains, and groves
(Larson 2001). Pan, the god of wild nature,
dwelt in caves, and was often worshiped in
conjunction with the Nymphs (Borgeaud
1988: 49). Dozens of caves sacred to the
Nymphs and to Pan are known today
(Amandry 1984: 404–9; Faure 1964: 141–2,
149–50; Edwards 1985: 19–27; Borgeaud
1988: 48–9, 151–4, 207; Lavagne 1988:
60–2; Larson 2001: 226–58; Herter 1937;
Brommer 1956: 992–1007). Pan was also
able to seize or invade human beings, making
them panoleptic, possessed by the god.
Panolepsy brings about divine inspiration,
which confers mantic abilities. Both panic and
panolepsy are numinous, both are indicative
of the god’s presence, but in different ways
(Borgeaud 1988: 103–13). Panic is entirely
negative, it paralyses every emotion but fear,
while panolepsy, in contrast, like other types
of divine possession, is a temporary elevation
above the normal human condition. It may
be frightening and seem weird, but it inspires
hallucinations that have noetic quality. No
wonder that in his native Arcadia, Pan was
the foremost oracular deity (Borgeaud 1988:
3, 47; Jost 1985: 491). He was credited with
the ability to inspire vatic utterings in Attica
as well as in Arcadia (Menander Dyscolus
571–2; Gomme and Sandbach 1973: 134,
223).
Prophetic inspiration and poetic rapture,
as well as other kinds of madness, were
ascribed to nympholepsy, possession by the
Nymphs (Plato, Phaedrus 238CD; Pollux
1.19; Hesychius s.v. numpholêptoi; Iamblichus
De mysteriis 3.10; Pausanias 4.27.4, 9.3.9,
10.12.11; Borgeaud 1988: 106; Connor 1988:
160). In the cave of the Nymphs on Mt.
Cithaeron many local inhabitants became
nympholepts, possessed and endowed
with oracular powers (Plutarch Aristides 11;
Pausanias 9.3.9).
A fascinating case of possession by the
Nymphs is attested to by inscriptions from
the cave at Vari in Attica (Schörner and
Goette 2004): in the late fifth–early fourth
century BC, Archedamus of Thera, who
devoted much time and care to the cave,
experienced states of trance there, most
probably on numerous occasions, which
he describes as “seizure by the Nymphs”
(Inscriptiones Graecae I³ 977–80). In one
of these seizures, as his dedication states,
he had a vision of the Nymphs instructing
him “to work out” the cave. According to
the inscriptions, Archedamus embellished
the cave and planted a garden near its
entrance. He even carved his self-portraits
there: crude low reliefs of a man holding
stoneworking tools appear twice near
inscriptions mentioning his name. The inner
part of the cave is dominated by a rudely cut
and mutilated enthroned figure, as well as by
an oval object, both hewn out of the rock.
These are most probably representations of
a Nymph and of an omphalos. The omphalos
is a recognized symbol of the oracular center
at Delphi (see below) and designates the
prophetic function of Archedamus’ cave.
Omphaloi are found in other prophetic caves,
for instance at Claros. It is noteworthy that
the oracular god Apollo was worshiped
in the cave together with the Nymphs
(Inscriptiones Graecae I³ 981; Wickens 1986:
2: 115; Farnell 1907: 4: 130; Schörner and
Goette 2004: 47–9).
The Vari cave, rich in natural and manmade awe-inspiring features, offers a rare
opportunity to contemplate the emotions of
a believer, and in particular of a nympholept,
inside a cave Nymphaeum. Archedamus
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272 Cave Experiences and Ancient Greek Oracles
returned to the darkness of the cave,
lighted by a torch or a lamp, to worship the
Nymphs, engrave his dedications, and depict
himself on the rock. The intentions behind
the extraordinary act of self-portraiture
can only be surmised, but it could not been
mere mundane self-commemoration. Was
it a wish to merge with the walls of the
sacred cave? To stay forever together with
the Nymphs? To dedicate himself to them?
Regrettably, he did not explain.
We can speculate how the altered state
of consciousness described by Archedamus
as nympholepsy was reached. A stay in
the darkness and silence of the cave was
perhaps sufficient; if a person entered it
with some faint source of light, the powerful
figure of the seated Nymph, stalactites, and
other natural features could inspire fantastic
visions (Connor 1988: 184–9). Mental images
passing through the mind during such a
sojourn could readily be interpreted as
prophetic revelations.
Several other cases of nympholepsy
(Larson 2001: 238, 257; Mitford 1980;
Masson 1966: 20–1; Masson 1981) attested
epigraphically suggest a remarkably constant
pattern which includes, first, a cave as the
mise-en-scène, second, possession by the
Nymphs or at least their cult, and third,
endowment of chosen devotees with
inspired visions, vatic or poetic abilities
(Larson 2001: 18).
The cave itself became in some cases just
an emblem of divinely enthused prophecy:
in several popular centers of divination
(for instance, the Corycian cave), the
emphasis shifted from inspired vaticination
to lot oracles, which even then retained the
patronage of the Nymphs (Amandry 1984;
Larson 1995: 347). Many less frequented
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caves preserved their reputation as places of
nympholepsy or panolepsy.
It is almost self-evident that Pan and the
Nymphs, unrefined deities of nature, would
be worshiped in the wild, in their pristine
abodes. It is also only to be expected that
men born and bred to live in human society,
when separated from it in an untamed
landscape, would feel a spectrum of
emotions from fear to bucolic delight, and
would ascribe these sensations to the gods
of the countryside. No commonsensical
explanation can clarify why a stay in a
cave supposedly belonging to Pan and the
Nymphs would cause people to hallucinate
and utter prophecies. However, if the effects
of isolation and sensory deprivation are
considered, panolepsy and nympholepsy
become less mysterious: they ensued from a
normal reaction of the human mind to these
conditions.
Cave Oracles along the Valley of
Meander
Caves, dark and menacing, seemed
bottomless to people who did not dare to
penetrate their damp depths. Unsurprisingly,
they invited the image of the netherworld,
were often considered entrances to Hades,
and called Charonia or Plutonia, after Charon
the ferryman of the dead and Pluto the lord
of the netherworld. The idea that caves
served as passages to the netherworld was
so common that even relatively unimposing
grottos could be given the title of Plutonium.
Many of these caverns were used for
divination.
Oracles of the dead were usually placed
at the entrances to the Netherworld. More
often than not, these nekuomanteia were
located in caves: out of the “big four” named
Time and Mind Volume 2—Issue 3—November 2009, pp. 265–286
Cave Experiences and Ancient Greek Oracles 273
Yulia Ustinova
by D. Ogden, the oracles at Taenarum and
at Heracleia Pontica were based in caves,
and the one at Avernus near Cumae was
intrinsically associated with caves in myth
(Ogden 2001).
The valley of Meander in Asia Minor
presents a distinctive type of oracles. Strabo
reports the existence of three Charonia
along the Meander: at Hierapolis, at Acharaca
and the Aornum near Magnesia, and explains
the multiplicity of cave oracles by soil
conditions, favoring the formation of caves
(Strabo 12.8.17; 14.1.11; Ustinova 2002).
They were located in caves emitting mephitic
gases, deadly or dangerous for ordinary
people. For instance, at Hierapolis (modern
Pamukkale) there was a deep cave with a
narrow opening filled with misty poisonous
vapors which killed every animal entering
the cave. Only the eunuch priests of the
goddess Cybele were able to enter the cave,
either due to their techniques of holding
their breath, or antidotes, or a phenomenon
like enthousiasmos (Strabo 13.4.14; Pliny
Historia Naturalis 2.95; Dio Cassius 68.27.3).
The Plutonium has been identified: it is a
deep chamber and a hole, emitting highly
poisonous gases. Thus, ancient accounts of
gas discharge have been verified by modern
scientists and found precise (Bean 1989:
202–4, fig. 82; Cross and Aaronson 1988;
Negri and Leucci 2006).
A fragment from a treatise by a sixthcentury AD Neoplatonist, Damascius, gives
a description of a temple of Apollo at
Hierapolis, with a descent into the noxious
grotto and visions he experienced there,
including the promise of escape from Hades
(Zintzen 1967: 176).
Excavations of the site revealed a temple
of Apollo adjacent to the cavern. There
was direct access to the Plutonium from
inside the temple of Apollo, and recently
geophysical research demonstrated that
a fault passed immediately beneath the
temple. The existence of a direct connection
between the mephitic cavern and the
temple of Apollo suggests that Damascius’
description is correct: one could enter the
grotto from the temple (Bean 1989: 206–7;
de Bernardi Ferraro 1993: 138–43; Negri
and Leucci 2006). The most probable
explanation of this connection would be
utilization of the hallucinogenic qualities of
the gas, in order to produce (prophetic)
visions.
Cave Oracles of Gaia
That Gaia, the goddess of the Earth, would
be worshiped near or inside openings
leading into the depth of the earth appears
as self-evident as the location of Ploutonia
and oracles of the dead at such places. The
association of divination with the goddess of
the earth seems to be very ancient (BouchéLeclercq 1879–82: 2, 251–60). In several
cases, Gaia’s oracle is unequivocally focused
on a natural cleft or cavern. An oracle of
the Gaia at Aegira in Achaia was located in
a cave into which the priestess descended
to utter prophecy (Pliny Historia Naturalis
28.41.147; Pausanias 7.25.13). There was
an oracle of Gaia in Olympia, above what
is called “the Cave” (Pausanias 5.14.10; Sinn
2000: fig. 2; Parke 1967: 27).
Oracles of Underground Dwellers
The list of seers who uttered gods’ orders,
not only when alive but also after their
death, includes the famous Orpheus and
less famous figures such as Trophonius,
Amphiaraus, and others. The evidence
Time and Mind Volume 2—Issue 3—November 2009, pp. 265–286
274 Cave Experiences and Ancient Greek Oracles
on the cults of subterranean dwellers
reveals a pattern based on a series of
common features. Etiological legends on
disappearances into chasms and caves
vary from place to place, but in most cases
vanishing into a chasm is a divine blessing,
rendering a mortal hero immortal. These
tales look like explanations invented to
account for the daimon’s life in the depth
of the earth: myths that give reasons for
an ancient cult type. The status of these
characters is that of extreme liminality: they
belong neither to the living nor to the dead
nor to the gods. Thus, they are able to act
as mediators between the worlds, disclosing
to the living secret knowledge normally
confined to the dead or to the gods
(Ustinova 2002, with refs).
Trophonius, whose oracle was in
Lebadeia (Boeotia), was also believed to
have vanished there beneath the earth.
From then on, he lived in a cave under a hill
as an oracular god.2 The oracle in Lebadeia
already existed by the sixth century BC. In
both literary and epigraphic sources, the act
of consultation of the oracle is described as
descent—catabasis. We are lucky to possess
both a detailed description of the procedure
there by Pausanias (9.39.1–40.1), and a
unique account of the enquirer’s experience
by Plutarch, in the dialogue The Daimonion of
Socrates (Moralia 590B–592F).
The preparation for the consultation
took several days and included not only
preliminary sacrifices, but also secluded
lodging in a small building, cold baths, prayers,
special diet, and sexual abstinence, as well as
music and dancing. Only when well-prepared
for the tremendous experience—that is,
exhausted, tense with anticipation, and
disposed to hallucinating—did the consulter
Yulia Ustinova
descend to Trophonius’ cave. The symbolism
of the Trophonium was that of the
netherworld: at night two boys personifying
Hermes, the conductor of the souls to
Hades, led the inquirer to the oracular
cave (Bonnechere 2003: 139–64; 236–48).
The prophetic grotto was most probably
an artificial circular hole, several meters
deep: the inquirer lay on the ground, and
then, according to Pausanias, he was swiftly
drawn into another hole, as if by an eddy
(Pausanias 9.39.11). The inner space appears
to have been a small recess at the bottom
of the larger grotto, where only the feet of
the consulter entered, while he remained
stretched out on the floor (Bonnechere
2003: 159–63). In fact, the image of the whirl
could derive from the vortex experienced
by the inquirers at the beginning of their
prophetic trance—that is, altered state of
consciousness—induced by the immersion
into the dark coolness of the grotto.
Plutarch’s description of the consulter’s
experience in the Trophonium is a fascinating
account of the communication of a young
man named Timarchus, who spent two nights
and a day in the cave, in a world beyond
normal experience. He could not discern
whether he was awake or dreaming, but it
seemed to him that after passing through
profound darkness, he was struck on the
head, “the sutures parted and released his
soul.” In a sleep or in trance, Timarchus’ soul
flew above an ocean with shining isles, and
in a mixture of joyfulness and awe he heard
voices that explained to him the mystery of
metempsychosis and predicted his imminent
death (Hani 1975; Babut 1984; Bonnechere
2003: 154–64).
The most substantial inference from
Plutarch’s description is that an inquirer in
Time and Mind Volume 2—Issue 3—November 2009, pp. 265–286
Cave Experiences and Ancient Greek Oracles 275
Yulia Ustinova
the Trophonium lived through an out-ofbody experience: lack of awareness of the
surroundings, passage through darkness
to translucent and pure light, flight over a
magnificent country, visual and auditory
hallucinations, feeling of unearthly happiness,
and the final gift of clairvoyance. Quite
predictably, Timarchus’ altered state of
consciousness was accompanied by culturally
patterned visions, reflecting Greek religious
and philosophical ideas, such as mythical
geography of the netherworld, as well as
the notions of the soul, its liberty, and need
of purification. The variance in the kind of
hallucinations experienced in the Trophonium
was known to Pausanias (9.39.11), who
observes that inside the cavern different
inquirers learn the future in different ways,
sometimes by sight and at other times by
hearing. Thus, the oracle of Trophonius
presents an example of direct inspiration of
the inquirers by a deity, which took place in
the closed space of the grotto, after complex
preparation.
Regrettably, this detailed account is
the exception to the rule: testimony on
other oracular centers consists of indirect
allusions or brief hints to altered states of
consciousness experienced by consulters
or personnel. However, the evidence on
the Trophonium suggests that under similar
conditions, namely cultic preparations,
isolation inside a cave, and religious awe,
ancient Greek consulters would have
attained similar experiences and interpreted
them in a similar way.
The baffling status of the immortal
subterranean daimons who do not fit into
any of the usual Greek categories, and the
artificial provision of mythical explanations
of their cults’ focus on prophecy and
initiations, suggest that it was the firm
connection to the caves and underground
chambers that constituted the core of
the cult. This core, revelation of hidden
knowledge in a cave, could not be changed; it
had therefore to be explained and preserved
(Ustinova 2002).
The Apolline Prophecy
No other Olympian could be farther from
the subterranean world (Plutarch Moralia
566C), but it was Apollo who returned
there time and again, prophesying from
the darkness of natural caves and artificial
grottos. The god of arts is even portrayed
standing near the omphalos inside a vault,
presumably the Delphic grotto, on the
famous relief by Archelaos of Priene, known
as “Apotheosis of Homer” (Richter 1969: fig.
248).
The sanctuary of Apollo at Claros in
Asia Minor was associated with prophecy
from a very early date (Robert 1967: 306–8;
Parke 1985: 219–24). The mantic session at
Claros was held in a grotto (Tacitus Annales
2.54, Pliny Historia Naturalis 2.232). The
lifestyle of the medium comprised seclusion,
purifications, fasting, and other austerities, and
indeed the strain of possession by the god.
The underground holy of holies consists of
two chambers with a passage between them
(Robert 1967: 309–10, fig. 117; Bean 1979:
158–9; Parke 1985: 138). In the almost total
darkness, this intricate passage must have
given the impression of a maze. Influenced
by his faith, the confusing subterranean
passage, and by purifications he had
undergone before entering the grotto, he
drank the sacred water and started singing
(Iamblichus De mysteriis 3.11). In modern
terms, at Claros the medium attained altered
Time and Mind Volume 2—Issue 3—November 2009, pp. 265–286
276 Cave Experiences and Ancient Greek Oracles
state of consciousness due to the effect of
his descent into the underground grotto,
enhanced by earlier preparations.
In the sanctuary of Apollo Ptoios on Mt
Ptoion in Boeotia, behind the temple was an
artificial grotto (Guillon 1943: 96; 137, 140,
pl. 14.). An early third-century BC hexameter
inscription on a base of a statue dedicated to
Apollo Ptoios provides valuable information
on the mantic procedure at the sanctuary.
The god described as “nightly” appeared
to the dedicant in the gloomy grotto, and
inspired his revelation. The contact between
the god and the mortal at Ptoion is pictured
as a direct encounter, the communication
including not only auditory, but also visual
messages (Guillon 1943: 109–10, 144; Guillon
1946). It seems that the prophet attained
his visions in an ecstatic state, which affected
his articulation, at least on some occasions,
as Herodotus’ story of the prophecy given
to the Persian Mys hints (Herodotus 8.135;
Robert 1950; Schachter 1981–94: 1: 66).
At Nea Paphos on Cyprus, Apollo Hylates
is mentioned in two fourth-century BC syllabic
inscriptions placed at the entrance and within
a cave, actually a rock-cut tomb furnished
for the god’s use by the dedicant of the
complex (Mitford 1960; Mlynarczyk 1980).
Oracular activities are likely to have been
performed at the site. The conversion of an
abandoned tomb into Apollo’s shrine would
be unthinkable if it had not been done in
accordance with the demands of the god’s cult.
The middle of the Greek world was in
Delphi. It was marked with the omphalos,
the umbilical midpoint of the universe.
The heart of Delphi was a cavern, which
accommodated the omphalos and the seat of
the greatest of the Greek oracles. Although
only few were allowed into “the innermost
Yulia Ustinova
part of the temple,” the ceremony of oraclegiving has never been a secret from the
public: not only Delphic clergy attended it,
but also the inquirers themselves, after they
had performed the customary purifications
and sacrifices (Parke and Wormell 1956:
1, 17). Ancient authors referred to this
ceremony freely, and painters depicted it on
vases. Prophecy was delivered by a simple
woman from Delphi, known as the Pythia.
The Pythia had to live in isolation from
all contact and relation with strangers, to
forestall any emotion which would interfere
with her function as a mouthpiece of the
god. Having purified herself, the Pythia
entered the holy of holies in the innermost
part of the temple known as the adyton
(“space not to be entered”). The adyton
contained the omphalos, a round stone
believed to designate the navel of the world,
a laurel tree, a golden statue of Apollo, and a
tripod, which the Pythia mounted during the
oracular session (Courby 1927: 59–69, fig. 61;
Roux 1976: 134–5, figs 7 and 8; Roux 2000:
195, fig. 13; Parke 1939: 22; 27–30; Delcourt
1981: 42; Green 1989: 110).
Inspired by Apollo, the Pythia responded
to the questions posed by inquirers (Parke
1939: 32; Parke and Wormell 1956: 1, 34–40;
Flacelière 1938: 76–9; Roux 1976: 64–84;
Latte 1940; Maurizio 1995; 1998). After the
Pythia had been asked the question, she
entered an altered state of consciousness,
known to the Greeks as prophetic mania
(Rohde 1925: 312–13; Dodds 1973: 65–101;
Maurizio 1995: 70–9; Delcourt 1981: 54–5;
Roux 1976: 157). Although possessed by
the god, she was neither frenzied nor
hysterical. In both painted and verbal
depictions, she appears calm and
concentrated. Her utterance, heard by
Time and Mind Volume 2—Issue 3—November 2009, pp. 265–286
Cave Experiences and Ancient Greek Oracles 277
Yulia Ustinova
the consulters present in the adyton, was
articulate and could be rendered in verse
or in prose, even if the meaning remained
obscure: the oracular Apollo was Loxias, “the
ambiguous” (Strabo 9.3.5; Amandry 1950:
164; Delcourt 1981: 54–5; Roux 1976: 157;
Maurizio 1995: 70).
Since the fifth century BC the written
tradition refers to the Delphic adyton, holy
of holies, as an artificial vault, located below
the floor level of the rest of the temple.
Athenian dramatists describe the god living
in this grotto: in Aeschylus’ trilogy Oresteia,
the Delphic Apollo is praised as “[the god]
who dwells in the great well-built cavern”
(Aeschylus Choephori 797, cf. 803–5; 954;
Eumenides 180; Euripides Ion 220–9, 233,
245; Andromache 1093; Phoenissae 237).
The Boeotian poet Pindar returns to the
same image (Pythian Odes 5.68, 8.63). In
Aristonoos’ hymn, composed in the fourth
century BC, the Corinthian poet mentions
“the inner recess in the umbilical center of
the earth and the Delphic laurel tree” (Furley
and Bremer 2001: 1: 116–18; 2: 38–45)
The Delphic cavern is pictured as a manmade vault. If indeed it is so, the fact that the
cavity in the Delphic adyton was artificial
does not contradict other testimonies and
does not indicate that it was not used in the
mantic procedure. Actually, in Trophonius’
oracle at Lebadeia and in Apollo’s sanctuary
at Claros, the grottos in which consulters
descended were also man-made.
The first accounts of the prophetic
breath in the adyton are Hellenistic: “the
breath,” pneuma, emanating from the earth
through a chasm in the adyton, is considered
to be a material substance inspiring the
Pythia to utter oracles (Strabo 9.3.5; PseudoLonginus On the sublime 13.2; cf. Diodorus of
Sicily 16.26). At the beginning of the second
century AD, Plutarch witnessed the Pythia’s
behavior and the layout of the Delphic
temple directly during his long service there
as a priest. These subjects are mentioned
by Plutarch in two dialogues, The Oracles
at Delphi No Longer Given in Verse and The
Obsolescence of Oracles. The testimony
of Plutarch, who had profound first-hand
knowledge of the Delphic ritual, and wrote
for people he could hardly deceive on these
matters, attests to the same three basic
elements of the action in the holy of holies
as described by Strabo: a hollow, emanations,
and the subsequent mantic inspiration of
the Pythia (Moralia 397C, 404F, 437C–D;
Flacelière 1943; 1947; 1962; Schröder 1990;
Jaillard 2007).3
Until the beginning of the twentieth
century, this tradition had never been
questioned. The archaeological excavations
in Delphi, which yielded no substantial
remains of the adyton (Courby 1927: 65–6;
Will 1942/43: 16; Bourguet 1914: 249–50;
Roux 1976: 93), brought about a completely
different approach to the reconstruction
of the prophetic séance (Oppé 1904). The
prevailing opinion now was that neither
subterranean hollows nor gases affecting the
mental state of the Pythia ever existed in
the adyton (Will 1942/43; Amandry 1950:
215–30; Fontenrose 1978: 197; Parke 1939:
21; Nilsson 1961–1967: 1, 172; Dietrich
1978: 6; Rosenberger 2001: 53). As a
result, the entire ancient tradition had to be
explained away, and this task was ingeniously
carried out by several scholars (Poulsen
1920: 22–3; Will 1942/43: 174; Flacelière
1965: 51; Roux 1976: 156–7; Dodds 1973: 73;
Lloyd-Jones 1976: 67; Parke 1967: 80; Green
1989: 102).
Time and Mind Volume 2—Issue 3—November 2009, pp. 265–286
278 Cave Experiences and Ancient Greek Oracles
This skepticism is astonishing. In 458 BC,
when Aeschylus’ trilogy Oresteia was staged,
some of the people in the audience had
attended mantic séances in Delphi: we know
about official Athenian delegations to Delphi
during the first decades of the fifth century
BC , to say nothing about private persons who
also consulted the oracle. All these inquirers
visited the adyton and were present at the
Pythia’s prophesying. Even if Aeschylus had
wished to invent or lie about the Delphic
adyton, he would not have been able to
mislead his audience on this subject. In the
Eumenides the god himself appears twice
in his oracular shrine, “the bright god who
dwells in the cave” (verse 221). How could
Apollo be placed in the wrong surroundings?
The idea to attribute a nook in the earth
to the “bright god” would be bizarre, unless
the audience knew about the subterranean
vault. And why would a pious Athenian
poet wish to fabricate details concerning the
sacred Delphic temple? It seems much more
probable and simple to hold that, in the fifth
century BC, there was an artificial vault in the
Delphic adyton.
Moreover, the first French excavators
have already taken note of the fact that
only meager traces of the adyton had
been preserved, and that these remains
did not contradict the traditional image of
the temple (Courby 1927: 47–80; Roux
1976: 94). Although there was no trace
of a natural cleft below the temple floor,
indications of the existence of an artificial
grotto were discovered: the area, indicated
by the break in the pavement near the back
wall of the temple, is sunken, lying more
than two meters below the surrounding
floor (Courby 1927: 66, fig. 55; Roux 1976:
110; Suárez de la Torre 2005: 22). Recent
Yulia Ustinova
geological discoveries in the area of Delphi
have succeeded in identifying the prophetic
vapor and in demonstrating that both
fracturing and emissions of intoxicating gases
occurred under the temple of Apollo (de
Boer and Hale 2001; de Boer et al. 2001;
Spiller et al. 2002). These gases, methane
and ethane and ethylene, are colorless and
can produce mild narcotic effects. Ethylene
in particular was used as a surgical anesthetic
till the 1970s, and in light doses, it allows full
control of the body, but creates a sensation
of euphoria (Hale et al. 2003; de Boer et al.
2001).4
Thus, after a century of disbelief, the
ancient tradition declared “unsatisfactory”
has been proven to offer quite an accurate
account of the layout of the temple and
ritual at Delphi. Yet notwithstanding the
reassessment of the ancient tradition on
pneuma, testimonies regarding the existence
of a submerged vault in the Delphic adyton
are still misinterpreted, and only a few
authors acknowledge the role of pneuma
in Pythia’s inspiration (Mikalson 2005: 106;
Ogden 2001: 245; Curnow 2004: 56; Bowden
2005: 19). Thus, it is essential that written
accounts of the layout of the Delphic adyton
are basically coherent in their own right, and
cannot be disregarded in their entirety as
fallacious nuisance.
It is clear now that at Delphi the holy
of holies was an artificial grotto. There the
Pythia experienced a state of trance, which
was induced by inhalation of hydrocarbon
gases emitted from the fissure in the
bedrock. The whole temple appears to have
been erected in order to take in a strip of
the prophetic ground. The chasm connects
the holy of holies to the depth of the earth.
The omphalos represents the navel of the
Time and Mind Volume 2—Issue 3—November 2009, pp. 265–286
Cave Experiences and Ancient Greek Oracles 279
Yulia Ustinova
Fig 1 The ruins of the Temple of Apollo at Delphi (Photo: Paul Devereux)
world, while the laurel tree symbolizes its
summit, and from this tree Apollo himself
speaks. Accordingly, the inner sanctum of
the Delphic temple, considered the umbilical
center of the cosmos, comprises its two
extremities, linking the highest and the lowest
spheres. The action in the adytum is focused
on the Pythia, who conveys the words of the
god. Thus, similarly to many other prophetic
caves, the Delphic cavern served as a place
where the medium attained altered states of
consciousness, but unlike most other oracular
centers, the method employed there relied
on the use of narcotic gases rather than on
sensory deprivation.
Interpretation
We have seen that a great number of Greek
oracular cults focused on caves, irrespective
of the divergent nature of the divine
patrons of these cults. In some instances, the
association with caves may be explained, at
least superficially, by recourse to the divine
personalities of the gods. For instance, the
Nymphs were the deities of wild nature,
dwelling in caves. What could be more
self-evident than to ascribe to their power
those cases of trance, sometimes prophetic
or poetic, which occurred in caves to people
isolated from society and from the light of
day? Another category of prophecy given in
Time and Mind Volume 2—Issue 3—November 2009, pp. 265–286
280 Cave Experiences and Ancient Greek Oracles
caves is connected to the chthonic realm.
Myth tended to place entrances to the
netherworld in multiple caves, and many
among them became seats of prominent
oracles, where predictions were given either
by the dead or by deities of the netherworld.
However, the issue becomes more
complicated when we move on to oracles
belonging to Apollo, whose personality was
not connected with the chthonic realm. It
would be logically fallacious to devise an
individual explanation for each instance
of prophecy in caves. It may be assumed
that the fundamental reason for locating
prophetic activities in caves was the need of
the gods’ mediums to attain divine inspiration,
that is, to alter their state of consciousness.
Ages-long experience had taught
the Greeks to induce altered states of
consciousness by a variety of means, and for
the purposes of divination they used at least
two methods. The easiest and universally
applicable technique was sensory deprivation.
In the geographic setting of Greece, caverns
and grottos provided an easy way to achieve
total or almost-total isolation.
The second method required special
geological conditions, namely, a source
of poisonous gas having a euphoriant or
psychotropic effect. It is essential that the
gas be inhaled in sufficient concentration,
therefore in a closed space. Natural
combination of these requirements was
provided by clefts opening into caves in
the Meander valley, whereas in Delphi the
prophetic gas was to be inhaled inside an
artificial grotto.
Inspired divination was in many cases
based on direct contact between the god
and the consulter. Even if we assume that
at the sanctuary of Trophonius inquirers
Yulia Ustinova
who did not appear likely candidates for
surrender to trance were segregated at
the stage of preliminary ceremonies, their
number remained limited. Cases of alteration
of consulters’ consciousness and ensuing
reports of divine revelations must have been
common enough to allow institutions like
this oracular center to operate smoothly.
Apparently visitors to caves sacred to
the Nymphs did not necessarily become
nympholepts, but their trances were
sufficiently frequent to inspire numerous
jokes and allusions. Thus, cave experiences of
ordinary Greeks were quite widespread.
In addition, well-established oracular
centers like Delphi and Claros employed fulltime intermediaries of the gods. Although
the neurological mechanisms of their trances
and revelations did not differ from those
of laymen, their ascetic lifestyle, expertise,
and natural proclivity allowed them to
manipulate their consciousness much more
efficiently. As a result, their predictions were
especially impressive and well-known—as
well as their oracular techniques. Prophetic
priests, members of sacred embassies, sent
to Delphi and Claros by cities all over the
Mediterranean, private consulters who
applied to these oracles for advice, and
individuals who personally experienced
altered states of consciousness in caves—all
these people knew that descent into caves
evoked noetic sensations.
Thus, caves were instrumental in
stimulating altered states of consciousness
in two ways, either as places of isolation
causing sensory deprivation, or as closed
spaces allowing inhalation of narcotic gases in
appropriate dosage. This psychotropic or, in
the opinion of the Greeks, numinous quality
of the caves was common knowledge to
Time and Mind Volume 2—Issue 3—November 2009, pp. 265–286
Cave Experiences and Ancient Greek Oracles 281
Yulia Ustinova
such a degree that the association of seers
and prophets with caves became universal.
Notes
1 This and related subjects are treated in detail in
my book on Greek cave experiences (Ustinova
2009). The research was supported by the Israel
Science Foundation (Grant No. 557/05).
2 The most systematic and profound research on
Trophonius was conducted by P. Bonnechere
(2003). For the oracle and its history, see also
Schachter 1967; Schachter 1981–94: 3, 66–89;
Schachter 1984; Clark 1968.
3 The reliability of Roman authors on Delphic
matters has been even more sweepingly refuted
by scholars, than that of the Greek writers.
Re-reading of the pertinent passages in Latin
literature (e.g. Lucan Pharsalia 5. 67–236, cf. Bayet
1946: 69; Cicero De divinatione 1. 19. 38; 1. 36.
79; 1. 50. 115) demonstrates however that this
approach is based on a preconception.
4 A different approach to the location of the faults
and the nature of gaseous emissions is suggested
by Etiope et al. (2006). These studies have
recently been questioned by D. Lehoux (2007),
whose criticism is based mainly on a return
to the century-long refusal to accept ancient
evidence of the existence of a chasm and gases
in Delphi at its face value. Moreover, Lehoux’s
arguments are compromised by his prima facie
antagonism regarding the line of interpretation
used by J. Z. de Boer, G. Etiope and their teams.
In Lehoux’, opinion, any attempt to account for
ancient religious phenomena using results of
modern science is methodologically erroneous.
This approach, based on the understanding of
human beings as social actors separated from
their biological nature, limits historical research.
Although at present the exact composition
of the “oracular breath” at Delphi may not be
established exactly, it is essential that geological
and physiological aspects of oracle-giving in Delphi
be studied along with written and archaeological
evidence.
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