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2023, In C. Howe, A. Moore and J. Diamanti (eds) Solarities. Elemental Encounters and Refractions. Punctum Books.
Concrete is a material that substantiates key contradictions of contemporary urban life. This anthropic rock, the most abundant in earth history, not only materializes modern narratives of progress but is currently a candidate to mark the onset of the Anthropocene. Moreover, contrary to how it has been traditionally portrayed by the industry, as a synthetic product of modern ingenuity, concrete results from a deep planetary relationship between the Earth and the Sun; the very same relationship that has made the existence of life in this planet, as we know it, possible, including humans. Attending to contemporary dystopias of Chile’s neoliberal experiment in Santiago, this chapter addresses the importance of the relationship between sunlight and concrete for understanding the human condition in the Anthropocene.
Environmental urban design is often conceptualized in terms of a harmonious organic order in which all parts, natural and artificial, are integral elements of a living, interconnected system. In addition to being connected to anti-democratic politics, this mode of urban design has been delegitimized by the emergence of the Anthropocene, our current human-dominated geological epoch in which the natural domain has been subsumed within the human. In other (urbanist) words, urbanization becomes planetary in its scale, razing the properties formerly distinguishing city and nature. Environmental urban design in the era of the Anthropocene and planetary urbanization is called upon to develop a sustainable non-organicity that confronts the ‘second nature’ created by humans composed of brownfields, railways, mines, power stations, financial centers, and pipelines. In the United States, Landscape Urbanism has recently developed design practices to do just this and regenerate cities, but little has been done to reconceptualize the program of environmental urban design. A reading of the poetics of Vicente Huidobro in light of the Anthropocene and planetary urbanization fulfills just this task. In his poem, Ecuatorial (1918), Huidobro imagines a new global spatial order defined by natural landscapes being transformed into and juxtaposed next to built environments and tied together by new technologies of communication and transportation. In short, the poem demonstrates an urbanized, global, non-organic spatial order so often (rightly) attacked by environmental urban design. Yet it is my contention that in this poem Huidobro conceptualizes planetary urbanization and anthropogenic transformation of the landscape as the creation of a non-organic, second earth. Huidobro’s poetics provide a framework within which we can begin to discuss global, urban regeneration in the Anthropocene. Confronted with the need to imagine a new urbanized earth created under the threat of planetary destruction, Huidobro posits a poetic solution.
Roadsides, 2024
Concrete, a versatile and durable building material, shapes our modern world. Its adaptability and widespread use across infrastructure and architecture reflect its significance in everyday life, culture, and economy. Despite its ancient roots, concrete is emblematic of modernity, symbolizing progress and development. Recent scholarship delves into concrete’s complex history and impact. It has been both a symbol of political power and a marker of social and environmental challenges. Ethnographic studies reveal its significance from local to global scales, shedding light on its unexpected implications. Concrete’s material agency, highlighted in various studies, challenges assumptions of stability and strength. Its enormous carbon footprint contributes to climate change concerns. While alternatives like “aircrete” are explored, concrete remains the dominant building material for now. Critical literature emphasizes concrete’s contradictions and potentialities, spanning diverse geographies and histories. Papers in this special issue explore concrete’s social, technical, and political entanglements worldwide. They analyze its role in shaping built environments, economies, and communities, while addressing sustainability challenges in the twenty-first century. https://roadsides.net/collection-no-011/
Enquiry The ARCC Journal for Architectural Research
This paper examines Darko Suvin’s and Kim Stanley Robinson’s assertion that the late-stage capitalism and neoliberalism of our world can be understood as an “antiutopia” that actively works to suppress the imagination of better futures. It argues that the relatively new science fiction sub-genre of solarpunk—which sets itself in direct opposition to the dystopian visions of the more well-known subgenre cyberpunk and imagines worlds that focus on the community rather than the individual, on environmental sustainability rather than environmental degradation, on social justice rather than subjugation and inequality, and on optimism rather than nihilism—offers some of the most promising paths toward the rejection of this antiutopia in favor of an anti-antiutopian (and therefore utopian) approach that actively works to bring about a better future. The paper suggests that the solarpunk futures currently emerging in literature, art, and online communities offer architects, landscape archit...
Constelaciones. Revista de Arquitectura de la Universidad CEU San Pablo
La primera casa alimentada exclusivamente por energía solar fue diseñada, o más bien ensamblada , en 1939 por los ingenieros del MIT sin intervención de arquitectos. Casi en idéntica fecha y también en Massachusetts, Walter Gropius y Konrad Wachsmann patentaban el primer prototipo prefabricado para una casa solar pasiva. La desconexión de ambos modelos habla de la divergencia histórica entre dominancia tecnológica y experimentación tipológica, entre las tradiciones de los modelos activos y los sistemas pasivos de control ambiental. El espacio habitable y las instalaciones establecieron así las bases de una convivencia estéril que no serán reformuladas hasta el fin de la Segunda Guerra Mundial. El texto revisa el debate entre el ‘eco-manierismo’ y el racionalismo ecológico inaugurado entonces, y propone su vigencia en el debate contemporáneo.
La interpretación de los procesos de transformación urbana siempre ha planteado grandes dificultades. El esfuerzo normativo desarrollado en el plano internacional sobre el ámbito que nos ocupa, ha generado una ingente cantidad de documentos relacionados con el denominado patrimonio monumental, arquitectónico, construido o edificado, cuyo análisis pone de manifiesto la propia evolución conceptual experimentada desde las primeras definiciones que consideraban al monumento de forma individual, hasta derivar en una percepción mucho más compleja con los conceptos de conjunto histórico o centro histórico y posteriormente con los de ciudad histórica o área urbana histórica. Este recorrido conceptual, nos ha conducido en la actualidad a la idea de paisajes urbanos históricos, aún en proceso de consolidación. El espacio urbano de las ciudades históricas actúa como un organismo vivo que evoluciona de forma paralela a los procesos de transformación social conformando el sustrato material expresión de la identidad y la memoria colectiva e incorporando muchas otras vertientes patrimoniales. En el S. XXI, la globalización y la sociedad de la información han originado que gran parte de estos procesos socio-económicos se hayan acelerado con unas repercusiones que aún no somos capaces de advertir en su totalidad. En este contexto, las ciudades tienen la necesidad de adaptarse a las dinámicas generales del desarrollo urbano y la integración de las actuaciones contemporáneas arquitectónicas y urbanísticas con su entorno natural, material e inmaterial, constituye un obstáculo de dimensiones considerables. Ni los agentes encargados en la tutela y gestión de las ciudades históricas, ni el nuevo marco conceptual y teórico en torno a la noción de paisajes urbanos históricos han sabido precisar cuáles son los “límites de cambio aceptables”, de forma que estos suelen hacerse a posteriori y de manera subjetiva. Este hecho ha originado que el carácter holístico, dinámico y transversal de este nuevo concepto, en muchas ocasiones pueda ser utilizado como un subterfugio al servicio de determinados agentes, que lejos de preocuparse por la preservación de su memoria, están priorizando otros intereses e naturaleza más lucrativa. Con el presente artículo, se persigue un acercamiento inicial que permita centrar la atención sobre estos problemas estableciendo propuestas para el desarrollo de metodologías de límite de cambios aceptables y evaluaciones de impacto sobre las que asentar las políticas y los modelos de gestión urbana.
Border Environments: Toward a Political Ecology of the Edges of the World, 2020
Philip K. Dick's Do Androids Dream of Electric Sheep? (1968) and Jeanette Winterson's The Stone Gods (2007) manifest an environmentalist awareness of the increasingly destructive power of human technologies while challenging the prevalent models we employ to think about the planet as well as its human and non-human inhabitants. Both novels probe what it means to be human in a universe plagued by entropy in the era of the Anthropocene. For the purposes of this essay, I will concentrate particularly on Dick's and Winterson's portrayals of the dystopian city as a site of interconnections and transformations against a backdrop of encroaching entropy and impending doom. Drawing on the work of several (critical) posthumanists who are primarily interested in dissolving oppositions such as between nature/culture, biology/technology, I show how the displacement of the centrality of human agency due to the intrusive nature of advanced technology is happening in the broader context of the Anthropocene. I also argue that the dystopian cityscapes envisioned in both novels become places that allow for the possibility of new forms of subjectivity to emerge.
Quaderns de la Mediterrània, 2018
It is difficult to identify with a landscape of a modern city, as it is almost impossible to find personal signs of identity in it. Literature urges us to reflect on public spaces, such as Javier Pérez Andújar’s novel Paseos con mi madre (Tusquets, 2011), an autobiographical journey through concrete-filled neighbourhoods on the outskirts of Barcelona. This landscape is a shared element of the great cities. Today, a series of new urban development ideas are emerging from feminist groups suggesting alternatives to these barren squares.
The World Children Conference - V , 2024
Salzburg University- die Geschichte Abteilung, 2007
LA CONQUISTA DE ARISTEIA, 2024
Schweizerische Ärztezeitung, 2005
Archives of Oral Biology, 2007
مجلة مركز دراسات الكوفة, 2023
2020
Syntax Literate ; Jurnal Ilmiah Indonesia, 2021
Ляшкевіч, А. Кулінарны код масленічнай абраднасці Беларусі і Падляшша / А. Ляшкевіч // Беларускі фальклор: матэрыялы і даследаванні: зб. навук. пр. – Мінск : Беларус. навука, 2024. – Вып. 11. – С. 197–219., 2024
Chemical Engineering Science, 2019