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Good To a Fault: A Novel
Good To a Fault: A Novel
Good To a Fault: A Novel
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Good To a Fault: A Novel

Rating: 4 out of 5 stars

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“There’s heartbreak, there’s joy, there are parts where you cry—and it’s very high quality writing. Well done!”
— Margaret Atwood

“Unpretentious and affecting, with characters to remember and themes that linger and resound.”
— Meg Wolitzer, New York Times bestselling author of The Ten-Year Nap

Marina Endicott’s Good to a Fault wrings suspense and humor out of the everyday choices we make, revealing the delicate balance between sacrifice and self-interest, between doing good and being good. In the vein of the novels of Carol Shields and Ann Patchett, Good to a Fault is a “witty, wise. . . . [and] brilliantly paced” (Colm Tóibín) delight.

LanguageEnglish
Release dateMar 13, 2010
ISBN9780061986208
Good To a Fault: A Novel
Author

Marina Endicott

Marina Endicott was born in British Columbia and worked as an actor and director before going to London, England, where she began to write fiction. Her novel Open Arms was nominated for the Amazon/Books in Canada First Novel Award and her second won the Commonwealth Writers Prize for the Canada and Caribbean region.

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Rating: 3.888571438285714 out of 5 stars
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  • Rating: 5 out of 5 stars
    5/5
    Excellent book. A lovely consideration of what it means to je good and why we might try to je good and the heartbreak that comes with unrequited goodness. Highly recommended.
  • Rating: 5 out of 5 stars
    5/5
    In a moment of distraction, spinster Clara Purdy crashes her car into one which contains a homeless family – in fact, the car was their home. When mother Lorraine is taken to hospital, she is diagnosed with late-stage cancer. Feeling somewhat responsible for their current predicament, Clara takes the rest of the family (three children, including a ten-month-old & their paternal grandmother.)

    Clara is a good person—good to a fault, it seems. Clara invites the whole family to live with her while Lorraine has medical treatment. The husband/father takes off soon after with no notice, leaving Clara with granny & the kids. There are emotional entanglements and other consequences of Clara’s practical goodness.

    From Amazon: “What, exactly, does it mean to be good? When is sacrifice merely selfishness? What do we owe in this life and what do we deserve?”

    I find Marina Endicott’s novels to be consistently enjoyable. Thank you to Trish at Desktop Retreat who reminded that this remained unread. Recommended.

    4½ stars
  • Rating: 4 out of 5 stars
    4/5
    3.5 stars

    When Clara's car crashes into a family, there are only minor injuries, but once at the hospital, the mother, Lorraine, is found to have cancer. The family was living out of their car as they were moving from Winnipeg to Fort McMurray, Alberta so the father, Clayton, can find work. With Lorraine now in the hospital in Saskatoon, they have no place to stay. Clara feels so badly that she takes in the entire family (Clayton, 3 kids (Dolly, Trevor and baby Pearce), and Clayton's mother). Clara also visits Lorraine at the hospital, as Clayton disappears shortly thereafter.

    I quite liked this. I kept waffling between 3.5 stars (good) and 4 stars, but went with the lower of the two as it didn't quite hit 4 stars overall for me. It's an unusual situation, but I was certainly wondering what would happen in the end... would Lorraine get better? If she does - or doesn't - what happens later, as Clara grows more and more fond of the children? And what about Clayton? I'm glad I finally read the book and I already have another book by the same author I'm planning to read (though it's historical fiction rather than contemporary).
  • Rating: 4 out of 5 stars
    4/5
    Marina Endicott's novel Good to a Fault is one of those rare pieces of fiction that makes compelling drama out of the stuff of everyday life while avoiding sentimentality and remaining true to its author's literary ambitions. Forty something Clara Purdy's uneventful and unfulfilling life is thrown into disarray in the wake of a car accident, but not in the way we expect. Clara, alone in her car, is shaken up but not hurt, and neither are the six members of the Gage family, who occupy the other car. But Lorraine Gage, the young mother of Dolly, Trevor and Pearce, and wife of Clayton, is diagnosed with advanced lymphoma after being examined at the hospital. Clara, a claims adjuster who knows a thing or two about liability--long divorced and living by herself in her parents' house after the recent death of her mother--and motivated by a potent mix of guilt and loneliness, invites the itinerant Gage family to temporarily share her home. Soon after this Clayton takes off, who knows where, and Clara is left with the children and selfish, contrary Mrs. Pell, Clayton's mother. What ensues is not high drama but an awakening of sorts. Clara has no choice but to rouse herself from her middle-age stupor and forge emotional connections when Lorraine's recovery takes the better part of a year and she is the sole provider for three children. Along the way various others barge into Clara's life, and after discovering the joy and heartbreak of depending on and providing for other people, once the children are gone Clara finds herself unable to return to the tentative aloofness and crushing solitude of her old life. This is an unpretentious novel that shows us what it is like to place oneself at risk emotionally, to be vulnerable and to live in the world. Endicott's characters experience joy and sorrow and disappointment, they argue and make up, they connect and drift apart. This is real life, masterfully rendered. Essential reading.
  • Rating: 5 out of 5 stars
    5/5
    I finally read this book and just in time because it has been chosen as one of the Canada Reads books for 2010. It will be defended by Simi Sara who I am not familiar with but she's been in radio and TV for 20 years so she should do a good job.

    I really liked this book but I'm not sure it will win the contest. It is up against Fall on Your Knees by Ann-Marie Macdonald which I read years ago and thought was a great book. More recently I read Nikolski which may be quirky enough to take the title as well (thinking back to 2008 when King Leary by Paul Quarrington won.

    Clara Purdy was living a quiet life in Saskatoon, working in an insurance office and living by herself in the home she grew up in. Then she ran her car into a Dodge Dart owned by a family that was moving to Fort MacMurray. They had been living in the car for a while as they had very little money. The family consisted of father (Clayton), mother (Lorraine), Clayton's mother Mrs.Pell, children Darlene, Trevor and Pearce. No one was badly hurt in the accident but while at the hospital it was noticed that Lorraine had some peculiar bruises, not caused by the crash. After some tests she was diagnosed with non-Hodgkins lymphoma which would require extensive treatment. Clara decided to open her house to the family so they would have a place to stay while Lorraine was receiving treatment. Little did she know what she was getting herself in for. After one night Clayton disappeared in Clara's mother's car. Mrs. Pell can not be trusted to look after the children while Clara goes out to visit Lorraine. It becomes clear to Clara that she has to take a leave of absence from work. Fortunately Clara (who is soon called Clary by the children and everyone else) has some assistance from her next door neighbour, Mrs. Zenko (everyone should have a next door neighbour like her) and her cousins who live just outside of Saskatoon. Clayton manages to get in touch with Lorraine's brother, Darwin, (by using Clara's phone calling card) and he comes to stay in Lorraine's room at night which removes some burden from Clara. And then there is the Anglican priest at Clara's church, Paul Tipett, who has personal problems of his own but manages to provide some support for Clara.

    I really loved how all the characters grew throughout the book. Darlene discovers the solace that books can give and what book lover could resist that even though Darlene is also a sneak and a thief. Clara is not just a person who helps others, she is also using them to enrich her own life. Even Mrs. Pell, a disgrace to grandmotherhood, has some emotional depth.

    I think this would be an excellent book for a book club. There is lots of room to discuss everyone's motives and the ending should provide lots of fodder for discussion too. I imagine one of the questions would be "What would you do in a situation like this?" I doubt if I, personally, would be able to step up like Clara did. I wouldn't want my comfortable life changed to the extent that hers was. I hope I would try to put the family in touch with agencies that could help them and I would check on them from time to time but I wouldn't take them into my home. But then I wouldn't have the kind of enriching experience that Clara had.
  • Rating: 4 out of 5 stars
    4/5
    I liked this book. I enjoyed the author's writing style and just the idea of someone giving up their life to take in a whole other family. The main character was different, I had a hard time imagining her and understanding why she would do what she did. i would have preferred a more settled ending.
  • Rating: 4 out of 5 stars
    4/5
    When Clara Purdy is involved in a minor car accident, is it a mix of misplaced guilt and personal dissatisfaction, or simply an altruistic wish to help someone less fortunate, that prompts her to take in and care for the homeless Gage family? Good To A Fault is a thought provoking novel that examines some intriguing moral and social questions.
    After years of dutifully caring for her parents, 43 year old Clara discovers that she is dissatisfied with the emptiness of her life but is at a loss to know how to change it. The collision prompts her to open her heart and her home to the homeless Gage family but the situation grows more complex when Lorraine is diagnosed with late stage Lymphoma. What was a temporary impulse to help the family get back on it's feet becomes a daunting responsibility when Lorraine must remain in hospital for treatment and her husband Clayton abandons his family to Clara's care. Clara finds she is unable to, nor wants to, leave the fate of the family to social services and so chooses to keep the three children, Dolly, Trevor and Pearce and their grandmother, Mrs Pell with her. While Clara fleetingly regrets her impetuous decision she finds that she enjoys caring for the children, and with their father gone, their grandmother indifferent and Lorraine desperately ill, Clara begins to fantasise about keeping them to raise as her own. Endicott so deftly explores the blurring of the line between altruism and egotism, when the desire to help someone else becomes a means to satisfy your own needs is it still the right thing to do? As the reader you can not help but consider what choices you would make in the same situations. I like to think I would do everything possible but I think if tested, uncomfortably, my generosity would have limits.
    Good at Fault is not only a thematically rich novel but is also populated with interesting, authentic characters who evoke compassion, distaste, love and resentment.
    One of the biggest struggles for me was the inherent conflict between Lorraine and Clara. Lorraine is desperately ill, she has no resources to help herself or her family, yet she is nothing if not practical and so she is willing to take Clary's offer of help. It's not so much a matter of taking advantage but more taking what is available and making the most of the opportunity to ensure her children are cared for. I sympathise with her motives, I can not imagine being so isolated at a time when need was greatest, still as Clary's attachment to the children grows I, like Clary, begin to resent Lorraine's claim. After all Clary offered the children opportunities and a level of care Lorraine can't but, and it is a huge but, Lorraine is their mother and she does love her children, she just simply can't shower them with the trappings that a middle class mentality consider to be indicators of good parenting. This thread really challenged my thinking and honestly, I felt ashamed that even if for only a moment, I felt Clary deserved the children more than Lorraine.
    Good At Fault engages the reader in both an internal and social debate about a wide range of issues and I think it would be an ideal read for a book club. While I felt it dragged a little in places, it provokes thought and emotion and I found myself ruminating on it long after I had put it down. A compelling read, Good At Fault is a wonderful novel.
  • Rating: 2 out of 5 stars
    2/5
    I am having a hard time getting through mediocre reads, after reading really good novels. To me this is just a pass the time book. So to be honest I just skimmed it. Not my favorite.
  • Rating: 5 out of 5 stars
    5/5
    I found Good to a Fault absorbing, real people with real lives. People you like, people you don't like living their lives and nobody's bad or good, just who they are. If I compare Marina Endicott to Barbara Pym I am afraid it will give the wrong impression. Pym's world was a microscopically small Anglican place peopled with "good" spinsters and absent-minded priests dancing their roles in a comedy of 1950s English manners. Like Jane Austen, Pym dealt with social and moral issues that remain meaningful to us in the 21st century. Marina Endicott's characters don't dance however; they stumble along, lovably, truthfully, resentfully, meanly.....in every way.

    You can't really quote from this book, I find. It would be like pulling a thread from a tapestry and expecting you to be able to grasp the beauty of the whole piece. But here is an exchange between the women who are the two main characters:

    "Lorraine said, Here's the difference between us: you got taken to the dentist more, and your mother filled your head with stuck-up shit about how great you are, and you got to live in the same house all your life. That's most of it. You went to school longer, and you worked in a clean office instead of cleaning the office. You have a better-looking face and better-looking clothes, and that gives you some feeling that you're better than me."

    From the comments I've read on the web, not too many people want to read about a middle-aged single white woman finding meaning in trying to fix the lives of an itinerant family. Endicott described her book as "a domestic comedy wrapped around a sorrowful meditation on God and death. So watch out."
  • Rating: 4 out of 5 stars
    4/5
    Clara Purdy is a single woman in her forties who is involved in a car accident at the very beginning of the book, spinning her life out of control and in a totally new direction. Who is at fault in the accident is questionable but Clara takes it upon herself to take full care of the family in the car she hit. The mother of the family is very I'll, not from the accident but from previously undisguised cancer. The father of the family is angry and irresponsible and quickly runs away. Clara finds herself in a new life of caring for three small children, sacrificing her job and her quiet life for all these new people. Life in her community in a Canadian town and all it's characters become part of the story. I loved it!
  • Rating: 3 out of 5 stars
    3/5
    Thematically interesting novel about a woman who seems ordinary enough, and yet acts with an apparent 'goodness' that seems extraordinary. The novel raises questions about what it means to be 'good', and whether this can ever really be separated from selfishness and self-interest, and shows quite powerfully some of the uglier thoughts that can be hidden behind supposedly 'noble' acts. I found this part of the story quite thought-provoking, confronting and worthwhile.

    Overall, however, I was bored by the story - which focused too much (for my liking) on the trivial day to day interactions of the characters.

    This would in some ways make a great companion to Nick Hornby's How to Be Good, which deals with similar themes, although I personally found the Hornby book to be more my cup of tea.
  • Rating: 5 out of 5 stars
    5/5
    I really enjoyed this book. It didn't go far on Canada Reads but I thought it was a good read. I empathized completely with the main character and felt that I would act in much the same way as she did in that situation.
  • Rating: 4 out of 5 stars
    4/5
    This book starts with quite a bang - in more ways than one. It's a great start, but then it starts to sag a bit as it goes on.

    I think it's quite hard to write a story about goodness that's interesting (evil is much more dramatic) - and it's also hard to make the daily round of domestic duties interesting. So Endicott gave herself quite a challenge, but I think she's done a reasonable job with tough material.
  • Rating: 4 out of 5 stars
    4/5
    In a very convoluted way, Good to a Fault reminded me of one of the sub-plots in the book, Gone, Baby, Gone by Dennis Lehane.

    As Clara Purdy robotically examines her mundane life, she subconsciously wonders what she has accomplished. Unfortunately, her meandering thoughts while driving create a bit of a predicament as she accidentally collides with another vehicle containing a down-and-out family whose vehicle was their primary residence.

    Who is at fault is debatable, but Clara quickly scrambles to the hospital to ensure that the mother and baby’s injuries are minor, and therein lays the quandary. The Gage family quietly perplexed by Clara’s visit, views her genuine concern as an unnecessary intrusion while Clayton (the infuriating father), immediately manipulates the wretched situation to his advantage. Lorraine (the ambivalent mother) appears to be in worse health than a mere fender-bender. Meanwhile, others to consider include Mrs. Pell (Clayton’s cantankerous mother), Darlene (the shrewd daughter), Trevor (the ingenuous son), and Pierce (the precious baby boy).

    A homeless family, a Good Samaritan, and unpredictably thought-provoking outcomes offer a profoundly compelling read. Marina Endicott’s stimulating scenarios left me questioning the ulterior motives of goodness and of mercy.
  • Rating: 4 out of 5 stars
    4/5
    It's great to read Canadian literature from time to time. It's not every day authors refer to "RRSPs" and other Canadian-isms. This is a compelling story. I won't mention the plot here so as not to spoil it. :)
  • Rating: 4 out of 5 stars
    4/5
    In this novel, Endicott recreates an improbable but heart-warming tale of generosity, family and community. While the circumstances, actions and developments are perhaps too optimistic for this age of cynicism, Endicott does not try to simplify or negate complex emotions - which is why the novel works and the reader becomes entangled in this story of relationships. I liked that each character was given a clear and unique voice, that each had their own agenda, perspectives and opinions, children included. The ending, while it could have been syrupy and unbelievable, is actually quite charming without being simplistic. All in all, a lovely uplifting story which restores faith in human nature.
  • Rating: 4 out of 5 stars
    4/5
    Good to a Fault is an insightful novel, gently examining, via an engaging story line, some fundamental moral/ethical issues, without becoming “preachy” or judgemental. The major focus for Endicott is why people “do good”, thier motivations, developed through the perspectives of several of the characters. Clary, the 43 year old spinster who takes in three small children and their not very likeable grandmother after a motor vehicle accident, is the main focus, but Paul the conflicted Anglican priest, Mrs Zenko who is Clary’s kindly neighbour, Grace, Moreland and their daughter Fern who are Clary’s cousins and Darwin, the uncle of the three children are also “doers of good” for different reasons and in different ways.
    The second area of focus for Endicott is that of class differences in child rearing and what’s better for kids – to be raised with semi itinerant, impoverished and erratic parents, who in their own somewhat limited ways, love them, or with an alternative parent who is middle class, boundary setting, reliable and also loving.
    The third of Endicott’s themes is how people are affected by death, actual or anticipated.
    These thought provoking issues are sensitively explored through the well drawn and likeable, but flawed cast of characters. The perspectives of the children, particularly the 9 year old Dolly, are beautifully portrayed. At times the narrative borders on the sentimental, but it is well crafted, and because it is strongly underpinned by some fundamental issues of the human experience, it is raised above the level of just a good read, to something more complex and satisfying. The conclusion is perhaps predictable, and might be regarded by the more cynical reader as altogether too neat and clichéd. Others will regard it as a satisfactory, and satisfying resolution.
  • Rating: 3 out of 5 stars
    3/5
    Clara Purdy is a forty-something single woman with a dead-end job, living in the home she'd shared with her now-deceased parents. She yearns to do good and to connect with people. After hitting the car of a family who is living in it, she is overcome by guilt. When it is disccoverd that the mother has cancer, she takes the three children, father and grandmother into her home. Predictably, she falls in love with the kids and finds it hard to return them to their mother.

    The story has been described as a re-telling of the story of the Good Samaritan, and as an exploration of the concept of being good. Perhaps, but I found the plot a little unbelievable, and the characters (except for Clara and the eldest child, 10 year old Dolly) a bit stereotyped. Everyone is so understanding and helpful, except for the evil mother-in-law and the unreliable husband. These weaknesses distracted me from the bigger questions I'd been told would be provoked by the text.

    That being said, this is an enjoyable read, despite not living up to the hype surrounding it.
  • Rating: 4 out of 5 stars
    4/5
    The author writes from the perspective of several characters and convincingly portrays the voices of women of all ages, a difficult feat to achieve. The story is a bit slow at times but mundane, daily activities are effectively used to illustrate the characters' motivations which creates a deeper understanding of these people.The events in this book raise many interesting questions relating to right behaviour.

    I'm glad to have read this book but it is not my first choice in the Canada Reads selections for 2010.
  • Rating: 5 out of 5 stars
    5/5
    I had never heard of Marina Endicott or her novel, Good to A Fault until it was chosen for Canada Reads 2010. I am so glad it was selected or I might never have read this book and I loved it.
    The storyline kept me turning the pages and it's themes were very thought provoking. I felt for each of the characters although they were almost a little too heartbreaking to be real. I thought they were too forgiving of each other and pretty passive about their situations.
    I adore Endicott's writing style. She often uses words in an unexpected way to describe a feeling or a moment with very powerful results. I found myself rereading sentences and marvelling at her ability to conjure such a vivid picture with language.
  • Rating: 5 out of 5 stars
    5/5
    I loved this novel!
    After having been involved in a car accident, Clara, the protagonist, decides to look after the family of a woman who has been diagnosed with cancer. Unaccustomed to a house full of children, one of whom is an infant, Clara finds herself exhausted, unemployed, and questioning her own motivations. The characters are exceptionally realistically brought to life, the plot, intricately woven, the sentences infused with images which seemingly occur naturally and do not interrupt the flow of the writing. It was so good, I was truly sad to reach the last word.
  • Rating: 5 out of 5 stars
    5/5
    Clara accidentally hits the car of a family that is living in their car and is overcome by guilt, and decides on the spur of the moment to help them out when she learns the mother has lymphoma and the three young children need someone to care for them since their father and grandmother are not very competent. She takes them into her home and falls in love with the children while coping with all kinds of very human problems and frailities. All the characters ring true and are utterly fascinating, even if the story is a little unbelievable. I loved it.
  • Rating: 4 out of 5 stars
    4/5
    Marina Endicott’s Good to a Fault was on the Giller prize shortlist for 2008. This book deserved that placement. The story explores the concept of good as the main character, Clara, cares for three children of a woman who is stricken with cancer. Clara comes to care about the children immensely and, in her heart, wants to keep them because she feels she can best care for them. This book kept me interested throughout and had an ending that was satisfying but not predictable.
  • Rating: 5 out of 5 stars
    5/5
    Good to a Fault is a story about a woman who feels stuck in an unfulfilling life after the death of her parents. Forty-three years old and alone, Clara yearns to do some good in the world, to help others, but also, more fundamentally, to connect with them. Ironically, it is a car crash that jolts her out of her rut: in an effort to do the right thing (she was technically at fault), she finds herself inviting the family to stay in her home while the mother receives treatment for cancer. This novel examines what it means to be good in today’s world, what we owe each other as human beings and the price of charity.

    I loved the way this book is written, both its language and its structure. Although it is most often told from Clara’s point of view, the novel also shifts to the points of view of several other characters including Darlene, the oldest of the three children; her mother, Lorraine; and Paul, Clara’s priest. Endicott gets into the heads of each of these characters, revealing their thoughts and motivations. Darlene (aka Dolly) was one of my favourite characters—she is first introduced (through Clara’s eyes) with this description: “The little girl sitting on the pavement looked almost happy, as if her pinched face had relaxed now that some dangerous thing had actually happened” (p. 8). Dolly’s life changes dramatically as a result of staying with Clara.

    I also loved the fact that each chapter is almost a story unto itself (and each has a title). Although in one sense not much happens in this book, there is a quiet intensity about it that completely drew me in. When I first got the book and read Elizabeth Hay’s blurb on the cover (“A wise and searching novel about the fine line between being useful and being used”), I was afraid this meant the novel was going to be about a well-meaning but misguided woman who is taken advantage of by a downtrodden and desperate family. In actual fact, this book is a much more generous, complex and surprising story than that.

    A slightly different version of this review can be found on my blog, she reads and reads.

Book preview

Good To a Fault - Marina Endicott

1. Left turn

Thinking about herself and the state of her soul, Clara Purdy drove to the bank one hot Friday in July. The other car came from nowhere, speeding through on the yellow, going so fast it was almost safely past when Clara’s car caught it. She was pushing on the brake, a ballet move, graceful—pulling back on the wheel with both arms as she rose, her foot standing on the brake—and then a terrible crash, a painful extended rending sound, when the metals met. The sound kept on longer than you’d expect, Clara thought, having time to think as the cars scraped sides and changed each other’s direction, as the metal ripped open and bent and assumed new shapes.

They stopped. The motion stopped. Then the people from the other car came spilling out. The doors opened and like milk boiling over on the stove, bursting to the boil, they all frothed out onto the pavement. It seemed they came out the windows, but it was only the doors.

An old woman was last, prying herself out stiffly. Her lap was covered with redness, roses growing there and swelling downwards, and she began to screech on one note. The man, the driver, was already shouting. The line of curses streaming out of his mouth hung visible in the heavy air. Their car was the colour of butterscotch pudding, burnt pudding crusted on it in rust. The whole driver’s side had crumpled inward, like pudding-skin when it is disturbed.

Clara’s ears were not working properly. There was a vacuum around her where no sound could ring. She could see all the mouths moving. She swallowed to clear her ears, but pressure was not the problem. What had she done? All of this.

The membrane of silence burst. There was the noise—Clara felt it hit. Her body vibrated like a tuning fork. She kept her mouth shut. She put her hands up to her lips and held them closed with her fingers.

The man was flailing his arms in big circles, his head jutted forward to threaten her. What kind of a driver are you? he was yelling, for the benefit of everyone nearby. "My fucking kids can drive better than that! My kids!"

The little girl sitting on the pavement looked almost happy, as if her pinched face had relaxed now that some dangerous thing had actually happened. Clara sat down beside her. Strange to be sitting down right on the street, she thought. The road was warm. Cars whipped by, their wheels huge from this low down.

The man strode over, almost prancing. "You fucking hit us! What were you doing?"

I’m sorry, Clara said.

It was out, the whole thing was her fault. In the case of a disputed left-hand turn, the turning party is always at fault. The man’s face was blotched with red stuff. His hair was dusty. He might be thirty, or forty. She should be getting his insurance information, giving him hers.

She got up, trembling knees making her slow. The women kept wailing. The younger one, a baby clutched to her breast, came rushing at Clara—to strike her, Clara thought, flinching away.

My baby! You could of killed us! The woman’s shirt flapped open, Clara saw her pale breast, there in the middle of the street. And then her eyes, glaring dark in her shocked face. Shreds of skin stuck to her shirt. Whose—the baby’s? He lolled in her arms, maybe unconscious, his blue sleeper stained with matter, redness. Clara reached out to touch the poor little creature’s forehead, but the mother leaped back, crying, Get away! Get away from us!

The old woman was stupidly plucking her bloody skirt away from her body, bits of flesh falling. Wherever Clara turned there were more. A boy, bleeding, holding his head. His clothes were dirty, he must have been knocked out onto the road. Where was the other one? Clara caught at the girl’s shirt and hauled her back from the other lane of traffic.

Get your hands off her, the mother shouted. What are you trying to do now? There was no way to speak, to tell what she had meant. She had been driving to the bank on her lunch hour. The bank would be going on without her—how tenderly she longed for the line-up, and herself standing there, safe.

The younger child sat down on the road, feeling his head. He seemed to be poking into his skull, his finger buried in blood. Clara was afraid that this was hell, that she had died when the cars hit; that maybe there was no such thing as death, that she would be living this way from now on, in hell. Then the police came, and there was a siren winding closer, so the ambulance was coming.

Clara knelt down on the black street beside the boy and took his hand, pulling it gently away from his scalp. I think you’ve got a cut there, she whispered. Give me your hand. Let the doctors look at it, you don’t want to make it worse.

He stared up at her, eyes flickering over her face, trying to read her like a book, it seemed.

They’ll be here to help us in a minute, she said. I’m sorry, I’m so sorry.

A paramedic, clean and young, leaned in the window to say they were taking the grandmother away, and the nursing mother. The police officer nodded, signalling something, so that the paramedic grunted and stood upright. He banged once on the door to say goodbye. Another ambulance arrived. The children and the man were packed into it. In the cramped back seat of the police cruiser, Clara was left to the last. The paramedics insisted that she go too, although she said she was all right. The second tow-truck was there already, taking her car.

They bundled her up onto the bench in the back, and she sat down on the edge.

What will they do with the Dart? the girl asked. All our stuff is in it.

We were living in our car, the man said, accusing Clara.

The paramedic asked him to be quiet, so he could check his pulse, or to stop the quarrel. They were all silent, after that.

It was cherry juice on the grandmother. Mrs. Pell, she was called. She’d been eating a big bag of Okanagan cherries. There was a little blood, from the children, but most of the frightening mess was juice and pulp. The baby was all right. The little boy, Trevor, had a bandage on his head, but it was only a scalp wound, no concussion; instead of using stitches they had glued it shut with blue space-age glue. The girl’s scraped arm had been cleaned. The father was fine.

But the mother was not well. She had a fever, and there were clusters of tiny bruises. Not from the accident. The emergency nurse stared at them, touching with her fingers.

The father roamed the halls. The mother was put into a room, the baby lying beside her on the narrow hospital bed. The children sat silent beside their mother. Not knowing what else to do, Clara arranged for the TV to be connected, whenever the technician next came round.

Clara Purdy had been drifting for some time in a state of mild despair, forty-three and nothing to show for it. Her racing heart woke her from dreams at three each morning to fling the covers away, angry with herself for this sadness, this terror. Six billion people were worse off. She had all the money she needed, no burdens—she was nothing, a comfortable speck in the universe. She felt smothered, or buried alive, or already dead.

Her mother had died two years before, leaving her the plain bungalow in a quiet area of town. Whether she wanted it or not. There she lived, like someone’s widow, all alone. She worked in insurance, at the same firm for—it would be twenty years next winter. The time seemed too gauzy to bear the weight of twenty years.

Clara imagined that people saw her as pleasant enough, intelligent, kind. A bit stuck-up, she got that from her mother. But sad, that she’d never had children; never gotten over her short, stupid marriage; never travelled or gone back to school and made something of herself.

Her self was an abandoned sampler, half the letters unstitched, the picture in the middle still vague. Looking after elderly parents had made her elderly. The eight months of her stillborn marriage might have been her whole life. She had returned home to care for her father as he died, and then stayed for her mother’s long illness, and nothing had pried her out again. She was too reserved, maybe; she’d made a mess of her few brief attachments since the divorce.

Instead of the heavy work of being with people, she gardened, read books on spirituality, and kept the house trim. She missed her beautiful, exasperating mother. When she was sad, she bought expensive clothes, or went to a movie by herself—two movies in a row sometimes. Anyway, she had no excuse for sadness. A grown woman doesn’t pine away because her difficult mother died, because her father had died long before—or because she’d trickled her life away on an old tragedy that now seemed overblown.

She went to the Anglican church, to the early service, Book of Common Prayer first and third Sundays. Not in the church the way her mother had been, managing and holding court. Clara was not on the coffee list, and did not read the lesson: she was shy in a certain way, not to make an issue of it, and did not find it easy to speak in public loudly enough to be heard, even with that high-tech tiny microphone on the long black stalk. She did the flowers when her turn came round in the rotation, but after church, and in the dark when she awoke at 3 a.m., she thought continually about how useless she was in the world.

One Saturday a twisted woman stood in line ahead of her at the grocery store. Old but undaunted, this woman had complicated aluminum crutches and a large backpack. All business. The clerk helped load her grocery bags into the backpack, and eased it up onto her back—they must have done this before. Driving home, Clara saw the old woman moving along, spiderly with her crutches and pack. Clara slowed down, wanting to offer her a lift, but she had seemed very proud in the grocery store. It would be miserable to be rebuffed. Clara let her foot fall more firmly on the accelerator. The radio was spouting some story about a mother who had drowned her two children in the bathtub. The neighbour, on the radio, was saying she had heard the children crying, and that at the time she’d been grateful when the crying had stopped, but now she wished she’d—Clara snapped it off.

The world was full of people struggling along with heavy suitcases, poor men dawdling in doorways until they could get their eyes to focus on the sidewalk, children with bloody noses darting past on skateboards—it was laughable, when you began to watch for who needed help. She saw an elderly gentleman fall painfully to his knees, getting off a bus, and that time she almost made herself take action; but a boy got there before her. He helped the old man up and dusted off his trousers, shaking his head at the state of the streets. A native boy, skinny and bruised, fit for care himself.

There was some barrier between Clara and the world that she couldn’t budge. Sometimes she thought she would have to go and work in Calcutta with the Sisters of Charity. Everything was wrong with the world—she could not keep on doing nothing.

In Emergency, Clara was the last to be examined and let go. She phoned her office to say she wouldn’t be back that afternoon, then bought magazines and puzzle books and went upstairs to 3C, the multi-purpose ward where the mother had been put. The whole family was huddled around her on the bed closest to the door. Old Mrs. Pell was sitting on the orange leatherette chair. It would recline, Clara knew from the months her father had spent in hospital, but the grandmother was sitting up, staring at the door. She must have seen Clara, but she said nothing, didn’t even blink her turtle eyes.

The husband turned his head from where he sat on the bed, then stood abruptly, dislodging the baby from its comfort and startling the older children.

You’ve got a nerve coming up here, he said, sullen rather than aggressive. Clara understood: she should have brought more than magazines. There was a machine in the elevator alcove. But when Clara returned with five cans of juice, only the mother was left in the room.

They went outside for a smoke, she said.

The children too?

Well, what was he supposed to do with them? I’ve got my hands full here.

The baby lay still beside her, mouth open, in a calm stupor. Two empty formula bottles on the bed table. Clara added the cans of juice, shifting them around to make room.

It wasn’t your fault, the mother said. Lying there pale and skinny, she said that. But it wasn’t true. Clara was an insurance adjuster, and knew about fault.

My name is Clara, she said, as if that was the correct thing to do, introduce yourself to the person you’ve put in hospital.

Lorraine Gage.

Purdy, sorry. I’m Clara Purdy.

My husband is Clayton. And the kids are Darlene and Trevor, Lorraine said formally. And this is Pearce.

What a nice name, Pearce. Have they—do they know what’s— Wrong seemed like the wrong word to use. She sat in the orange chair, so Lorraine didn’t have to crane her neck uncomfortably. What’s going on with you?

They’re doing tests. They took some blood already. They’ll be back to get me pretty soon, some scan or other. It won’t hurt.

No, that’s good.

There’s something—I haven’t been too good for a while. The crash just made me notice.

The baby stirred. Lorraine folded her arm more gently around him where she had been tightening her hold. All right, it’s all right, she said to him, softer than Clara had yet heard her. This is one good baby, Lorraine said. My others were good too, but this one! So easy! Hardly know he’s there except he holds your hand. Look.

She lifted a corner of the sheet, showing the baby’s fist wrapped around her thumb. Tiny, even fingers, tiny fingernails.

Even in his sleep, Clara said, shaking her head as if it was a miracle. Anything was a miracle, any moment of ordinary time just then.

The husband stuck his head around the corner. Found the TV, he said. Lounge down the hall.

Okay, Lorraine said. I know where you’re at.

Yeah. Button up your overcoat, he said, to Clara’s surprise. He let go of the door handle and disappeared.

Lorraine smiled. Her teeth were jumbled and not in good shape, the two eye teeth sharply jabbing over the others, but the smile warmed her face.

You belong to me, she said, and it took Clara a minute to realize that she was filling in the line of the song, not telling Clara that her life was no longer her own.

While their dad was buying cigarettes, not paying attention to them, Darlene tugged Trevor’s hand and pulled him into the stairwell. Flights of grimy metal steps wheeled endlessly upward and downward, making her dizzy. But they were going to get in trouble if they were always hanging around in the lounge by themselves. If they stayed out of sight they would not be kicked out, they could stay close to their mom.

You be Peter and I’ll be Penny, she said. If anybody asks us.

This was 3. They climbed up to 7, and then up the single longer flight to a dead end, with one door. That probably led to the roof.

Quiet up there. The stairs were not too dirty. Somebody had tossed a brown paper bag with a banana skin and a whole apple in it. Darlene washed the apple carefully with spit and polished it on her T-shirt. Trevor’s legs were shaking. Darlene pushed up against him, anchoring him to the cool concrete wall so he could calm down. She and Trevor ate the apple, bite for bite, and sat without talking.

Lorraine and Clara were still alone, reading magazines, when an orderly arrived. There was some small inconvenience getting Lorraine onto the gurney. Clara helped by holding the baby’s head away from the belt. He had downy hair, and a pale red birthmark almost faded at his nape. His neck was small. The skin was smooth there; her fingers traced the mark.

You come too, Lorraine said.

The attendant seemed to think that was normal. Clara hesitated, but someone would have to hold the baby during the test, and the grandmother had vanished. They wheeled along corridors and into a different elevator, down a few floors, more halls. The orderly left them parked outside an unmarked door and went inside. He came out, and left.

There was a considerable wait.

Jesus, I could use a cigarette, Lorraine said, her voice distorted from lying flat.

I’m afraid you— Clara stopped, hearing herself sounding like her mother, sweetly domineering.

Well, I know that! They don’t let you smoke in hospitals, I know that. I don’t let them smoke around the baby anyways. It’s no good for them, second-hand smoke.

Smokers in my office building have to go around the back now. There’s a dirty overhang where they leave the trash, and you’ll see six or seven people huddled under there in a snowstorm.

Got to have their smokes, though.

I smoked myself, Clara said. Then my father had cancer, and it was easier to quit.

Smoke seemed to be winding around them in vapourish tendrils. The possibility of a long drag, breath you could see. Proof of life. Clara had not wanted a cigarette so badly for years. She could feel her fingers falling into place as if they held one.

I don’t smoke much any more, Lorraine said. Late at night I’ll have one of Clayton’s.

Well, if I could do that, one or two a day, I’d still be smoking, Clara said. Yeah, lots of people can’t.

They fell into silence.

A few minutes later the baby woke. He did not cry, but he moved restlessly, his mouth pursing and his fist searching. He gnawed on his curled fingers till they were wet, until Clara asked if she should run and find another bottle.

Don’t go, Lorraine said. I can nurse him, it’s okay. Her eyes stayed on Clara, rather than straying to the baby. She knew where he was.

I’ll stay, Clara said to reassure her.

The door finally opened, and a technician in a lead apron came out to steer the gurney through. She gave Clara the baby to hold and said it would be a few minutes.

Clara stood there in the hall, suddenly alone. No nurses, no station. She began to walk back and forth along the windowed hallway near the closed door, jiggling the baby slightly up and down. He liked up and down better than side to side, she found. She found it astonishing that the baby did not cry, or find her frightening or frustrating. He seemed to have forgotten his hunger. His fist closed around her fingers and he brought her hand close to his mouth and then stared, transfixed, at the size or shape or texture of her skin. The smell, she thought. Probably mostly soap. Different from his mother, at any rate.

At the end of the hall a low windowsill looked like a good place to sit. She let him stare, first at the glass, and then, his focus visibly altering, out at the courtyard garden below. He held on to her blouse with one hand, his perfect miniature fingers clutching the silk into even gathers.

No one came down the hall, no one disturbed them. Far in the distance, Clara could hear machinery rumbling and whirring. She could imagine the scan moving over Lorraine, and Lorraine trying to lie still, trying not to be afraid. Pearce put one hand on the glass, looking at the empty garden.

Darlene left Trevor sleeping on the stairs and went down alone. At each landing shiny linoleum halls ran away in every direction. Picking a floor, she wandered quietly along. Every room she passed held people in flimsy gowns coughing or lying suspiciously still. On TV when they knew people were dead a blue light flashed on and off. Code Blue.

She was mostly invisible, but one nurse at a desk asked her, Are you lost?

No, Darlene said, not quite stopping. My dad is having an operation to his heart, I’m just waiting to see how it turns out.

The nurse looked at her. What’s your name?

Melody Fairchild, Darlene said. I’ll go back and wait with my mom. She’s pretty upset. I was looking for a place to get juice for my baby brother.

The nurse rolled her chair backwards to the little fridge for a couple of boxes of apple juice and handed them over the counter, then added a pack of cookies from her drawer. A bell rang somewhere so she stopped paying attention to Darlene. Maybe it was a blue light going off.

The lobby? She could check the payphones for quarters and look in the shop. But she should go back for Trevor. She found the stairwell and ran up all those spiralling, echoing metal steps. But the landing was empty, he was gone. Or this was the wrong set of stairs.

A doctor—too young and pretty to be real—arrived to talk to Lorraine. The husband had come back from the lounge with the little boy trailing cautiously after him, wanting to see Lorraine, but when the doctor entered the husband edged toward the door, an awkward beetle trying to scuttle away without being seen.

Why don’t I take the children downstairs for some supper? Clara asked Lorraine. It was after six.

Lorraine said, Clay?

I’ll give the baby to Mom, the husband said, taking him, and out he went.

They couldn’t all leave her, Clara thought, but the doctor must have been used to avoidance. We just have a few questions, she said, making it mild. Dr. Porteous will come by too, in a few minutes. He’s the consultant.

Lorraine’s eyes were slightly too wide open, the whites of her eyes showing. But to the little boy she said calmly enough, Go get some supper with Clara, that’s a great idea. You’ll be fine with her.

The little girl hung at the door, a shadow. She glared at the boy like he’d done something wrong.

Clara did not try to take their hands. She went to the door and let them follow. In the elevator she said, as if she knew what to do with children, "Darlene, can you push the one marked L? Trevor can push the button on the way back up."

In the cafeteria line-up the little girl snaked out her hand to Clara’s wrist. Without volition, Clara’s hand pulled back. The girl’s eyes rose sidelong, diamond-edged, to check what she was thinking.

Where did you get this? she asked, almost accusing. It was a bracelet, six or seven strands of beads in different colours, pretty.

I got it—oh, in some store, I can’t remember which, Clara said, forcing herself not to turn away, not to be cruel.

In the Saan store, I bet, the girl said, triumphant. I saw it there!

Clara wanted to give it to her, but couldn’t find a way to do it that would make up for having pulled her hand back. Suddenly everything made her so tired! She must have a vitamin deficiency. Or it was the trauma. She never shopped at Saan. Shoddy goods—her mother’s voice rang in her ears.

Yes, she said. I think it was Saan.

The children ate their French fries. She had to go back to the counter three times for ketchup: twice for Trevor and once, separately, for Darlene. Trevor put mustard on his, too, but he had already filled his pockets with mustard packs himself.

It’s a pity to waste those chicken nuggets, Clara said.

"Oh, we won’t waste them!" Trevor said, his voice squeakier than she’d expected.

We’ll take them up for Dad and Gran, Darlene said, patient with her rich ignorance.

Clara jumped up and went back for roast chicken dinners for the husband and the grandmother. The children loved the stainless steel hats meant to keep the dinners warm. They begged to carry one plate each, so she let them. Trevor dropped his right in front of the elevators.

"Better than dropping it in the elevator," Clara said, pleased with how calmly she took it. They told the morose kitchen helper about the spill, and got another dinner.

Upstairs, Lorraine was alone in the room. The lights were out, except a small bulb over the sink. Red from the sun’s low angle streamed in the window.

Clara said, Trevor, will you carry it very carefully? He nodded, glad to be given a second chance. Take these down to the lounge to your father and your grandmother, then. Darlene walked behind Trevor so he would not be distracted.

Lorraine was lying on her side in a fresh hospital gown, with the bed lowered.

The doctor came in, she told Clara. Forgetting that Clara had been there, or maybe having no other way to begin telling it. They think, they’re pretty sure, I’ve got cancer.

She had the fortitude to say it right out like that, no hesitation. What kind, was all Clara could think to ask. I’m sorry, she said, instead.

It’s not your fault, Lorraine said, and almost laughed.

It was the second time she’d said that to Clara.

Down in the lobby the booth selling stuffed animals was closing for the evening. A little cat caught Clara’s eye, with a beaded collar like her bracelet, for Darlene, and a small mottled-green pterodactyl for Trevor. She didn’t have the gall to go back up and disturb the family again, so she shoved the toys into the bottom of her bag.

At home, Clara called Evie, the office manager. Easier to deal with Evie than Barrett, the Regional Director, whose petty vanity required constant coddling. I’m sorry to bother you in the evening like this, but I’m going to be away for a few more days, she said.

Are you hurt? Is it worse than you thought? Evie asked, relishing catastrophe.

It’s not—I’m fine, but— Rather than explain the whole thing, and have Evie talking it over with Mat and the others, Clara said, I am a little shaken up. I think I’ll need a few days. The Curloe inspection was put off till the nineteenth anyway, and otherwise…

Oh, no, you stay home. You get some good rest. You’re no good to us if you’re a nervous wreck, are you? What a thing to happen. How are the other people?

Oh, they’re fine, they’re fine, no one was badly hurt.

But it could have been. A baby, too, you said?

Had she said that? Why go into any detail at all? Because she had been buzzing from the accident still, frantic with dreadful possibilities, words spilling over.

Evie, I’ve got to go, I’m going to lie down now.

She lay in bed wakeful, the accident replaying in her mind. She said her prayers, naming each of them, and prayed that Lorraine’s cancer would be healed, as far as she could reach to God, knowing that it would be no use.

2. In clover

Early Saturday morning, Clara gave up on sleep and went back to the hospital. The husband and the children and Mrs. Pell must have slept in the visitors’ lounge. Clara had brought a box of muffins, and juice for the children. Underneath a stack of magazines she’d packed some puzzle books and an old etch-a-sketch from the hall closet, which Trevor was happy to see.

The children were grubby. Clara offered to wash their faces, but Clayton declined. In a huff with her, or in some permanent state of huff he lived in.

He took Trevor off to the men’s room. Darlene went by herself to the women’s. Ten minutes later Clara found her there, sitting on the sink counter with her legs folded under her, ferociously reading a home decorating magazine. Clara backed out—but then, remembering the toys in her purse, pushed the bathroom door open again, and set the little white cat on the counter beside Darlene.

This cat reminded me of you, she said, shy about giving a present.

Darlene looked at it but did not touch it.

I thought you might like the bead collar, Clara said. So Darlene wouldn’t have to speak, she held out the other toy, Trevor’s. And will you give this one to Trevor?

Darlene unfolded her stick-thin legs. She put the magazine down, carefully away from the splashes by the sink. It’s a pterodactyl, she said. I’ll tell him what it is. She got down, sliding the cat along the counter, and took the pterodactyl. Clara held the door open for her, and Darlene ran down to the lounge, her bare feet making no noise, the hospital already home.

Lorraine’s bed was rumpled and she looked ugly and uncomfortable. A nurse was settling an older woman back into the bed to the left of the door. Lorraine strained herself upwards, trying to get into a half-sitting position.

Some kind of lymphoma is what they think, she said.

Clara nodded.

It’s weird to say it out loud, Lorraine said.

I know.

It’s a shock. They tried to tell me about it last night, they sent in an older doctor in the evening. The little bruises, those are petechiae. I just thought they looked kind of pretty, like a brooch of moles.

They were pretty. Little constellations, a sweet dark splatter of paint on Lorraine’s arm, another patch on her leg just above the knee. Now they seemed hostile as snake bites.

I hadn’t heard of them before, Clara said.

Me neither. Or I’d have known to go get looked at. Lorraine moved fretfully in the bed, tugged at her pillow. These are lumps of dough. I wish I had my little pillow out of the car.

They were silent.

I’ve got this fever, Lorraine said, after a moment. "They left me a bunch of pamphlets. Your Cancer and You." The stack of papers sat, radioactive, on the night table.

You look a little flushed, Clara said, hating the sound of her own voice so falsely, unspontaneously cheerful.

They want me to stay in till they can get it down. There’s—a bunch of more tests to do, there’s— Lorraine stopped talking.

The woman in the other bed moaned behind the curtain. Then she was silent too.

Ovarian, Lorraine whispered. She had a rough night.

Clara’s head was aching badly. She couldn’t seem to stop hearing her own words, and Lorraine’s too, repeated in her mind during the silences. Fever, fever, fever, more tests, more, a little flushed, a little flushed.

I think they’ll probably let us stay here—them, I mean—one more night, but it isn’t too good for the kids, in the lounge. I want them to go. There’s some kind of a—some accommodation, Clayton’s getting the details, if there’s room.

Clara murmured something, one of those noises which encourage further conversation without committing the speaker to an exact opinion.

They shouldn’t of seen any of this.

No. Clara could see the dark circles under Trevor’s eyes. Even the baby Pearce seemed lethargic, less comfortable and safe than right after the accident. Lorraine’s distress infected them all, she thought. And nothing to do all day but wander from the TV lounge to the room.

It’s hard on everyone, she said. Innocuous enough, but the husband, coming in, took exception to it anyway.

Hard on you? he sneered. Hard to sit and watch the results of what you did?

Lorraine pushed him with her pale hand. Quit it, Clay, she said. She didn’t give it to me.

This whole thing, he began, and then petered out, his face pulling down in the chin. He had a sharp face, almost good-looking, with smooth beige skin. His chin was as small and rounded as a girl’s, and he could look defeated in an instant. It must make him seem vulnerable, Clara thought, trying to make out what Lorraine had seen in him. He was not big, but had a springy build with muscles stretched over his bones. He looked strong but unhealthy, surly and eager at the same instant. A dog who’s been badly treated, and has gone vicious, but wants you to fuss over him anyway.

The minutes stretched by in a silence that Lorraine seemed to want.

He sat quietly enough on the end of her bed, but couldn’t settle. He shifted and re-crossed his legs every few seconds, until Clara found her own legs tensing, watching him. His eyes darted too quickly, checking Lorraine, checking the clock, the window, Clara—to see what mischief she was making?—back to his own hands, flexing and fisting on whichever pant leg was uppermost at the time. He didn’t wear a wedding ring, Clara noticed, but many men did not. Lorraine had one, and an engagement ring, nestled close together as they were made to do. People’s Jewellers, Clara thought, before she could stop herself. Or Wal-Mart.

But just when she had dismissed their marriage and their whole lives this way, Clayton leaned forward on the bed and grasped Lorraine’s hand. He bent his mouth to her curled fingers, and then bent his head farther forward, over her sheeted lap, and said, No.

Lorraine brought her other hand to curve over his head through his dirty hair. She said it too. No, I know. It can’t be.

Clara got up without making a sound, and left the room.

The landing at the top of the stairwell was cold, the second evening. She should go steal Trevor a blanket from an empty bed, Darlene thought. It was probably warmer out on the roof. The big metal door had one of those release bars. She leaned on the bar, feeling it give. If she pushed it all the way down the alarm might go off. There was no sign, though.

She pushed it anyway. No sound. The heavy door swung open. She nudged Trevor with her toe and took his little springy fingers, and they stepped out into the evening darkness, and the warmth. Tarry black gel oozing up through the pebble coat of the wide expanse of roof. The wall all around was too low, be careful!

Darlene got Trevor to hold her waist while she leaned over to see cars and people like ants, toy ambulances going into the garage door down there. If she fell, someone would scoop her up and put her in bed next to her mom, her legs strung up to the ceiling in white casts.

She was going to throw up. She twisted up and backwards and grabbed Trevor’s arm, almost yanking them both over, whoo! But not quite.

They were okay. They sat there. The soft black tar smelled good. And it was warmer out in the air.

On Sunday morning, after a second sleepless night, Clara found herself in tears during the Hosanna. She hated crying in church and had stayed away for months after her mother’s death. But here she was again, eyes raised up to the wooden rafters of the roof. No heaven visible up there. Some water spilled over, before she got angry enough to stop.

After coffee hour, not knowing what else to do, Clara stayed to talk to the priest, Paul Tippett. His own life seemed to be a shambles; she didn’t know how he could help, sitting in his poky office with a cup of weak coffee in front of him. Clara held hers on her lap.

What is the worst of it? he asked her, when she had explained about the accident. His large-boned, unworldly face was kind.

The worst? Oh! Clara had to look away, her eyes half-filling again.

Take your time, he said, his gentle expression undisturbed. He must be used to tears, of course; but not from her, she’d hardly spoken to him before now.

He listened.

I see what they need, she finally said, But I am unwilling to help. But that was not it, she was not unwilling—she was somehow stupidly ashamed of wanting to help.

It was probably part of his training not to speak, to let people go on.

"The mother, Lorraine, is very ill. From before the accident, nobody knew about it. It’s cancer, lymphoma. Advanced. Her family has nowhere to go. They were living in their car, and the two older children are—and

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