Racial Microbiopolitics: Flint Lead Poisoning, Detroit Water
Shut Offs, and The "Matter" of Enfleshment
Chelsea Grimmer
The Comparatist, Volume 41, October 2017, pp. 19-40 (Article)
Published by The University of North Carolina Press
DOI: https://doi.org/10.1353/com.2017.0002
For additional information about this article
https://muse.jhu.edu/article/675731
Access provided by University of Washington @ Seattle (5 Jul 2018 20:16 GMT)
Chelsea Grimmer
Racial Microbiopolitics
Flint Lead Poisoning, Detroit Water Shut Ofs,
and he “Matter” of Enleshment
introduCtion: Flint, detroit, and Water
reGulation as raCial miCrobiopolitiCs
In June 2013, the Detroit Water and Sewage Department (DWSD) cut of Flint’s
water supply in response to the city’s proposal to reportedly save money by
switching to he Karegnondi Water Authority (KWA). In the interim, the city
made a contract for water with a private engineering irm. he Houston-based
irm, Lockwood, Andrews & Newman, also had oices in Flint and began using
the Flint River water instead of Lake Huron and Detroit River water. Meanwhile,
in nearby Detroit and in April 2013, the DWSD entered a “contract with Homrich,
a demolition company, to carry out 70,000 shutofs in 730 days . . . sponsored by
Rodney Johnson of Grosse Pointe” (Bellant et al.). he DWSD reportedly initiated
this to do damage control over the debt incurred from delinquent water bills. A
year later, both Flint and Detroit began experiencing residential push back on the
privatized water regulation and shut of processes: in April 2014, residents in Flint
began complaining about the water, reporting rashes, and bacteria concerns, while
nearby residents in Detroit began a protracted battle over 17,000 residents having
their water shut of. Flint issued a boil water advisory to kill e coli and boost chlorine lushing, but did not formally acknowledge the toxicity levels as a danger to
residents. By August 2014, both cities’ residents had begun protesting the inability
to access clean and afordable water at home.
Both the Detroit and Flint events are useful for analyzing of how racialization
happens through regulation of and access to water, especially since the large majority of the population in each city self-identiies as Black or African American.1
he political battle also put race in the forefront of its protests over clean, afordable water in postindustrial urban spaces. his was heightened by the “Black Lives
Matter” (BLM) movement simultaneously receiving increased publicity. Both Flint
and Detroit’s “water crises” and subsequent protests demand an examination of
how the privatization and regulation of water participates in making the all-too
“material” component of protests that align with “Black Lives Matter” increasingly
19
evident. his materiality in both the cultural (race) and literal (water) sense is especially notable since both cities are also part of a larger narrative of globalization and
the privatization of water within the U.S. Citizens went up against corporate and
State interests over water politics to stake a claim in the right to life itself, a right
only possible with access to clean water.2 By articulating together the violence of
poisoning or withholding water within two cities near the Great Lakes, a speciic
history of racialized violence and protest to that violence surfaces. his article explores this history to ask how water is wielded as both “matter” and “metaphor” to
implicitly say that some protected lives “matter” more than those exposed to precarity by privatizing and regulating “matter” itself. Turning to the language of literal and cultural meanings for matter creates a historical, material analysis of how
water regulation violently racializes.
Analyzing coverage of water shut ofs and poisoning in Flint and Detroit means
turning to the language of cultural representation and risk management (unsafe
water or debt over water). Such a turn to the representative implications of phrases
such as BLM and photographic coverage, as well as inance capital’s language of
risk management, is not a question of essential identities, populations made into
surplus labor, nor representation divorced from historical, material formations.
Instead, examining the representative mediums of language and imagery in both
Flint and Detroit as they intersect with the logics of inance capital accounts for
how populations are made to seem surplus as post-industrial de-labored forces.
his article will argue that in both Detroit and Flint, water is wielded to make some
residents seem to bear the signiications of social death, risk itself, and contamination. At the same time, this racialization forces the residents to experience the
potential violence already inherent to all bodies’ trans-corporeal relationship with
the “matter” of life that can be contaminated: water. In other words, life-forming
matter in the literal sense is the hyper-surveyed (debt collection and scientiic evidence of pipe erosion) or intentionally unsurveyed vector of potential risk (denial
of inadequate billing practices and ignoring residential complaints of toxic water).
he selective surveillance of literal matter coincides with the late capitalist imperatives of the city and water department. Such a co-articulation of scientiic matter,
inancial speculation, and risk management demonstrates how a rhetoric of risk
and contamination also transforms “infected” bodies into the perceived, virtual
manifestations of the future threat of contamination itself. In short, this article will
argue that speculated risk becomes justiied as biological while denying the historical particularity of how that risk is culturally constructed, much less at whose
expense.
In order to seek out these paradoxes in surveillance and uses of the word
“matter,” this article closely reads some of the disavowed intimacies between the
microbial “matter” and the cultural “what matters” in photographs of Flint protests.
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In turning toward coverage of resistance to this “mattering,” the analysis might surface and attest to both the violences of the subtle logic in both cities’ crises, as
well as the promising deviances in visual and linguistic protests. he particular
photographs examined also take up literal “matter” and lead poisoning as primary
vectors for making explicit the cultural justiications that transform some bodies
into appearing to be the risks themselves. In other words, sex, disability, race, and
microbiopolitics are portrayed in linguistic and visual representative movements,
but they have not been articulated together, yet, through the undeniably material
and historical sites of two particular water crises. What happens when they are,
and what does failing to do so simultaneously erase and disavow? In beginning to
explore such questions, this article begins by covering the two-year trajectory of
the crises in both cities. his history contextualizes existing relationships between
capital’s low through businesses, racialized populations, and the rhetoric of contamination and risk management. he stories of both cities’ water crises undergird
what protests called attention to, which is the contrast between treatment of residents and businesses in both the shut ofs and responses to reports of lead levels.
Such a contrast between residents and businesses sets up the relationship between
neoliberal capital and the management of life through its foundational matter, such
as water, and the portrayal of events as “crises.” Working against this violence, the
media photographed protests from Flint co-articulate Black feminism and microbiopolitics to call out this historical violence and respond with usefully disruptive
politics of deviance and resistance.
detroit and Flint ’ s Water “ Crises ” as
makinG populations surplus in postindustrial,
neoliberal urban landsCapes
hroughout both Detroit and Flint’s narratives, protesters’ complaints brought to
the forefront what was previously an undercurrent: the value proscribed to industrial and postindustrial buildings, businesses, and manufactured objects compared
to actual residents.3 In response to rising tensions over who and what might still
receive water in Detroit, the State gave one million dollars to DWSD in what was
called the Detroit Residential Assistance Program. In the program, residents could
apply for up to $1,500 toward delinquent bills, but this was only a dent for those
who were contesting balances as high as $5,700 (Winchester). For many, the program was even more problematic since it did not respond to how “high dollar
commercial and municipal accounts” (Bellant et al.), or more colloquially, city and
business accounts, were responsible for a third of the DWSD debt. he shut ofs
were against the advisement of water rights activists, who began publically calling
out the DWSD for prioritizing business and city accounts over Detroit residents
Racial Microbiopolitics
21
themselves. hose activists proposed that the DWSD irst hold business accounts
responsible and even require a deposit for service from them. his proposal would
generate revenue more quickly than shutting of water from already indebted residents. he proposal called attention to the conlict between the justiication for
shutting of the water—lack of funds—and actions that would most eiciently pull
the DWSD out of debt.
At the same time as this shit in Detroit, Flint’s protests began calling similar
attention to the diferent opportunities for clean water between residents and
businesses. In October 2014, General Motors (GM) refused to use the city’s approved water source when they spotted corrosion on their machine parts, and by
December 2014, GM had switched to nearby Flint Township for cleaner water. Yet,
it was not until January 2015 and a series of advisories against the water that the
city formally acknowledged lead’s toxic levels in the water. Even then, the admission came at the behest not of residents, but of University of Michigan students
who had decided to test the water themselves. Although the DWSD responded to
the University’s indings of lead by ofering to reconnect to Flint free of charge and
at a lower rate, the city refused and continued to use the private company and local
river as a water source. his move prioritized businesses and capital over residents
themselves, even hyper-surveying the water source to protect machine parts while
refusing to survey how that same source made residents sick. By the end of January
2015, media attention was turning toward Flint and away from Detroit, where the
2015 round of shut ofs resumed. Despite the increased money, aid, and media attention to Flint, much less GM’s refusal to use the water, the city did not declare a
public health emergency until October 2015.
he city of Flint did switch back to the DWSD and declare a crisis in October
2015, in December 2015 calling it a “state of emergency,” but by then, the city had
found that lead corrosion was in most of the residential pipes. he declaration illuminated some of the problems with articulating the event as a single crisis in yet
another highly racialized, post-industrial urban landscape. In this case, it was also
next to the largest source of fresh water in the world, he Great Lakes, as well
as a high poverty, postindustrial major city, Detroit. Notably, as 2016 approached,
Detroit residents began using protests to highlight that commercial and municipal
properties owed $41 million of the debt to DWSD compared to $26 million of
resident-incurred debt. Yet, businesses and government-owned properties did not
have their water shut of at the same rate as residents (Kurth). Similarly, in 2016,
Flint shited out of the media spotlight, but continued to struggle through the “red
tape” (All hings Considered) of funding for and proposed changes to corroded
pipes, and at the time of this article, Flint water remains unsafe without adequate
ilters. he continuously roving lens of media attention marks how these “crises”
are embedded within a larger cultural war over the biological necessity of water and
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how its privatization and regulation racializes a variety of landscapes in unique,
violent ways that extend beyond a moment of crisis or temporary emergency.
Both Detroit and Flint’s accounts of water exhibit a clear connection to one another through an all too historically material and concretely matter-forming violence against racialized bodies; however, more than this, molecular discourses of
water and contamination interact with, or even co-constitute, the discourses of
cultural resistance. his resistance puts pressure on media coverage of events as
punctuated crises divorced from a history of racial violence. Cities’ and business’
justiication of shut ofs or lack of clean water through a rhetoric of uncontainable
contagion and/or unworthy debtors makes some lives culturally “matter” more
than others by cutting of or making poisonous the literal matter necessary for
those lives to continue. Such a denial regulates literal matter (shut ofs) or codes
it as unpredictable (lead poisoning), which merges violence at the biological level
with a historically material process of producing and expanding capital in postindustrial, neoliberal landscapes. his process happens through policies that allow
corporate businesses to remain in that landscape by eliding their own water debt
while making it impossible for residents themselves to access life-sustaining water
if they stay. Using water regulation to remove Detroit or Flint residents while providing water to businesses so that they stay and grow requires that residential
populations become culturally signiied as what Christina Hong terms “existential surplus.” More colloquially, it makes some residents not “matter” enough to
be granted the literal “matter” of water, making them valuable to capital precisely
because they cannot pay the water bill, and in having their water shut of, will be
forced to move or have their health imperiled. Residents thus become signiied as
the collateral of postindustrial waste to make room for gentriication and business
expansion. In this circumstance, racialization in the era of inance capital happens
in part through the privatization of water and its ability to value diferent populations in capital precisely because they can be made valueless.
Water becomes a crucial nexus for thinking about how matter forms and informs accounts of agency and violence in this process of emptying a city for corporate and gentriication interests. hose who wield control over water, including
corporations such as GM, are given the status of transparent, white, patriarchal
subjecthood as a cultural construct of the ideal “Human.” his status presumes access to clean water, whereas those who are subject to poisoning or not in a place
to control water are articulated as less than this ideal of self-possessed, propertyowning, and inancially (re)productive “Human.” his article argues that such use
of water to humanize or dehumanize through a speciic, capitalist lens of what
counts as “Human” is a biopolitical process at the molecular level. he process
makes some appear unworthy of access to clean water through a lack of neoliberal subjectivity. Paradoxically, that right to clean, afordable water is contingent
Racial Microbiopolitics
23
on having inalienable access to it in the irst place. hat worthiness, or “mattering,”
is tied to how the residents are historically portrayed as lacking self-ownership
and regulation (cannot work enough independently to aford water bills and/or are
subject to local factory outsourcing). In a similar logic of self and property, they are
blamed for outdated property ownership (corroded residential pipes or foreclosures). As a result, the already racialized residents are made to bear the risk even
as they become the representations of it. his paradox happens in part because of
the cultural signiications of water that forget its fundamental function at the molecular level for making and sustaining life. Such a shit in attention is the micro
component of an otherwise straightforward, biopolitical violence. An analysis of
both the contrasting access to water between companies and residents, as well as
that of photographic protests, needs to account for the “microbiopolitical” articulation of social death and racial capital. It is this articulation that produces restrictive, violent conditions for making certain lives culturally and materially seem to
matter or not.
A particular aspect of microbiopolitical theory crucial to this mattering is the
history of the sciences and their turn toward the “molecularization of life.” Bruce
Braun explains this as also a cultural and political turn to how, in the 1930’s, “biology came to visualize life phenomena at the submicroscopic region” (13–14).
his molecularization of life frames living matter as inherently unpredictable and
visible only through mechanical assistance.4 According to Braun, with this shit in
the life sciences, ideas of the human as a species that depend on “[understanding]
the body in terms of genetic inheritance” (6) and its external visual appearance
were thrown into crisis. he life sciences made a new question its focal point, which
can be articulated with the social and political turn to inance capital and risk management: when “risk becomes individualized . . . and ethical practices ‘increasingly
take the body as a key site for work on the self ’” (11), who is read as “[possessing]
a body” that they can narrate as discrete and self-regulating? his question opens
to how realizations and subsequent surveillance of the molecular life of bodily and
geographic boundaries can challenge ideas of discretely boundaried bodies and
nation states that undergird heteropatriarchal property transfer.
It is here that Hortense Spillers’ critiques of the ontologically “whole” and “possessed” body bring forward the problems of racial capital, and articulating Braun
and Spillers together opens more directly onto the sites of racialized violence in
Detroit and Flint’s water crises. According to Spillers, the violated lesh of the captive, Black female slave body becomes the site foundational to the property relations built into possessing a legible, discrete body of patrilineal kinship. Spillers marks in this site a hieroglyphics of the lesh, which bears the narrative and
grammar of the otherwise disavowed violence and sufering integral to the makeup of a present tense’s narrative and grammar for White, heteropatriarchal history
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(75–76). It is thus the grammar of the hieroglyphics that also promises deviations
from the grammar of the norms committing their racializing violences against the
lesh. When a hieroglyphics of the lesh is put within the context of the life sciences’ post-racial slavery rhetoric of capitalist and biological risk management at
the molecular unit of life, deviations proliferate in this space to resist that violence.
he use of “deviant,” here, builds on Spillers’ promise of what alternative grammar
might be found in the hieroglyphics, and it refers to Lisa Cacho’s take on the promising “politics of deviance”:
A politics of deviance makes sense of deviations from the norm diferently rather
than defensively. Such a politics would neither pathologize deviance nor focus
most of its energies on trying to rationalize why people choose deviant practice over proper behavior. Rather than repudiating nonnormative behavior and
ways of being, we would read nonnormative activities and attitudes as forms of
“deinitional power” that have the potential to help us rethink how value is deined, parceled out, and withheld. (Cacho 167, emphasis added)
By adding in the term “deviant life” to both the molecularization of life and a hieroglyphics of the lesh, methods for protesting the violences of racial microbiopolitics arise that insist on the mattering of lives at the level of the lesh’s relationship
to life and its molecular registers. Such protests can use Lowe’s concept of “deviant
life” to refuse to recuperate normative values of the discretely boundaried, propertied, White, heteropatriarchal body. As a result, they provide deviations that also
reveal the otherwise disavowed intimacies between inance capital’s logic of risk
management and life sciences’ attention to the molecular level of life mattering.
he water crises in Flint and Detroit are sites where protests attest to such a deviant mattering in part by making the molecular level undeniably visible through
photography. Both sites also mark a discourse of bodies understood less “in terms
of their intrinsic genetic essence . . . and more in terms of a global economy of exchange and circulation, where the body is thrown into a chaotic and unpredictable
molecular world illed with emergent yet unspeciied risks” (Braun 7). In other
words, they mark sites of resistance to understanding the body through a cultural
lens for race that disavows how molecular levels of life are wielded against those
bodies in rhetorics of risk management and contagion. From this co-articulation
of the molecular with neoliberalism (self-contained individuals who can own clean
water through their labor value) and postindustrialism (that labor becoming unavailable through factory outsourcing while companies purchase their own water
reserves), self-possessive individualism coincides with surveillance and security
in the name of free trade for economic growth (GM’s water purchase). he postindustrial, capitalistic, neoliberal framework marks the residents as undeserving
of clean water, merging cultural and literal meanings of “matter” through a disRacial Microbiopolitics
25
avowal of governance’s molecular levels. In accounts such as Flint and Detroit,
the merging implicates the violent justiications used for who gets to have management over water or be exposed to ecological “slow violence” (Nixon 2–3) from
post-industrialization.
In the literal sense, the companies exposed to lead or behind on water bills were
able to obtain clean water for themselves by making residents bear the violence of
corroded pipes or the shut-ofs from delinquent bills. hey justiied this shit of responsibility from themselves to residents through the inancial ability to pay for
the element of life itself. Such a rhetorical move relegates the bearers of shut of or
toxic water to a proscribed role of simultaneously not mattering and not being able
to petition to matter. hose without clean, afordable water are paradoxically made
to irst obtain the very condition itself for staking a claim to the right to water: cultural legibility as self-possessed individuals from the molecular level of water to
that of inancial resources. Erasing the paradoxical conditions for obtaining water
disavows the historical criminalization of communities of color in both Flint and
Detroit, urban areas where communities of color are “believed to be subjected
to their natural and man-made environments.” he erasure also disavows how
“people of color are represented as products of environments that are identiied as
the cause, rationale, and evidence not only for a population’s inability to access political and economic equality but also for its vulnerability to state-sanctioned violence” (Cacho 73). In the case of water, the process of criminalization and its ater
efects is reduced to the necessary biological substance of life itself. Turning to the
unit of life itself creates the ruse of separating the violence against communities of
color from its historical moorings. his ruse is predicated on merging a scientiic
understanding of molecular life management with a cultural material practice of
racialized life management.
miCrobiopolitiCal surveillanCe:
intimaCies that make the poisoninG oF
a hand into the hand oF poison
As a concrete example of the cruel, paradoxical conditions for obtaining clean
water, General Motors’ ability to quickly change water sources when its machine
parts became corroded both underscores and contrasts the corrosion of Flint residents’ literal lesh. Residents for whom new pipes and water sources were not procured exhibit a microbiopolitical account of Spillers’ description of enleshment.
Spillers’ account of the lesh claims that racializing apparatuses of property and
kinship are made possible by the “undecipherable markings on the captive body
[that] render a kind of hieroglyphics of the lesh, whose severe disjunctures come
to be hidden to the cultural seeing by skin color” (67, emphasis added). he moment
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that machine corrosion grants a company access to clean water contrasts how lesh
corrosion goes unseen due to a cultural process of justifying the conditions for
the violence. his opens to the irst site of analysis and deviation from the norms
imposing those conditions: a Detroit News image of a lead-poisoned hand from
a Flint resident in contrast to an array of portraits of children’s faces looking “at”
the viewer. As a closer analysis of the two photographs protesting the Flint crisis
will argue, the self-portrait of the hand, in contrast to the photographic campaign
of families, renders present and visible a molecular hieroglyphics of lesh that is
otherwise culturally unseen via racialization. As a result, the diferences between
the two types of photographs raise questions about historical racialization through
the regulation of clean, afordable water. he diferences between the photographs
also elucidate a discourse of disability within microbiopolitical racialization. he
photographs throw into relief a historical process of valuing the bodies of the residents through normative standards of “ability” that are co-articulated with race.
Examining the protests from this lens requires accounting for the role of disability in perceiving bodies as normative enough for protection or not. he historical relationship between rhetorics of disability and race diferentially values
bodies according to how they are articulated as nonnormative. When a body is
perceived as nonnormative, it is labeled “disabled,” and “disability is the language
of devaluation, contagion, and control” (Cacho 69). his language returns us to
the site of water poison or regulation as well as the violence of its racialization. In
looking toward sites of presenting enleshment as efective protest that contradicts
normative body and reproductive life valuing, the photographs also surface how
the right to clean water access is regulated by coding some populations as vestibules for contagion and risk. Such coding happens in part because of their exposure to the risky mater itself. How, then, is the self-positioned image of the infected
lesh from lead poisoning an intentional afront to a gaze that would otherwise seek
out a “[recuperation] of social value [which] requires rejecting the other Other”
(Cacho 17)? he photograph implicates the disavowed conditions for mattering
enough to request water in the irst place, and it does this partly by does putting
in the foreground the process of enleshment and molecularized violence. Reading
the photograph this way insists upon the historical violence as it is perpetuated in
the present. Finally, then, how does the self-portrait refuse to be a vestibule for reassuring whiteness of its violent norms, and in the process, refuse to be fetishized
to recuperate the very norms that create the conditions for such violence?
In the irst image, a Flint resident, Carolyn Doshie, holds her palm to the
camera lens so that the shot’s focus is on the lesions growing from her repeated
contact with lead (see Figure 1). Ironically, the article in which this image appears
is entitled, “Flint Faces: she says lesion started ater water switch.” he title emphasizes an imperative to classically humanize through an insistence on recognizable
Racial Microbiopolitics
27
FiGure 1. he caption from the Detroit Free Press online news article, retrieved from http://
www.freep.com/story/news/local/michigan/lint-water-crisis/2016/01/23/lint-faces-she
-says-lesion-started-ater-water-switch/79232516/ on 12 Mar 2016, says, “Carolyn Doshie,
46, shows of the sore on her right hand that she says started showing up in July ater
washing her hands in the tap water in her Flint home. She picked up bottled water at a
Flint ire station on Sat., Jan. 23, 2016.” (Photo: Eric Seals Detroit Free Press)
face and capacity for legible speech. Carolyn, however, puts her hand in front of
her face, closes her eyes, and then “speaks” of the afective and physical sufering in
a quote: “I never had no skin issues. . . . It hurts. It’s cracked open and everything.”
In both her body’s position for the camera and her quotes for the interview, she insistently foregrounds the material reality of her enleshment and its pain and suffering. She refuses recourse to humanistic reinstatements of holistic embodiment,
facial recognizability, or appeals to innocence and reproductivity, reminding the
viewer that the pain itself should matter. She presents the material hieroglyphics
of her lesh and speaks to her lived experience in the pain of its rupture as what
should matter enough. he image does not assuage an audience of complicity, nor
does it reinstate a desire for white, propertied, patriarchal norms so much as for
less pain. Such a request, as her hand insists, should not require recourse to the
heteropatriarchal legibility of futurity, innocence, and reproduction. his refusal
is reinforced by the choice to blur the background so that the present sufering is
foregrounded—a present that also insistently signiies an otherwise disavowed historical process that produces the sufering of the moment.
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FiGure 2. he Detroit Free Press online news article, retrieved from http://www.freep
.com/story/opinion/columnists/mike-thompson/2016/03/06/protesters-aim-keep-spotlight
-lint-kids/81417392/, on 13 March 2016, says, “Demonstrators outside the Democratic
debate in Flint hold photos of Flint children afected by the Flint water crisis.” (Photo:
Mike hompson/Detroit Free Press)
he visual, material, and virtual elements of Doshie’s quoted phrase, “and
everything” ater the “it hurts,” difer notably from the portraits created by suburban Rochester, MI photographers, Andrew Krupp and Pamela Bratton-Wallace
Krupp, entitled: “Voices Seen, Voice Heard—he Children of Flint.”
Krupp and Bratton-Wallace Krupp’s photographs of Flint children’s faces appeal
to a culturally available similitude of innocence and normative family structures,
as well as foreground reassuring happiness in place of sufering (see Figure 2). his
reinstates a culturally dominant conception of the “human” face of the tragedy: the
reproductive moral of children as the only innocent bearers of contamination. It
also makes the material violence and its historical lineage invisible in favor of a reassuring portrait of visible race. In contrast, Carolyn’s hand insists on the lesh itself
as materially violated and violently transformed through sufering. he sufering
hand attests to the material violence against racialized bodies. It also implicates the
viewer by returning to the site of Spiller’s work on the black female slave body as a
vestibule for personhood and reproductive respectability.
Carolyn’s image refuses to recuperate the “fantasy sentiment, and desire in literature and popular culture [to] produce the contours of intimacy that mediate the
Racial Microbiopolitics
29
individual’s inhabiting of everyday life in social relations” (Lowe 21). hat is, she
refuses to replicate the media portrayal of normative accounts of intimacy as the
standard for being a protected life. She also refuses to make invisible or fetishize the
physical sufering of those who are violently afected. In doing so, the photograph
argues against a molecularization of “the human” as being discretely boundaried
and reproducing normative values for happiness. Instead, it deconstructs the racist
premises of such visuals as necessary for protection from violence. his also means
that the photograph refuses the fantasy desire for normative accounts of intimacy.
More normative accounts, such as the photographic campaign of smiling families, would disavow the violence of less narrativized and legible intimacies, such as
water contaminating homes and publics across territorialized (post)industrialization, as well as the porousness of residents and viewers of the event alike.
his is also in contrast to Krupp and Bratton-Wallace Krupp’s “Voices Seen,
Voices Heard,” where the title calls on speech and faces to garner sympathy. his
photographic and aural move depends upon the recognizability and legibility of
the faces to do the performative, sonic work of translating the Flint emergency
into one of human reproductive value. he dependence on visual and aural legibility in the photography campaign is in stark contrast to the refusal to participate in normative legibility and its counter-insistence of attesting to enleshment
itself. he legibility implied by the emphasis on hearing and seeing a coherent message depends upon its co-production of the potential, “proper” intimacy of the
family units that the photographs recuperate. he photographs’ reassuring happiness through smiling faces and their heteroreproductive futurity through patriarchal family units attempt to belie any of the “risk” that contamination would
imply in part through racialization. he intimacy of the portraits, in other words,
sustains itself and the cultural structures that created the Flint water poisoning by
erasing the potential violence of cross-material intimacies. It also elides how that
violence disproportionately and materially impacts those not recuperated within a
heteropatriarchal, propertied logic of deciding who “matters.” hose same logics
also code some difering forms and modes of protest as “legible” or “illegible.”
Disciplinary power in the Foucauldian sense produces the illegible. As Cacho
frames it, “because . . . diferent disciplinary apparatuses connect and converge
with one another but not completely . . . , disciplinary power will always produce
‘something like a residue. . . . here is always something like ‘the unclassiiable’”
(68), which Cacho also calls the illegible. he apparatuses of kinship (the phallogocentric symbolic order of transferring property) and property relations (the
right to privatize the water or regulate it because of that symbolic order) converge as a legible grammar, such as in the photography campaign. his legibility
derives its meaning from what is coded as illegible, which in Spillers’ analysis of
the Black female slave’s body is the hieroglyphics of the lesh. Enleshment be30
the Comparatist 41 : 2017
comes both the condition for cultural legibility and a counter-site of illegibility, or
hieroglyphics. his analytic framework comes forward in Carolyn’s attestment to
enleshment and her insistence that this should be enough to evoke an ethical response. Carolyn’s hieroglyphics are an efective protest of matter’s violence when
poisoned or privatized precisely because they are “indecipherable.” hey are the
by-products of the molecular level of life being instrumentalized for or against
populations that culturally “matter” or not. Yet, the lesions insist on the historical
violence itself and who it targets. While they are coded partially as indecipherable
under the life sciences’ logics, which coincide with biopolitical cultural values, the
lesions themselves are used to make hyper visible the historical “materials” being
used to racialize and expose certain people to precarity.
he photography campaign, in contrast, makes that violence “hidden to cultural seeing by skin color” (Spillers 67) as it recuperates the phallogocentric symbolic order and its legibility. Recuperation in these photographs happens through
a focus on lives being valuable if they represent normative property and kinship
ideals, as well as keeping the molecular violence invisible through the smiling faces
of participants. Disavowing the molecularization of life’s impact on the process of
racializing and exposing to violence is also a way of falsely separating the cultural
idea of race from the scientiic material violence of racializing. his is in part seeing
by skin color because it claims that the mattering of the racialized bodies is dependent on normative recuperations. he disavowal implies that Flint’s violence is
strictly racial in the “skin color” sense by appealing to their otherwise normatively
comprised family, kinship, and happiness structures. In other words, the photographs imply that viewers should care in order to perpetuate colorblind ethics that
erase the historically foundational role of racial violence to creating and protecting
the property and kinship norms that enacted the violence in the irst place. At the
same time, Carolyn’s attestment to the lesh itself presents a challenge to the narratives of normative progress in linear, historical time. Her attestment thus confronts the self-contained, self-improving narrative of the neoliberal individual
deemed worthy of clean water and divorced from a history of racial violence. Her
witnessing to the violence without recuperating or instrumentalizing her own body
for exchangeable property or conirmation of that order’s logic insists upon the
historical materialism—racial slavery—that partially constructs this moment of
violence. It is in opposition to the culturally iconographic bodies that reinstate exclusionary ideals of human and personhood to decide who “deserves” clean and
afordable water. he attestment to this history also confronts the “crisis” narrative of Flint that would elide the historical violence being perpetuated through the
event. Erasing this history is an attempt to narrate the event as punctuation within
the line of a larger narrative of improvement, that improvement requiring a disavowal of present capital and racial microbiopolitical foundations in racial slavery.
Racial Microbiopolitics
31
In other words, Carolyn’s attestment to the violence against her lesh is also an insistence on how racial violence has functioned to converge with a present “matter,”
privatized water and therefore regulation of life itself.
Water traverses the “imperial notions of privacy and publicity” (Lowe 30) and
attests to enleshment when that traversal is for privileging racist and criminalizing
goals. It also reveals the intimacies that regulate those spaces, as well as the violence
that a capitalist regulation of water produces. hese molecular sites operate also on
a cultural level, akin to Lowe’s analysis of how the category of human becomes prematurely limited:
. . . as modern liberalism deined the ‘human’ and universalized its attributes to
European man, it simultaneously diferentiated populations in the colonies as
less than human . . . in the very claim to deine humanity, as a species or as a condition, its gestures of deinition divide the human and the nonhuman, to classify
the normative and pathologize deviance. (6, emphasis added)
Water especially can belie the cultural construction of “racial diferences and distinctions [that] designate the boundaries of the human and endure as remainders
attesting to the violence of liberal universality” (Lowe 7). It can instead point to the
possibilities of attesting to the violence of disavowed intimacies across materials
and species, as well as the imminent, unknowable possibilities of deploying such
intimacies. hese unknowable possibilities are present in Carolyn’s presentation of
her hand and its hieroglyphics, and they signal genres of the human that historicize
the categories of normative universalization instead of memorializing that history
as the past. Mourning an action as secured in the past permits a speculation of virtual, universalizable futures that the close-up, lesioned hand and closed-eyes face
in the background refuse. In the United States, American-ness depends precisely
upon the imagined contradiction of a population lacking access to clean drinking
water and health care inter-territorially to sustain its production of surplus existence as one of that population’s own choices (a narrative Carolyn’s hand to camera
refuses, whereas the privileging of childhood, innocent victims’ faces reproduces).
he question of management over space is one also about the water that seeps
into the home or domestic space. Flint enleshment hosts questions about who
should have management over their bodies’ molecular modiication and the manifestations of sometimes illegible physical sufering. Privatized water operates discursively at the site of the individual who makes “choices” about their wellbeing and
takes responsibility for it within the home. his site is co-constituted by seeming
to be the opposite of a corporation as “someone” who can purchase that safety for
their objects/machines or state-sanctioned public spaces. Both, though, depend
on the same structures of property ownership and transferal to be granted lifesustaining matter. However, what is disavowed in the narrative of liberal humanist
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individualism is how such choices operate within a set of conditions, two of which
Carolyn’s hand as opposed to the photography campaign reveal. One is the traversal between public and private as formally upholding the boundaries for white,
heteropatriarchal notions of human-making individualism. his individualism is
secured by seeming to possess control over a discrete body and genetic inheritance
that can anticipate future risk and “invest” in boundaries against the contamination of water and nonhuman-borne illness. he condition manifests in footage of
Flint homes as outdated hosts of lead poisoning due to its inhabitants not being
normatively productive enough to purchase updated homes. It also manifests in
children’s “pure” faces as the only “innocent” bearers of the violence and proper
inheritors of the heteropatriarchal ideal and its protections.
he second condition is a disavowal of the historical violence against the lesh
that renders it as contaminant itself when born on water (the middle passage) to
be commodiied as less than human. Such a disavowal of violence against material
lesh also bears the genealogy of the “other” to undergird who does get to ascribe
to self-possessed, humanist, holistically bodied individualism. hese conditions
both depend upon slavery and “kinship” as a “property relation” (Spillers 74),
which intersects with cultural and literal notions of access to life-sustaining matter
as opposed to withholding, drowning in, or poisoning matter. Race and racism
haunt these conditions, and a resistance refuses to see the ongoing social and literal death as an ending that will pave the way for gentriication and businesses. Instead, protests insist on how death can begin a “haunting” that resists that violence
and negates neoliberal improvement narratives by conversing (Hong loc 629) with
the present via the all too material inscriptions of lesh. hese hieroglyphics are the
microbiopolitical accounts of transcorporeal relations with water and naturalized,
but nonetheless cultural narratives of contagion and poison. hese accounts attest
to what would otherwise be read as invisible. In addition to this haunting, water
and its poisoning produces the enleshment of capital’s risks themselves. his enleshment insists on de-naturalizing and revealing the cultural and material dimensions of normative contagion and poison narratives.
raCial miCrobiopolitiCs and Genres oF the
human in postindustrial landsCapes
Deviations from the norms that enact this violence cannot be to make a case for
genres of the human that obtain recognizable human status under a logic that reinscribes cultural ideals of what counts as human enough for legal protection and
rights. Such a reinscription returns the analytic framework to one of property relations and by extension racial slavery. However, “the Human” as the privileged
category, as well as its counterpart of “no humans,” are not the only options for
Racial Microbiopolitics
33
living matter that “matters.” Alternatives do not necessarily need to draw recourse
to legibility as personhood or wholesale rejection of personhood. Other options
include Alexander Weheliye’s concept of “genres of the human” that refuse to add
up to and reinforce the violence that declares one category of human biologically
protectable while disavowing its cultural formations and exposing other humans
to pre-mature precarity. Local, self-fashioned news images, such as the close-up
of Carolyn’s hand, insist that particular lives “matter” through an attestment to
living matter and porousness itself—even at units comprising the lesh. It insists
that the attempt to dehumanize in fact only points to the never-ending multiplicity
of humanity that does not always culturally re-inscribe the normative boundaries
around the category. Carolyn’s hand provides a theory that is undeniably grounded
in the material. Her statement points out that a “mind over matter” approach to
transcendental, property-derived human relations is another way of erasing how
physical violence against the “matter” of many humans is indicative of how those
humans’ lives do not culturally “matter.”
A universalizing mode of microbiopolitics that focuses exclusively on either
the science of molecular sciences or the geopolitical, inancial implications for
those sciences also disavows the violence of the particular, historical conditions for
qualifying as a worthwhile life. In contrast, the molecular site of a hieroglyphics of
the lesh brings the past crashing into the present to insist upon those life-giving
stakes. Racial microbiopolitics efectively merges racial biopolitics with a more
precise analysis of how power functions at the smallest units: the molecular levels
of the life science’s articulation of water and toxicity in relation to the capitalist,
cultural justiications for unequally exposing populations to precarity. Even a historical materialist account of biopower that stops short at a cultural analysis of the
individual and its co-extensive, whole body’s enleshment reinscribes a priority
of the self-possessed individual or non-self-possessed individual, as well as discretely boundaried bodies. In biopolitics, self-contained, self-possessed bodies become the privileged mode of understanding and making epistemic a coniguration
of “the” human. Such a privileging negates the role of microbiopolitical knowledge within the life sciences, eliding the justiications of slow violence and risk
management that permit or even create crises. It also narrates those crises as episodic instead of participatory in a historical process. Ignoring the molecular level
of violence recreates the cultural “non-seeing” of that violence and perpetuates the
whole-bodied, dominant conception of “the Human” to be received as a naturalized entity.5 his naturalization of “the Human” partially creates the micro levels
of violence that racialize and gender via the lesh. In contrast, resistances to that
violence and the insistent attestments to its material, historically grounded realities
ofer alternative modes for valuing humanity.
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A biopolitics that stops at the lesh of a body, then, also erases some of the material and historical violences that shape such a knowledge of what counts as a
“proper” body. Biopolitical power co-articulated with race and disability (Cacho
69, Kafer 2)6 reveals the violence of such knowledge when it also accounts for “the
molecularization of life” (Braun 6). hinking at the molecular level can challenge
dominant theories of biopower and reveal how using the individual’s body and
even its lesh as the smallest scale privileges a particular, visual construct of bodies.
Accounting for the molecular can challenge traditional sites of resistance while
also attesting to disavowed and, to use Lisa Cacho’s framework, deviant modes of
alternatively valuing life. Carolyn’s hand attests to the racial microbiopolitics that
can be used as a framework to account for the violence of water regulation and
privatization in both Flint and Detroit. his can at once account for the neoliberal
pseudo-scientiic logic that justiies the violence while also getting closer to the
productive deviations from those logics.
If molecularization is a mode of geneticizing inheritance through the biological
sciences, then it is also a deployment of power to racialize bodies and make surplus populations through a rhetoric that biologizes and naturalizes race once more
via property and kinship relations. his shit in how knowledges of the life sciences
moves forward becomes culturally constructed and then also justiied through
apparatuses such as hyper-surveillance and an anticipation of possibilities at the
molecular and microbial levels considered “invisible to the naked eye”: the molecular and microbial levels as they correspond to the era of inance capital and risk
management. his is not a new turn—Melinda Cooper points out in her work on
biotechnology and capitalism in the neoliberal era that Foucault has already argued
how, “the development of the modern life sciences and classical political economy
should be understood as parallel and mutually constitutive events” (Cooper 5). he
shit to this knowledge is not epochal, nor in line with a linear account of history
and biopolitics, nor even with the era of inance capital. Foucault, again, has already provided in-depth analysis of “strategies invented by the state . . . as a means
of organizing the temporal processes of reproduction, disease, and mortality,” and
he argues that such strategies “are inseparable from the development of the mathematics of risk and statistical normalization” (Cooper 7). Attending to the material
sites of this violence, such as Detroit and Flint, and more speciically, the residents
themselves, marks how the bodies are foreclosed as “mattering” by being transformed into the threat against the GM plant’s auto parts corrosion and urban business expansion and gentriication. his fear of contagion, then, is also a way of justifying the deployment of toxins or contagions against those bodies, and has been
since at least the racial slavery accounted for in Spillers’ hieroglyphics of the lesh.
Racial Microbiopolitics
35
ConClusion
Braun attends to how microbiology is used to construct populations through
anxiety around vector-born global contagions. To add onto Braun, such anxiety
reveals how populations are biologized and made valuable precisely in, as Grace
Hong would put it, their valuelessness.7 his valuelessness is the capacity to expose some populations to the ecological “slow violence” of failing to provide clean,
afordable ecological resources, such as the lead in Flint water or the water being
withheld entirely in nearby Detroit. he relationship between surplus populations
and molecular environmental violence complicates microbiopolitics’ apparent dismissal of racialization and reproductive value as central to the “biopower” component of the micro. Deconstructing this dismissal requires a reconsideration of
how scientiic knowledges apprehend the molecular level of life as inherently unpredictable and insistently cross-boundaried, while simultaneously trying to culturally construct certain bodies and spaces as closed of from this transgression via
an anticipation of their future, risky attempts to cross those boundaries. he consequences include a naturalization at the molecular level of normative geo and body
boundary perceptions, from discrete individual up to territorial states. In turn, that
naturalization depends upon the disavowal and violent erasure of material existences that do and should matter—and that already do in more deviant proliferations of lives and knowledge.
he molecularization of life is also a focus on living matter itself now formally
understood as inherently unpredictable. Yet, it is predictable enough in the pending
postindustrial ecological disasters for the risks to be foreclosed for certain entities,
such as suburban, predominantly white households, much less larger businesses.
he molecular violence is portrayed as a geopolitically unpredictable contagion,
as played out by Flint’s refusal to test the water and acknowledge its toxicity levels,
but also in Detroit’s refusal to examine the sociocultural, historical causes of water
bill delinquencies and the water debt. Attestments to this history and violence by
particular residents also bring up the questions about what might be or always is
being produced that disrupts normative values of bodies or disavowals of physical
violence. he always anticipated risk is brought into the present through a politicalscientiic management: “risk becomes individualized . . . and ethical practices ‘increasingly take the body as a key site for work on the self ’” (Braun 11). Yet, who
gets to “possess a body,” and how does the molecularization of that body get taken
up to determine and naturalize how it will matter? Within the hieroglyphics of the
lesh, another, even more foundational unit of deviant life surfaces to use the scientiically articulated molecularization of life against cultural narratives that justify
violent racializations. hese hieroglyphics speak against racial microbiopolitics’
36
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and inance capital’s ruthless logics for selecting which living matter gets to matter
enough. Instead, they attest to the material reality of the violence while insisting on
alternative models for valuing life.
University of Washington
notes
1 As of the 2010 census, 82.7% of the Detroit population identiies as Black or African
American, 10.6% as White, and 6.8% as Hispanic or Latino. 56.6% of the Flint population identiies as Black or African American, 37.4% as White, and 3.9% as Hispanic or
Latino. While the exact numbers may have changed, and hopefully future census data
will more accurately relect the greater diferentiations within these categories, such as
Latina/x, that information is not publicly available at the time of this article.
2 While the right to water as life is brought up in other variously urbanized or rural locations, such as in Standing Rock, this article focuses on the two accounts of Detroit and
Flint to avoid erasing the historical particularities of their speciic events through overgeneralized analogies.
3 In June 2014, the Detroit City Council had approved an 8.7% rate increase even as those
who called themselves the “Defenders” spotted thousands of delinquent bills (Bartkowiak). hree United Nations representatives visited Detroit to weigh in on the shut ofs
and declared them a violation of human rights (Abbey-Lambertz). In July 2014, many
residents experiencing water shut ofs heard water was “gushing” from a nearby abandoned building and expressed outraged at the potentially poor use of available water.
4 Braun expands outward from this transition in the life sciences to discuss the geopolitical implications for realizing unpredictable contagions can escape immediate
visual surveillance. Part of this attention is the sudden recognition of how life at the
microbial level is unlimited in its capacity for evolving and crossing the bodily and geological boundaries (6).
5 If “the legal protection of whiteness as a property interest worked to undermine hardwon civil rights” (Cacho 25), whiteness is partially created through property of water
and molecular modes of life-making to determine what life is viable. his viability is
based on racializing those who cannot “own” water itself as a necessary part of a livable
life. his is whiteness as a property owner of water, which is owner of life itself at even
the molecular level, so that utility bills—“earning” the right to “pay” for clean water and
electricity—are naturalized as a matter of inancial and livable choices. It is the narrowing of health as a “matter of individual rather than state responsibility [wherein]
citizens are asked to take responsibility for securing their own wellbeing, through . . .
private health insurance . . . genetic counseling . . . the intersection of the molecularization of life with the individualization of risk” (Braun 11). Such an individualization
of risk and health management allows those at risk to be seen as the risk. he privatization of the molecular—owning water and directing some clean and some contaminated
into diferent homes—is coded as natural property rights, or survival of the best self-
Racial Microbiopolitics
37
possessed, even as it disavows how race itself is still culturally coded as biological in the
U.S. at the level of these basic units of life. It is an attempt through property relations
to limit the possibilities, again, culturally coded as biological, of what life is produced
spontaneously and continuously through the basic, always unharnessable components
of life itself, including water. Elements such as water exceed such management, creating
a useful failure. he failures are the spaces of emergence that are partially productive in
their capacity to reveal the myth of a body itself as “properly” possessed and privatized,
which is a molecularized possessive individualism undergirding normative accounts of
the proper “human,” or legal person that can be protected.
6 “Disease and disability igure centrally whenever there is the need to represent statesanctioned violence as necessary for national survival. Disability is the language of devaluation, contagion, and control. Metaphors of disease and infection are scattered
throughout the 1997 Senate Hearing on Interstate Street Gangs, constructing gang
members as physical threats to the health and well-being of the national body. Gang
activity was represented as a ‘social disease of crime,’ 39 young people could become
‘infected with gang violence,’ 40 and the federal government needed to get ‘this epidemic under control.’ 41 Gang membership registered as dangerously viral, remaking
victims of poverty into pathogens targeted for eradication. Because they were evolutionary markers of disability or incapacity, race, culture, and world region were central
to the scientiic production of bodily diference as a signiier for legitimate discrimination” (Cacho 69).
7 “In the contemporary moment organized around speculation as well as production,
populations are divided into valued and devalued, those whose lives are protectable
and those whose lives are not. To be ‘surplus’ in this moment is to be valueless, unprotectable, and vulnerable. his is not to say that they are unusable to capital; rather,
their value to capital is exactly in their lack of value as labor. hat is, while in the earlier
period, racial necropolitics existed in order to extract surplus value from labor, in this
era, racial necropolitics is created for itself; it is itself a source of value. James Ferguson
quotes Larry Sommers, who observes that ‘the economic logic behind dumping a load
of toxic waste in the lowest-wage country is impeccable,’ and notes that under neoliberalism, certain populations (such as those whose most valuable function in the global
economy is to be worthless enough to live among nuclear waste) are most valuable because they are worthless” (Hong loc 1366–1373).
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