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Abstract: Now a days patriotism in India is easy to say and hard to follow. Today’s generation never understand the cost of patriotism, the cost can be in any form money, life, brain, talent, etc. this research paper is based on the people who gave the best patriotic poems of all time as a cost of patriotism for India. This poets can be use their talent for being famous but they used their talent to inspire people with their patriotic poems. The names of the poems and their poets are Azadi Ka Geet (Song of freedom) by Harivansh Rai Bachchan, Pushp Ki Abhilasha (A flower’s Dream) by Makhanlal Chaturvedi, Jhanda Ooncha Rahe Humaara (Let our flag always fly high) by Shyamlal Gupta, Sarfaroshi Ki Tamanna (Desire for Revolution) by Ram Prasad Bismil, Where the mind is without fear by Rabindra Nath Tagore. Key words: Patriotic poet, patriotism, India, timeless poem
The Home of Letters, 2000
Like Blake, Peeran sees the world in a grain of sand and Eternity in an hour. An administrator lisping in numbers may sound strange but Muse in Peeran has blossomed into many – splendoured exuberance in this collection of poems - IN GOLDEN TIMES. Every moment of Time is a mountain. Invisible, magical realities beyond our senses, float out of the unconscious, when the boundaries between the self and world are crossed. It opens expanded moments. The poet dives into these moments - one with nature, its darkness and mystery. Thus poems gleam as magical chalices, reality winking at the brim. Here in this collection, there is self-discovery, new grounds to liberate emotions. Let us take his most pensive poem. “Let’s walk away from this listless life to a yonder place where there is no strife, But is full of peace, solace, serenity __ a place full of nature’s beauty, Where rainbows appear upon the skyline, where minds meet the joys of the Divine, Where the art of living is a grace, Where barriers of religions have no trace”. Such poems abound in this volume. The poet rages at the injustice, prevailing all around __ “Voices of the meek ones are suppressed; They are hardly allowed to take a fresh breath. Those that dare are cruelly oppressed And ruthlessly dealt a painful death”. But he powerfully pleads that the good of masses can be restored: “Oneness in god’s plurality is the strength of Hinduism, Islam’s strength is unity in sects’ plurality, Singularity of purpose is the main strength of Jainism, Motto of service is the strength of Christianity, Self-sacrifice is the subtle strength of Sikhism, Buddhism’s solid strength is soul’s purity.” His poem on “LIFE’S STORY” is monumental : “Life is a tale of meetings and partings, Of woes, sorrows, and afflictions, Pleasures, joys, mirth and laughter, Regrets, repentance, remembrances, Fading memories, future fears, Hatred and harrowing experiences, Hearts’ outpourings, mental outbursts, Trials, turmoil’s, tears and tensions, All recording themselves in the form of Either prose or poetry.” In the above, he has portrayed all life’s dimensions – that baffle our everydayness. Tailhard de chardin stresses that the greatest blessing of the poet is to have the sublime unity of God to save the world. Poet Peeran has the concrete immensity of the far beyond. He ascends to higher spiritual planes, developing concentration of thought, increasing power of mind and gaining ecstasy which entails unity with every thing. In this noble task, Peeran attains unique crispness of language and classical gems like “TOTAL SURRENDER” reaches a peak of perfection. “With deep devotion, I burn the Candle Of my life, at His feet in total surrender. I have no complains, demands, compulsions, No grievances, grief, or pain. Undoubtedly, I am captured by HIM.” He writes HAIKU and TANKA with illumined vision. There is inner vibrancy, a matchless verbal incantation in his lyrics ! They gleam as flames, intense and fine. They have visible brilliance. They have deep poignancy. And there is passionate naturalness in all he writes. Dr. KRISHNA SRINIVAS Editor-in-Chief, POET Plot No.118, Raja Street, Dr. Seethapathi Nagar, Velachery, Chennai - 42 INDIA Phone : 243 3186 Founder President of World Poetry Society International
Indian Literature,Vol. 60, No. 6 (296),, 2016
Poems of Ajay Sarvaiya, a noted contemporary Gujarati poet translated by Sachin Ketkar
A disturbing contradiction in the portrayal of women is clearly evident when we read, in juxtaposition, the deeply romantic and passionate socio-political poems (most critics and readers, problematically, call them feminist, but I will get back to that!) of Sahir Ludhianvi. Unfortunately, no one, as far as my readings on the works of Sahir tell, has yet attempted to approach and critique his literary work in this fashion. Often what happens is that after a cursory reading of his explicitly women-centric poems like “Aurat,” “Noor Jahan ki Mazar Par,” or “Chakle,” everyone unequivocally agrees and fervently perpetuates the image of Sahir as a die-hard feminist. But no one has yet attempted to notice and comprehend the silently suffering (muh-band) and guilt-ridden women he idealized and ridiculed in his romantic and intimate poems like “Kabhi- Kabhi,” “Khoobsurat Modr,” “Ek Tasveer-e-Rang,” “Isi Dorahe Par,” or “Hiras.”
Contemporary Indian English Poets
S L Peeran and Dr. Mashrique Jahan are the authors of this book. S L Peeran has appraised sixteen major Indian English Poets who have been acclaimed at National and International poetical scene. One Poet Dr. Krishna Srinivas was awarded Padma Bhusan for his contribution to Indian English Poetry. Dr. Masrique Jahan has done her MPhil and PhD on the Poetry of S L Peeran. The book is published by authorspress New Delhi and available with amazon.com
This part contains in some of the articles written by and published digitally on websites where from I have taken them to show you and present before. My pleasure is in it that I wrote but never did I sell my education. What I had, I gave it to the world.
A Review for Post III, Mater Dei Institute
P C K PREM, 2019
It discusses the poetry of many Indian Poets -Men and Women
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