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The Forgotten Theatre V - The Staging of Menander's Comedies
Mattia De PoliRelated Papers
Il teatro delle emozioni: la gioia
La gioia nelle scene di riconoscimento: tragedia attica e commedia nuova (Menandro)2019 •
Dialogo con Marco Baliani, autore, attore e regista. (Una versione parziale è stata pubblicata su "Problemi di storia contemporanea", n. 31, 2002. Questa versione integrale è inedita)
Vengono riassunti alcuni contenuti relativi al teatro musicale di Buenos Aires provenienti dagli studenti dell'area (i lavori di Mariano Bosch e Vicente Gesualdo sono presentati al lettore italiano); segue una sintesi di concerti tenuti a Buenos Aires durante la stagione 1855.
This is a section of Antonio Salieri's Thematic catalogue of Operas where is introduced the whole operistic production of the composer and his conceptions about theatrical music
2020 •
LL AA, Daniela I . Cagnazzo, Silvia Onori, Sonia Francisetti Brolin, Felice Stama, Anne de Cremoux, Mattia De Poli
L. Austa (ed.), The Forgotten Theatre II. Mitologia, drammaturgia e tradizione del dramma frammentario greco-romano. Atti del Secondo Convegno Internazionale (Università di Torino, 28–30 Nov. 2018), Baden-Baden 2020
L. Austa (ed.), The Forgotten Theatre. Mitologia, drammaturgia e tradizione del teatro frammentario greco-latino. Atti del primo convegno internazionale sul dramma antico frammentario (Università di Torino, 29 Nov. - 1 Dic. 2017), Alessandria 2018 More information: http://www.teatroclassico.unito.it/it/content/atti-dei-convegni-%C2%AB-forgotten-theatre%C2%BB
IL TEATRO DI CARAVAGGIO
IL TEATRO DI CARAVAGGIO2022 •
IL TEATRO DI CARAVAGGIO Opere repliche commissioni ed amici tra Roma e Napoli.
2016 •
From 1732 to 1749, the contribution of San Samuele acting company to the diffusion of tragedy was greater than that of every other troupe. Free from any tie or agreement with contemporary intellectuals and with the only purpose of pleasing their own public, Giuseppe Imer and Gaetano Casali staged numerous serious plays from different authors and genres: from Carlo Goldoni’s «opere sceniche» to translations of French tragedies, from works of classicist playwrights to those of their opponents, and finally, adaptations of librettos. The Grimani’s company, which always included excellent actors, staged impressive shows constantly balancing dreadful imageries and comic scenes. In this manner, differently from eminent predecessors of tragic scene such as Luigi Riccoboni, Pompilio Miti and Scipione Maffei, it succeeded in developing and consolidating a taste for tragic drama in Venice and beyond.
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