An analysis of Suhail Malik's recent proposal for an exit from contemporary art in the light of his earlier work on Ranciere. The essay attempts to generalize Malik's aesthetic politics from his critique of Ranciere and his (favorable)... more
An analysis of Suhail Malik's recent proposal for an exit from contemporary art in the light of his earlier work on Ranciere. The essay attempts to generalize Malik's aesthetic politics from his critique of Ranciere and his (favorable) explanations of certain contemporary art works and artists. Note: moved to drafts since the introduction has been revised from its tangled mess but is not adequately cited.