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Every book has a story. The story of this book in your hands is quite interesting. The adventure of this book in your hands is quite interesting. This interesting album, that I bought from an auction on April 23, 2018, is a convolute of various compositions with a velvet and and guild decorated covers were quite remarkable and beautiful. The notes of compositions were printed in Istanbul by Duhancı and Notacı Mehmet Emin Efendi. When I got the album in hand and did some research on it, I asked the bookseller where he got it from. He explained that it came from the noble Guillaume family living in Belgium. According to him, the family wanted to sell old books from an old depot and asked him to look at it. Based on the information we received from the booksellerKeerssemaker, who sells books at an auction, the research suggests that the was from a Grandmother Euphrosine, a confidant of the Romanian queen, and that the Album may have come from there. Euphrosyne, who married Jean Gustave-Paul Guillaume, was likely to have brought this Album from Romania. It is immediately evident from the golden embroideries on the velvet on the skin covers that this is a palace work. The experts we contacted highlighted the possibility that this could only have been made by Sultan Abdulhamid and gifted to the head of state of another country (here, the Queen of Romania). Of course, even if all these assumptions seem plausible, we will not be able to prove them without producing a document. But as Evren Kutlay put it in his article, when Sultan Abdülhamid’s interest in western piano music combined with the interest to the eastern music of Queen of Romania, Carmen Silviya, this album was undoubtedly a cooperation of Both Royals. We can guess that he Sultan gave this music album as a gift. How Euphrosyne got it, is another unknown fact but it can be guessed that the queen gave her as a gift to her beloved servant. Yıldız University lecturer and musician pianist Evren Kutlay, who examined the musical works in the album, convinced me that the album is a very unique work and that it should be published by stating that some of the music tracks in the album were seen for the first time here. She wrote about Sultan Abdülhamid’s interest in the music world and his observations about this album in the introduction part of the book. Euphrosine (dame d’Honneur de la Reine de Roumanie), the close friend and servant of Queen Elizabeth of Romania, get possibly this Music album as a wedding gift by the Queen when she married Belgian Charges d’affaire in Budapest Paul Guillaume in 1882. Lady Euphrosine passed away in 1914. The Queen died in Romania in 1916, two years later. Two years after that, Sultan Abdulhamid died in 1918. In 2018, after a hiatus of 100 years (this Romania, Belgium and Turkey in connection Album) sold. And it is published in 2020 as a print. A story that says nothing is a coincidence in life. I would like to thank the pianist mrs. Evren Kutlay who has evaluated the album’s content and has written the valuable introduction to this book. Mehmet Tütüncü
Ittefaq, 2013
Nuova Antologia Militare, 2023
2014
Milyen osszefuggesek figyelhetők meg a kulonboző vallalati jellemzők, a vallalatok merete, tevekenysege, tulajdonosi kore, teljesitmenye es mas jellemzői kozott a mai magyar gazdasagban? Kutatasunkban a „Versenyben a vilaggal” kutatasi program 2013-ban keszult felmeresenek 300 vallalatra kiterjedő mintajat elemeztuk, a resztvevő vallalatok kivalasztott jellemzőit es e jellemzők osszefuggeseit vizsgalva. A nyolc vizsgalt jellemző egy resze objektiv, merhető vagy tenyszerű szempontokra epul (pl. vallalatmeret, tevekenyseg), masok a vallalatvezetők velemenyen alapulnak (pl. a valtozasokhoz valo viszonyulas, a vallalati teljesitmeny megitelese a versenytarsakhoz kepest, a valsag eszlelese). A munka celja egyben olyan vallalatcsoportok, kategoriak kialakitasa volt, melyek alapul szolgalnak a kulonboző kutatok tovabbi elemzeseihez, es a kivalasztott jellemzők alapjan egysegesen ertelmezett vallalatcsoportok jellemzőinek vizsgalatahoz.
Avrasya Uluslararası Araştırmalar Dergisi, 2023
Çalışmada Doğu ve Güneydoğu Anadolu’da halkevlerinin kurulması ile, halkevlerinin bölgede Türk kimliğini inşa sürecine etkileri değerlendirilmektedir. Halkevlerinin Kemalist ideolojinin birer temsil aracı olduğu düşünüldüğünde, demografik olarak türdeş bir yapı sergilemeyen coğrafyada “Türk vatandaş kimliğinin” oluşturulma çabası temel tartışmanoktasıdır. Halkevlerinin tüm vatandaşları kucaklayıcı ve bütünleştirici ideali modernleşmenin özüne uygun bir biçimde yurt çapında sürdürülmüştür. Bu süreç, söz konusu bölgede yurdun diğer bölgelerinden biraz daha farklı ilerlemiştir. Bunun nedeni hem coğrafyanın merkeze uzaklığı hem de bölge halkının sahip olduğu farklı etnik ve kültürel özelliklerdir. Ulus-devletin resmi kimliğini kalıcı olarak hissetmek istediği bölgede bu süreç çok da kolay olmamıştır. Çalışmada söz konusu zorlayıcı etkilerin tespitinde, halkevlerinin faaliyetleri ile ilgili CHP umumi müfettişlik raporları oldukça yön gösterici olmuştur. Doğu ve Güneydoğu Anadolu bölgesindeki halkevlerinin seçiminde şubelerin faaliyetleri göz önünde bulundurulmuştur. Cumhuriyet değerlerinin bir yaşam biçimine dönüşmesine aracılık eden halkevleri, bölge halkına özellikle Türkçe öğretme konusunda ısrarcı bir çaba harcamıştır. Erken cumhuriyet döneminde nüfusun çoğunluğunun Türkçe okuma-yazma bilmediği bölgede, halkevleri ve halkodalarının en önemli sorumluluğu milli bir kültür oluşturarak halka devrim şuurunu anlatmak olmuştur. Birbirini anlayan, seven ve aynı ideale bağlı kaynaşmış bir kütle halinde tasarlanan vatandaş tipolojisi, aynı zamanda Türk vatandaşı kimliği anlatısının da en belirleyici yönü olarak karşımıza çıkmaktadır. Dolayısıyla Doğu ve Güneydoğu’da açılan halkevleri, vatandaşlara Türk kimliği üzerinden bir aidiyet duygusu oluşturulmasında aracı görevi üstlenmişlerdir.
THE INFLUENCE OF THE GUT MICROBIOTA AND ITS DYSBIOSIS ON MENTAL HEALTH: RELATIONSHIPS WITH STRESS AND ANXIETY DISORDERS AND DEPRESSION (Atena Editora), 2024
The intestinal microbiota plays important roles in our bodies, including the production of vitamins (K and B), the maturation of the immune system and the prevention of pathogenic bacteria. In recent years, there has been an increase in studies on the important benefits that the enteric microbiota brings to the nervous system through the gut-brain axis. While the role of the intestinal microbiota in the body's homeostasis is highlighted, its alteration, known as dysbiosis, has been widely studied and related to important changes in the health-disease process, including the role it plays in mental disorders. Some studies relate dysbiosis to psychological distress, such as some mental illnesses such as depression and anxiety, and also to increased susceptibility to stress. Research on the relationship between the intestinal microbiota and mental health has intensified in recent years, but many studies still need to be conducted to better elucidate this important relationship. In view of the above, the present study aims to understand the relationship between the intestinal microbiota and its alteration (dysbiosis) with depression and anxiety, as well as to elucidate the factors that relate stress to alterations in the intestinal microbiota. In order to achieve the proposed objectives, an exploratory qualitative research was carried out through a narrative review of the literature, carried out by searching for publications from the last 10 years, in the PubMed and Scielo databases, in Portuguese and English, using the following descriptors: Intestinal Microbiota, Dysbiosis, Anxiety, Depression and Stress. The selection of studies took into consideration, the relevance and originality of the data obtained, which were analyzed, discussed and used to elucidate the influence of the intestinal microbiota and its dysbiosis on mental health, as well as the factors that promote the balance of this microbiota, leading to new proposals for future studies on the subject.
Κατερίνα Καρακάση & Νικόλαος-Ιωάννης Κοσκινάς [Επιμέλεια], Ο Κάφκα και η Ελλάδα. Πρακτικά του διεθνούς επιστημονικού συνεδρίου «Κάφκα και Ελλάδα». (Τμήμα Γερμανικής Γλώσσας και Φιλολογίας, ΕΚΠΑ, 18-19 Ιουνίου 2021), Αθήνα, Ροές [Ιούλιος] 2023, σ. 39-56.
Η μελέτη παρουσιάστηκε ως ανακοίνωση στο συνέδριο „Kafka und Griechenland“, Internationale multidisziplinäre Online-Konferenz, Αθήνα 18-19 Ιουνίου 2021, που διοργανώθηκε από το Τμήμα Γερμανικής Γλώσσας και Φιλολογίας του Ε.Κ.Π.Α. Αντικείμενο της μελέτης είναι η αναζήτηση και ο σχολιασμός της παρουσίας του Φραντς Κάφκα στο έργο των ελλήνων ποιητών της μεταπολεμικής περιόδου και της μεταπολίτευσης. Από το προφανώς εκτεταμένο πεδίο διαλόγου της ελληνικής μεταπολεμικής και μεταπολιτευτικής ποίησης με τον Κάφκα, η μελέτη εστιάζεται μόνο σε ποιήματα – ανάμεσά τους και σε μερικά πολύ πρόσφατα δημοσιευμένα, όπου ο Κάφκα αναφέρεται ρητά, μνημειώνεται ως σημαντικός λογοτεχνικός πρόγονος και, κυρίως, λειτουργεί ως μέρος της προσωπικής μυθολογίας των ελλήνων ποιητών. Ειδικότερα εξετάζονται τα αναφερόμενα στον Κάφκα ποιήματα του Μίλτου Σαχτούρη και του Γιάννη Κοντού. Δευτερευόντως εξετάζονται τα ποιήματα του Νίκου Καρούζου «Στη ρόδινη σκιά του Κάφκα», του Μάνου Ελευθερίου «Γεύμα με τον Φραντς Κάφκα», του Γιώργη Παυλόπουλου «Η γκρίζα μπλούζα», καθώς και έξι αναφερόμενα στον Κάφκα ποιήματα του Δημήτρη Πέτρου, του Σταμάτη Πολενάκη, του Ανδρέα Κεντζού, της Μαρίας Κουλούρη, του Κυριάκου Συφιλτζόγλου και του Φάνη Παπαγεωργίου. Η βασική διαπίστωση είναι ότι ο Κάφκα, ως μέρος της ποιητικής μυθολογίας, λειτουργεί ως βασικός ποιητικός πρόγονος ή και ως κυρίαρχο σύμβολο, σε συνάρτηση με την πολύ συχνά εμφανιζόμενη α-τμόσφαιρα του καφκικού.
CFP: Futures Past: Feminism and the Radical Democratic Imaginary PREDEF Workshop Submission deadline: Yesterday Conference date(s): July 6, 2023 - July 7, 2023 Go to the conference's page Conference Venue: Department of Political Science, University of Vienna Vienna, Austria Details Call for Papers Futures Past Feminism and the Radical Democratic Imaginary International Essay Workshop University of Vienna, Department of Political Science July 6-7th, 2023 Conveners: Linda Zerilli & Oliver Marchart Chicago–Vienna Faculty Grant & ERC Research Project Prefiguring Democratic Futures Aims and rationale The political history of Western feminism is typically described as encompassing various “waves” of theory and practice, with each wave building on, but also going beyond, an earlier wave. Thus, the second wave (1968-1980s) is seen as taking up and radicalizing the first wave (1848-1920) struggle for political rights by expanding the concept of rights and of politics itself beyond the confines of the formal political sphere; the third wave (1991-?) is seen as taking up and radicalizing the second wave’s concept of “women” as the political subject of feminism. Handy though this periodization may be, it has left many feminists wondering which wave they are in anymore. Some feminists argue that the various waves have given way to “intersectional feminism.” Still, that description does not address the fundamental question of what kind of critical political work the concept of a “wave” was supposed to do in the first place. It was not until 1968 that people started talking about feminism in terms of different waves, and that feminism came to be understood as having a history at all. This shift allowed feminists to root their political demand for change in a historical democratic struggle for social justice, not least as a way of countering the popular view of the women’s liberation movement as an impossibly utopian project made up by a bunch of social malcontents. In the workshop, we want to reflect on this periodization of feminism critically and explore how conceptualizations of the past shape imaginative visions of possible futures. How we understand the past directly affects what can count as a “realistic” course of social, political, and economic activity. Furthermore, our conception of the past is shaped by a projected future, and different societies have different ways of imagining the relations between their future and the past. Originating in the revolutionary eighteenth century, Western feminism’s conceptualization of this relation, its own “futures past” (to speak with Reinhard Koselleck), is characterized by an anticipatory and distinctively modern temporality that assumes the novelty and openness of the future. If the history of feminism calls at times for rewriting, that is less because new facts are discovered than because the ever-changing present opens new perspectives on the past and makes new demands on what it can mean. As a result, the past is figured more in terms of projected futures than fidelity to how things were. For this reason, feminist historiography is rife with debates about whose story is told, and the idea of a “wave” itself has been criticized as overly generalizing in ways that blind us to the far more fraught and complex histories not captured in its conceptual net. Thus, the workshop will provide space for scrutinizing the conceptual problems associated with producing historical knowledge and forms of periodization concerning feminist political futures. It is based on the premise that emancipatory politics is best described as an ongoing creation of the social-historical world, animated by collective radical imagination. Contributions will explore how an emerging new social movement like feminism developed alternative temporalities in response to the rapidly unfolding political crises of the time (e.g., the Vietnam War, nuclear arms race, the Cold War, desegregation and racial terror, and anti-colonial struggles). Like the new left politics in which many cut their political teeth, feminists sought to reveal a hegemonic order in which democracy had been hollowed out. But also, like the other new social movements (e.g., Black Power, the student movement, environmentalism, and radical pacifism) that arose in the 60s and 70s in both Europe and the United States, feminist visions of social change have been accused of being naïve forms of utopianism doomed to founder on the shoals of political reality. Contributions are welcome that discuss diverse texts and practices in which utopian visions were articulated in temporal terms as forms of public freedom, as creative action, and as “prefigurative politics.” No mere means to an end already secured by the linear movement of universal history itself, prefigurative politics aims at creating “figures of the newly thinkable” (Castoriadis) in the here and now, both as a way to interpret the past and imagine different feminist futures critically. Contributions can be motivated, for instance, by the following set of questions: - In what ways has feminism’s radical political imaginary been enabled and constrained by a specific practice of historiography? - To what extent are the progressivism and presentism that tends to characterize contemporary feminism’s relation to its past a problem for its future? - In what ways and to what extent are feminist struggles embedded within an emancipatory project of a radical democracy? - How has feminism’s political imaginary been challenged and reconfigured, for instance, in the context of Black feminist criticism? - How can a critically renewed historiography of feminist struggles enrich today’s feminist movements and contribute to the collective emancipatory effort to radicalize democracy? - In short: What are the “futures past” of feminism, and how do they speak to us today? Format We strive towards creating a workshop atmosphere that allows for serious, productive, and collaborative engagement with each other’s work. Workshop participants send in an essay (max. 3000 words, deadline: June 15, 2023), with the expectation that all of the papers are read in advance. In addition, each participant will prepare and present a commentary on one of the other papers. Each session begins with a brief opening statement by the author(s) on the background of the text (5 min), followed by a commentary (10 min) that opens the general discussion of the text. Venue and Accommodation The workshop will take place in person at the University of Vienna. Online participation is not possible. There is no participation fee. The organizers are happy to give recommendations regarding travel arrangements. Publication We plan to publish the workshop’s proceedings as a special issue in a peer-reviewed journal and/or edited volume. Timeline Deadline for abstracts: April 21, 2023 Communication of results: April 30, 2023 Deadline for essays: June 15, 2023 Submission & Contact Please send your application with an abstract of max. 300 words and a brief biographical note to predef.erc@univie.ac.at (deadline: April 21, 2023). For any questions regarding the CfP, please contact the organizers Sara Gebh (sara.gebh@univie.ac.at) and Sergej Seitz (sergej.seitz@univie.ac.at). https://predef.univie.ac.at/news-events/ Supporting material CfP Futures Past_FINAL-2.pdf Add supporting material (slides, programs, etc.) Reminders Add to Outlook Add to Google Calendar Email: the day before | the same day
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