All forms of writing: A neuroanthropological commentary on
Reading in the Brain (Dehaene, 2009).
Greg Downey
Published version:
2014. ‘All forms of writing.’ (Commentary on Reading in the Brain, Dehaene,
2009). Mind & Language 29(3): 304–319.
Acknowledgements:
I thank Richard Menary and Max Coltheart for the opportunity to participate in
this discussion, and Stanislas Dehaene for abundant inspiration. Thanks also to
Max and to Anne Castles for suggestions for the revision of this article.
Address for correspondence: Department of Anthropology, Macquarie
University, Sydney NSW Australia 2109
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Abstract: Anthropological contributions are essential to understanding the
evolution of writing and its potential variation. Although Stanislas Dehaene calls
for a “neuro‐anthropological perspective,” he neglects anthropological evidence,
including the only indisputable case of independent invention of writing: the pre‐
Columbian systems of the Americas. Here I suggest that anthropological and
historical accounts of the cultural evolution of language suggest that ecological,
technological, social and political factors have influenced the ongoing
development of writing systems, even in directions contrary to that predicted by
a model of increased neural efficiency. In addition, Pre‐Columbian writing
systems, not subject to a diffusionist confound because of their independence,
caution that our research on diversity in writing may represent a small,
systematically biased sample. To truly understand neuro‐cognitive variation, we
have to avoid both overly ambitious universalisms and radical cultural
relativism.
Word count: 6084
Introduction
The estrangement of anthropology from cognitive science has made it more
difficult to take account of human diversity and cultural evolution in cognition. In
isolation, many brain scientists mistakenly regard social sciences as uniformly
characterized by the most radical forms of cultural constructionism and treat
acknowledgement of cultural variation as tantamount to renouncing biology or
even scientific explanation. The problem for cognitive research is that
anthropologists offer the most detailed analyses of the archaeological record and
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extant cultural diversity.
This cross-disciplinary stalemate has grown especially frustrating in recent
decades with a greater emphasis on human variation, including embodied
approaches to cognition, increased interest in comparative research, and a growing
desire to ground cognitive theory in evolutionary theory. The rise of cultural
neuroscience and increased empirical evidence of inter-group psychological
variation have led many scholars to call for a renewed conversation between these
two areas: sciences of cognition and of culture (Beller, Bender and Medin 2012;
Bender, Hutchins and Medin 2010; Lende and Downey 2012). The good news is
that a renaissance of biocultural research in anthropology, approaches that combine
cultural and biological perspectives, makes cooperation more likely.
Stanislaus Dehaene’s Reading in the Brain offers a timely example of how the
hardened divide between cultural and cognitive theory can undermine an otherwise
admirable work. Dehaene’s book is a remarkable achievement; the work is to be
applauded both stylistically and in terms of its depth. Reading in the Brain is an
exemplary popular account of cognitive research, showing that an engaging work
can include sophisticated, even innovative theoretical material. However, the overarching rhetorical framing of Dehaene’s book, particularly spurious attacks on
social science and adamant assertions of universalism in the face of his own
evidence of variation, unnecessarily casts the work into an obsolete debate (see also
Bolger et al., 2005; Coltheart, this issue).
Dehaene identifies social sciences, a notoriously divided and theoretically
heterogeneous collection of fields, with a single extreme, ideologically-motivated
form of cultural determinism:
Only our species is capable of cultural inventions as sophisticated as
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reading—a unique feat, unmatched by any other primate. In total opposition to
the standard social science model, where culture gets a free ride on a blank-slate brain,
reading demonstrates how culture and brain organization are inextricably linked.
(2009: 9, emphasis added)
Although the sweeping mischaracterization would be an irritant by itself, the
greater problem is that the outdated polemic discourages Dehaene from seriously
considering evidence of profound cultural diversity in writing systems and from
employing co-evolutionary accounts of culture-biology relations from
anthropology, accounts that fit his data much better than those offered by the
evolutionary psychology that he cites (e.g., pp. 306-308). In spite of the many
strengths of Dehaene’s book, these gaps demonstrate two key areas — cultural
diversity and evolutionary theory — where anthropological insight is missing.
This article is divided into two parts: the first briefly reviews examples of how
ecological, technological and social-political factors have influenced the
development of writing systems, suggesting that a strictly neurological account of
cultural evolution is inconsistent with the best available evidence from existing
writing systems. No doubt, neural constraints play a key role in cultural evolution,
but writing systems also have been affected historically by ecological, technological,
social and political forces; an account of cultural evolution must be
multidimensional as it is a complex emerging systems. Multidimensional models,
like gene-culture co-evolutionary theory, provide a way of capturing these
interactions (see also Menary, this issue).
The second part of this essay briefly discusses pre-Columbian writing systems.
Dehaene’s account of neurological constraint runs up against the problem of a
“diffusionist confound”: all contemporary writing systems are linked through
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diffusion (cultural spread) and mutual influence. The only certain, truly
independent invention of writing — pre-Columbian American orthographies —
strain our definition of “writing” and challenge virtually any claim of universals in
writing system.1
Neither of these issues are fatal to Dehaene’s central thesis, the proposal of
“neural recycling,” I would emphasize. On the contrary, I think Dehaene’s
research, including the evidence of neurological limits upon cultural variation, is
precisely the sort of case study that can force new fields like cultural neuroscience
and neuroanthropology to move beyond an obsolete assumption that cultural and
biological explanation of cognition must necessarily be at odds.
Cultural evolution of writing
One place where Dehaene’s adherence to an anti-social sciences rhetorical
framework is especially awkward is his neurologically-driven account of the
cultural evolution of writing systems (esp. Chapter Four, pp. 171-193). Dehaene
suggests that “cultural relativism” necessitates that scholars treat “cultural
variations” as “essentially unlimited” (p. 174),2 but the greater problem is his causal
account of cultural change, which suggests that neurological efficiency is the
predominant force. Here, a strong argument that “writing evolved to fit the cortex”
(p. 171) runs headlong into the much more varied historical trajectories of various
writing systems that the book discusses.
Dehaene lays out the strong form of his neurological determinism:
If our brain organization places a drastic limit on cultural variations, some
striking cross-cultural regularities should be apparent in all past and present
writing systems. These regularities should ultimately be traced back to
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cerebral constraints. (P. 173).
The question is not whether our “genetic makeup” places any limit on possible
writing systems; the question is how severe this limit is, and whether neural
constraints are determining the evolution of writing systems, evident in drift toward
a uniform, neutrally most-efficient character. Dehaene is elsewhere adamant:
Overall, the analysis of writing systems underlines the fact that letter shape
is not an arbitrary cultural choice. The brain constrains the design of an
efficient writing system so severely that there is little room for cultural
relativism. Our primate brain only accepts a limited set of written shapes.
(P. 179)
If the strong form of Dehaene’s argument is to hold up, he must demonstrate, not
just cross-cultural regularities (themselves problematic), but also that any
regularities derive from “cerebral” constraints. His own work and that of the
research he cites, however, suggests the crucial influence of ecological,
technological, sociological, and even political factors in determining the evolution of
writing systems.
Ecological contributions
Dehaene (2009: 176-178) cites the work of Marc Changizi and colleagues
(2006) on the visual elements of writing systems: all share basic visual forms,
especially that characters are composed of around three or less strokes, that is,
curves or lines that can be traced without lifting a stylus or pen.3 Dehaene argues
that, “In all writing systems, the world over, characters appear to have evolved to
an almost optimal combination that can easily be grasped by a single neuron,
through the convergence of inputs from two, three, or four types of curve-detecting
neurons at a level immediately preceding it in the [cortical] pyramid” (2009: 177).
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Dehaene interprets Changizi’s research as supporting his neural constraint account
of language evolution.
Changizi and colleagues, in fact, propose that the configuration of characters
closely correlates with the appearance of shapes in naturally occurring visual
scenes. They argue that the configuration of diverse writing systems is codetermined by both ecological patterns and neurological constraints (Changizi and
Shimojo 2005; Changizi et al. 2006). Writing is shaped by neurology because the
human nervous system has already been tuned by an evolutionary relationship with
salient stimuli in the natural environment. According to Changizi, their argument
could more accurately be described as “nature-harnessing” rather than neuraldetermined; written characters mimic the most common visual qualities of natural
objects (personal communication).
This “nature-harnessing” approach is consistent with a deeper recognition of
exaptation in evolution; “exaptation” is a term suggested by Gould and Vrba (1982)
to acknowledge that most traits of living organisms are re-adaptations of structures
that arose and were shaped by multiple iterations of adaptation over evolutionary
time. The brain systems “recycled” to perceive writing were already “recycled” to
support the manufacturing of tools, the tracking of prey on the forest floor and
capturing of small prey in the forest canopy, the picking of fruit and flowers, the
avoidance of predators, and so on, back to the development of the first lightsensitive cells in ancient ancestors. Our understanding of neural “recycling” should
not artificially truncate a long history of exaptation in which gene-environment
causal relations have been reiterated through countless adaptive loops.
Technological influences
The material qualities of writing also influence how characters are
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perceived. Handwritten scripts elicit a different set of neurological resources than
typeset fonts, as Nakamura and colleagues — including Dehaene — have shown
(Nakamura et al. 2012; see also Perfetti and Tan 2013). Cursive primes, but not
typographic primes, act on the left dorsal premotor cortex (PMd), or Exner’s area.
The finding suggests that the meaning of cursive writing was inferred in part from
the gestures that would have produced it. As Nakamura et al. write, “the VWFA
[visual word form area] mediates fluent recognition of letter strings and does so
with high efficiency primarily for typographically well-formed words with proper spacing”
(2012: 20766, emphasis added). In contrast, the PMd “contributes to fluent reading
by inferring the writing gestures corresponding to the observed handwritten
letters,” although this might vary for left-handed individuals (ibid.).
Although Nakamura, Dehaene and colleagues conclude that this finding
demonstrates that the neurological reading system is more “universal” than
“previously thought,” one could just as easily conclude that the neural reading
system is sensitive to technological influences. Prior to the advent of moveable type
and the ensuing social changes in who could read — illiteracy rates were likely
around 99% before the printing press — the “universal” neural underpinning of
reading would have much more prominently featured this motor-based system
taking in the left PMd.
Cursive systems balance the neural and physiological demands of both reading
and writing; our current neurological systems for reading, thus, are influenced by
the technological supports we have for producing uniform, typeset texts, making
manual writing much less of a constraint on our orthography. Changizi and
Shimojo (2005: 272) discuss this technological shift:
Writing systems are under selective pressure to be easy to read and write,
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but there are reasons to think that the principal pressure is for ease of
reading…. Many writing systems throughout history, however, were not
read to the extent that contemporary writing systems are... Second, cursive
scripts and shorthand are two classes of writing system where selection is
primarily driven by writing optimization, and in these cases the characters
are qualitatively very different compared with those of the typical writing
system, and are more difficult to read. Third, and last, typeface and
computer fonts are two classes of script where there is no selective pressure
for writing at all, and characters in these scripts are qualitatively quite
similar to those of the typical writing system.
The current dominance among readers of English of the left hemisphere
occipitotemporal visual system— what Nakamura and colleagues (2012) refer to as
“reading by eye” — over a premotor-based system that recognizes letters by
gesture, is thus partially a technological achievement peculiar to late twentiethcentury English. Not all writing systems have made an identical transition into
vision-determined orthographies in standardized typefaces. For example, Arabic
and many writing systems of South Asia (e.g. Bengali, Devanagari and Oriya) are
more script-like when printed, with long, complex strokes, and continuous lines
between some characters. The gesture-based system was first discerned in close
studies of readers of Chinese characters, who disproportionately use gesturallyinfluenced neural processing streams to decode their writing system, even when
printed (see Bolger et al. 2005; Tan et al. 2005).4
The technological contribution to the evolution of reading is likely not finished.
The increased use of keyboards to write, the growth of computer-mediated
“texting,” and the disappearance of cursive writing from many people’s daily lives
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will influence how we learn to read. These technologies are likely to increase the
dominance of the visual neural contributions to reading, causing even greater
atrophy of a gestural-based reading system, especially with changes in primary
education incorporating keyboard-based pedagogy.
At the same time, computer-mediated communication (CMC) is exerting its
own influence on the way that English is written by adults, driving an increased use
of abbreviations, nonstandard spellings (including irregular contractions),
homophones (“gr8” and “u”), and “emoticons” (symbols representing emotions,
such as “;^)” ). Other features of writing are neglected in texting, including vowels,
capitalization, punctuation, and unnecessary words (see Drouin and Driver 2012).
As researchers have found, the constraints of CMC technologies, such as the 160character limit in short message services (SMS), are driving condensation and
orthographic innovation (see Shafie et al. 2011). The outbreak of CMC-related
innovation is striking, especially as the innovations are compounding rapidly;
witness, for example, the blindingly fast emergence of the acronym “LOL” (“laugh
out loud”) as a mode to communicate non-verbal information, and its re-entry into
spoken communication, transformed in some cases into a noun, “lulz.”
Because I work with some blind activists, I’m particularly interested in the rise
of audio books and automated text-to-speech conversion. Like the rise of CMC,
text-to-speech technology might shift the way that many people produce and
process texts, with unpredictable long-term effects on the neurological substrates of
“reading.”5 Expert text-to-voice readers are able to accelerate the artificial voice
with practice to more than 300 words-per-minute; normal audio books are 120 to
140 words-per-minute. To a listener unfamiliar with the technology, the resulting
audio text sounds like gibberish. In other words, technological change is likely to
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continue to affect the neural underpinnings of reading, perhaps even taking forms
that current researchers would not designate “reading,” just as prior technologies
such as the printing press influenced human neural systems became skilled.
Social and political determination
Dehaene (2009: 186, figure 4.3) argues that “convention and simplification are
two essential factors in the evolution of writing.” Both of these traits, however, are
as much social, pedagogical, and practical as they are neurological. Without
convention, for example, writing cannot act as communication; the shared social
quality of writing exercises the strongest conventionalising force. A private written
language, such as automatic writing or psychography (supernaturally inspired
“spirit writing,” interpreted by a medium), need follow no convention.
In addition, simplification is generally a political project, not just a neurological
tendency. The recalcitrant complexity of English spelling, the opacity of its
orthography, an example Dehaene repeatedly discusses, shows that neural
efficiency can be counter-acted by social conservatism, including the prestige of
traditional forms of writing. Social groups can invest heavily in preserving
complexity, even increasing it, in order to cement their standing. Dehaene
(2009:188) offers the cases of Egyptians and Sumerians who “came very close to
the alphabetic principle, but neither managed to extract this gem from the
overblown writing systems.” In fact, both groups loaded greater complexity into
their orthography in order to resolve ambiguities because writing was the preserve
of a social caste with a vested interest in securing exalted status by mastering an
opaque system.
With sufficiently strong political motivation, however, change can occur
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quickly. Written Turkish changed radically in 1928 when its writing system based
on Arabic was replaced abruptly by a smaller set of Roman-derived characters
under nationalist President Kemal Atatürk; reform of the writing system was part
of a broader modernization project. In 2009, Brazil reformed written Portuguese,
including abolishing silent letters, simplifying accents, and officially including three
new letters (“k”, “w” and “y”). If these reforms succeed, they will confirm a shift in
cultural influence within the Lusophone or Portuguese-speaking world, with Brazil
in ascendance, and due to foreign influences (all three letters were widespread in
loan words).
Many efforts toward simplification have historically been driven by colonialist,
nationalist and populist projects; orthographic reform often has been linked to
projects of mass literacy, such as the promotion of pinyin in China under Mao
Zedong, or multiple waves of orthographic reform to Russian, first under Peter the
Great and, later, the early Soviet regime. During the Russian revolution, the Baltic
fleet sailors legendarily removed newly obsolete characters from the printing plants
of Petrograd, stirred by a vision of mass literacy for social progress. In Azerbaijan,
changing political fortunes in the twentieth century led to multiple reforms to
Azerbaijani writing, from an Arabic-based script to a Latin one, then to a Cyrillicbased orthography under Soviet control. Abolishing the Cyrillic-derived system
and returning to a Roman alphabet was one of the first acts of the newlyindependent Azerbaijan Parliament (see Hatcher 2008). One could cite countless
examples of politically-motivated orthographic simplification: the purging of Dutch
spellings from Bahasa Indonesia in the 1970s, Noah Webster’s reforms to American
English, the simplification of spelling as part of nation building in France and
Germany. To understand the evolution of writing systems, one need take account
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of political events as much as the configuration of the brain regions adapted to
reading.
A more complex model of cultural evolution
In summary, we have to add environmental, technological, social and historical
factors to the neural constraints that Dehaene (2009:189) cites for shaping writing
systems. To account for the neuro-cultural emergence of mass literacy in the West
with its own peculiar history, for example, we would have to consider theological
upheaval, changing class structure, the invention of moveable type, pedagogical
innovations, and the democratization of primary education, but we must also
recognize how recalcitrantly conservative writing systems can be.
This complexity is consistent with Dehaene’s own account of multiple cases of
orthographic change (see esp. 184-193); I suspect he could offer even more
examples of these types of processes. However, fully integrating causal complexity
would be much easier if Dehaene were able to draw on co-evolutionary theory in
anthropology, in which theorists recognize the interaction of socially-transmitted
information or behavior with the underlying genetic endowment of a species, given
sufficient time (see, for examples, Downey and Lende, 2012; Durham, 1991;
Lumsden and Wilson, 1981; Menary, this issue). Although the metaphor of writing
as a “virus” (p. 190) or the account of the Greeks perfecting the alphabet are
evocative, they do not capture the complex relations between biology and culture
that Dehaene elsewhere argues must be part of the account of the human ability to
read (e.g., p. 146). Cultural evolution is just as powerfully shaped by political and
social history, technology and ecology, as the individual’s ability to read is shaped
by the interaction of educational techniques with our nervous system.
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The diffusionist confound in writing research
Although Dehaene admirably draws on cross-cultural data, his commitment to
a strong universal account leads him to neglect some of the most interesting outlier
forms of writing. The test of any strong theory of universal neural structures is not
a cluster of closely-related phenomena, but how well the model explains the most
unusual variants. In the case of writing systems, the problem of outliers is
exacerbated by a diffusionist confound that skews our extant sample: all modern
writing systems have arisen from shared ancestors and are marked by a complex
genealogy of inter-cultural exchange and mutual influence. The potential universal
cognitive patterns are difficult to disentangle from the historical fact of common
origins, intercultural borrowing, and convergent development, especially since the
advent of print and increased global flows of culture. To put it another way, the
writing systems Dehaene discusses are not independent experiments, so whether
any pattern of uniformity reflects cognitive constraint or historical relations is open
to debate.
Writing has only been independently invented, at most, four times: in Southwest
Asia, the Americas, Northeastern Asia, and possibly Oceania. The case of
Rongorongo in the Pacific is especially controversial and difficult to document;
Rongorongo iconography is thought by some to have arisen from contact with
European colonial powers (Fisher 1997).6 Some researchers further argue that the
invention of Chinese writing was prompted by trade contacts with southwest and
south-central Asia. If both East Asian and Pacific writing systems arose through
cultural diffusion from southwest Asia and Europe, then the historical
entanglements among writing systems complete a whole diffusionist cloth.
If then all Asian, European, and African writing systems are potentially a result
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of cultural diffusion and ongoing interaction, the current variation in writing
systems begs explanation. The question of universality could be turned on its head:
how did evident diversity arise from shared origins? If most writing systems are
closely related through historical diffusion and subject to severe neurological
constraint, how did so many diverse systems — alphabets, syllabaries, abjads,
logosyllabaries, abugidas, morphemic scripts — arise (see Daniels 2009)? Walter
Mignolo (1989: 62) cautions against a teleological understanding of cultural
evolution: “the history of writing is not an evolutionary process driving toward the
alphabet, but rather a series of coevolutionary processes in which different writing
systems followed their own transformations.” We can argue for patterns and biases
in these trajectories of transformation without arguing for a universal and
inevitable road for cultural evolution.
Pre-Colombian writing: the independent experiment
Given the diffusionist confound in extant writing systems, anthropology brings
an especially important case study, the only certain case of independent invention:
the Pre-Colombian systems of the Americas. Dehaene only discusses these systems
in passing. To examine whether writing systems are shaped by invariant
neurological traits, the American systems are the truest test, because relations
through diffusion can be ruled out confidently.
The earliest forms, such as Olmec and Zapotec, are less well known (or
understood) than later Mayan orthography, but all demonstrate marked differences
from Old World systems. Boone (1994) argued that most of the American systems
are semasiographic, conveying meaning directly without phonetic significance.
More recent analyses have increasingly suggested that, in fact, a mixture of
ideographic and syllabic orthography is present in Mayan hieroglyphs, the bestPROVIDED FOR REFERENCE ONLY. PLEASE CITE PUBLISHED VERSION.
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studied and most complex pre-Columbian writing system (see Boone and Mignolo
1994).
Boone (1994: 3) has suggested that we tend to think of writing as “visible
speech,” but Meso-American systems were more closely aligned with what Western
theorists might refer to as “art.” If this is accurate, then these systems differ on
perhaps the most fundamental trait shared by other forms of “writing”: that writing
records speech. Some critics might argue, for this reason, that the Meso-American
systems are not “writing” sensu stricto but some other form of expression (see
Daniels 2009; Perfetti 2009). Nevertheless, they were a “graphic system that keeps
and conveys knowledge, or, to put it another way, presents ideas” (Boone 1994).
Dehaene (2009: 184) touches on one of the most intriguing characteristics of
the American systems briefly, pointing out that they used stylized faces to denote
syllables, dates, proper names, or concepts (see Figure 1). Dehaene glosses over
this difference, pointing out the great distance in the brain between the “letterbox”
area and the region of the cortex generally responsible for face recognition, which
sits in the opposite hemisphere: “The near absence of faces among written symbols
could be taken as another indirect proof that brain architecture constrained the
evolution of writing” (ibid.).
In contrast, Houston, Robertson and Stuart (2000) argue that Classical Mayan
glyphs demonstrate consistency across six centuries (about the same time as the
West has had the printing press). We simply cannot know if neurological pressures
for efficiency would have eventually led to the elimination of face-based epigraphy,
nor can we know what sorts of functional neural systems arose in the scribes who
could read and write these systems of glyphs. Historically, Spanish colonization
and vigorous persecution, not cognitive inefficiency, led to the demise of face-based
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epigraphy.
Among the handful of American writing systems, the general pattern of
historical development was opposite to what Dehaene (and others before him)
suggests: a mixture of faces together with phonetic and abstract symbols in Mayan
glyphs became more exclusively faces together with pictorial ideographs in later
Mixtec and Aztec writing (Mignolo 1989). Phonetic symbols disappeared. The
American systems became less alphabet-like, less phonetically-based, and more
ideographic over centuries of use (see also Boone 1994: 4). In fact, Boone, like
other researchers who study Aztec and Mixtec writing, is not even convinced that
these later written systems were based on language, but may have been an
independent pictorial representation systems akin to mathematical symbols, maps,
musical notation, or even corporate logos (1994: 5-6). If so, then the American
writing systems shed their direct connections to language over time, in direct
opposition to the model of evolution suggested by Dehaene.
Pre-Columbian materials throw up an even more unusual counter-example of a
system like “writing”; Urton and Brezine (2005) discuss the case of khipu, knotted
bunches of string used for communication and bookkeeping by the Incas. Although
the system is difficult to translate, the chains of knotted string clearly encoded
information based upon string color, as well as the type, number, and positioning of
the knots. As Charles Mann (2005: 1008-1009) discusses, the implications of
considering khipu as a form of writing are significant:
If khipu were a form of writing or proto-writing, they were unlike any
other. Scribes “read” the khipu by running their fingers along the strings,
sometimes while manipulating small black and white stones—in striking
contrast to other cultures’ ways of recording symbols, which involve
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printing or incising marks on flat surfaces.
In this sense, khipu were more akin to Braille than to visual writing.
Face-based writing in Mayan, pre-Columbian “writing” systems that grew
increasingly divorced from language, and even khipu notation suggest that a
neuroanthropological investigation of the widest possible variation of “writing” —
how the brain can be trained to produce and decode a standardized symbolic
system to convey information — is likely to challenge any model we have for a
universal system constrained by neurology. We might chalk up all three preColumbian examples as anthropological oddities, outliers consigned to the
archaeological record, were they not directly parallel to forms of writing still extant,
or even emergent — not just Braille.
Contemporary analogues and the challenge of diversity
The case of face-based iconography in pre-Colombian writing system is
especially interesting in light of the rise of face-based iconography in texting and
other forms of electronic MCM, especially the widespread use of emoticons.
“Smileys” and other emoticons are unlike Mayan iconography in some ways, but
they are arguably even more “face-like” in that they represent emotional facial
expressions themselves rather than individual persons or other ideas or phonemes.
Decoding the “face-ness” of the emoticon, its stylized expression or features, is
essential to understanding its meaning. Preliminary research suggests that
sentences with emoticons are perceived as having nonverbal information about
emotion (see Yuasa et al. 2011). New online CMC systems translate the sequences
of keystrokes in emoticons (usually multiple punctuation marks) into more
pictorially rich cartoon faces, demonstrating that technology is being used, not to
increase neural efficiency or simplify visual stimuli, but rather to allow individuals
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to communicate more richly, including using semasiographic icons not treated
analogously to alphabetic writing in the brain. Some critics might say then that
emoticons are not “writing” because they do not record speech, but this begs the
question of what they are, especially given that they are composites of letters and
punctuation marks produced during the course of writing. To disregard them as
“writing” because they do not conform to a narrow definition of the activity, like
disregarding the peculiarities of pre-Columbian systems, undermines any strong
claim to “universality” or insistence that specific forms of writing are neurologically
impossible.
Similarly, we are increasingly confronted with visual iconography not clearly
tied to language, especially as the globalization of industrial production demands
pan-linguistic icons on manufactured goods and information technology. With
international, multi-lingual markets, semasiographic systems are proliferating on
everything from microwave ovens and automobiles to smart phones. Economic
forces are shaping the emergence of a new class of semasiographic signs; it may be
convenient to disregard them as “writing,” but they are a thorn in the side to both
universal claims about the nature of writing and to simple accounts of evolution of
writing toward phonemic transparency.
Finally, the case of khipu is especially striking in light of research on Braille
reading. Here we have an Andean society possibly opting for a touch-based system
of “written” communication as a primary sensory-sign modality rather than a
compensatory one, that is, only when individuals do not have sight. Recent
research on the neural correlates of Braille reading suggests that metamodal
properties of the brain may make this sensory substitution easier than we might
expect (see Reich et al. 2011).
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In all of these cases, a simple account of cultural evolution, driven inexorably by
neurological imperative toward alphabetic writing unless impeded (e.g., Dehaene
2009: 188), seems to be confounded by both cross-cultural research and
contemporary cases in our own societies.
Conclusion
Anthropologists are justifiably skeptical of claims about “human universals” in
cognitive research. These claims have a long history; they are seldom a conclusion
derived from concerted cross-cultural or comparative research. More often, they
are a rationale for not engaging in the sort of research that could produce a broad
enough sample to justify confidence. As Henrich, Heine and Norenzayan (2011)
have cautioned, our most convenient research subjects are “weird,” not just because
they are western, educated, industrialized, rich, and democratic, but also according
to a wide range of psychometric measures. My concern, however, is not simply
with the ‘Anglocentricity’ of contemporary reading research (see Share, 2008), or
even a broader pattern of universalist claims in cognitive science on the basis of
severely skewed or clearly inadequate data sets.
Rather, I am worried by the apparent need to assert a radical universalism, even
in the face of obvious evidence to the contrary, as if cognitive theory depended
upon the existence of human universals. As Coltheart argues in this issue, the claim
to a universal neurological system subtending reading is difficult to sustain on any
level. What I find most striking is that Dehaene, like some other cognitive
scientists, seems to feel compelled to make the strongest form of the universal claim
— that these systems are invariant and identical — even when he himself discusses
evidence to the contrary. What is so attractive to cognitive scientists about
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asserting universals, so necessary that they will disregard abundant empirical
evidence to the contrary (see also Frost 2012 and accompanying commentary)?
The answer to this question is crucial to future cooperation between cognitive
science and anthropology. I suspect that there is a fear that denying the strong
argument for universalism, in reading or other cognitive area, means that we are
condemned to radical cultural relativism. Reading is clearly highly canalized, and
diversity finite. Systematic variation in writing systems — including whether
systems are predominantly typographic or cursive, feature ideographs or even
faced-based iconography — has predictive power for the pattern of neural activity
in most readers, although, again, individual exceptions clearly exist (after all, a
significant minority of test subjects does not demonstrate even the pattern of left
hemisphere dominance in linguistic processing).
In fact, embracing the diversity will help us to better understand the emergence
of neurological systems capable of reading in different contexts, as Dehaene’s book
and his other research clearly shows. Maybe other systems can be “recycled” within
radically different writing environments. We can acknowledge and use cultural
variation without recourse to a “blank slate” model of the brain, but only when we
also recognize that strong claims of universalism are grasping beyond the reach of
our data. We will only understand the nature of the neural constraints on writing
when we recognize all of the different forms that are possible within those
constraints; the limit cases and cultural outliers will be absolutely crucial to this
effort.
I strongly share Dehaene’s desire for a “neuro-anthropological” perspective
(2009: 304), but we won’t be able to approach it without anthropological input.
Diversity must be taken seriously rather than brushed away in pursuit of strong
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universals. In fact, the case of reading, so well outlined in Reading in the Brain, is
precisely the kind of empirical case that confounds the old, single-sided
perspectives — both cognitive universalism and radical cultural relativism —
demonstrating that they are inadequate to the task.
References:
Beller, Sieghard, Andrea Bender, and Douglas L. Medin. 2012. Should
Anthropology Be Part of Cognitive Science? Topics in Cognitive Science 4: 342–353.
Bender, A., Hutchins, E., and Medin, D. L. (2010). Anthropology in cognitive
science. Topics in Cognitive Science, 2, 374–385.
Bolger, D. J., Perfetti, C. A., & Schneider, W. 2005: Cross-cultural effect on the
brain re-visited: Universal structures plus writing system variation. Human Brain
Mapping, 25, 93-104.
Boone, E. H. 1994: Introduction: Writing & Recording Knowledge. In E. H. Boone
& W. D. Mignolo, eds. Writing without Words: Alternative Literacies in Mesoamerica and
the Andes, pp. 14-17. Durham: Duke.
Boone, E. and Mignolo, W. eds. 1994: Writing Without Words: Alternative Literacies in
Mesoamerica and the Andes. Durham, NC: University of North Carolina Press.
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Changizi, M.A., and Shimojo, S. 2005: Character complexity and redundancy in
writing systems over human history. Proceedings of the Royal Society B, 272, 267-275.
Changizi, M.A., Zhang, Q., Ye, H. and Shimojo, S. 2006: The structures of letters
and symbols throughout human history are selected to match those found in objects
in natural scenes. American Naturalist, 167, E117–139.
Daniels, P. 2009: Grammatology. In Olson, D. R. and Torrance, N. (eds),
Cambridge Handbook of Literacy, pp. 25-45. Cambridge, UK: Cambridge University
Press.
Dehaene, S. 2009: Reading in the Brain. NY: Viking.
Drouin, M., and Driver, B. 2012: Texting, textese and literacy abilities: A
naturalistic study. Journal of Research in Reading (online, pre-print version).
Durham, W. 1991: Coevolution: Genes, culture and human diversity. Stanford: Stanford
University Press.
Fischer, S. R. 1997: Rongorongo, the Easter Island Script: History, Traditions, Texts.
Oxford, New York: Oxford University Press.
Frost, R. 2012: Towards a universal model of reading (with commentary).
Behavioral and Brain Sciences, 35(5), 1-67.
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Gould, S.J., and Vrba, E.S. 1982: Exaptation: a missing term in the science of
form. Paleobiology, 8(1), 4-15.
Hatcher, L. 2008: Script change in Azerbaijan: Acts of identity. International Journal
of the Sociology of Language, 192, 105-116.
Henrich, J., Heine, S.J., and Norenzayan, A. 2010: The weirdest people in the
world? Behavioral and Brain Sciences, 33, 61-135.
Houston, S., Robertson, J., and Stuart, D. 2000: The language of Classical Mayan
inscription. Current Anthropology, 41(3), 321-356.
Lende, D.H., and Downey, G. eds. 2012: The Encultured Brain: An Introduction to
Neuroanthropology. Cambridge, MA: MIT Press.
Lumsden, C. J. and Wilson, E. O. 1981: Genes, mind and culture: the coevolutionary
process. Cambridge, MA: Harvard University Press.
Mann, C.C. 2005: Unraveling Khipu’s Secrets. Science, 309, 1008-1009.
Morley, S. G. 1915. An Introduction to the Study of the Maya Hieroglyphs. Washington,
D.C.: Smithsonian Institution, Bureau of American Ethnology.
Nakamura, K., Kuoe, W.-J., Pegadoa, F., Cohen, L., Tzengi, O.J.L., and Dehaene,
S. 2012: Universal brain systems for recognizing word shapes and handwriting
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gestures during reading. Proceedings of the National Academy of Sciences U.S.A.,
109(50), 20762–20767.
Orliac, C. 2005: The “Rongorongo” Tablets from Easter Island: Botanical
Identification and 14C Dating. Archaeology in Oceania, 40(3), 115-119.
Perfetti, C. A. 2009: The universal grammar of reading. Scientific Studies of Reading,
9, 219-238.
Perfetti, C. A., and Tan, L.-H. 2013: Writing to read: The brain’s universal reading
and writing network. Trends in Cognitive Science, 17(2), 56-57.
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1065-1067.
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Reading Center Independent of Visual Experience. Current Biology, 21, 1-6.
Shafie, L. A., Osman, N., and Darus, N. A. 2011: The sociolinguistics of texted
English among bilingual college students in Malaysia. International Journal of
Humanities and Social Sciences, 1(16), 258-264.
Share, D.L. 2008: On the Anglocentricities of Current Reading Research and
Practice: The Perils of Overreliance on an “Outlier” Orthography. Psychological
Bulletin, 134(4), 584–615.
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Tan, L.H., Laird, A.R., Li, K., and Fox, P.T. 2005: Neuroanatomical correlates of
phonological processing of Chinese characters and alphabetic words: a metaanalysis. Human Brain Mapping, 25, 83–91.
Yuasa, M., Saito, K., and Mukawa, N. 2011: Brain Activity When Reading
Sentences and Emoticons: An fMRI Study of Verbal and Nonverbal
Communication. Electronics and Communications in Japan, 94(5), 17-24.
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Figure 1.
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Legend for Figure 1.
Initial series of glyphs on Stella F (East Side), Quiriguá, a Mayan site in
southeastern Guatemala, dating to 766 C.E. The anthropomorphic signs (see
especially lines 3, 4, 5, and 8) record dates and were particularly well
preserved. Image from Morley 1915, p. 221. Public domain.
http://en.wikisource.org/wiki/An_Introduction_to_the_Study_of_the_Maya_
Hieroglyphs/Chapter_5#fig80
1
The Native American Sequoyah, himself illiterate, invented a system to write
Cherokee, and King Sejong, together with the scholarly “Hall of Worthies”
(Jiphyeonjeon) devised the ingenuous system, Hangul, but both were inspired by
contact with extant writing systems. Sequoyah’s orthography, for example,
contains Roman characters adopted from English. In both cases, however, the new
system was markedly different from its inspiration; Sequoyah’s system was a
syllabary rather than an alphabet, and Hangul was phonetic, in marked contrast to
the classical Chinese script used by scholars in Korea in the fifteenth century.
2
I have to pause to clarify that Dehaene is, I suspect, confounding cultural relativism
as an analytical or interpretive strategy — what anthropologists do professionally
— with moral relativism, or a nihilistic stance toward absolute truth or empirical
evidence. His characterization makes it sounds as if the goal of “cultural relativism”
in a field like anthropology is to imagine fictional cultural universes rather than
understand those extant cultures which we find, including to point out when claims
of universalism are disproven by empirical evidence of variation. Moral relativism
is a kind of nihilism, not a professional commitment of cultural anthropologists to
try to eschew ethnocentrism when they seek to understand other cultures.
3
Changizi and Shimojo (2005) specifically exclude East Asian writing systems
from their discussion. I would argue also that, although their results are striking,
especially the successful prediction of shape prevalence from analysis of natural
visual environments, the method they use to abstract basic shapes from letters may
militate against noting outliers and bias their results toward the reduction of
complex characters.
4
One could argue that this gesture-based decoding system is also influenced by
socially dominant forms of teaching, which would not invalidate the larger point
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that the evolution of writing systems is driven by a number of factors, including
writing technology and pedagogical techniques.
5
“Read” is in quotes simply to indicate that this type of practice may not even be
considered reading by some scholars, as it fundamentally changes the sensory
channels used with technological support. There is some danger that a circular
definition of reading which disregards outlying forms of reading will undermine
any claim to “universality,” as I discuss below with respect to emoticons.
6
Critics suggest that the Rongorongo system of inscriptions was inspired by
European exploration, but attempts to date some specimens, while inconclusive, do
support the possibility that they were produced before the arrival of European
ships (see Orliac 2005).
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