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"War and Peace Mirroring One Another in Sanskrit Poetry", in D. Stasik & A. Trynkowska (eds), "War and Peace in Indian Literature and Culture". Warsaw: Dom Wydawniczy Elipsa, 2019, pp. 65-78.
War and Peace Mirroring One Another in Sanskrit Poetry. (2019)One of the prominent features of Indian poetry is represented by its extensive use of figures of speech (alaṃkāras). The most common among these figures are based on the association of two different images, which are compared with one another (as in the simile, upamā), or identified (as in the metaphor, rūpaka), or conveyed simultaneously by a single word through puns (as in the double entendre, śleṣa). As a rule, the images which are associated with warlike activities, on the one hand, and those connected with peacetime scenes, on the other hand, belong to separate sets, i.e. they are not directly associated with one another in these figures of speech However, this is not so much as a rule, but more a practice or habit on the part of poets and, as such, it is not always strictly followed. The purpose of this article is to draw attention to a number of stanzas in which this practice is disregarded and, as a result, contrasting images which are typical of wartime and peacetime activities are brought together unexpectedly and placed alongside one another in similes, metaphors or double entendres.
Link for the journal as well: http://southasianensemble.com/sae-7-1-7-2-winter-and-spring-2015/
Cartys Poetry Journal, IX (2009), pp., 36-41.
“T. S. Chandra Mouli in Conversation with Susheel Kumar Sharma”, Conducted by T. S. Chandra Mouli, Cartys Poetry Journal, IX (2009), pp., 36-41. www.cartyspoetryjournal.com/Issue_09/CPJ-IX.pdf .2009 •
Reviewed by Dr. S.A.R. Abidi
Vijay Kumar Roy, ed. The Social, Cultural and Spiritual Dimensions of Modern Indian Poetry in English (2017). Ars Artium Vol. 6 (January 2018): 133-136. Print & Web.Indian Poetry in English is remarkably great. The conflict between tradition and modernity at various levels – social, cultural, familiar, national and cosmopolitan is well marked in the works of modern poets. It can be said about the modern Indian poetry in English that with every passing decade an increasing immediacy and heightened awareness of actual Indian experience is noticeable. Gradually with passing time the English language poetry became more Indianized in nature. It is discernible in works of modern Indian poets of English. The book under review is a collection of fourteen critical papers. It explores the works of modern Indian poets who are significant voices of our time. For more books please visit: http://www.arsartium.org/Catalogues.html OR http://waoar.org/research-publications/books/
A Review for Post III, Mater Dei Institute
Pacific Books International
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Nature plays a vital role in the literature of Northeast India. Writers like A. C. Agarwala, B. K. Bhattacharya, Dimbeswar Neog, Hemchandra Barua, Hemchandra Goswami, Hem Barua, Jyoti Prasad Agarwala, Kamalakanta Bhattacharya, Lakshminath Bezbaroa, Mamang Dai, Nalini Bala Devi wrote extensively enumerating the detailing picture of their region. They have echoed the long prevailed and isolated self of their own with the incorporation of sociocultural and environmental issues. They have shown how the states have been torn apart and neglected by mainland of India. They eulogize nature as the lap of their mother and how tenderly they have been raised by this mother. They nostalgically relate their lineage to mountains, forests, streams, trees, stones, their traditional gods etc. In a similar way, Temsula Ao does not forget her own true self. She has a stout bond with this nature too and has proved this throughout his writings whether in her poetry or in her short stories. But what makes her different from other writers is her delineating nature in touch with the human psyche and heart. She incorporates the spirit and human in the same line and goes on her experimentation of human nature relationship.
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