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2019, PUTAJ Humanities & Social Sciences
Rukhsana Ahmad's short story "The Gatekeeper's Wife" maps the plight of a western woman, Annette, who is married to a wealthy man in Lahore. Despite living in an affluent and luxurious environment, she finds herself alienated and secluded. To escape the burthen of her lonely life, she keeps herself busy with animals at the zoo. To her utter bewilderment, one day she finds a woman stealing meat from the cage of a wild cheetah. For all its seemingly mysterious nature of the subsequent episode, the story invokes Annette's existentialist sojourn into the unfathomable South Asian mystique. This paper explores that Annette gets awareness of her own existence in the time of her own inner emotional strain and anxiety. The paper analysis existentialist impacts on the story from the views of two major exponents of existentialism; Soren Kierkegaard (1813-55) and Jean Paul Sartre (1905-1980)
Rukhsana Ahmad is prominent for her work on social issues. She mostly writes about female and their problems relating to marital issues.The objective of this research paper is to investigate mental disorders present in the female characters of Rukhsana Ahmad in her book " The Gatekeeper's wife and other short stories. The focus of this study is to uncover the psychological disorders found in the female characters. There are few male characters in Ahmad's short stories and she mostly opted female characters having various mental disorders. Our study found that female characters of short stories have infected different types of mental disorders due to lack of social cohesion. It appears as these females are spending unhappy lives in their homes, which is a phenomenon of a modern life.
Journal of Languages, Culture and Civilization
From "Other" to "Self": A Pakistani Female's Existential Quest in Bapsi Sidhwa's the Pakistani Bride2022 •
This study attempts to highlight the patterns of existential feminism as they appear in Bapsi Sidhwa's novel The Pakistani Bride, analyzing domestic abuse, which has been a significant impediment to women's advancement and success. This research also emphasizes the existentialist feminist theory that asserts that women are the products of civilization and are constantly expected to appease men, depriving them of all forms of autonomy and turning them into objects for men. This study attempts to illustrate all the scenarios where men are free from all the traditions and rules set by society and exploit the image of marriage. The injustice and abuse of women in Pakistan's tribal regions, as well as their battle for independence, are discussed in this study. A leading existential feminist named Simone De Beauvoir labels males as "Self" and women as "Other." The exploitations of women's lives are examined in this research using the concepts of "Self" and "Other." Nowhere in the novel does a woman exist as an independent "Self." In being the subject, man even forgets his relationship with his object (Woman). Women are punished for acting upon their own will and are neglected. The reason for this study is that the existential experience of the female "Self" in Pakistani fiction has frequently gone unrecognized. Researchers have seldom investigated the dimensions of a woman's life concerning her independent "Self," which she ruthlessly denied. This study digs into this area of a woman's existential Quest.
VEDA PUBLICATIONS
EXISTENTIAL EXPERIENCE IN BHARATI MUKHERJEE'S NOVEL JASMINE: A CRITICAL PERSPECTIVESBharati Mukherjee was a Calcutta born an Indian American Canadian writer and professor emeriti at the University of California, Berkely. She is one of the promninent and leading Indian women writers in English. Like Kamala Markandaya, Jhumpa Lahiri and Kiran Desai, she is well recognised as a diasporic novelist in the literary arena. She is a representative novelist of Asian immigrants. Her experience as an expatriate in America and Canada forms the main source of her creative writing and literary talents. Her oeuvre comprises novels, short stories, nonfiction prose, socio-political commentaries, journal articles and interviews. The present novel's title, the character, Jasmine, continually sheds lives to move into other roles. She gets uprooted and rerouted thrice in a new world and establishes a new identity. Jasmine dislocates from Indian traditional conventional life and relocates with modern liberal American life. She is an innocent, diffident woman who has become a fighter, adapter and adventurous in America. Through her novel, Bharati Mukherjee presents Jasmine as a Phoenix who rises from her ashes again and again in the form of different names and characters. She clearly exhibits the life of an Immigrant Indian as well as woman and the obstacles. She needs to break for the transformation of her life in an alien land. The major theme is about Jasmine's love story and the minor one is about her struggle in life. This paper analyses the existential experience of Jasmine in the foreign culture.
2023 •
Existentialism is a philosophical and literary moment which investigates the relationship between the inner self worth and the social self. It captures the essence of existence through interpretation of human life by examining freedom, singular and plural identities, and one's role in a community. Through existential exploration, human life can be seen as struggled against alienation, dual identity, isolation and despair. Existentialism became a widespread movement in Europe. Thinkers from different fields drawn towards the doctrine of existentialism and the world witnessed a surge of new thought in philosophy, literature and art. This moment was forwarded by Nietzsche, Sartre, Heidegger, Jasper and Hegel. The ideologies of existentialism perfectly suit with the temper of the era. The devastation of war and brutality encountered by humanity during the World War created doubt on the contemporary political system. The horrors of the World War questioned the existence of God and the meaning of human life. This philosophy continued to reign for many years till modern writers like Albert Camus, Samuel Beckett, Fyodor Dostoevsky, Simone de Beauvoir and Franz Kafka continued this tradition. In post-modern literature the trace of existentialism can be found in the works of Jhumpa Lahiri. This paper aims for an existential study of Jhumpa Lahiri's work 'The Interpreter of Maladies'.
World Journal of English language
A Feministic Discourse of Existentialism in Namita Gokhale’s Select Works2022 •
Existentialism argues for people’s way of life and rights. The structure of existentialism shows people’s misery and action to achieve their aim and their obligations. Existentialist feminism talks for women to make them realise their existence. The ideas of existentialist feminism theory are compared with Namita Gokhale’s selected texts Priya: In Incredible Indyaa (2011), The Book of Shadows (1999), and Things to Leave Behind (2016). The concepts of existentialist feminism examined with Namita Gokhale’s women characters of the selected texts to analyse their choice, existence, etc. The selected texts have the ideas of existentialist feminism. Existentialist feminism is explored through the attributions of the life of women characters in Namita Gokhale’s selected texts Priya: In Incredible Indyaa (2011), The Book of Shadows (1999), and Things to Leave Behind (2016). In Namita Gokhale’s selected works, the leading characters are represented existentialism aspects are Priya, Rachita, and Tilottama. For this research, the researchers of chosen current study theorists are Jean-Paul Sartre, Simone de Beauvoir, and Albert Camus. The methodology of this study adopts this theory to analyse the reflection of existentialist feminism in Namita Gokhale’s selected texts. This study compares with the other studies related to existentialism feminism. Future study recommendations are psychoanalysis theory, alienation, feminism, and identity crisis.
Anand rediscovers in his novels the vanities, the vapidities, the conceits and perplexities with which he had grown up. He writes: " I felt guilty, for needless suffering was no matter for complacent pride or gratitude " (Apology for Heroism, 7) The revolutionary socialism and the comprehensive historical humanism are the important stages in the growth of Anand as an artist. What is of paramount importance to Anand is the transformation of words into prophecy. The pains and frustrations are not completely divorced from aspirations and exaltations in his fiction. He transmutes in his art all feeling, all thought and all experience. He sees himself as the seer of a new vision. Anand claims that like Shelley he has to stir the suppressed yearnings for freedom and the forgotten inner rhythms and the natural biological urges for fulfillment. He had to rule the hearts and minds of the people and enable them to become more poised. When Anand immersed himself into the flowing vibrant, core of humanity, it was not without his share of despair and delight. It was his strong faith in liberal humanism that prevented him from a total commitment to a political doctrine. S.R. Bald is not fair to Anand if she thinks that he attempted to lose his insecurity in the security of the Marxian ideology. Anand is for us much more than " Auden of the Indian Literary World ". (Bald, 115) Anand is both Asian and European contrary to his perception. He attacks the existing sociopolitical order and highlights the contradictions and consistencies of the Indian as a victim but never loses his faith in his capacity to straighten his back and look at the stars. Since human sufferings in the novels of Anand are caused by variety of empirical factors, it is not without significance that he introduces new protagonists like Bakha and Munoo were alien to literature. Anand's envy of the rich is a hunger for social justice and the inadequacies of his own life in India contributed something to these preoccupations. He writes with despair mixed with candour: " But I do not apologize for this because it is not easy in the face of such wretchedness and misery as I had seen in India to believe that material happiness and wellbeing had no connection with real happiness and the desire for beauty " (Apology for Heroism, 76)
If the twentieth century afforded great change due to wars and decolonization, a great deal of the twenty-first century’s upheaval comes from globalization and technology on one hand and a new kind of warfare labelled terrorism on the other. The purpose of the research is to examine against the backdrop of this development, to what extent the image or construct of a woman has changed in India for readers, particularly by studying the way it has been depicted in the writing of Indian women authors. The fact that recently these authors have received international acclaim in the form of awards makes it even more important to understand how readers all over the world and India perceive the image of an Indian woman. In short how are Indian women being positioned? The texts studied are: The Namesake by Jhumpa Lahiri, who is a second generation immigrant; The Inheritance of Loss by Kiran Desai, a first generation immigrant; Ladies Coupé by Anita Nair and Difficult Daughters by Manju Kapur, both of whom are Indian nationals residing in India with a certain amount of western education, the latter being a ‘traditional’ intellectual. The last chapter deals with the ‘organic’ intellectual focussing particularly on two contrasting short stories—“The Hunt” and “Statue” by Mahasweta Devi. However, to substantiate the hypothesis and for the purposes of comparison, the study also takes a brief look at other novels by Arundhati Roy, Sudha Murty, Lalithambika Antherjanam, Sharmila Rege, Baby Halder and P. Sivakami, keeping in mind that many of these works are translations. The approach adopted is a close reading of the texts focussing on the female characters, themes and attitudes. On this basis, the theoretical approach adopted is the writer’s interpretation of Hegel’s master-slave dialectics and Fanon’s reinterpretation of the same, Freud’s love-hate binaries, Gramsci’s differentiation between the ‘traditional’ intellectual and ‘organic’ intellectual and Spivak’s vision regarding the role of the humanities. According to Hegel, consciousness does not exist in isolation but is always dependent on another for a sense of selfhood. As there is injustice and an imbalance of power in this world, the two consciousnesses engaged with each other will assume the roles of master and slave with respect to each other. The injustice inevitably results in a struggle for selfhood on the part of the slave; one way this selfhood can be attained is through recognition of the slave’s labour. A defining emotion in this relationship is fear and it is only by overcoming fear that the slave can break free. The ultimate fear is that of death. In addition to the instinct for domination, Freud does not see the true self as one entity but as in Marx, it is a balance between contradictory forces and in this case the dialectic is between Eros—the love instinct, and Thanatos—the death one. For Antonio Gramsci, a solution or an instrument of change is the ‘organic’ intellectual. The purpose of an intellectual is not to be “specialised” but to become “directive” that is one who is political and driven to bring about change. However, in the face of globalization and the crisis that it brings with inequality, war and terrorism, according to Spivak, hope is available through education in the humanities, for it is through the humanities that one can bring about “the empowerment of an informed imagination” (Spivak, “Righting Wrongs” 2). The aim of the research is to try and understand whether western education helps to envision a new-age woman, whom this study defines as self-reliant, able to question roles and norms society has set for her, thinks independently and uses her own free will to choose to live life for herself rather than be subservient to the needs of her husband and family, or is this education an impediment. Thus in addition to intellectual and economic independence, she must be emotionally independent as well. It must be stressed that this concept of new-age is an ideal which is strived for but never actualized because it is dynamic and constantly changing over space and time. Also one must be wary of the tendency to generalize women who vary on the basis of geography, race, economics, caste and so on. The thesis statement explored is that although in some cases western educated Indian women may ostensibly live more liberated lives, the characters or images of women in the novels by the selected writers are more circumscribed as women. Another concern of the study is the difference between lived and written reality. A questionnaire based on the movie The Namesake taken by a community of informed readers in Pune indicated that in reality the image of the woman may have changed on the page but not in the minds of women and hence paradoxically in reality the concept of ‘new-age’ is a myth. The key women protagonists analysed are Ashima and Moushumi from The Namesake; Sai, her grandmother Nimi and her mother along with Noni and Lola in The Inheritance of Loss; Akhila and her companions in the coupé in the novel Ladies Coupé and Mary in ‘The Hunt’ and Dulali in ‘Statues’. The research hopes to indicate, that the most revolutionary change in the image is captured in the characters drawn by the Indian woman who is an ‘organic’ intellectual. By working intimately with the subaltern, she is aware of the urgency for change unlike a more privileged woman. She functions as a “permanent persuader” who is an instrument of change. Thus perhaps one answer to the conundrum could be that the writing of the ‘organic’ intellectual has the potential to capture one of the myriad images of a new-age Indian woman. As for a definite final one, perhaps it can never be found as it will always be dynamically changing and evolving and hopefully aspiring towards an ideal concept akin to the one defined by the study
Bharati Mukherjee was an Indian diasporic writer. Though she migrated to USA, her roots have always been in India, associated with the culture and tradition of the native country. As an expatriate writer her works project the cultural displacement faced by the immigrants and the impact that is left on them. Her novels project the different situations the migrated characters face, problems they overcome, the adjustments they make and the feeling of isolation. The present paper discusses the impact of cultural displacement on the main protagonist Dimple das gupta in the novel Wife written by Bharati Mukherjee and published in the year 1975.My objective is to project the problem faced by the first generation of immigrants by studying the character Dimple das gupta and the impact of cultural displacement on the immigrants by using the tools of psycho-analytical theory. Application of Psycho-analytical theory to literary texts helps the readers to study the characters and find out the reasons for different behaviours .According to Sigmund Freud it is clash of id, ego and superego which are the three parts of the human psyche that makes transformation of personalities that result in different behaviors'. If people experience these type of psychological clashes they do not come under normal personality. As the founder of psychiatry Sigmund Freud mentioned the functioning of the mind at various levels in terms of psychology and neurology. The main protagonist Dimple das gupta lives in a fantasy world and makes dream as source of her living in the native country and in the alien country. Her dream takes a violent turn because of the suppressed desires and makes her a negative character. One of the reasons being the cultural displacement. She dreams a beautiful life and a good husband but when her dreams are shattered she kills her husband. She turns out to be a different personality altogether who cannot find happiness in her marriage either in Calcutta or in USA.
Alfa - Revista de Linguística
INTERDISCURSIVIDADE, METÁFORA E POLARIZAÇÃO: COMO A POPULAÇÃO EM SITUAÇÃO DE RUA É REPRESENTADA NOS EDITORIAIS DA FOLHA DE S. PAULO2024 •
Revista de la Inquisición
"Origen y formación del tribunal inquisitorial de Ávila"2024 •
2021 •
Acta Carolus Robertus
Románia mezőgazdaságának vizsgálata, különös tekintettel az EU-csatlakozás utáni időszakra2021 •
VI. ULUSLARARASI TÜRKOLOJİ KONGRESİ TEBLİĞLER KİTABI-ASTANA/KAZAKİSTAN
AZ NÜFUSLU TÜRK HALKLARI ve TEHLİKEDEKİ TÜRK DİLLERİ PROJESİ2017 •
Journal of English Language Teaching and Learning (JETLE)
Difficulties and strategies of learning English reading skills in large classes: A systematic literature reviewJournal of Head Trauma Rehabilitation
The Accuracy of Artificial Neural Networks in Predicting Long-term Outcome After Traumatic Brain Injury2006 •
2015 17th International Conference on Transparent Optical Networks (ICTON)
Impact of inter-modal four-wave mixing on the performance of mode- and wavelength-division-multiplexing systems2015 •
Proceedings of the International C* Conference on Computer Science and Software Engineering
Protein structural class prediction using predicted secondary structure and hydropathy profile2013 •
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Nifedipina, incidencia de hipertensión pulmonar hipóxica y engrosamiento muscular de arteriolas en pollos de engorde2013 •
INTERNATIONAL JOURNAL OF SOCIAL SCIENCES AND MANAGEMENT RESEARCH
Teachers’ Perspectives Implementing Inquiry-Based Learning in the International Baccalaureate Primary Years ProgramInternational Journal of Digital Literacy and Digital Competence
Impediments to Digital Fabrication in Education2016 •