clarinetHandbookComplete PDF
clarinetHandbookComplete PDF
clarinetHandbookComplete PDF
College of Music
Clarinet Handbook
2008-2009
Table of Contents
Table of Contents.iii
ADMINISTRATIVE
Clarinet Faculty....2
Syllabus for Applied Clarinet: Criteria for Grading4
Productive Practicing: Some Recommendations.5
Categories of Practice Material....6
Technique Requirements.7
ARTICLES
Clarinet Articulation: Conceptions, Misconceptions & Solutions by James Gillespie and
John Scott.44
Clarinet Fingering: Luck or Logic? By James Gillespie & John Scott48
An Outline of Clarinet Literature by Henry Gulick.57
Major Orchestra Clarinet Audition List by Cecil Gold60
Reed Information by Tom Ridenour.62
Quality, Not Quantity by Tom Ridenour..64
Tips for Tonguing by Howard Klug 66
Performance & Pedagogy, Parts I, II, III & IV by Henry Gulick.69
REFERENCES
Selected References on Clarinet Fingerings.84
Selected Clarinet Etudes...85
General References on Clarinet Literature and Bibliography..86
Sources for Recordings.87
References on Performance and Pedagogy..87
References on History..88
Sources for Equipment, Accessories, Repairs, Music and Mouthpiece Makers..88
Professional Association..91
Master Class Articles from The Clarinet 92
Questions to Ask About Works You Are Studying.94
84
Carl Fischer
Bitsch
12 RHYTHMICAL STUDIES
Leduc
Cavallini
30 CAPRICES
Heim
TECHNICAL STUDIES
Kendor
Hite
MELODIOUS AND
Southern
PROGRESSIVE STUDIES, Bk 1
Jeanjean
16 MODERN STUDIES
also: 18 STUDIES
Leduc
Kovacs
HOMMAGES A
Ed. Darok
Langenus
Carl Fischer
Polatschek
12 ETUDES
also: ADVANCED STUDIES
Marks
Rose
32 STUDIES
also: 40 STUDIES
Carl Fischer
Carl Fischer
Schmidt
CLARINETISTS NOTEBOOK,
Vol. II (out of print)
Uhl
85
International
School of Music
Ithaca College
Ithaca, NY
Schott
.
87
Bells, Barrels
Charles Bay
P. O. Box 3935-C
Westlake Village, CA 91359
805/497-8161
Mouthpieces
William Brannen
908 Hinman
Evanston, IL 60202
847/866-7576
Repair
Repair
Music
89
Clark Fobes
Repair, Instruments, Barrels,
130 Beverly
Mouthpieces
San Francisco, CA 94132
415/585-0636 (phone/fax); <www.clarkfobes.com>
Robert D. Gilbert
943 N. La Cienega Blvd.
Los Angeles, CA 90069
310/652-4671
Instruments, Accessories
Instruments, Accessories
Lomax Mouthpieces
940 McGee St.
Springfield, MO 65807
417/865-0996; mike@lomaxclassic.com
Mouthpieces
Music
Orchestral parts on CD
Music
90
Instruments, Accessories
James Pyne
1672 Rushing Way
Columbus, OH 43235
1/800/JPYNE-440
Tom Ridenour
sales@ridenourclarinetproducts.com
Robert Scott
2930 Sunderland Rd.
Lansing, MI 48911
517/882-9098
Music
CDs
Heinz Viotto
Mergelweg 21
Box 2066
D-32791 Lage, Germany
49/5232 49 60 (fax)
Mouthpieces
Scott Winkler
N6662 Meadowbrook Lane
Sheboygan, WI 53083
920/467-0829
Repair
91
The Woodwind
4004 Technology Dr.
South Bend, IN 46628
1/800/348-5003; www.wwbw.com
Instruments, Accessories
Professional Association
All clarinet students are strongly urged to become members of the International Clarinet
Association. The student membership fee is $25, which includes a subscription to
The Clarinet, the quarterly journal of the I. C. A.
JOIN ONLINE AT: <www.clarinet.org>
Work
Author
Schumann
Fantasiestucke, Op. 73
Mitchell Lurie
Finzi
Concerto
Georgina Dobree
Hindemith
Sonate
Fred Ormand
Weber
Concertino, Op. 26
Daniel Bonade
Brahms
Gary Gray
Weber
Romanza from
Concerto in Eb, Op.74
Abe Galper
Martino
Phillip Rehfeldt
Messiaen
James Campbell
Arnold
Sonatina
Paul Harvey
23/4 (Nov./Dec.1997)
Lovregiol
Traviata Fantasia
Colin Bradbury
Krommer
Bernard Portnoy
Lutoslawski
Dance Preludes
Elsa Ludewig-Verdehr
Stanford
Concerto
Luis Ross
Bartok
Contrasts
Ken Grant
Debussy
Premiere Rhapsodie
Gregory Smith
Rabaud
Solo de concours
Guy Deplus
Tower
Wings
Rebecca Rischin
Finzi
Five Bagatelles
David Campbell
Muczynski
Charles West
Martinu
Sonatina
Lawrence McDonald
Alwyn
Sonata
John Scott
93
Composer
Work
Prokofiev
Sonata in D Major
Steven Cohen
Copland
Concerto
Michael Webster
Sierra
Cinco Bocetos
Kathleen Jones
Smith
Variants
William O. Smith
Burgmuller
Duo,Op. 15
Colin Lawson
Tomasi
Concerto (Movt 1)
Jeffrey Lerner
Stockhausen
In Freundschaft
Richard Faria
Weber
Concerto No. 1 in
Ron Samuels
f minor, Op. 73 (Movt 1)
Larsen
Mercadante
Author
Caroline Hartig
Osborne
Ben-Haim
Pastorale Variee
Eli Eban
Horovitz
Sonatina
G. Lawrie Bloom
Ellerby
Concerto for
Clarinet and Band
Linda Merrick
Mozart
Concerto in A Major
(Movt 1: Exposition)
Carmine Campione
Rossini
Introduction, Theme
and Variations
Kathy Pope
Stravinsky
Three Pieces
Julie DeRoche
Paul Harvey
Three Etudes on
Themes of Gershwin
James Rae
Artie Shaw
Clarinet Concerto
Tad Calcara
Ran
For an Actor:
Eric Mandat
Monologue for Clarinet (in A)
Bozza
Concerto (Mvt. I)
Joze Kotar
Yadzinski
Who wrote the work and when and where was it first performed?
Did the composer complete the work, or was it completed by someone else?
Is the edition you are looking at the original version or a later edition?
At what point in the composers life and output was the piece written? Does it
relate to or contrast with other pieces written at about the same time? How does it
fit into the general creative output of the composer?
Are there extra-musical factors concerning the composers life that might be
reflected in the piece?
Does the title have significance? Is it just the name of a genre (sonata or concerto,
for instance), or is the title more descriptive? Is the work programmaticis it
supposed to portray or evoke events and characters?
How detailed are the performance instructions? Are the performance forces
(names and quantities of instruments/voices) given? Are dynamics, tempi,
accidentals and ornamentation specified? How much discretion is given to
performers? Are they expected to understand unwritten conventions such as
ornamentation?
What was the reception of the work when it was first heard? Have there been
different attitudes to or receptions of the piece subsequently?
How or when does the work fit into a broad historical context? Does it respond to
or reflect broad cultural or historical movements or events?
How does the work fit into the development of repertoire for the forces
(instruments or voices) for which it was written?
95