Chinese Films

Artícuo publicado en el libro de memorias de un congreso 10-25-2014
Universidad de Zhejinag facultad de Medios Masivos de comunicación



不向梦想喊“CUT” ——年轻非专业导演伍姣的电影之路
乔西 Jossalberto Briceno Saenz 复旦大学
2014.10月.25日

惨白的脸颊，血泪，惊叫，逃离......这些重口味的恐怖情节，却是出自一位清新女孩的摄像机下。伍姣，一位24岁法语专业的女生，从来没有任何电影制作拍摄方面的专业训练，制作出的独立电影，品质却不在电影公司制作之下，一个可爱女孩，立志拍出真正的恐怖电影，如此反差，是否能成为国内电影界的一支新力量？

很少的人真正在做自己爱好的事情，但是你的梦想是什么？有一个家庭，有一份工作？那爱好是否重要呢？很多人认为现实的东西就是工作和家庭。爱好和爱情有时候被认为是不现实的东西。但是人之所以区别于人的特点，就在于有不同的想法。这就是伍姣的想法，她把自己的爱好置于想法之中，并致力于实现。也可以说，这个爱好其实是深入骨血的梦想。她并不是一个电影专业的学生，但是爱好让她在电影中变得专业。没有足够的钱（每个月收入不超过两千），没有足够的时间（要学习自己的专业），但是在这样的条件下，她仍然坚持攒钱买了电影拍摄需要的装备，并学习电影拍摄知识用于实践。她还没有一份好的工作，没有一个家庭，这在很多人的眼里都认为她不现实。但是她一直在想除了工作和家庭，还有什么能让她的人生变得有意义，有价值呢？她热爱电影，希望成为电影导演，因为电影是她的梦想，她不会向梦想叫停。

This article discusses how the Singaporean Chinese director, Yi Shui, created a Malayanized Chinese-language cinema during the 1950s and 1960s, and offers a retrospective of the way people in Malaya and Singapore framed their nation-building discourse in terms of anti-colonialism and anti-imperialism after the Bandung Conference in 1955. This article holds that the term huayu dianying (Chinese-language cinema) was not first used in the 1990s by scholars in Hong Kong and Taiwan, but that its origins can be traced to Singapore and Malaya in the 1950s where Yi Shui promoted Malayanized Chinese-language cinema in the Nanyang Siang Pau. This earlier use of the term “Chinese-language cinema” overlaps with its current academic usage, including films in Mandarin and Chinese dialects. In 1959, Yi Shui’s essays were collected in On Issues of the Malayanization of Chinese-Language Cinema. Yi Shui also directed several Malayanized Chinese-language films. This article analyzes his “Chinese language cinema” film practice by examining the discourses surrounding the “Malayanization of Chinese-language cinema” in order to show that his semi-documentary Lion City and the melodrama Black Gold attempted to mediate the misunderstandings rooted in the national boundaries and politics of various dialect groups through a “multi-lingual symbiosis” of Chinese languages.

To cite this article: Donald, Stephanie Hemelryk. 'It's Called Splicing': Shadow Magic and that Bloke from South London [online]. Metro Magazine: Media & Education Magazine, No. 131/132, 2001: 144-145. Availability: <http://search.informit.com.au/documentSummary;dn ...