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Call For Papers Intersections of Art, Science, and Technology in Soviet Film and Culture

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Haneen Hannouch

This document is a call for papers for the 4th Workshop of the Russian Art & Culture Group at Jacobs University Bremen on September 22-23, 2016. The workshop will examine the intersections between art, science, and technology in Soviet film and culture, focusing on the avant-garde period until Stalin's death. Presentations should explore how cinema brought new interpretations of art history, the new paradigms offered by science and technology that supported Soviet film theory and aesthetics, and how views on art history related to and challenged science and technology. The deadline to submit 500-word paper proposals is June 15, 2016.

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Call For Papers Intersections of Art, Science, and Technology in Soviet Film and Culture

Uploaded by

Haneen Hannouch
34 views2 pages
This document is a call for papers for the 4th Workshop of the Russian Art & Culture Group at Jacobs University Bremen on September 22-23, 2016. The workshop will examine the intersections between art, science, and technology in Soviet film and culture, focusing on the avant-garde period until Stalin's death. Presentations should explore how cinema brought new interpretations of art history, the new paradigms offered by science and technology that supported Soviet film theory and aesthetics, and how views on art history related to and challenged science and technology. The deadline to submit 500-word paper proposals is June 15, 2016.

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This document is a call for papers for the 4th Workshop of the Russian Art & Culture Group at Jacobs University Bremen on September 22-23, 2016. The workshop will examine the intersections between art, science, and technology in Soviet film and culture, focusing on the avant-garde period until Stalin's death. Presentations should explore how cinema brought new interpretations of art history, the new paradigms offered by science and technology that supported Soviet film theory and aesthetics, and how views on art history related to and challenged science and technology. The deadline to submit 500-word paper proposals is June 15, 2016.

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© All Rights Reserved
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34 views2 pages

Call For Papers Intersections of Art, Science, and Technology in Soviet Film and Culture

Uploaded by

Haneen Hannouch
This document is a call for papers for the 4th Workshop of the Russian Art & Culture Group at Jacobs University Bremen on September 22-23, 2016. The workshop will examine the intersections between art, science, and technology in Soviet film and culture, focusing on the avant-garde period until Stalin's death. Presentations should explore how cinema brought new interpretations of art history, the new paradigms offered by science and technology that supported Soviet film theory and aesthetics, and how views on art history related to and challenged science and technology. The deadline to submit 500-word paper proposals is June 15, 2016.

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4th Workshop of the Russian Art & Culture Group, Jacobs University Bremen,

September 22-23, 2016


Call for Papers
Intersections of Art, Science, and Technology in Soviet Film and Culture
By maintaining the tension between artists imaginative approaches to technology in the
Soviet Union (Meyerholds Biomechanics), film directors use of science such as physiology
(Eisensteins Expressive Movement), and scientists own theorization of art history (Lev
Vygotskys The Psychology of Art), this workshop aims at unpacking the historical and
political forces behind Soviet film theory, film practice, and art history in relation to science
and technology. While examining the juncture between art, science, and technology in postRevolutionary Russia, with a focus on the avant-garde period until the death of Joseph Stalin,
cinema is thus considered as a device beyond its medium of film (Francois Albera, Maria
Tortajada: Cinema Beyond Film) and the medium-specificity of the arts is called into
question.
Research papers might include, but are not limited to questions such as:
In what ways did cinema bring about new interpretations of art preceding film and rereadings of art history?
What were the new paradigms that science and technology offered, supporting the
construction of Soviet film theory, practice, and aesthetics?
How did dominant views on the history of art in the Soviet Union relate to science and
technology and how did they challenged each other?
How was medium-specificity reconfigured in the light of new technological and scientific
advances?
We invite doctoral students, postgraduate researchers, and established academics to submit
proposals for 30-minute presentations. Interdisciplinary approaches are very welcome. Please
submit your English-language paper proposals of no more than 500 words along with a short
biographical note before June 15, 2016 to:
Hanin Hannouch, PhD Candidate: h.hannouch@jacobs-university.de
and Prof. Dr. Isabel Wnsche: i.wunsche@jacobs-university.de

Notifications will be sent in mid-July. Please note that travel and accommodation expenses
will not be reimbursed.
For further information on the Russian Art & Culture Group, see
http://russian-art.user.jacobs-university.de

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