Art Unit Lesson Plan
Art Unit Lesson Plan
Art Unit Lesson Plan
Unit Title & Big Idea: (Define the BIG IDEA?) What is the big idea that is being investigated in this lesson? How will
you connect the big ideas about art and artists work with the art making part of this lesson?
The big idea of this lesson is nature. This will be a science lesson that is connected to nature as well as art.
Unit Overview/Summary: Why is this important to teach? What do you hope to accomplish?
This unit of nature exploration is important to teach students about ecosystems that can be found
near the school. Part of this lesson involves making observations and inferences about nature
around the school. Another aspect of this lesson will be to incorporate print making into showing
the community of an environment. Finally students will write about the impact of humans on the
ecosystem located near the school. In this big idea of nature I want for students to be able to see
the interactions and connections between organisms and the ecosystem that they live in.
Materials/Equiptment/Etc:
MATERIALS, TEACHING
RESOURCES/REFERENCES(Books (Teacher and
Childrens), posters, articles,
websites) and PREPARATION
REQUIRED- what materials,
tools, and resources do you need
for this class? What do you need
to practice and prepare for this
lesson? What did you learn from
creating your teaching exemplar?
Science notesbooks
Writing utensils
Cardstock
Rollers
Paint for print making
(3-
4)
(http://www.corestandards.org/)
What activities will you use to engage students in imagining, exploring, and/or experimenting in this unit?
Describe, specifically, how you will allow the students to engage with the media, the concepts, and other objectives in a
playful manner before they are expected to produce the final work. This section should accentuate how the PROCESS
informs the product
Students will be given the chance to explore with the collagraph making process before they begin to make their actual prints.
The teacher should allow for students to practice with the rollers, to see how the paint needs to get tacky as they roll it out.
The teacher should plan about 5-10 minutes for the students to experiment and get familiar with the rollers, paint, and print
making process.
Students will then be given a large amount of time to work on their print making. Since artists typically make several prints,
the students will do this as well. The students will have the chance to practice making many prints from their stamp.
How will this unit permit/encourage students to solve problems in divergent ways?
Deeply describe how this lesson allows for students to solve problems, aesthetically as well as scholastically? What about this
lesson allows for divergent outcomes?
In the print making process, the teacher will leave much open to interpretation for the students. The instructions will be to
create a print that shows how organisms and objects in nature are connected. The students will use materials found in nature
around the school to do this. Other than that, the student will be left to their own ideas on what to create. Students will be
How will you engage students in routinely reflecting on their learning/learning processes?
What art talk questions can you engage your students in that will help them in reflecting not only on the product, but also
the product? What reflective practices can you think of that will help them in transitioning from start to stop?
To finish this unit students will be reflecting in their science journals. Students will be writing about their rationale for their
prints that they made. They will also be reflecting on science related topics as well. I think that the teacher should make sure
to ask students why did they decide to use certain materials over others, what parts they liked about print making, what they
would do differently next time, etc. The teacher can verbally ask these questions to the students while they are finishing up
making their prints, as well as having students write reflections on these questions in their science journals.
How will this unit engage students in assessing their own work?
What opportunities will you allow your students to display, describe, or evidence their learning?
(Describe what student success looks like and what evidence you have that learning has taken place). You should include formative and summative
assessments. (See Beattie and Stewart/Walker texts)
Students will be given the opportunity to reflect and access their own work at the end of the unit when they are reflecting on the prints and the collagraph
process. As a formative assessment, before the students go outside on the first nature walk, the teacher will ask students what they have noticed about the
ecosystems around the school. The teacher should have students write out a short 2-3 sentence answer to turn in. This could be done at the beginning of the
day as part of morning work, so that the teacher has time to read through students responses and see what students are thinking. As a final summative
assessment students will be writing 5-10 sentences in their science journals. In the responses students need to include their rationale for the prints that they
made, as well as what type of impact humans have had on the ecosystem and community of organisms around the school.
What opportunities/activities will students be given to revise and improve their understandings and their work?
What happens when revision is needed? How will you handle that in this situation?
Students will be given a long time to work on their print making. When students are working with collagraph print making,
they may find that their first print did not come out the way that they had intended. Students will be able to make changes so
that they are happy with the work that they produce.
What opportunities/activities will you provide for students to share their learning/understanding/work in this unit?
How will you adapt the various aspects of this lesson to differently-abled students?
How will you differentiate for your diverse classroom population? How will you keep students engaged? What will you do to challenge students who are
highly talented? What have you planned for those who finish early?
For students that may have disabilities in reading and writing, I would still want them to take notes on what they are observing. Students should be able to
write down a few words for what they are seeing. Or in some cases, students could only draw pictures. All students will be encouraged to include sketches in
their observation notes, but some students may end up having more pictures than words. This could also be helpful for EL students. Students who are not
comfortable with writing in English can draw pictures or take notes in the first language if they are able to. Students that may finish early will be able to assist
students who are still working. They can help students who have decided to make a change to their print, or they can help by getting supplies, or cleaning
supplies.
TEACHER REFLECTION: How will you know that this lesson is successful and meaningful? List indicators.
As a teacher I would know that this lesson was successful if all students have done several things. The students should have all engaged in some way in the
print making process. Students should all be able to display a finished print on their desk for the gallery walk. Students should also have completed a reflective
writing about their print making process, as well as responding to a science prompt about human impact on the ecosystems. The teacher should see evidence
that students put thought into the materials that were selected for the print making process and that the students were thinking about the connection of the
objects. This evidence can be listed in the reflection in the students science notebooks.
References
Silverstein, L. B. & Layne, S. (n.d.). Defining arts integration. Retrieved from
http://www.americansforthearts.org/networks/arts_education/publications/special_publications/Defining%20Arts
%20Integration.pdf