furniture design
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Sarawak Borneo has long been known for its diverse culture and multi-ethnicity, which is reflected in its arts and crafts. Pua Kumbu and Orang Ulu are famous visual motifs that can be seen on many products from Sarawak, including textiles and paintings, which could potentially be integrated into furniture design as cultural elements. The purpose of this study was to identify the perception, issues and challenges of cultural concepts embedded in furniture design from the perspective of manufacturers, designers and the public. In-depth interviews, surveys and observation were the three qualitative research methods applied in this study at MIFF 2018 and MIFF 2019. In general, the findings from the surveys done in 2018 and 2019 show that manufacturers, designers and consumers agree that cultural elements can be a unique feature and a competitive advantage for furniture design. A range of furniture designs that feature different cultural elements, such as local materials, colors, stories and history, are discussed in this article, which is expected to inspire designers and manufacturers to experiment and explore this approach in furniture. However, to achieve this, manufacturers and designers have to have their own views and strategies on how they interpret cultural-related elements in furniture, based on their consumers’ interests and global market needs.

Buildings which put forward the physical exploration of the exterior architectural forms tend to give such a challenge to the interior treatments, such as U Janevalla hotel in Bandung. Designed by Budi Pradono Architects, the architecture of the hotel is inspired by the analogy of Jaipong Dance and is translated into tilted facades and forms that create an expression of movement of each story of the building. However, the building is lacking in detailed execution in the interior space where the dancing effect is hardly perceived from the inner space. Therefore, this paper proposes interior design alternatives which focus on the bedrooms as the main facility offered to the guests, mainly in the furniture design and interior details. Through examining the analogy of Jaipong Dance, it is found that the tilted shapes and forms of the architecture can be brought into the interior through modification of the forms, additional interior details, and filling the spatial leftovers.

The purpose of the article is to identify general trends in the development of furniture design at the end of the 20th beginning – XXI century, to determine and form an objective complex scientific view, of the development of the design of the subject environment of this period. The methodology consists in the application of theoretical and empirical methods: comparative historical and objective-aspect analysis made it possible to determine the specifics of innovations in order to identify trends in the development of furniture design in the specified period; the problem-target method came in handy in the study and analysis of literary materials. Scientific novelty. In the study, for the first time, a comprehensive definition of the main signs of the formation and identification of the formulated main trends in the development of furniture design and the formation of the internal subject environment of the late XX beginning was applied XXI century. Conclusions. The results obtained allow us to identify the characteristic features of the form of creating furniture for interiors of the specified period, contribute to the establishment of an objective view of the historical development of this process, the growth of its scientific and theoretical significance in the conditions of the current industrial production in Ukraine. The theoretical aspects of the research can be further used in writing scientific papers on this topic, developing lecture courses on the history of furniture and interior design, creating special courses and special seminars for students of higher educational institutions, textbooks, manuals, and other educational and methodological literature. Key words: design, furniture, internal environment, trends in shaping, the end of the XX – beginning of the XXI century.