Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                

Twelfth Night

Download as docx, pdf, or txt
Download as docx, pdf, or txt
You are on page 1of 96

No Fear Shakespeare Twelfth Night (by SparkNotes) -1-

Original Text Modern Text

Act 1, Scene 1

Enter ORSINO, CURIO, and other lords; Musicians ORSINO, CURIO, and other lords enter with
playing musicians playing for them.
ORSINO ORSINO
If music be the food of love, play on. If its true that music makes people more in love,
Give me excess of it that, surfeiting, keep playing. Give me too much of it, so Ill get
The appetite may sicken, and so die. sick of it and stop loving. Play that part again! It
That strain again, it had a dying fall. sounded sad. Oh, it sounded like a sweet breeze
5 Oh, it came o'er my ear like the sweet sound, blowing gently over a bank of violets, taking their
That breathes upon a bank of violets, scent with it. Thats enough. Stop. It doesnt sound
Stealing and giving odor. Enough, no more. as sweet as it did before. Oh, love is so restless! It
'Tis not so sweet now as it was before. makes you want everything, but it makes you sick
O spirit of love, how quick and fresh art thou, of things a minute later, no matter how good they
10 That, notwithstanding thy capacity are. Love is so vivid and fantastical that nothing
Receiveth as the sea, nought enters there, compares to it.
Of what validity and pitch soe'er,
But falls into abatement and low price
Even in a minute. So full of shapes is fancy
15 That it alone is high fantastical.
CURIO CURIO
Will you go hunt, my lord? Do you want to go hunting, my lord?
ORSINO ORSINO
What, Curio? Hunting what, Curio?
CURIO CURIO
The hart. The hart.
ORSINO ORSINO
Why, so I do, the noblest that I have. Thats what Im doingonly its my heart thats
Oh, when mine eyes did see Olivia first, being hunted. Oh, when I first saw Olivia, it
Methought she purged the air of pestilence. seemed like she made the air around her sweeter
20 That instant was I turned into a hart, and purer. In that instant I was transformed into a
And my desires, like fell and cruel hounds, hart, and my desire for her has hounded me like a
E'er since pursue me. pack of vicious dogs.

Act 1, Scene 1, Page 2

Enter VALENTINE VALENTINE enters.


How now! What news from her? Whats going on? What have you heard from her?
VALENTINE VALENTINE
So please my lord, I might not be admitted, Im sorry, but they wouldnt let me in. But I got the
But from her handmaid do return this answer: following answer from her handmaid. Olivias not
25 The element itself, till seven years' heat, going to show her face for the next seven years
Shall not behold her face at ample view, not even to the sky itself. Instead, shell go around
No Fear Shakespeare Twelfth Night (by SparkNotes) -2-

Original Text Modern Text

But like a cloistress, she will veiled walk veiled like a nun, and once a day shell water her
And water once a day her chamber round room with tears. Shes doing this out of love for
With eye-offending brineall this to season her dead brother, whom she wants to keep fresh
30 A brothers dead love, which she would keep fresh in her memory forever.
And lasting in her sad remembrance.
ORSINO ORSINO
O, she that hath a heart of that fine frame Oh, if she loves her brother this much, think how
To pay this debt of love but to a brother, shell love me when I finally win her over and
How will she love, when the rich golden shaft make her forget all her other attachments! Her
35 Hath killed the flock of all affections else mind and heart will be ruled by one man alone
That live in her, when liver, brain, and heart, me! Take me to the garden. I need a beautiful
These sovereign thrones, are all supplied, and filled place to sit and think about love.
Her sweet perfections with one self king!
Away before me to sweet beds of flowers.
40 Love thoughts lie rich when canopied with bowers.
Exeunt They exit.

Act 1, Scene 2

Enter VIOLA, a CAPTAIN, and sailors VIOLA, a CAPTAIN, and sailors enter.
VIOLA VIOLA
What country, friends, is this? What country is this, friends?
CAPTAIN CAPTAIN
This is Illyria, lady. This is Illyria, lady.
VIOLA VIOLA
And what should I do in Illyria? And what am I supposed to do in Illyria? My
My brother he is in Elysium. brother is in heaven. Or maybe theres a chance
Perchance he is not drownd.What think you, he didnt drown.What do you think, sailors?
sailors?
CAPTAIN CAPTAIN
5 It is perchance that you yourself were saved. It was a total fluke that you yourself were saved.
VIOLA VIOLA
O, my poor brother! And so perchance may he be. Oh, my poor brother! But maybe by some fluke he
was saved too.
CAPTAIN CAPTAIN
True, madam. And, to comfort you with chance, Its possible, ma'am. Dont give up yet. When our
Assure yourself, after our ship did split, ship was wrecked and you and a few other
When you and those poor number saved with you survivors were clinging onto our lifeboat, I saw
10 Hung on our driving boat, I saw your brother, your brother tie himself to a big mast floating in the
Most provident in peril, bind himself, sea. He was acting resourcefully and
Courage and hope both teaching him the practice, courageously in a dangerous situation. For as
To a strong mast that lived upon the sea, long as I could see him, he stayed afloat on the
Where, like Arion on the dolphins back, waves like Arion on the dolphins back.
15 I saw him hold acquaintance with the waves
So long as I could see.
No Fear Shakespeare Twelfth Night (by SparkNotes) -3-

Original Text Modern Text

VIOLA VIOLA
(giving him money) (giving him money) Thank you for saying that
For saying so, theres gold. heres some money to express my gratitude. Since
Mine own escape unfoldeth to my hope, I survived, its easier for me to imagine he
Whereto thy speech serves for authority, survived too, and what you say gives me a reason
20 The like of him. Knowst thou this country? to hope for the best. Do you know this area were
in?
CAPTAIN CAPTAIN
Ay, madam, well, for I was bred and born Yes, ma'am, I know it well. I was born and raised
Not three hours' travel from this very place. less than three hours from here.

Act 1, Scene 2, Page 2

VIOLA VIOLA
Who governs here? Whos the ruler here?
CAPTAIN CAPTAIN
A noble duke, in nature A duke who is noble in name and character.
As in name.
VIOLA VIOLA
What is his name? Whats his name?
CAPTAIN CAPTAIN
Orsino. Orsino.
VIOLA VIOLA
25 Orsino. I have heard my father name him. Orsino. Ive heard my father mention him. When I
He was a bachelor then. first heard about him, he was still a bachelor.
CAPTAIN CAPTAIN
And so is now, or was so very late. Hes still a bachelor, or at least he was a month
For but a month ago I went from hence, ago, when I left. But there was a rumoryou
And then twas fresh in murmuras, you know, know, people always gossip about royaltythat he
30 What great ones do the less will prattle of was in love with the beautiful Olivia.
That he did seek the love of fair Olivia.
VIOLA VIOLA
Whats she? Whos she?
CAPTAIN CAPTAIN
A virtuous maid, the daughter of a count A virtuous young woman, the daughter of a count
That died some twelvemonth since, then leaving her who died last year. Her brother had custody of her
35 In the protection of his son, her brother, for a while, but then he died too. They say shes
Who shortly also died, for whose dear love, totally sworn off men now, in memory of her
They say, she hath abjured the company brother.
And sight of men.
VIOLA VIOLA
Oh, that I served that lady I wish I could work for that lady! Itd be a good way
And might not be delivered to the world, to hide from the world until the time was right to
40 Till I had made mine own occasion mellow, identify myself.
What my estate is.
No Fear Shakespeare Twelfth Night (by SparkNotes) -4-

Original Text Modern Text

CAPTAIN CAPTAIN
That were hard to compass, That would be hard to do. She wont allow anyone
Because she will admit no kind of suit, in to see her, not even the dukes messengers.
No, not the dukes.

Act 1, Scene 2, Page 3

VIOLA VIOLA
There is a fair behavior in thee, captain, You seem to be a good person, captain, and
45 And though that nature with a beauteous wall although people who look beautiful are often
Doth oft close in pollution, yet of thee corrupt inside, I believe that you have a beautiful
I will believe thou hast a mind that suits mind to go with your good looks and manners.
With this thy fair and outward character. Pleaseand Ill pay you plenty for thishelp me
I pritheeand Ill pay thee bounteously conceal my identity, and find me the right disguise
50 Conceal me what I am, and be my aid so I can look the way I want. I want to be this
For such disguise as haply shall become Dukes servant. Youll introduce me to him as a
The form of my intent. Ill serve this duke. eunuch. You wont be wasting your time, because
Thou shall present me as an eunuch to him. I really can sing and talk to him about many
It may be worth thy pains, for I can sing different kinds of music, so hell be happy to have
55 And speak to him in many sorts of music me in his service. Only time will tell what will
That will allow me very worth his service. happen after thatjust please keep quiet about
What else may hap to time I will commit. what Im trying to do.
Only shape thou thy silence to my wit.
CAPTAIN CAPTAIN
Be you his eunuch, and your mute Ill be. I wont say a word. You can be a eunuch, but Ill
60 When my tongue blabs, then let mine eyes not see. be mute. I swear on my life I wont tell your secret.
VIOLA VIOLA
I thank thee. Lead me on. Thank you. Show me the way.
Exeunt They exit.

Act 1, Scene 3

Enter SIR TOBY BELCH and MARIA SIR TOBY BELCH and MARIA enter.
SIR TOBY BELCH SIR TOBY BELCH
What a plague means my niece, to take the death of Whats wrong with my niece? Why is she reacting
her brother thus? I am sure cares an enemy to life. so strangely to her brothers death? Grief is bad for
peoples health.
MARIA MARIA
By my troth, Sir Toby, you must come in earlier o' For Gods sake, Sir Toby, youve got to come home
nights. Your cousin, my lady, takes great exceptions to earlier at night. My lady Olivia, your niece,
your ill hours. disapproves of your late-night partying.
SIR TOBY BELCH SIR TOBY BELCH
Why, let her except, before excepted. Well, she can get used to it.
MARIA MARIA
No Fear Shakespeare Twelfth Night (by SparkNotes) -5-

Original Text Modern Text

Ay, but you must confine yourself within the modest Yes, but you need to keep yourself within the limits
limits of order. of order and decency.
SIR TOBY BELCH SIR TOBY BELCH
Confine? Ill confine myself no finer than I am. These Keep myself? The only thing Im keeping myself in
clothes are good enough to drink in, and so be these is the clothes Im wearing. Theyre good enough to
boots too. An they be not, let them hang themselves in drink in, and so are these boots. If they arent, they
their own straps. can go hang themselves by their own laces!
MARIA MARIA
That quaffing and drinking will undo you: I heard my Youre going to destroy yourself with all this
lady talk of it yesterday, and of a foolish knight that you drinking. Lady Olivia said so yesterday. She also
brought in one night here to be her wooer. mentioned some stupid knight you brought in one
night as a possible husband for her.
SIR TOBY BELCH SIR TOBY BELCH
Who, Sir Andrew Aguecheek? Who, Sir Andrew Aguecheek?
MARIA MARIA
Ay, he. Yes, thats the one.
SIR TOBY BELCH SIR TOBY BELCH
Hes as tall a man as any s in Illyria. Hes as tall as a man in Illyria.

Act 1, Scene 3, Page 2

MARIA MARIA
Whats that to the purpose? What does his height have to do with anything?
SIR TOBY BELCH SIR TOBY BELCH
20 Why, he has three thousand ducats a year. Why, he has an income of three thousand ducats
a year.
MARIA MARIA
Ay, but hell have but a year in all these ducats. Hes a I bet hell spend his whole inheritance in a year.
very fool and a prodigal. Hes a fool and a spendthrift.
SIR TOBY BELCH SIR TOBY BELCH
Fie, that youll say so! He plays o' the viol-de- You shouldnt talk about him like that! He plays the
gamboys, and speaks three or four languages word violin and speaks three or four languages word for
for word without book, and hath all the good gifts of word without a dictionary. He has all of natures
nature. best gifts.
MARIA MARIA
He hath indeed, almost natural, for besides that hes a Righthes a natural-born idiot. Besides being a
fool, hes a great quarreler, and but that he hath the fool, hes argumentative. If he didnt have the
gift of a coward to allay the gust he hath in quarreling, cowards gift for backing down from a fight, they
tis thought among the prudent he would quickly have say hed be dead by now.
the gift of a grave.
SIR TOBY BELCH SIR TOBY BELCH
30 By this hand, they are scoundrels and substractors Anyone who says that is a lying piece of garbage.
that say so of him. Who are they? Who said that?
MARIA MARIA
They that add, moreover, hes drunk nightly in your The same people who say he gets drunk with you
No Fear Shakespeare Twelfth Night (by SparkNotes) -6-

Original Text Modern Text

company. every night.


SIR TOBY BELCH SIR TOBY BELCH
With drinking healths to my niece. Ill drink to her as We only drink toasts to my niece. Ill drink to her
long as there is a passage in my throat and drink in as long as theres a hole in my throat and booze in
Illyria. Hes a coward and a coistrel that will not drink Illyria. Anyone who refuses to drink to my niece
to my niece till his brains turn o' th' toe like a parish until his brain spins around like a merry-go-round
top. What, wench! Castiliano vulgo, for here comes is scum. But speak of the devil, here comes Sir
Sir Andrew Agueface. Andrew Agueface.
Enter SIR ANDREW SIR ANDREW enters.
SIR ANDREW SIR ANDREW
Sir Toby Belch! How now, Sir Toby Belch! Sir Toby Belch! How are you, Sir Toby Belch?
SIR TOBY BELCH SIR TOBY BELCH
40 Sweet Sir Andrew! Sweet Sir Andrew!

Act 1, Scene 3, Page 3

SIR ANDREW SIR ANDREW


(to MARIA) Bless you, fair shrew. (to MARIA) And hello to you, my little wench.
MARIA MARIA
And you too, sir. Hello, sir.
SIR TOBY BELCH SIR TOBY BELCH
Accost, Sir Andrew, accost. Chat her up, Sir Andrew. Chat her up.
SIR ANDREW SIR ANDREW
Whats that? What?
SIR TOBY BELCH SIR TOBY BELCH
45 My nieces chambermaid. This is my nieces maid.
SIR ANDREW SIR ANDREW
Good Mistress Accost, I desire better acquaintance. My dear Miss Chat-her-up, I look forward to
getting to know you better.
MARIA MARIA
My name is Mary, sir. My name is Mary, sir.
SIR ANDREW SIR ANDREW
Good Mistress Mary Accost Miss Mary Chat-her-up
SIR TOBY BELCH SIR TOBY BELCH
You mistake, knight. Accost is front her, board her, No, youve got it wrong. When I said chat her up,
woo her, assail her. I wasnt saying her name. I was telling you to go
after her, woo her, confront her.
SIR ANDREW SIR ANDREW
By my troth, I would not undertake her in this Good heavens, Id never do that with people
company. Is that the meaning of accost? watching. Is that really what you meant?
MARIA MARIA
Fare you well, gentlemen. (she starts to exit) Goodbye, gentlemen. (she starts to exit)
SIR TOBY BELCH SIR TOBY BELCH
An thou let part so, Sir Andrew, would thou mightst Shes leaving. If you let her go this easily, Sir
never draw sword again. Andrew, you dont deserve to ever use your sword
No Fear Shakespeare Twelfth Night (by SparkNotes) -7-

Original Text Modern Text

again.
SIR ANDREW SIR ANDREW
An you part so, mistress, I would I might never draw If you leave like this, my dear, I wont ever use my
sword again. Fair lady, do you think you have fools in sword again. Im not just talking nonsense to you, I
hand? mean everything I say. Do you think youve got a
couple of fools on your hands here?
MARIA MARIA
Sir, I have not you by the hand. Im not holding your hand, sir.

Act 1, Scene 3, Page 4

SIR ANDREW SIR ANDREW


Marry, but you shall have, and heres my hand. But you will. Heres my hand. (he offers her his
60 (he offers her his hand) hand)
MARIA MARIA
(taking his hand) Now, sir, thought is free. I pray you, (taking his hand) A girls got a right to her
bring your hand to the buttery-bar and let it drink. opinions. Take your hand to a bar and put a drink
in it.
SIR ANDREW SIR ANDREW
Wherefore, sweetheart? Whats your metaphor? Why, sweetheart? Is there a hidden meaning in
this?
MARIA MARIA
Its dry, sir. Youre not holding a glass. Your hand is dry, sir.
SIR ANDREW SIR ANDREW
65 Why, I think so. I am not such an ass, but I can keep Well, I hope so. Im not such an idiot that I cant
my hand dry. But whats your jest? keep my hands dry. But I dont get itwhats the
joke?
MARIA MARIA
A dry jest, sir. Just a bit of my dry humor, sir.
SIR ANDREW SIR ANDREW
Are you full of them? Are you always so funny?
MARIA MARIA
Ay, sir, I have them at my fingers' ends. Marry, now I Yes, Ive got a handful of jokes. But oops, when I
let go your hand, I am barren. let go of your hand, I let go of the biggest joke of
all.
Exit MARIA exits.
SIR TOBY BELCH SIR TOBY BELCH
O knight, thou lackest a cup of canary. When did I see Sir, you need a drink. When has anyone ever put
thee so put down? you down like that.
SIR ANDREW SIR ANDREW
Never in your life, I think, unless you see canary put Never. Ive only been that far down when Ive
me down. Methinks sometimes I have no more wit drunk myself under the table. Sometimes I think
than a Christian or an ordinary man has. But I am a Im no smarter than average. I eat a lot of red
great eater of beef, and I believe that does harm to meat, and maybe that makes me stupid.
my wit.
No Fear Shakespeare Twelfth Night (by SparkNotes) -8-

Original Text Modern Text

SIR TOBY BELCH SIR TOBY BELCH


No question. Absolutely.

Act 1, Scene 3, Page 5

SIR ANDREW SIR ANDREW


An I thought that, Id forswear it. Ill ride home If I really believed that, Id give up red meat totally.
tomorrow, By the way, Im going home tomorrow, Sir Toby.
Sir Toby.
SIR TOBY BELCH SIR TOBY BELCH
80 Pourquoi, my dear knight? Pourquoi, my friend?
SIR ANDREW SIR ANDREW
What is pourquoi? Do, or not do? I would I had What does pourquoi mean? Does it mean I will
bestowed that time in the tongues that I have in or I wont? Oh, I wish Id spent as much time
fencing, dancing, and bear-baiting. O, had I but learning languages as I spent on fencing, dancing,
followed the arts! and bear-baiting! If only Id taken school more
seriously!
SIR TOBY BELCH SIR TOBY BELCH
Then hadst thou had an excellent head of hair. Youd have a great hairstyle if you had.
SIR ANDREW SIR ANDREW
85 Why, would that have mended my hair? Why, would that have fixed my hair?
SIR TOBY BELCH SIR TOBY BELCH
Past question, for thou seest it will not curl by nature. Oh, no questionit wont style itself.
SIR ANDREW SIR ANDREW
But it becomes me well enough, does t not? But my hair looks good anyway, doesnt it?
SIR TOBY BELCH SIR TOBY BELCH
Excellent. It hangs like flax on a distaff. And I hope to It looks great. It hangs like an old worn-out mop.
see a housewife take thee between her legs and spin Some woman should give you syphilis so you go
it off. bald.
SIR ANDREW SIR ANDREW
90 Faith, Ill home tomorrow, Sir Toby. Your niece will not Listen, Im going home tomorrow, Sir Toby. Your
be seen. Or if she be, its four to one shell none of niece is refusing to see anyone, and even if she
me. The count himself here hard by woos her. saw me, ten to one shed want nothing to do with
me. That duke who lives nearby is courting her.
SIR TOBY BELCH SIR TOBY BELCH
Shell none o' the count. Shell not match above her Shes not interested in the duke. She doesnt want
degree, neither in estate, years, nor wit. I have heard to marry anyone of higher social rank than her, or
her swear t. Tut, theres life in t, man. anyone richer, older, or smarter. Ive heard her say
that. So cheer up, theres still hope for you, man.

Act 1, Scene 3, Page 6

SIR ANDREW SIR ANDREW


Ill stay a month longer. I am a fellow o' th' strangest All right, Ill stay another month. Ah, Im an odd
No Fear Shakespeare Twelfth Night (by SparkNotes) -9-

Original Text Modern Text

mind i' th' world. I delight in masques and revels kind of guy. Sometimes all I want to do is see
sometimes altogether. plays and go out dancing.
SIR TOBY BELCH SIR TOBY BELCH
Art thou good at these kickshawses, knight? Are you good at those kinds of things?
SIR ANDREW SIR ANDREW
100 As any man in Illyria, whatsoever he be, under the Yes, as good as any man in Illyria, except for the
degree of my betters. And yet I will not compare with ones who are better at it than I am. Im not as
an old man. good as someone whos been dancing for years.
SIR TOBY BELCH SIR TOBY BELCH
What is thy excellence in a galliard, knight? How good are you at those fast dances?
SIR ANDREW SIR ANDREW
Faith, I can cut a caper. Believe me, I can cut a caper.
SIR TOBY BELCH SIR TOBY BELCH
And I can cut the mutton to t. And I can cut some meat to go with your capers.
SIR ANDREW SIR ANDREW
105 And I think I have the back-trick simply as strong as And I can do that fancy backward step as well as
any man in Illyria. any man in Illyria.
SIR TOBY BELCH SIR TOBY BELCH
Wherefore are these things hid? Wherefore have Why do you hide these things? Why do you keep
these gifts a curtain before 'em? Are they like to take these talents behind a curtain? Are they likely to
dust, like Mistress Malls picture? Why dost thou not get dusty? Why dont you go off to church dancing
go to church in a galliard and come home in a one way, and come home dancing another way?
coranto? My very walk should be a jig. I would not so If I had your talents, Id be dancing a jig every
much as make water but in a sink-a-pace. What dost time I walked down the street. I wouldnt even pee
thou mean? Is it a world to hide virtues in? I did think, without dancing a waltz. What are you thinking? Is
by the excellent constitution of thy leg, it was formed this the kind of world where we hide our
under the star of a galliard. accomplishments? Youre a born dancer. Look
how shapely your legs are.
SIR ANDREW SIR ANDREW
115 Ay, tis strong, and it does indifferent well in a dun- Thats true. Theyre strong, and they look pretty
colored stock. Shall we set about some revels? good in brown tights. Should we throw a little
dance party?
SIR TOBY BELCH SIR TOBY BELCH
What shall we do else? Were we not born under Why not? Werent we both born under Taurus?
Taurus?

Act 1, Scene 3, Page 7

SIR ANDREW SIR ANDREW


Taurus! Thats sides and heart. Taurus! That governs the torso and heart, doesnt
it?
SIR TOBY BELCH SIR TOBY BELCH
No, sir, it is legs and thighs. Let me see the caper. No, the legs and thighs. Let me see you dance.
120 (SIR (SIR ANDREW dances) Ha, higher! Ha, ha,
ANDREW dances) Ha, higher! Ha, ha, excellent! excellent!
No Fear Shakespeare Twelfth Night (by SparkNotes) -10-

Original Text Modern Text

Exeunt They exit.

Act 1, Scene 4

Enter VALENTINE and VIOLA in mans attire, as VALENTINE enters with VIOLA, who is dressed
Cesario as a young man named Cesario.
VALENTINE VALENTINE
If the duke continue these favors towards you, If the Duke keeps treating you so well, Cesario,
Cesario, you are like to be much advanced. He hath youll go far. Hes only known you for three days,
known you but three days, and already you are no but hes already treating you like a close friend.
stranger.
VIOLA VIOLA
You either fear his humor or my negligence, that you When you wonder whether hell keep treating me
call in question the continuance of his love. Is he well, it makes me think his mood might change
inconstant, sir, in his favors? or else Ill mess up somehow. Do his feelings
toward people change suddenly?
VALENTINE VALENTINE
No, believe me. No, not at all.
VIOLA VIOLA
I thank you. Here comes the count. Thanks for telling me. Here comes the Duke now.
Enter ORSINO, CURIO, and attendants ORSINO, CURIO, and attendants enter.
ORSINO ORSINO
Who saw Cesario, ho? Has anyone seen Cesario?
VIOLA VIOLA
10 On your attendance, my lord, here. Im right here, my lord, at your service.
ORSINO ORSINO
(to VIOLA and attendants) (to VIOLA and attendants) Well need some
Stand you a while aloof. (to VIOLA) Cesario, privacy for a little while. (to VIOLA) Cesario, I want
Thou knowst no less but all. I have unclasped a word with you. You know everything about me.
To thee the book even of my secret soul. Ive told you all the secrets of my soul. So please
15 Therefore, good youth, address thy gait unto her; go to her house; if they dont let you in, plant
Be not denied access, stand at her doors, yourself outside her door and tell them you wont
And tell them there thy fixed foot shall grow leave until they let you see her.
Till thou have audience.

Act 1, Scene 4, Page 2

VIOLA VIOLA
Sure, my noble lord, But my lord, Im sure that if shes as depressed as
If she be so abandoned to her sorrow people say, shell never let me in.
20 As it is spoke, she never will admit me.
ORSINO ORSINO
Be clamorous, and leap all civil bounds, Be loud and obnoxious. Do whatever it takes, just
Rather than make unprofited return. get the job done.
No Fear Shakespeare Twelfth Night (by SparkNotes) -11-

Original Text Modern Text

VIOLA VIOLA
Say I do speak with her, my lord, what then? Well, all right, lets say hypothetically that I do get
a chance to speak with her, my lord. What do I do
then?
ORSINO ORSINO
O, then unfold the passion of my love, Tell her how passionately I love her. Overwhelm
25 Surprise her with discourse of my dear faith: her with examples of how faithful I am. The best
It shall become thee well to act my woes; thing would be to act out my feelings for her. Shell
She will attend it better in thy youth pay more attention to a young guy like you than to
Than in a nuncios of more grave aspect. an older, more serious man.
VIOLA VIOLA
I think not so, my lord. I dont think so, my lord.
ORSINO ORSINO
Dear lad, believe it. My boy, its true. Anyone who says youre a man
30 For they shall yet belie thy happy years must not notice how young you are. Your lips are
That say thou art a man. Dianas lip as smooth and red as the goddess Dianas. Your
Is not more smooth and rubious. Thy small pipe soft voice is like a young girls, high and clear, and
Is as the maidens organ, shrill and sound, the rest of you is pretty feminine too. I know youre
And all is semblative a womans part. the right person for this job. (toCURIO and
35 I know thy constellation is right apt attendants) Four or five of you go along with him,
For this affair. (to CURIO and attendants) or you can all go if you like. Im most comfortable
Some four or five attend him. when Im alone. (to VIOLA) If you succeed at this
All, if you will, for I myself am best assignment, Ill reward you well. My whole fortune
When least in company. (to VIOLA) Prosper well in will be yours.
this,
40 And thou shalt live as freely as thy lord,
To call his fortunes thine.
VIOLA VIOLA
Ill do my best Ill do my best to make this lady love you.(to
To woo your lady(aside) Yet, a barful strife herself) But what a tough task!I have to go
Whoe'er I woo, myself would be his wife. matchmaking for the man I want to marry myself!
Exeunt They exit.

Act 1, Scene 5

Enter MARIA and the FOOL MARIA and the FOOL enter.
MARIA MARIA
Nay, either tell me where thou hast been, or I will not No. Either tell me where youve been, or I wont
open my lips so wide as a bristle may enter in way of make any excuses for you to Lady Olivia. Lady
thy excuse. My lady will hang thee for thy absence. Olivia will have you executed for not showing up.
FOOL FOOL
Let her hang me. He that is well hanged in this world So let her execute me. Anyone whos executed
needs to fear no colors. doesnt have to be afraid of anything he sees.
MARIA MARIA
Make that good. How do you know?
No Fear Shakespeare Twelfth Night (by SparkNotes) -12-

Original Text Modern Text

FOOL FOOL
He shall see none to fear. Well, hell be dead, so he wont see anything.
MARIA MARIA
A good lenten answer. I can tell thee where that Thats a lame answer. By the way, I know where
saying was born, of I fear no colors. you get all your brave talk about not being afraid of
anything.
FOOL FOOL
10 Where, good Mistress Mary? Where, good Miss Mary?
MARIA MARIA
In the wars. And that may you be bold to say in your From soldiers. But youll never see the front lines.
foolery. Its easy for you to talk about bravery, working as a
fool in this palace.
FOOL FOOL
Well, God give them wisdom that have it. And those Well, we all have our special gifts. Some people
that are fools, let them use their talents. are born wise; those of us who were meant to be
fools should do what they do best.
MARIA MARIA
15 Yet you will be hanged for being so long absent. Or to But still, shes going to kill you for being gone so
be turned away, is not that as good as a hanging to long. Or at least fire you. And wouldnt that be as
you? bad for you as being killed?

Act 1, Scene 5, Page 2

FOOL FOOL
Many a good hanging prevents a bad marriage, and, Sometimes getting killed is a good way to avoid
for turning away, let summer bear it out. getting married. And as for being fired, its
summer, so it wont be that bad to be homeless.
MARIA MARIA
You are resolute, then? Youve made up your mind, then?
FOOL FOOL
20 Not so, neither, but I am resolved on two points. No, but Ive made up my mind on two points.
MARIA MARIA
That if one break, the other will hold. Or, if both break, Ah yes, the two points where your suspenders are
your gaskins fall. attached to your buttons. If one breaks, the other
will hold, but if both points break, your pants will
fall down.
FOOL FOOL
Apt, in good faith, very apt. Well, go thy way. If Sir Clever, very clever. Well, go along now. Youd be
Toby would leave drinking, thou wert as witty a piece the funniest person in Illyria if Sir Toby ever
of Eves flesh as any in Illyria. stopped drinking.
MARIA MARIA
Peace, you rogue, no more o' that. Here comes my Shut up, you troublemaker, no more of that. Here
lady. comes my lady. If you know whats good for you,
Make your excuse wisely, you were best. youll think up some good excuse for being away
so long.
No Fear Shakespeare Twelfth Night (by SparkNotes) -13-

Original Text Modern Text

Exit MARIA exits.


FOOL FOOL
(aside) Wit, an t be thy will, put me into good fooling! (to himself) Please, let me think of something
Those wits, that think they have thee, do very oft funny to say now! Smart people who think theyre
prove fools. And I, that am sure I lack thee, may pass witty often turn out to be fools, but I know Im not
for a wise man. For what says Quinapalus? Better a witty, so I might pass for smart. What did that
witty fool, than a foolish wit. philosopher Quinapalus say? Ah yes, A witty
fools better than a foolish wit.
Enter OLIVIA with MALVOLIO with attendants OLIVIA enters with MALVOLIO and attendants.
God bless thee, lady! Greetings to you, madam!

Act 1, Scene 5, Page 3

OLIVIA OLIVIA
Take the fool away. Get that fool out of here.
FOOL FOOL
35 Do you not hear, fellows? Take away the lady. Didnt you hear her, guys? Get the lady out of
here.
OLIVIA OLIVIA
Go to, youre a dry fool. Ill no more of you. Besides, Oh, go away, youre a boring fool. I dont want to
you grow dishonest. have anything to do with you anymore. Besides,
youve gotten unreliable.
FOOL FOOL
Two faults, madonna, that drink and good counsel will Madam, those are two character flaws that a little
amend. For give the dry fool drink, then is the fool not booze and some common sense can fix. If you
dry. Bid the dishonest man mend himself. If he mend, hand a drink to a sober fool, he wont be thirsty
he is no longer dishonest. If he cannot, let the botcher anymore. If you tell a bad man to mend his wicked
mend him. Anything thats mended is but patched. ways, and he does, he wont be bad anymore. If
Virtue that transgresses is but patched with sin, and he cannot, let the tailor mend him. Anything thats
sin that amends is but patched with virtue. If that this mended is only patched up. A good person who
simple syllogism will serve, so. If it will not, what does something wrong is only patched up with sin.
remedy? As there is no true cuckold but calamity, so And a sinner who does something good is only
beautys a flower. The lady bade take away the fool. patched up with goodness. If this logic works,
Therefore, I say again, take her away. thats great. If not, what can you do about it?
Since the only real betrayed husband in the world
is the one deserted by Lady Luckbecause were
all married to herbeauty is a flower. The lady
gave orders to take away the fool, so Im telling
you again, take her away.
OLIVIA OLIVIA
Sir, I bade them take away you. I told them to take you away.
FOOL FOOL
50 Misprision in the highest degree! Lady, Cucullus non Oh, what a big mistake! Madam, you cant judge a
facit monachumthats as much to say as I wear not book by its cover. I mean, I may look like a fool,
motley in my brain. Good madonna, give me leave to but my minds sharp. Please let me prove youre a
No Fear Shakespeare Twelfth Night (by SparkNotes) -14-

Original Text Modern Text

prove you a fool. fool.


OLIVIA OLIVIA
Can you do it? Can you do that?
FOOL FOOL
55 Dexterously, good madonna. Easily, madam.

Act 1, Scene 5, Page 4

OLIVIA OLIVIA
Make your proof. Then go ahead and prove it.
FOOL FOOL
I must catechise you for it, madonna. Good my mouse Ill have to ask you some questions, madam.
of virtue, answer me. Please answer, my good little student.
OLIVIA OLIVIA
Well, sir, for want of other idleness, Ill bide your proof. Im listening to you only because Ive got nothing
better to do.
FOOL FOOL
60 Good madonna, why mournest thou? My dear madam, why are you in mourning?
OLIVIA OLIVIA
Good fool, for my brothers death. My dear fool, because my brother died.
FOOL FOOL
I think his soul is in hell, madonna. I think his souls in hell, my lady.
OLIVIA OLIVIA
I know his soul is in heaven, fool. I know his souls in heaven, fool.
FOOL FOOL
The more fool, madonna, to mourn for your brothers Then youre a fool for being sad that your brothers
soul being in heaven. Take away the fool, gentlemen. soul is in heaven. Take away this fool, gentlemen.
OLIVIA OLIVIA
What think you of this fool, Malvolio? Doth he not What do you think of this fool, Malvolio? Isnt he
mend? getting funnier?
MALVOLIO MALVOLIO
Yes, and shall do till the pangs of death shake him. Yes, and hell keep getting funnier till he dies. Old
Infirmity, that decays the wise, doth ever make the age always makes people act funnyeven wise
better fool. people, but fools more than anybody.
FOOL FOOL
70 God send you, sir, a speedy infirmity, for the better I hope you go senile soon, sir, so you can become
increasing your folly! Sir Toby will be sworn that I am a more foolish fool! Sir Toby would bet a fortune
no fox, but he will not pass his word for two pence that that Im not smart, but he wouldnt bet two cents
you are no fool. that youre not a fool.
OLIVIA OLIVIA
How say you to that, Malvolio? What do you say to that, Malvolio?
MALVOLIO MALVOLIO
75 I marvel your ladyship takes delight in such a barren Im surprised you enjoy the company of this stupid
rascal. troublemaker. The other day I saw him defeated in
I saw him put down the other day with an ordinary fool a
No Fear Shakespeare Twelfth Night (by SparkNotes) -15-

Original Text Modern Text

that

Act 1, Scene 5, Page 5

has no more brain than a stone. Look you now, hes battle of wits by an ordinary jester with no more
out of his guard already. Unless you laugh and brains than a rock. Look at him, hes at a loss for
minister occasion to him, he is gagged. I protest I take words already. Unless hes got somebody
these wise men that crow so at these set kind of fools laughing at him, he cant think of anything to say. I
no better than the fools' zanies. swear, anyone smart who laughs at these courts
jesters is nothing but a jesters apprentice.
OLIVIA OLIVIA
Oh, you are sick of self-love, Malvolio, and taste with Malvolio, your vanity is damaging your good taste.
a distempered appetite. To be generous, guiltless, If you were generous, innocent, and good-natured,
and of free disposition is to take those things for bird- you wouldnt get so upset by what the fool says.
bolts that you deem cannon-bullets. There is no Youd think of his wisecracks as harmless little
slander in an allowed fool, though he do nothing but firecrackers, not hurtful bullets. A court jester isnt
rail. Nor no railing in a known discreet man, though he really criticizing people, even if he does nothing
do nothing but reprove. but make fun of them all day long. And a wise
person doesnt make fun of people, even if all he
does is criticize them.
FOOL FOOL
Now Mercury endue thee with leasing, for thou You speak so highly of fools! I hope the god of
speakest well of fools! deception rewards you by making you a wonderful
liar.
Enter MARIA MARIA enters.
MARIA MARIA
90 Madam, there is at the gate a young gentleman much Madam, theres a young gentleman at the gate
desires to speak with you. who really wants to speak to you.
OLIVIA OLIVIA
From the Count Orsino, is it? Was he sent by Count Orsino?
MARIA MARIA
I know not, madam. 'Tis a fair young man, and well I dont know, madam. Hes a good-looking young
attended. man, and there are a lot of people with him.
OLIVIA OLIVIA
95 Who of my people hold him in delay? Whos talking to him now?
MARIA MARIA
Sir Toby, madam, your kinsman. Sir Toby, madam, youre relative.
OLIVIA OLIVIA
Fetch him off, I pray you. He speaks nothing but Send Toby away, please. He talks nothing but
madman. nonsense.
Fie on him!

Act 1, Scene 5, Page 6


No Fear Shakespeare Twelfth Night (by SparkNotes) -16-

Original Text Modern Text

Exit MARIA MARIA exits.


Go you, Malvolio. If it be a suit from the count, I am Go out and talk to this visitor, Malvolio. If hes got
sick, or not at home. What you will, to dismiss it. a message from the count, tell him Im sick, or not
home. Tell him anything you want, as long as you
make him go away.
Exit MALVOLIO MALVOLIO exits.
Now you see, sir, how your fooling grows old, and Now you see how your fooling gets boring, and
people dislike it. people dont like it.
FOOL FOOL
Thou hast spoke for us, madonna, as if thy eldest Madam, youve spoken so highly of us fools,
son should be a fool, whose skull Jove cram with youd think your oldest son was going into that
brains, for here he comesone of thy kin has a line of work. I hope God crams his skull full of
most weak pia mater. brains, because here comes one of your relatives
whos pretty weak in the head.
Enter SIR TOBY BELCH SIR TOBY BELCH enters.
OLIVIA OLIVIA
By mine honor, half-drunk. What is he at the gate, I swear, hes half drunk already. Whos that at the
cousin? gate, uncle?
SIR TOBY BELCH SIR TOBY BELCH
A gentleman. A gentleman.
OLIVIA OLIVIA
A gentleman? What gentleman? A gentleman? What gentleman?
SIR TOBY BELCH SIR TOBY BELCH
'Tis a gentleman herea plague o' these pickle Theres some gentleman out there.
110 herring! (belching)Damn these pickled herring! They upset
How now, sot! my stomach. Hows it going, fool?
FOOL FOOL
Good Sir Toby! Good Sir Toby!
OLIVIA OLIVIA
Cousin, cousin, how have you come so early by this Uncle, uncle, how are you already so brain-dead
lethargy? so early in the day?

Act 1, Scene 5, Page 7

SIR TOBY BELCH SIR TOBY BELCH


Lechery! I defy lechery. Theres one at the gate. Brain-dead! Nonsense. I defy brain-death! I told
you, someones at the gate.
OLIVIA OLIVIA
115 Ay, marry, what is he? Yes, but who is he?
SIR TOBY BELCH SIR TOBY BELCH
Let him be the devil, an he will, I care not. Give me Let him be the devil if he wants to, I dont care.
faith, say I. Well, its all one. God will protect me. What do I care who it is?
Exit SIR TOBY BELCH exits.
OLIVIA OLIVIA
Whats a drunken man like, fool? Tell me what a drunk is like, fool.
No Fear Shakespeare Twelfth Night (by SparkNotes) -17-

Original Text Modern Text

FOOL FOOL
Like a drowned man, a fool and a madman. One Hes a fool, a madman, and a drowned man. The
draught above heat makes him a fool, the second first drink makes him a fool, the second makes
mads him, and a third drowns him. him crazy, and the third drowns him.
OLIVIA OLIVIA
Go thou and seek the crowner, and let him sit o' my Go find the coroner and tell him to perform an
coz. For hes in the third degree of drink, hes inquest on my uncle, because hes in the third
drowned. Go look after him. degree of drunkennesshes drowned. Go take
care of him.
FOOL FOOL
125 He is but mad yet, madonna, and the fool shall look Hes still only in the crazy phase. The fool will go
to the madman. take care of the madman.
Exit The FOOL exits.
Enter MALVOLIO MALVOLIO enters.
MALVOLIO MALVOLIO
Madam, yond young fellow swears he will speak with Madam, that young man out there says hes got to
you. I told him you were sick. He takes on him to speak to you. I told him you were sick. He claimed
understand so much, and therefore comes to speak he knew that, and thats why hes come to speak
with you. I told him you were asleep. He seems to with you. I told him you were asleep. He claimed
have a foreknowledge of that too, and therefore to know that already too, and said thats the
comes to speak with you. What is to be said to him, reason hes come to speak with you. What can I
lady? Hes fortified against any denial. say to him, lady? Hes got an answer for
everything.

Act 1, Scene 5, Page 8

OLIVIA OLIVIA
Tell him he shall not speak with me. Tell him hes not going to speak with me.
MALVOLIO MALVOLIO
Has been told so, and he says hell stand at your I told him that. He says hell stand at your door
door like a sheriffs post, and be the supporter to a like a signpost or a bench until he speaks with
bench, but hell speak with you. you.
OLIVIA OLIVIA
What kind o' man is he? What kind of man is he?
MALVOLIO MALVOLIO
Why, of mankind. Just a man, like any other.
OLIVIA OLIVIA
What manner of man? But whats he like?
MALVOLIO MALVOLIO
140 Of very ill manner. Hell speak with you, will you or Hes very rude. He insists hell speak with you
no. whether you want him to or not.
OLIVIA OLIVIA
Of what personage and years is he? What does he look like? How old is he?
MALVOLIO MALVOLIO
Not yet old enough for a man, nor young enough for Not old enough to be a man, but not young
No Fear Shakespeare Twelfth Night (by SparkNotes) -18-

Original Text Modern Text

a boy, as a squash is before tis a peascod, or a enough to be a boy. Hes like a bud before it
codling when tis almost an apple. 'Tis with him in becomes a pea pod, or like a little green apple
standing water, between boy and man. He is very before it gets big and ripe. Hes somewhere
well-favored, and he speaks very shrewishly. One between boy and man. Hes very handsome and
would think his mothers milk were scarce out of him. speaks well, but hes very young. He looks like he
just recently stopped breastfeeding.
OLIVIA OLIVIA
Let him approach. Call in my gentlewoman. Show him in. Call in my maid.
MALVOLIO MALVOLIO
Gentlewoman, my lady calls. Maria, our lady wants you.
Exit MALVOLIO exits.
Enter MARIA MARIA enters.
OLIVIA OLIVIA
150 Give me my veil. Come, throw it o'er my face. Give me my veil. Come, put it over my face.
(OLIVIA puts on a veil) Well once more hear Orsinos (OLIVIA puts on her veil) Were going to hear
embassy. Orsinos pleas again.
Enter VIOLA, with attendants VIOLA enters, dressed as CESARIO, with
attendants.

Act 1, Scene 5, Page 9

VIOLA VIOLA
The honorable lady of the house, which is she? Which one of you is the lady of the house?
OLIVIA OLIVIA
Speak to me. I shall answer for her. Your will? You can speak to me. I represent her. What do
you want?
VIOLA VIOLA
Most radiant, exquisite and unmatchable beautyI What stunning, exquisite, and unmatchable
pray you, tell me if this be the lady of the house, for I beautybut please, tell me if youre the lady of
never saw her. I would be loath to cast away my the house, because Ive never seen her. Id hate
speech, for besides that it is excellently well penned, to waste my speech on the wrong person,
I have taken great pains to con it. Good beauties, let because Its very well written and I spent a lot of
me sustain no scorn. I am very comptible, even to the time and energy memorizing it. Beautiful ladies,
least sinister usage. please dont treat me badly. Im very sensitive,
and even the smallest bit of rudeness hurts my
feelings.
OLIVIA OLIVIA
160 Whence came you, sir? Where do you come from, sir?
VIOLA VIOLA
I can say little more than I have studied, and that Im sorry, but I memorized what Im supposed to
questions out of my part. Good gentle one, give me say here today, and that question isnt part of the
modest assurance if you be the lady of the house, speech I learned. Please, my lady, just confirm
that I may proceed in my speech. that youre the lady of the house so I can get on
with my speech.
OLIVIA OLIVIA
No Fear Shakespeare Twelfth Night (by SparkNotes) -19-

Original Text Modern Text

165 Are you a comedian? Are you an actor?


VIOLA VIOLA
No, my profound heart. And yet, by the very fangs of No, madam. But I swear Im not the person Im
malice I swear, I am not that I play. Are you the lady playing. Are you the lady of the house?
of the house?
OLIVIA OLIVIA
If I do not usurp myself, I am. I am, unless I somehow stole this role.
VIOLA VIOLA
170 Most certain, if you are she, you do usurp yourself, If youre the lady of the house, then its true youre
for what is yours to bestow is not yours to reserve. stealing your role, because whats yours to give
But this is from my commission. I will on with my away is not yours to keep for yourself. But thats
speech in your praise and then show you the heart of not part of what Im supposed to say. Ill go on
my message. with my speech praising you, and then Ill get to
the point.

Act 1, Scene 5, Page 10

OLIVIA OLIVIA
Come to what is important in t. I forgive you the Get to the point now. Ill let you get away with
praise. skipping the praise.
VIOLA VIOLA
175 Alas, I took great pains to study it, and tis poetical. Thats too bad, because I spent a long time
memorizing it, and its poetic.
OLIVIA OLIVIA
It is the more like to be feigned. I pray you, keep it in. That means its more likely to be fake. Please,
I heard you were saucy at my gates and allowed your keep it to yourself. I heard you were rude when
approach rather to wonder at you than to hear you. If you were standing outside my gate, and thats the
you be not mad, be gone. If you have reason, be only reason I let you in. I was curious. But I dont
brief. 'Tis not that time of moon with me to make one necessarily want to listen to you. If youre just
in so skipping a dialogue. insane, then get out of here. If youre in your right
mind, get to the point. Ive got no patience for
lunacy at the moment, and I dont want to waste
my time on ridiculous conversations.
MARIA MARIA
Will you hoist sail, sir? Here lies your way. Ready to set sail, sir? The doors right here.
VIOLA VIOLA
No, good swabber, I am to hull here a little longer. No, this boats docking here a bit longer, little
Some mollification for your giant, sweet lady. sailor.My lady, would you mind asking your
giant here to back off a bit?
OLIVIA OLIVIA
185 Tell me your mind. Tell me what you want.
VIOLA VIOLA
I am a messenger. I have a message to deliver.
OLIVIA OLIVIA
Sure, you have some hideous matter to deliver, when It must be a message about something horrible,
No Fear Shakespeare Twelfth Night (by SparkNotes) -20-

Original Text Modern Text

the courtesy of it is so fearful. Speak your office. since you deliver it so rudely. Tell me what its
about.
VIOLA VIOLA
It alone concerns your ear. I bring no overture of war, Its about you. Im not bringing any declarations of
no taxation of homage. I hold the olive in my hand. war or demands for cash. Im coming in peace.
My words are as full of peace as matter.
OLIVIA OLIVIA
Yet you began rudely. What are you? What would But you began so rudely. Who are you? What do
you? you want?

Act 1, Scene 5, Page 11

VIOLA VIOLA
The rudeness that hath appeared in me have I If I seemed rude, its because of how badly I was
learned from my entertainment. What I am and what I treated when I got here. Who I am and what I
would are as secret as maidenhead. To your ears, want are a secret. Youre the only one I can share
divinity. To any others, profanation. the secret with. Its sacred, just for you. Its not for
anyone else to hear.
OLIVIA OLIVIA
Give us the place alone. We will hear this divinity. Everyone, please leave us alone for a moment.
Ive got a sacred secret to hear.
Exeunt MARIA and attendants MARIA and attendants exit.
Now, sir, what is your text? Now, sir, whats this holy secret you wanted to tell
me?
VIOLA VIOLA
Most sweet lady Most sweet lady
OLIVIA OLIVIA
200 A comfortable doctrine, and much may be said of it. Oh, sweet! It sounds like a nice and gentle kind
Where lies your text? of faith. Wheres the passage of holy scripture
that youre basing your sermon on?
VIOLA VIOLA
In Orsinos bosom. In Orsinos heart.
OLIVIA OLIVIA
In his bosom? In what chapter of his bosom? In his heart? In what chapter and verse of his
heart?
VIOLA VIOLA
To answer by the method, in the first of his heart. The table of contents says its in the first chapter
of his heart.
OLIVIA OLIVIA
205 Oh, I have read it. It is heresy. Have you no more to Oh, Ive read that. Thats not holy, its heresy. Do
say? you have anything else to say?
VIOLA VIOLA
Good madam, let me see your face. Madam, please let me see your face.
OLIVIA OLIVIA
Have you any commission from your lord to negotiate Has your lord given you any orders to negotiate
No Fear Shakespeare Twelfth Night (by SparkNotes) -21-

Original Text Modern Text

with my face? You are now out of your text. But we with my face? I dont think so. Youre overstepping
will draw the curtain and show you the picture. Look your bounds now. But Ill open the curtain and let
you, sir, such a one I was this present. Is t not well you see the picture. Look, sir, this is a portrait of
done? me as I am at this particular moment. Its pretty
well done, isnt it?

Act 1, Scene 5, Page 12

OLIVIA removes her veil OLIVIA takes off her veil.


VIOLA VIOLA
Excellently done, if God did all. It was done excellently, if its all-natural, the way
God made it.
OLIVIA OLIVIA
'Tis in grain, sir. 'Twill endure wind and weather. Oh, its all-natural, sir. Wind and rain cant wash it
off.
VIOLA VIOLA
'Tis beauty truly blent, whose red and white Thats true beauty. Mother Nature herself painted
Natures own sweet and cunning hand laid on. your skin so white and your lips so red. My lady,
215 Lady, you are the cruelst she alive youd be the cruelest woman alive if you let your
If you will lead these graces to the grave beauty die with you, with no children to inherit
And leave the world no copy. your good looks for future generations to enjoy.
OLIVIA OLIVIA
O, sir, I will not be so hard-hearted. I will give out Oh, Id never be that cruel. Ill definitely do as you
divers schedules of my beauty. It shall be inventoried, say and leave my beauty for the rest of the world
and every particle and utensil labeled to my will: as, to enjoy. Ill write out a detailed inventory of my
item, two lips indifferent red; item, two grey eyes, with beauty and label every part. For exampleitem:
lids to them; item, one neck, one chin, and so forth. two lips, ordinary red. Item: two gray eyes, with
Were you sent hither to praise me? lids on them. Item: one neck, one chin, and so on.
Anyway, were you sent here just to tell me Im
beautiful?
VIOLA VIOLA
I see you what you are, you are too proud. I see what youre like. Youre proud. But youd still
225 But, if you were the devil, you are fair. be gorgeous even if you were as proud as the
My lord and master loves you. Oh, such love devil. My lord loves you. You should return a love
Could be but recompensed though you were crowned as deep as his, even if youre the most beautiful
The nonpareil of beauty. woman in the world.
OLIVIA OLIVIA
How does he love me? How does he love me?
VIOLA VIOLA
With adorations, fertile tears, He adores you. He cries and groans and sighs.
230 With groans that thunder love, with sighs of fire.
OLIVIA OLIVIA
Your lord does know my mind. I cannot love him. Your lord knows what I think. I cant love him. Im
Yet I suppose him virtuous, know him noble, sure hes a very nice man. I know hes noble, rich,
Of great estate, of fresh and stainless youth. young, and with a fine reputation. People say hes
No Fear Shakespeare Twelfth Night (by SparkNotes) -22-

Original Text Modern Text

generous, well educated, and brave, and hes


very attractive.

Act 1, Scene 5, Page 13

In voices well divulged, free, learned, and valiant; But I just cant love him. He should have resigned
235 And in dimension and the shape of nature himself to that a long time ago.
A gracious person. But yet I cannot love him;
He might have took his answer long ago.
VIOLA VIOLA
If I did love you in my masters flame, If I loved you as passionately as my master does,
With such a suffering, such a deadly life, and suffered like he does, your rejection would
240 In your denial I would find no sense; make no sense to me. I wouldnt understand it.
I would not understand it.
OLIVIA OLIVIA
Why, what would you? What would you do about it?
VIOLA VIOLA
Make me a willow cabin at your gate Id build myself a sad little cabin near your house,
And call upon my soul within the house. where my souls imprisoned. From that cabin Id
Write loyal cantons of contemned love call out to my soul. Id write sad songs about
245 And sing them loud even in the dead of night. unrequited love and sing them loudly in the
Halloo your name to the reverberate hills middle of the night. Id shout your name to the
And make the babbling gossip of the air hills and make the air echo with your name,
Cry out Olivia! Oh, you should not rest Olivia! Oh, you wouldnt be able to go anywhere
Between the elements of air and earth, without feeling sorry for me.
250 But you should pity me.
OLIVIA OLIVIA
You might do much. Not bad; you might accomplish something. Who
What is your parentage? are your parents?
VIOLA VIOLA
Above my fortunes, yet my state is well. I was born to a higher position than Ive got now.
I am a gentleman. But Im still fairly high-ranking. Im a gentleman.
OLIVIA OLIVIA
Get you to your lord. Go back to your lord. I cant love him. Tell him not
I cannot love him. Let him send no more to send any more messengersunless you feel
255 Unless perchance you come to me again like coming back to tell me how he took the bad
To tell me how he takes it. Fare you well. news. Goodbye. Thanks for your trouble. Heres
I thank you for your pains. Spend this for me. some money for you.
OLIVIA offers VIOLA money OLIVIA offers VIOLA money

Act 1, Scene 5, Page 14

VIOLA VIOLA
I am no feed post, lady. Keep your purse. Im not a paid messenger, my lady. Keep your
No Fear Shakespeare Twelfth Night (by SparkNotes) -23-

Original Text Modern Text

My master, not myself, lacks recompense. money. Its my master whos not getting the
260 Love make his heart of flint that you shall love, reward he deserves, not me. I hope you fall in
And let your fervor, like my masters, be love with a man whose heart is hard as a rock
Placed in contempt. Farewell, fair cruelty. and who treats your love like a big joke, just like
youve done. Goodbye, you beautiful, cruel
woman.
Exit VIOLA exits.
OLIVIA OLIVIA
What is your parentage? Who are your parents? I was born to a higher
Above my fortunes, yet my state is well. position than Ive got now. But Im still fairly high-
265 I am a gentleman. Ill be sworn thou art; ranking. Im a gentleman. Yes, Im sure you are.
Thy tongue, thy face, thy limbs, actions, and spirit, Your way of talking, your face, your body, your
Do give thee fivefold blazon. Not too fast! Soft, soft! behavior, and your sensitive soul all prove youre
Unless the master were the man. How now? a gentleman. Ah, no. Calm down, calm down. If
Even so quickly may one catch the plague? only his lord were more like him. How strange Im
270 Methinks I feel this youths perfections feeling! Can someone fall in love this quickly? I
With an invisible and subtle stealth can feel this young mans perfection creeping in
To creep in at mine eyes. Well, let it be. through my eyes like some kind of disease, slowly
What ho, Malvolio! and invisibly. Oh, well.Malvolio! Come here!
Enter MALVOLIO MALVOLIO enters.
MALVOLIO MALVOLIO
Here, madam, at your service. At your service, madam.
OLIVIA OLIVIA
Run after that same peevish messenger, Run after that obnoxious messenger, the dukes
275 The countys man. He left this ring behind him, servant. He insisted on leaving this ring with me
Would I or not. Tell him Ill none of it. whether I wanted it or not. Tell him I want nothing
OLIVIA hands him a ring to do with it. (she hands him a ring) Ask him not
Desire him not to flatter with his lord, to encourage Orsino or to get his hopes up. Im
Nor hold him up with hopes. I am not for him. not for him. If that young man comes here again
280 If that the youth will come this way tomorrow, tomorrow, Ill tell him why. Hurry, Malvolio.
Ill give him reasons for t. Hie thee, Malvolio.

Act 1, Scene 5, Page 15

MALVOLIO MALVOLIO
Madam, I will. Madam, I will.
Exit MALVOLIO exits.
OLIVIA OLIVIA
I do I know not what and fear to find I dont know what Im doing. Im afraid Im not
Mine eye too great a flatterer for my mind. using my head, and Im falling for his good looks.
285 Fate, show thy force. Ourselves we do not owe. Fate, do your work. We human beings dont
What is decreed must be, and be this so. control our own destinies. What is fated to happen
must happen. So let it happen!
Exit OLIVIA exits.
No Fear Shakespeare Twelfth Night (by SparkNotes) -24-

Original Text Modern Text

Act 2, Scene 1

Enter ANTONIO and SEBASTIAN ANTONIO and SEBASTIAN enter.


ANTONIO ANTONIO
Will you stay no longer, nor will you not that I go with You wont stay any longer? And you dont want me
you? to come with you?
SEBASTIAN SEBASTIAN
By your patience, no. My stars shine darkly over me. No, Id rather you stayed here. My luck is pretty
The malignancy of my fate might perhaps distemper bad right now, and it might rub off on you. So just
yours. Therefore I shall crave of you your leave that I let me say goodbye and face the bad stuff alone
may bear my evils alone. It were a bad recompense otherwise I wouldnt be thanking you very well for
for your love to lay any of them on you. all youve done for me.
ANTONIO ANTONIO
Let me yet know of you whither you are bound. At least tell me where youre going.
SEBASTIAN SEBASTIAN
No, sooth, sir. My determinate voyage is mere Honestly, I cant. Im just wandering, with no
extravagancy. But I perceive in you so excellent a particular destination. But I know youd never force
touch of modesty that you will not extort from me what me to tell you things I dont want to, so I should be
I am willing to keep in. Therefore it charges me in polite and tell you what I can. My names
manners the rather to express myself. You must know Sebastian, though Ive been calling myself
of me then, Antonio, my name is Sebastian, which I Roderigo. My father was Sebastian of Messaline. I
called Roderigo. My father was that Sebastian of know youve heard of him. Hes dead now. He left
Messaline, whom I know you have heard of. He left behind myself and my twin sister, who was born in
behind him myself and a sister, both born in an hour. If the same hour as me. If God had been willing, I
the heavens had been pleased, would we had so wish we had died in the same hour too! But you
ended! But you, sir, altered that, for some hour before kept that from happening. An hour before you
you took me from the breach of the sea was my sister pulled me out of the breaking waves, my sister
drowned. drowned.
ANTONIO ANTONIO
Alas the day! How tragic!

Act 2, Scene 1, Page 2

SEBASTIAN SEBASTIAN
20 A lady, sir, though it was said she much resembled Although many people said she looked like me,
me, was yet of many accounted beautiful. But though she was considered beautiful. And though I cant
I could not with such estimable wonder overfar believe believe everything people said about her beauty,
that, yet thus far I will boldly publish her: she bore a Ill be so bold as to say she had a beautiful mind.
mind that envy could not but call fair. She is drowned Even those who were jealous of her would have to
already, sir, with salt water, though I seem to drown admit that. Shes been drowned in salty sea water,
her remembrance again with more. and now my salty tears are about to drown her
memory all over again.
ANTONIO ANTONIO
Pardon me, sir, your bad entertainment. Im sorry I wasnt a better host for you, sir.
No Fear Shakespeare Twelfth Night (by SparkNotes) -25-

Original Text Modern Text

SEBASTIAN SEBASTIAN
O good Antonio, forgive me your trouble. Oh, Antonio, Im sorry I caused you so much
trouble.
ANTONIO ANTONIO
If you will not murder me for my love, let me be your I care about you a lot. Please let me be your
servant. servant so I can be with you. Youll be killing me if
you dont.
SEBASTIAN SEBASTIAN
If you will not undo what you have donethat is, kill If you dont want to break my heart, then say
him whom you have recovereddesire it not. Fare goodbye to me right now. I like you very much. Im
you well at once. My bosom is full of kindness, and I really about to cry, just like my mother would do.
am yet so near the manners of my mother, that upon Im going to Count Orsinos court. Goodbye.
the least occasion more mine eyes will tell tales of
me. I am bound to the Count Orsinos court. Farewell.
Exit SEBASTIAN exits.
ANTONIO ANTONIO
The gentleness of all the gods go with thee! I wish you all the best. If I didnt have so many
I have many enemies in Orsinos court, enemies in Orsinos court, Id go join you there.
Else would I very shortly see thee there. But who cares. Im so crazy about you that danger
40 But, come what may, I do adore thee so doesnt bother me. Ill go anyway.
That danger shall seem sport, and I will go.
Exit ANTONIO exits.

Act 2, Scene 2

Enter VIOLA, MALVOLIO following VIOLA enters with MALVOLIO following.


MALVOLIO MALVOLIO
Were not you even now with the Countess Olivia? Excuse me, werent you with Countess Olivia just
now?
VIOLA VIOLA
Even now, sir. On a moderate pace I have since Yes, sir. Ive only made it this far since I left her
arrived but hither. place, walking at a moderate pace.
MALVOLIO MALVOLIO
She returns this ring to you, sir. You might have saved Shes sending this ring back to you, sir. You
me my pains to have taken it away yourself. She shouldve saved me some trouble and taken it
adds, moreover, that you should put your lord into a away yourself. She wants you to make it very clear
desperate assurance she will none of him. And one to your lord that she wants nothing to do with him,
thing more, that you be never so hardy to come again and that you should never come again on his
in his affairs, unless it be to report your lords taking of behalf, unless you want to come back to tell her
this. Receive it so. how he reacted to the bad news. Here, take the
ring.
VIOLA VIOLA
10 She took the ring of me. Ill none of it. She took that ring from me. I wont take it back.
MALVOLIO MALVOLIO
Come, sir, you peevishly threw it to her, and her will is You threw it at her rudely, and she wants you to
No Fear Shakespeare Twelfth Night (by SparkNotes) -26-

Original Text Modern Text

it should be so returned. (he throws down the ring) If it take it back. (he throws down the ring) If its worth
be worth stooping for, there it lies in your eye. If not, bending over to pick up, there it is on the ground,
be it his that finds it. where you can see it. If not, whoever finds it can
have it.
Exit MALVOLIO exits.
VIOLA VIOLA
15 I left no ring with her. What means this lady? I didnt give her any ring. Whats she trying to say?
Fortune forbid my outside have not charmed her! I hope she doesnt have a crush on me! Its true
She made good view of me, indeed so much she looked at me a lot, in fact, she looked at me
That sure methought her eyes had lost her tongue, so much that she seemed distracted, and couldnt
For she did speak in starts distractedly. really finish her sentences very well. Oh, I really
20 She loves me, sure! The cunning of her passion think she loves me! She sent this rude messenger
Invites me in this churlish messenger. to tell me to come back, instead of coming herself,
which would be indis-

Act 2, Scene 2, Page 2

None of my lords ring? Why, he sent her none. creet. She doesnt want Orsinos ring! Orsino
I am the man. If it be so, as tis, never sent her a ring. Im the man she wants. If
Poor lady, she were better love a dream. thats true, which it is, she might as well be in love
25 Disguise, I see thou art a wickedness, with a dream, the poor lady. Now I understand
Wherein the pregnant enemy does much. why its bad to wear disguises. Disguises help the
How easy is it for the proper false devil do his work. Its so easy for a good-looking
In womens waxen hearts to set their forms! but deceitful man to make women fall in love with
Alas, our frailty is the cause, not we, him. Its not our faultwe women are weak. We
30 For such as we are made of, such we be. cant help what were made of. Ah, how will this all
How will this fadge? My master loves her dearly, turn out? My lord loves her, and. poor me, I love
And I, poor monster, fond as much on him, him just as much. And shes deluded enough to be
And she, mistaken, seems to dote on me. in love with me. What can possibly fix this
What will become of this? As I am man, situation? Im pretending to be a man, so my love
35 My state is desperate for my masters love. for the Duke is hopeless. And since Im a woman
As I am woman, now, alas the day, too bad Im a womanOlivias love for me is
What thriftless sighs shall poor Olivia breathe! hopeless as well! Oh, only time can sort out this
O time, thou must untangle this, not I. mess. I cant figure it out by myself!
It is too hard a knot for me to untie!
Exit VIOLA exits.

Act 2, Scene 3

Enter SIR TOBY BELCH and SIR ANDREW SIR TOBY BELCH and SIR ANDREW enter.
SIR TOBY BELCH SIR TOBY BELCH
Approach, Sir Andrew. Not to be abed after midnight Come on, Sir Andrew. If were still awake after
is to be up betimes, and diluculo surgere, thou midnight, then were up early in the morning. And
knowst, the doctors say its healthy to get up early
No Fear Shakespeare Twelfth Night (by SparkNotes) -27-

Original Text Modern Text

SIR ANDREW SIR ANDREW


Nay, my troth, I know not. But I know to be up late is I dont know what the doctors say. All I know is
to be up late. that staying up late is staying up late.
SIR TOBY BELCH SIR TOBY BELCH
5 A false conclusion. I hate it as an unfilled can. To be A false conclusion. I hate your logic as much as I
up after midnight and to go to bed then, is early, so hate an empty drinking cup. Staying up after
that to go to bed after midnight is to go to bed midnight means that you go to bed after midnight,
betimes. Does not our life consist of the four in the wee hours of the morning, which is early. So
elements? its like going to bed early. Isnt everybody made
up of the four elementsearth, water, fire, and
air?
SIR ANDREW SIR ANDREW
Faith, so they say, but I think it rather consists of Thats what they say, but I think life consists of
eating and drinking. food and booze.
SIR TOBY BELCH SIR TOBY BELCH
Thou'rt a scholar. Let us therefore eat and drink. Youre a smart guy. So we should eat and drink.
Marian, Maria! Bring us some wine!
I say! A stoup of wine!
Enter FOOL The FOOL enters.
SIR ANDREW SIR ANDREW
Here comes the fool, i' faith. Look, here comes the fool.
FOOL FOOL
How now, my hearts! Did you never see the picture of Hello, my friends! What a pretty picture, three
15 We fools all together.
Three?
SIR TOBY BELCH SIR TOBY BELCH
Welcome, ass. Now lets have a catch. Hello, you idiot. Sing us a song.

Act 2, Scene 3, Page 2

SIR ANDREW SIR ANDREW


By my troth, the fool has an excellent breast. I had I swear, this fool has an excellent singing voice. Id
rather than forty shillings I had such a leg, and so give forty shillings to have his nice legs and his
sweet a breath to sing, as the fool has.(to beautiful voice. (to the FOOL) Fool, you were very
theFOOL) In sooth, thou wast in very gracious fooling funny last night talking that astrological
last night when thou spokest of Pigrogromitus, of the nonsense about Pigrogromitus and the Vapians
Vapians passing the equinoctial of Queubus. 'Twas passing the equinox of Queubus. Very amusing. I
very good, i' faith. I sent thee sixpence for thy leman. sent you some money to spend on your girlfriend.
Hadst it? Did you get it?
FOOL FOOL
I did impeticos thy gratillity, for Malvolios nose is no I gave your little present to my girlfriend because
whipstock. My lady has a white hand, and the you cant get a grip on Malvolios nose to whip
Myrmidons are no bottle-ale houses. your horse with it. My girlfriend has beautiful white
hands, and great warriors arent mom-and-pop
diners, you know.
No Fear Shakespeare Twelfth Night (by SparkNotes) -28-

Original Text Modern Text

SIR ANDREW SIR ANDREW


Excellent! Why, this is the best fooling when all is Ha, ha! I love it when you talk nonsensethats
done. what fools should do. Come on now, sing for us.
Now, a song.
SIR TOBY BELCH SIR TOBY BELCH
(giving money to the FOOL) (giving the FOOL money) Yes, come on. Heres
30 Come on. There is sixpence for you. Lets have a sixpence for you. Lets hear a song.
song.
SIR ANDREW SIR ANDREW
(giving money to the FOOL) (giving the FOOL money) Heres something from
Theres a testril of me too. If one knight give a me too. If one knight gives
FOOL FOOL
Would you have a love song or a song of good life? Would you rather hear a love song or a song
about the good life?
SIR TOBY BELCH SIR TOBY BELCH
A love song, a love song. A love song, a love song.
SIR ANDREW SIR ANDREW
35 Ay, ay. I care not for good life. Yes, yes. Im not interested in being good.
FOOL FOOL
(sings) (he sings)
O mistress mine, where are you roaming? Oh my lover, where are you roaming? Stay and
O, stay and hear! Your true loves coming, listen! Your true loves coming, the one who can
That can sing both high and low: sing both high and low: Dont roam any further,
40 Trip no further, pretty sweeting. pretty darling. Your journey ends when you meet a
Journeys end in lovers meeting, lover, as every wise mans son knows.
Every wise mans son doth know.

Act 2, Scene 3, Page 3

SIR ANDREW SIR ANDREW


Excellent good, i' faith. That was excellent, really excellent.
SIR TOBY BELCH SIR TOBY BELCH
Good, good. Good, very good.
FOOL FOOL
45 (sings) (singing)
What is love? 'Tis not hereafter. What is love? It isnt in the future. When youre
Present mirth hath present laughter. having fun now, youre laughing right now. The
Whats to come is still unsure. futures unsure, and theres no reason to waste
In delay there lies no plenty. time. Come kiss me while youre twenty. You wont
50 Then come kiss me, sweet and twenty. be young forever.
Youths a stuff will not endure.
SIR ANDREW SIR ANDREW
A mellifluous voice, as I am true knight. A beautiful voice, I swear.
SIR TOBY BELCH SIR TOBY BELCH
A contagious breath. His breath stinks.
No Fear Shakespeare Twelfth Night (by SparkNotes) -29-

Original Text Modern Text

SIR ANDREW SIR ANDREW


Very sweet and contagious, i' faith. Yes, it stinks very sweetly.
SIR TOBY BELCH SIR TOBY BELCH
55 To hear by the nose, it is dulcet in contagion. But shall If we could listen to him with our noses, we would
we make the welkin dance indeed? Shall we rouse definitely say he stinks very sweetly. So what do
the night owl in a catch that will draw three souls out you say, should we sing loud enough to shake the
of one weaver? Shall we do that? heavens? Should we sing a round to wake up the
night owl? Should we do that?
SIR ANDREW SIR ANDREW
An you love me, lets do t. I am dog at a catch. Lets go for it. Im a very good singer, and can sing
rounds like a dog.
FOOL FOOL
60 By 'r lady, sir, and some dogs will catch well. Then youll be good at catchy tunes. Dogs like to
play catch.
SIR ANDREW SIR ANDREW
Most certain. Let our catch be Thou Knave. Absolutely. Lets dance to You Jerk.
FOOL FOOL
Hold thy peace, thou knave, knight? I shall be You mean, Shut up, you jerk? Thats the song
constrained in t to call thee knave, knight. where the singers call each other jerks, right? So
Ill be forced to call you a jerk, Sir Andrew.

Act 2, Scene 3, Page 4

SIR ANDREW SIR ANDREW


'Tis not the first time I have constrained one to call me It wont be the first time someone was forced to
65 knave. Begin, Fool. It begins Hold thy peace. call me that. You start, Fool. It starts, Shut up.
FOOL FOOL
I shall never begin if I hold my peace. Ill never be able to start if I shut up.
SIR ANDREW SIR ANDREW
Good, i' faith. Come, begin. Thats true. But come on, start.
Catch sung They sing.
Enter MARIA MARIA enters.
MARIA MARIA
What a caterwauling do you keep here! If my lady Youre making a terrible racket out here! Lady
have not called up her steward Malvolio and bid him Olivia told her servant Malvolio to kick you out of
turn you out of doors, never trust me. the house. I swear its true.
SIR TOBY BELCH SIR TOBY BELCH
My ladys a Cataian. We are politicians, Malvolios a Lady Olivia can go to China for all I care. Were
Peg- a-Ramsey, and (sings) Three merry men be we. very smart guys, and Malvolios Little Bo Peep.(he
Am not I consanguineous? Am I not of her blood? sings) Were just having some fun.Arent I her
Tillyvally! Lady! (sings) There dwelt a man in relative, after all? Arent we related? Fiddle-dee-
Babylon, lady, lady! dee, Lady! (singing) There lived a man in
Babylon, lady, lady!
FOOL FOOL
75 Beshrew me, the knights in admirable fooling. Gosh, the knights very good at acting like a fool.
No Fear Shakespeare Twelfth Night (by SparkNotes) -30-

Original Text Modern Text

SIR ANDREW SIR ANDREW


Ay, he does well enough if he be disposed, and so do Yes, hes good at it when hes in the mood, and so
I too. am I. Hes practiced more, but it comes more
He does it with a better grace, but I do it more natural. naturally to me.
SIR TOBY BELCH SIR TOBY BELCH
(sings) O' the twelfth day of December (he sings) On the twelfth day of December
MARIA MARIA
For the love o' God, peace! For Gods sake, shut up!
Enter MALVOLIO MALVOLIO enters.

Act 2, Scene 3, Page 5

MALVOLIO MALVOLIO
80 My masters, are you mad? Or what are you? Have Are you all crazy? Whats wrong with you? Are
you no wit, manners, nor honesty but to gabble like you making all this noise at this time of night
tinkers at this time of night? Do you make an because you have no manners, or because youre
alehouse of my ladys house, that you squeak out just stupid? Are you trying to turn my mistresss
your coziers' catches without any mitigation or house into a noisy bar? Is that why youre
remorse of voice? Is there no respect of place, squealing out these ridiculous vulgar songs
persons, nor time in you? without lowering your voices at all? Dont you have
any respect for anything?
SIR TOBY BELCH SIR TOBY BELCH
We did keep time, sir, in our catches. Sneck up! We respected the beat of the song, sir. So shut
up!
MALVOLIO MALVOLIO
Sir Toby, I must be round with you. My lady bade me Sir Toby, Ive got to be frank with you. My lady told
tell you, that, though she harbors you as her kinsman, me to tell you that while she lets you stay at her
shes nothing allied to your disorders. If you can house because youre a relative, she doesnt
separate yourself and your misdemeanors, you are approve of your behavior. If you can shape up,
welcome to the house. If not, an it would please you youre welcome to stay in the house. If you cant,
to take leave of her, she is very willing to bid you and would prefer to leave, shes very willing to say
farewell. goodbye to you.
SIR TOBY BELCH SIR TOBY BELCH
(sings) Farewell, dear heart, since I must needs be (he sings ) Goodnight, sweetheart, Im going to
gone. leave you now.
MARIA MARIA
Nay, good Sir Toby. No, good Sir Toby.
FOOL FOOL
95 (sings) His eyes do show his days are almost done. (singing) You can tell from his eyes that his life is
almost over.
MALVOLIO MALVOLIO
Is t even so? Is this how its going to be?
SIR TOBY BELCH SIR TOBY BELCH
(sings) But I will never die. (singing) But I will never die.
FOOL FOOL
No Fear Shakespeare Twelfth Night (by SparkNotes) -31-

Original Text Modern Text

(sings) Sir Toby, there you lie. (singing) Sir Toby, thats a lie.
MALVOLIO MALVOLIO
This is much credit to you. This behavior really makes you look great.

Act 2, Scene 3, Page 6

SIR TOBY BELCH SIR TOBY BELCH


100 (sings) Shall I bid him go? (singing) Should I tell him to go?
FOOL FOOL
(sings) What an if you do? (singing) What if y,ou do?
SIR TOBY BELCH SIR TOBY BELCH
(sings) Shall I bid him go, and spare not? (singing) Should I tell him to go, and be harsh
with him?
FOOL FOOL
(sings) O no, no, no, no, you dare not. (singing) Oh no, no, no, no, dont you dare.
SIR TOBY BELCH SIR TOBY BELCH
Out o' tune, sir. You lie. Art any more than a steward? Thats out of tune, sir. You lie. (to MALVOLIO)
Dost thou think, because thou art virtuous, there Youre nothing more than a servant here. Do you
shall be no more cakes and ale? think that just because youre a goody two shoes,
no one else can enjoy himself?
FOOL FOOL
Yes, by Saint Anne, and ginger shall be hot i' the They certainly will. Theyll have double helpings,
mouth too. too.
SIR TOBY BELCH SIR TOBY BELCH
Thou'rt i' the right. Go, sir, rub your chain with Youre right. (to MALVOLIO) Go polish your
crumbs. A stoup of wine, Maria! stewards chain, sir. Maria, bring us some wine!
MALVOLIO MALVOLIO
110 Mistress Mary, if you prized my ladys favor at Miss Mary, if you cared what Lady Olivia thinks
anything more than contempt, you would not give about you at all, you wouldnt contribute to this
means for this uncivil rule. She shall know of it, by rude behavior. I assure you, shell find out about
this hand. this.
Exit MALVOLIO exits.
MARIA MARIA
Go shake your ears! Go and wiggle your ears!
SIR ANDREW SIR ANDREW
'Twere as good a deed as to drink when a mans a- Theres nothing Id love more than to make a fool
hungry, to challenge him the field and then to break out of that guy somehow. I could challenge him to
promise with him and make a fool of him. a duel and then not show up. That would do the
trick.
SIR TOBY BELCH SIR TOBY BELCH
Do t, knight. Ill write thee a challenge. Or Ill deliver Do that. Ill write a letter challenging him to a duel
thy indignation to him by word of mouth. on your behalf. Or Ill deliver your insults to his
face.
No Fear Shakespeare Twelfth Night (by SparkNotes) -32-

Original Text Modern Text

Act 2, Scene 3, Page 7

MARIA MARIA
Sweet Sir Toby, be patient for tonight. Since the youth Dear Sir Toby, dont do anything rash tonight.
of the counts was today with thy lady, she is much Ever since the Dukes messenger visited Olivia,
out of quiet. For Monsieur Malvolio, let me alone with shes been upset. As for Monsieur Malvolio, let
him. If I do not gull him into a nayword and make him me take care of him. Ill make a big fool out of
a common recreation, do not think I have wit enough him, just trust me. Ill make him famous for his
to lie straight in my bed. I know I can do it. stupidity. Everyone will laugh at him. I know I can
do it.
SIR TOBY BELCH SIR TOBY BELCH
125 Possess us, possess us, tell us something of him. Tell us something about him. Come on, tell us
something.
MARIA MARIA
Marry, sir, sometimes he is a kind of puritan. Well, sometimes he acts like a goody two shoes.
SIR ANDREW SIR ANDREW
O, if I thought that, Id beat him like a dog! Oh, Ill beat him up for that!
SIR TOBY BELCH SIR TOBY BELCH
What, for being a puritan? Thy exquisite reason, dear Youre going to beat him up for being good? And
knight? whats your brilliant reason for that, please?
SIR ANDREW SIR ANDREW
I have no exquisite reason for t, but I have reason I dont have any brilliant reason for it, but I have
good enough. a good enough reason.
MARIA MARIA
130 The devil a puritan that he is, or anything constantly, He isnt really that pure and good. Hes just a
but a time-pleaser; an affectioned ass that cons state conceited flatterer. Hes a pretentious guy who
without book and utters it by great swarths; the best aspires to speak and act like nobility. Hes proud,
persuaded of himself, so crammed, as he thinks, with and he thinks hes so stuffed full of wonderful
excellencies, that it is his grounds of faith that all that qualities that everyone loves him. Thats the
look on him love him. And on that vice in him will my weakness Ill use to get revenge on him.
revenge find notable cause to work.
SIR TOBY BELCH SIR TOBY BELCH
What wilt thou do? What are you going to do?
MARIA MARIA
I will drop in his way some obscure epistles of love, Ill drop some mysterious love letters in his path.
wherein by the color of his beard, the shape of his Hell think theyre addressed to him, because
leg, the manner of his gait, the expressure of his eye, theyll describe the color of his beard, the shape
forehead, and complexion,he shall find himself most of his legs, the way he walks, and the expression
feelingly personated. on his face. I can make my handwriting look just
like Lady Olivias: she

Act 2, Scene 3, Page 8

I can write very like my lady your niece: on a and I cant tell the difference between each
No Fear Shakespeare Twelfth Night (by SparkNotes) -33-

Original Text Modern Text

forgotten matter we can hardly make distinction of others handwriting.


our hands.
SIR TOBY BELCH SIR TOBY BELCH
Excellent! I smell a device. Excellent! Sounds like youve got a good trick in
mind.
SIR ANDREW SIR ANDREW
145 I have t in my nose too. I like it too.
SIR TOBY BELCH SIR TOBY BELCH
He shall think, by the letters that thou wilt drop, that Hell think these letters are from Olivia and that
they come from my niece, and that shes in love with shes in love with him.
him.
MARIA MARIA
My purpose is, indeed, a horse of that color. Yes, thats the idea.
SIR ANDREW SIR ANDREW
And your horse now would make him an ass. Hes going to look like a total idiot.
MARIA MARIA
150 Ass, I doubt not. Absolutely, you idiot.
SIR ANDREW SIR ANDREW
Oh, twill be admirable! This is going to be great!
MARIA MARIA
Sport royal, I warrant you. I know my physic will work Its going to be fun, I promise. I know my medicine
with him. I will plant you two, and let the fool make a will work on him. Ill have you two hideand the
third, where he shall find the letter. Observe his fool tooright where hell find the letter. Watch his
construction of it. For this night, to bed, and dream on reaction. Meanwhile, lets go to bed and dream
the event. Farewell. about this. Good night.
Exit MARIA exits.
SIR TOBY BELCH SIR TOBY BELCH
Good night, Penthesilea. Good night, you amazing woman, you.
SIR ANDREW SIR ANDREW
Before me, shes a good wench. Shes a fine woman, all right.
SIR TOBY BELCH SIR TOBY BELCH
Shes a beagle, true-bred, and one that adores me. Shes a good little woman, and she adores me.
What o' that? What about it?
SIR ANDREW SIR ANDREW
160 I was adored once too. Someone adored me once, too.

Act 2, Scene 3, Page 9

SIR TOBY BELCH SIR TOBY BELCH


Lets to bed, knight. Thou hadst need send for more Lets go to bed, knight. Tomorrow you need to get
money. more money sent to you.
SIR ANDREW SIR ANDREW
If I cannot recover your niece, I am a foul way out. If I cant persuade your niece to marry me, Im
going to be in some serious financial trouble.
SIR TOBY BELCH SIR TOBY BELCH
No Fear Shakespeare Twelfth Night (by SparkNotes) -34-

Original Text Modern Text

Send for money, knight. If thou hast her not i' the end, Get your hands on some money and everything
call me Cut. will be all right. I know youll win over Olivia in the
end.
SIR ANDREW SIR ANDREW
165 If I do not, never trust me, take it how you will. I know I will too, if its the last thing I do.
SIR TOBY BELCH SIR TOBY BELCH
Come, come, Ill go burn some sack. 'Tis too late to Come on, Ill go warm up a nice glass of sherry
go to bed now. Come, knight. Come, knight. for us. Its too late to go to bed now. Come on, my
friend, come on.
Exeunt They exit.

Act 2, Scene 4
Save in the constant image of the creature love, is exactly how all true lovers are. What do
That is beloved. How dost thou like this tune? you think of this song?
VIOLA VIOLA
20 It gives a very echo to the seat It really makes you feel what a lover feels.
Where Love is throned.
No Fear Shakespeare Twelfth Night (by SparkNotes) -35-

Original Text Modern Text

Act 2, Scene 4, Page 2

ORSINO ORSINO
Thou dost speak masterly. Youre absolutely right. Id bet my life that, as
My life upon t, young though thou art, thine eye young as you are, youve fallen in love with
Hath stayd upon some favor that it loves. someone. Havent you, boy?
Hath it not, boy?
VIOLA VIOLA
A little, by your favor. A little bit.
ORSINO ORSINO
25 What kind of woman ist? What kind of woman is she?
VIOLA VIOLA
Of your complexion. Shes a lot like you.
ORSINO ORSINO
She is not worth thee, then. What years, i' faith? Shes not good enough for you, then. How old is
she?
VIOLA VIOLA
About your years, my lord. About as old as you are, my lord.
ORSINO ORSINO
Too old by heaven. Let still the woman take Thats definitely too old. A woman should always
An elder than herself. So wears she to him, pick an older man. That way shell adjust herself to
30 So sways she level in her husbands heart. what her husband wants, and the husband will be
For, boy, however we do praise ourselves, happy and faithful to her. Because however much
Our fancies are more giddy and unfirm, we like to brag, boy, the truth is that we men
More longing, wavering, sooner lost and worn, change our minds a lot more than women do, and
Than womens are. our desires come and go a lot faster than theirs.
VIOLA VIOLA
I think it well, my lord. I think youre right, sir.
ORSINO ORSINO
35 Then let thy love be younger than thyself, So find someone younger to love, or you wont be
Or thy affection cannot hold the bent. able to maintain your feelings. Women are like
For women are as roses, whose fair flower roses: the moment their beauty is in full bloom, its
Being once displayed, doth fall that very hour. about to decay.
VIOLA VIOLA
And so they are. Alas, that they are so, Thats true. Its too bad their beauty fades right
40 To die even when they to perfection grow! when it reaches perfection!
Enter CURIO and FOOL CURIO and the FOOL enter.

Act 2, Scene 4, Page 3

ORSINO ORSINO
O, fellow, come, the song we had last night. My friend, sing us the song you sang last night.
Mark it, Cesario, it is old and plain; Listen to it carefully, Cesario, its a simple old
The spinsters and the knitters in the sun song. Spinners and knitters used to sing it while
No Fear Shakespeare Twelfth Night (by SparkNotes) -36-

Original Text Modern Text

And the free maids that weave their thread with bones they sewed, and maidens used to sing it over their
45 Do use to chant it. It is silly sooth, weaving. It tells the simple truth about innocent
And dallies with the innocence of love, love, as it was in the good old days.
Like the old age.
FOOL FOOL
Are you ready, sir? Are you ready, sir?
ORSINO ORSINO
Ay; prithee, sing. Yes. Please, sing.
Music Music plays.
FOOL FOOL
(sings) (he sings)
50 Come away, come away, death, Come on, let me die now
And in sad cypress let me be laid. And put my body in a dark cofn.
Fly away, fy away breath, I feel my breath leaving me.
I am slain by a fair cruel maid. Ive been killed by a beautiful girl.
My shroud of white, stuck all with yew, Prepare my shroud of white,
55 O, prepare it! Adorned with sprigs of yew-tree.
My part of death, no one so true Im the most faithful person
Did share it. Who ever lived or died.
Not a fower, not a fower sweet Dont scatter sweet fowers
On my black cofn let there be strown. On my black cofn.
60 Not a friend, not a friend greet Dont let my friends
My poor corpse, where my bones shall be See my poor corpse.
thrown. I dont want to hear sad sighs,
A thousand thousand sighs to save, So bury me where no sad lovers
Lay me, O, where can fnd my grave to weep over it!

65 Sad true lover never fnd my grave,


To weep there!
ORSINO ORSINO
(giving money) Theres for thy pains. (giving the FOOL money) Heres some money for
your trouble.

Act 2, Scene 4, Page 4

FOOL FOOL
No pains, sir. I take pleasure in singing, sir. No trouble, sir. I like singing.
ORSINO ORSINO
Ill pay thy pleasure then. Then Ill pay you for doing what you like.
FOOL FOOL
Truly, sir, and pleasure will be paid, one time or Well, in that case, all right. We all pay for what we
another. like sooner or later.
ORSINO ORSINO
70 Give me now leave to leave thee. You may leave.
FOOL FOOL
Now, the melancholy god protect thee, and the tailor Ill pray for the god of sadness to protect you, sir.
No Fear Shakespeare Twelfth Night (by SparkNotes) -37-

Original Text Modern Text

make thy doublet of changeable taffeta, for thy mind is And I hope your tailor will make you an outfit out of
a very opal. I would have men of such constancy put fabric that changes color, because your mind is
to sea, that their business might be everything and like an opal that changes colors constantly. Men
their intent everywhere, for thats it that always makes as wonderfully changeable as you are should all
a good voyage of nothing. Farewell. go drifting on the sea, where they can do whatever
comes their way, and go wherever the current
takes them. Those are the men whose trips are
always successful. Goodbye.
Exit The FOOL exits.
ORSINO ORSINO
Let all the rest give place. All the rest of you can leave too.
CURIO and attendants retire CURIO and attendants retire.
Once more, Cesario, Cesario, go visit that cruel Olivia one more time.
Get thee to yond same sovereign cruelty. Tell her my love is purer than anything else in the
Tell her my love, more noble than the world, whole world, and has nothing to do with her
80 Prizes not quantity of dirty lands; property. The wealth shes inherited isnt what
The parts that fortune hath bestowed upon her, makes me value her. Its her rich, jewel-like beauty
Tell her, I hold as giddily as fortune; that attracts me.
But tis that miracle and queen of gems
That nature pranks her in attracts my soul.
VIOLA VIOLA
85 But if she cannot love you, sir? But if she cant love you, sir?

Act 2, Scene 4, Page 5

ORSINO ORSINO
I cannot be so answerd. I refuse to accept that.
VIOLA VIOLA
Sooth, but you must. But you have to. Just imagine some lady might
Say that some lady, as perhaps there is, exist who loves you as powerfully and agonizingly
Hath for your love a great a pang of heart as you love Olivia. But you cant love her, and you
As you have for Olivia. You cannot love her. tell her so. Shouldnt she just accept that?
90 You tell her so. Must she not then be answered?
ORSINO ORSINO
There is no womans sides No woman is strong enough to put up with the
Can bide the beating of so strong a passion kind of intense passion I feel. No womans heart
As love doth give my heart. No womans heart is big enough to hold all my love. Women dont
So big, to hold so much. They lack retention. feel love like thatlove is as shallow as appetite
95 Alas, their love may be called appetite, for them. It has nothing to do with their hearts,
No motion of the liver, but the palate, just their sense of taste. They eat too much and
That suffer surfeit, cloyment, and revolt; get indigestion and nausea. But my loves
But mine is all as hungry as the sea, different. Its as all-consuming and insatiable as
And can digest as much. Make no compare the sea, and it can swallow as much as the sea
100 Between that love a woman can bear me can. Dont compare a womans love for a man
And that I owe Olivia. with my love for Olivia.
No Fear Shakespeare Twelfth Night (by SparkNotes) -38-

Original Text Modern Text

VIOLA VIOLA
Ay, but I know Yes, but I know
ORSINO ORSINO
What dost thou know? What do you know?
VIOLA VIOLA
Too well what love women to men may owe. I know a lot about the love women can feel for
In faith, they are as true of heart as we. men. Actually, their hearts are as sensitive and
105 My father had a daughter loved a man loyal as ours are. My father had a daughter who
As it might be, perhaps, were I a woman, loved a man in the same way that I might love
I should your lordship. you, if I were a woman.
ORSINO ORSINO
And whats her history? And whats her story?

Act 2, Scene 4, Page 6

VIOLA VIOLA
A blank, my lord. She never told her love, There was no story, my lord. She never told him
But let concealment, like a worm i' the bud, she loved him. She kept her love bottled up inside
110 Feed on her damask cheek. She pined in thought, her until it destroyed her, ruining her beauty. She
And with a green and yellow melancholy pined away. She just sat waiting patiently, sadly,
She sat like patience on a monument, smiling despite her sadness. Her complexion
Smiling at grief. Was not this love indeed? turned greenish from depression. Doesnt that
We men may say more, swear more, but indeed sound like true love? We men might talk more
115 Our shows are more than will, for still we prove and promise more, but in fact we talk more than
Much in our vows, but little in our love. we really feel. We might be great at making vows,
but our love isnt sincere.
ORSINO ORSINO
But died thy sister of her love, my boy? But did your sister die of love?
VIOLA VIOLA
I am all the daughters of my fathers house, I am the only daughter in my fathers family, and
And all the brothers tooand yet I know not. all the brothers toobut Im not completely sure
120 Sir, shall I to this lady? about that. Anyway, sir, should I go see the lady?
ORSINO ORSINO
Ay, thats the theme. Yes, go quickly and give her this jewel. Tell her
To her in haste. Give her this jewel. Say my love wont go away and wont be denied. (he
My love can give no place, bide no denay. hands her a jewel)
(he hands her a jewel)
Exeunt They exit.

Act 2, Scene 5

Enter SIR TOBY BELCH, SIR ANDREW, SIR TOBY BELCH, SIR ANDREW,
andFABIAN and FABIANenter.
SIR TOBY BELCH SIR TOBY BELCH
No Fear Shakespeare Twelfth Night (by SparkNotes) -39-

Original Text Modern Text

Come thy ways, Signior Fabian. Come along with us, Signor Fabian.
FABIAN FABIAN
Nay, Ill come. If I lose a scruple of this sport, let me Im coming, dont worry. If I miss this, let me be
be boiled to death with melancholy. boiled alive.
SIR TOBY BELCH SIR TOBY BELCH
Wouldst thou not be glad to have the niggardly Wont you be glad to see that rascal dog
rascally sheep-biter come by some notable shame? humiliated?
FABIAN FABIAN
I would exult, man. You know, he brought me out o' Ill be thrilled. You know, he got me in trouble with
favor with my lady about a bear-baiting here. the lady of the house once when I arranged a
bear-baiting here.
SIR TOBY BELCH SIR TOBY BELCH
To anger him, well have the bear again, and we will Well have another bear-baiting just to make him
fool him black and blue. Shall we not, Sir Andrew? angry, and well mock him till hes black and blue.
Wont we, Sir Andrew?
SIR ANDREW SIR ANDREW
10 An we do not, it is pity of our lives. If we dont, itll be the biggest disappointment of
our lives.
SIR TOBY BELCH SIR TOBY BELCH
Here comes the little villain. Here comes the little villain herself.
Enter MARIA MARIA enters.
How now, my metal of India? How are you, my golden girl?
MARIA MARIA
Get you all three into the boxtree. Malvolios coming Hide behind the boxwood hedge, all three of you.
down this walk. He has been yonder i' the sun Malvolios coming down the path. Hes been over
practising behavior to his own shadow this half hour. there practicing how to act for the past half hour.
Observe him, for the love of mockery, for I know this Watch him carefully if you want to have some fun,
letter will make a contemplative idiot of him. Close, in guys. This letters going to turn him into a starry-
the name of jesting! eyed idiot. Now hide, for Gods sake!

Act 2, Scene 5, Page 2

They hide They all hide.


Lie thou there (throwing down a letter), for here Now, you lie there on the path. (MARIA throws
comes the trout that must be caught with tickling. down a letter) Here comes the fish thats going to
gobble up our bait.
Exit MARIA exits.
Enter MALVOLIO MALVOLIO enters.
MALVOLIO MALVOLIO
20 'Tis but fortune, all is fortune. Maria once told me she Its all luck. Everythings luck. Maria once told me
did affect me, and I have heard herself come thus Olivia was fond of me. Ive almost heard Olivia say
near, that, should she fancy, it should be one of my that herself. She said if she were interested in
complexion. Besides, she uses me with a more someone, it would be someone who looked like
exalted respect than anyone else that follows her. me. Besides, she treats me more respectfully than
What should I think on t? the other servants. Whats the obvious conclusion
No Fear Shakespeare Twelfth Night (by SparkNotes) -40-

Original Text Modern Text

from that?
SIR TOBY BELCH SIR TOBY BELCH
25 (aside) Heres an overweening rogue! (whispering) What an egomaniac!
FABIAN FABIAN
(aside) O, peace! Contemplation makes a rare turkey- (whispering) Shh! When hes alone with his
cock of him. How he jets under his advanced plumes! thoughts, hes even more like a haughty peacock.
Watch him strut!
SIR ANDREW SIR ANDREW
(aside) 'Slight, I could so beat the rogue! (whispering) I swear, Id like to beat the jerk so
hard!
SIR TOBY BELCH SIR TOBY BELCH
(aside) Peace, I say. (whispering) Be quiet!
MALVOLIO MALVOLIO
30 To be Count Malvolio! Just think, I could be Count Malvolio!
SIR TOBY BELCH SIR TOBY BELCH
(aside) Ah, rogue! (whispering) Ah, what a jerk!
SIR ANDREW SIR ANDREW
(aside) Pistol him, pistol him. (whispering) Shoot him, just shoot him.
SIR TOBY BELCH SIR TOBY BELCH
(aside) Peace, peace! (whispering) Shh, shh!

Act 2, Scene 5, Page 3

MALVOLIO MALVOLIO
There is example for t. The lady of the Strachy After all, it wouldnt be the first time that kind of
married the yeoman of the wardrobe. thing has happened. Lady Strachy married her
wardrobe manager.
SIR ANDREW SIR ANDREW
(aside) Fie on him, Jezebel! (whispering) Damn him, the arrogant fool!
FABIAN FABIAN
(aside) O, peace! Now hes deeply in. Look how (whispering) Shh! Weve got him right where we
imagination blows him. want him. Hes on a big ego trip.
MALVOLIO MALVOLIO
Having been three months married to her, sitting in my Just think of me, having been married to her for
state three months, sitting around majestically
SIR TOBY BELCH SIR TOBY BELCH
(aside) Oh, for a stone-bow, to hit him in the eye! (whispering) If only I had a slingshot so I could hit
him in the eye!
MALVOLIO MALVOLIO
Calling my officers about me, in my branched velvet Calling my servants together, wearing an
gown, having come from a daybed, where I have left embroidered robe, having just come from a couch
Olivia sleeping where Ive left Olivia sleeping
SIR TOBY BELCH SIR TOBY BELCH
45 (aside) Fire and brimstone! (whispering) That does it!
FABIAN FABIAN
No Fear Shakespeare Twelfth Night (by SparkNotes) -41-

Original Text Modern Text

(aside) O, peace, peace! (whispering) Oh, be quiet, be quiet!


MALVOLIO MALVOLIO
And then to have the humor of state, and after a Then Id put on a lofty and exalted expression. Id
demure travel of regard, telling them I know my place look around the room calmly, then tell them that I
as I would they should do theirs, to ask for my know my place, and Id like them to know theirs.
kinsman Toby Then Id tell them to go find my cousin Toby
SIR TOBY BELCH SIR TOBY BELCH
50 (aside) Bolts and shackles! (whispering) That really does it!
FABIAN FABIAN
(aside) O peace, peace, peace! Now, now. (whispering) Oh, quiet, quiet! Please, please.

Act 2, Scene 5, Page 4

MALVOLIO MALVOLIO
Seven of my people, with an obedient start, make out Id send seven of my servants to go get him. While
for him. I frown the while, and perchance wind up I waited, Id frown impatiently, and perhaps wind
watch, or play with mysome rich jewel. Toby my watch, or play with mywith some expensive
approaches, curtsies there to me piece of jewelry I happen to be wearing. Toby
would approach me. Hed bow to me
SIR TOBY BELCH SIR TOBY BELCH
(aside) Shall this fellow live? (whispering) Are we going to let this guy live?
FABIAN FABIAN
(aside) Though our silence be drawn from us with (whispering) Yes, we have to be quiet, even if its
cars, yet peace. torture.
MALVOLIO MALVOLIO
I extend my hand to him thus, quenching my familiar I reach out my hand to him like this, giving him a
smile with an austere regard of control stern look instead of my usual friendly smile
SIR TOBY BELCH SIR TOBY BELCH
(aside) And does not Toby take you a blow o' the lips (whispering) And then doesnt Toby punch you in
then? the mouth?
MALVOLIO MALVOLIO
Saying, Cousin Toby, my fortunes having cast me on And Id say to him, Cousin Toby, since Ive been
your niece give me this prerogative of speech lucky enough to marry your niece, I have the right
to say a few things to you
SIR TOBY BELCH SIR TOBY BELCH
(aside) What, what? (whispering) Oh yeah, like what?
MALVOLIO MALVOLIO
65 You must amend your drunkenness. You must stop being such a drunk.
SIR TOBY BELCH SIR TOBY BELCH
(aside) Out, scab! (whispering) Get out of here, you scab!
FABIAN FABIAN
(aside) Nay, patience, or we break the sinews of our (whispering) No, be quiet, or well screw up the
plot. joke.
MALVOLIO MALVOLIO
Besides, you waste the treasure of your time with a And youre wasting your time with that foolish
No Fear Shakespeare Twelfth Night (by SparkNotes) -42-

Original Text Modern Text

foolish knight knight


SIR ANDREW SIR ANDREW
70 (aside) Thats me, I warrant you. (whispering) Thats me, I bet.
MALVOLIO MALVOLIO
One Sir Andrew That Sir Andrew

Act 2, Scene 5, Page 5

SIR ANDREW SIR ANDREW


(aside) I knew twas I, for many do call me fool. (whispering) I knew he was talking about me. A lot
of people call me foolish.
MALVOLIO MALVOLIO
(seeing the letter) What employment have we here? (seeing the letter) Whats this?
FABIAN FABIAN
(aside) Now is the woodcock near the gin. (whispering) Hes taking the bait.
SIR TOBY BELCH SIR TOBY BELCH
75 (aside) O, peace! And the spirit of humors intimate (whispering) Shhh! I hope he reads it out loud, to
reading aloud to him! make it funnier!
MALVOLIO MALVOLIO
(picking up the letter) By my life, this is my ladys hand (picking up the letter) My goodness, this is my
these be her very Cs, her Us and her Ts and thus ladys handwriting! These are her Cs, her Us and
makes she her great Ps. It is, in contempt of her Ts, and thats how she makes her big Ps. Its
question, her hand. definitely her handwriting, no doubt about it.
SIR ANDREW SIR ANDREW
80 (aside) Her Cs, her Us and her Ts. Why that? (whispering) Her Cs, her Us, and her Ts. Why
focus on that?
MALVOLIO MALVOLIO
(reads) To the unknown beloved, this, and my good (reads) To my dear beloved who doesnt know I
wishesHer very phrases! By your leave, wax. Soft! love him, I send you this letter with all my heart
And the impressure her Lucrece, with which she uses Thats exactly how she talks! Excuse me, sealing
to seal. 'Tis my lady. To whom should this be? wax. (he breaks the seal) Wait! This is the stamp
my lady seals her letters withit has a picture of
Lucrece on it. This letter is from Olivia. Who is this
written to?
FABIAN FABIAN
85 (aside) This wins him, liver and all. (whispering) Thisll get him.
MALVOLIO MALVOLIO
(reads) (he reads)
Jove knows I love, God knows I love someone.
But who? But who?
Lips, do not move; I cant let my lips say his name;
90 No man must know. No man must know.

Act 2, Scene 5, Page 6


No Fear Shakespeare Twelfth Night (by SparkNotes) -43-

Original Text Modern Text

MALVOLIO MALVOLIO
No man must know. What follows? The numbers No man must know. What comes after that?
altered. No man must know. If this should be thee, Look, the meter changes in her poem. No man
Malvolio? must know. What if this someone were you,
Malvolio?
SIR TOBY BELCH SIR TOBY BELCH
(aside) Marry, hang thee, brock! (whispering) Go hang yourself, you stinking
badger!
MALVOLIO MALVOLIO
95 (reads) (reading)
I may command where I adore, I may order the one I love.
But silence, like a Lucrece knife, But silence, like a knife, cuts open my heart
With bloodless stroke my heart doth gore; With strokes that draw no blood.
M.O.A.I. doth sway my life. M.O.A.I. rules my life.
FABIAN FABIAN
100 (aside) A fustian riddle! (whispering) What a pretentious riddle!
SIR TOBY BELCH SIR TOBY BELCH
(aside) Excellent wench, say I. (whispering) That Maria has outdone herself!
MALVOLIO MALVOLIO
M.O.A.I. doth sway my life. Nay, but first, let me M.O.A.I. rules my life. Hmm, let me see, let me
see, let me see, let me see. see, let me see.
FABIAN FABIAN
(aside) What dish o' poison has she dressed him! (whispering) What a dish of poison shes mixed
for him!
SIR TOBY BELCH SIR TOBY BELCH
105 (aside) And with what wing the staniel checks at it! (whispering) And look how willingly hes taking the
bait.
MALVOLIO MALVOLIO
I may command where I adore. Why, she may I may command the one I love. Well, she
command me. I serve her, she is my lady. Why, this commands me. Im her servant. Shes my boss.
is evident to any formal capacity. There is no Why, anyone can see what this means. Theres
obstruction in this. And the endwhat should that no ambiguity here. But the end, what do those
alphabetical position portend? If I could make that letters mean? If only I could somehow relate them
resemble something in meSoftly! M.O.A.I. to me! Hmm. M.O.A.I.
SIR TOBY BELCH SIR TOBY BELCH
(aside) O, ay, make up that.He is now at a cold (whispering) Oh, bad dog.Hes losing the scent!
scent.
FABIAN FABIAN
(aside) Sowter will cry upon t for all this, though it be (whispering) Hell find it again, no matter how
as rank as a fox. much it stinks.

Act 2, Scene 5, Page 7

MALVOLIO MALVOLIO
No Fear Shakespeare Twelfth Night (by SparkNotes) -44-

Original Text Modern Text

115 MMalvolio. Mwhy, that begins my name. MMalvolio. Mwhy, thats the first letter in
my name.
FABIAN FABIAN
(aside) Did not I say he would work it out? The cur is (whispering) Didnt I tell you hed figure it out?
excellent at faults. This dogs excellent at following false leads.
MALVOLIO MALVOLIO
M. But then there is no consonancy in the sequel M. But then the next letter isnt the same. A
that suffers under probation A should follow but O should be next, but instead O comes next.
does.
FABIAN FABIAN
120 (aside) And O shall end, I hope. (whispering) And an O like a noose will end this,
I hope.
SIR TOBY BELCH SIR TOBY BELCH
(aside) Ay, or Ill cudgel him and make him cry O! (whispering)Yeah, or Ill beat him up and make
him yell Oh!
MALVOLIO MALVOLIO
And then I comes behind. And then the I comes next.
FABIAN FABIAN
(aside) Ay, an you had any eye behind you, you might (whispering) If you had an I in the back of your
see more detraction at your heels than fortunes head, youd see trouble behind you.
before you.
MALVOLIO MALVOLIO
125 M.O.A.I. This simulation is not as the former, and M.O.A.I. This codes not as easy to crack as the
yet to crush this a little, it would bow to me, for every other one. But if I shake it up a little itll work,
one of these letters are in my name. Soft, here because every one of those letters is in my name.
follows prose. But wait, theres some prose after her poem.
(reads) (he reads)
If this fall into thy hand, revolve. In my stars I am If this letter falls into your hands, think carefully
above thee, but be not afraid of greatness. Some are about what it says. By my birth I rank above you,
born great, some achieve greatness, and some have but dont be afraid of my greatness. Some are
greatness thrust upon 'em. Thy Fates open their born great, some achieve greatness, and some
hands. Let thy blood and spirit embrace them. And, have greatness thrust upon them. Your fate
to inure thyself to what thou art like to be, cast thy awaits you. Accept it in body and spirit. To get
humble slough and appear fresh. Be opposite with a used to the life youll most likely be leading soon,
kinsman, surly with servants. get rid of your low-class trappings. Show some
eagerness for the new upscale lifestyle thats
waiting

Act 2, Scene 5, Page 8

Let thy tongue tang arguments of state. Put thyself for you. Argue with a relative like a nobleman, and
into the trick of singularity. She thus advises thee that be rude to servants. Talk about politics and affairs
sighs for thee. Remember who commended thy of state, and act free and independent. The
yellow stockings and wished to see thee ever cross- woman who advises you to do this loves you.
gartered. I say, remember. Go to, thou art made, if Remember the woman who complimented you on
No Fear Shakespeare Twelfth Night (by SparkNotes) -45-

Original Text Modern Text

thou desirst to be so; if not, let me see thee a your yellow stockings, and said she always
steward still, the fellow of servants, and not worthy to wanted to see you with crisscrossing laces going
touch Fortunes fingers. Farewell. She that would up your legsremember her. Go ahead. A happy
alter services with thee, new life is there if you want it. If you dont want it,
The Fortunate Unhappy just keep acting like a lowly servant whos not
brave enough to grab the happiness there before
him. Goodbye. Signed, she who would be your
servant,
The Fortunate Unhappy.
145 Daylight and champaign discovers not more. This is This is as clear as sunlight in an open field. Ill do
open. I will be proud, I will read politic authors, I will it. Ill be vain and proud, Ill read up on politics, Ill
baffle Sir Toby, I will wash off gross acquaintance, I insult Sir Toby, Ill get rid of my lower-class
will be point- devise the very man. I do not now fool friends, and Ill be the perfect man for her. I know
myself, to let imagination jade me, for every reason Im not fooling myself, or letting myself get carried
excites to this, that my lady loves me. She did away by my imagination, because every clue
commend my yellow stockings of late, she did praise points to the fact that Lady Olivia loves me. She
my leg being cross-gartered, and in this she did compliment me on my yellow stockings
manifests herself to my love, and with a kind of recently, and she said she liked how the
injunction, drives me to these habits of her liking. I crisscross laces looked on my legs. Thats her
thank my stars I am happy. I will be strange, stout, in way of saying she loves me. Oh, I thank my lucky
yellow stockings, and cross-gartered, even with the stars, Im so happy. For her Ill be strange and
swiftness of putting on. Jove and my stars be condescending, and Ill put on my yellow
praised! Here is yet a postscript. stockings and crisscross laces right away. Thank
God and my horoscope! Heres a postscript!.
(reads) (reads)
Thou canst not choose but know who I am. If thou You must have figured out who I am. If you love
entertainest my love, let it appear in thy smiling. Thy me, let me know by smiling at me. Youre so
smiles become thee well. Therefore in my presence attractive when you smile. Please smile whenever
still smile, dear my sweet, I prithee. youre near me, my dearest darling.

Act 2, Scene 5, Page 9

Jove, I thank thee! I will smile. I will do everything Dear God, thank you! Ill do everything she wants
that thou wilt have me. me to do.
Exit MALVOLIO exits.
FABIAN FABIAN
165 I will not give my part of this sport for a pension of I wouldnt have missed this even for a pension of
thousands to be paid from the Sophy. thousands of pounds, to be paid by the shah of
Persia.
SIR TOBY BELCH SIR TOBY BELCH
I could marry this wench for this device. I could marry that Maria for thinking this up.
SIR ANDREW SIR ANDREW
So could I too. So could I.
SIR TOBY BELCH SIR TOBY BELCH
And ask no other dowry with her but such another And I wouldnt ask for any dowry except for her to
No Fear Shakespeare Twelfth Night (by SparkNotes) -46-

Original Text Modern Text

jest. play another trick like this one.


SIR ANDREW SIR ANDREW
170 Nor I neither. Neither would I.
Enter MARIA MARIA enters.
FABIAN FABIAN
Here comes my noble gull-catcher. Here she comes, the brilliant fool-catcher.
SIR TOBY BELCH SIR TOBY BELCH
Wilt thou set thy foot o' my neck? May I kiss your feet?
SIR ANDREW SIR ANDREW
Or o' mine either? And I too?
SIR TOBY BELCH SIR TOBY BELCH
Shall I play my freedom at tray-trip, and become thy Shall I be your slave?
bondslave?
SIR ANDREW SIR ANDREW
I' faith, or I either? Me too.
SIR TOBY BELCH SIR TOBY BELCH
Why, thou hast put him in such a dream that when Youve made him so delusional hell go crazy
the image of it leaves him he must run mad. when he learns the truth.

Act 2, Scene 5, Page 10

MARIA MARIA
Nay, but say true, does it work upon him? Did it really work?
SIR TOBY BELCH SIR TOBY BELCH
180 Like aqua vitae with a midwife. Like medicine for a sick man.
MARIA MARIA
If you will then see the fruits of the sport, mark his If you want to really have some fun, watch him
first approach before my lady. He will come to her in next time hes near Lady Olivia. Hell show up in
yellow stockings, and tis a color she abhors, and yellow stockingsshe hates yellowand with
cross-gartered, a fashion she detests. And he will laces crisscrossing up his legsshe hates that
smile upon her, which will now be so unsuitable to style of dressand hell smile, which will go
her disposition, being addicted to a melancholy as completely against her mood, since shes
she is, that it cannot but turn him into a notable addicted to sadness now. Shell definitely get
contempt. If you will see it, follow me. upset with him. If you want to watch, follow me.
SIR TOBY BELCH SIR TOBY BELCH
To the gates of Tartar, thou most excellent devil of Id follow you to the gates of Hell, you sneaky little
wit! devil!
SIR ANDREW SIR ANDREW
Ill make one too. Ill come too.
Exeunt They all exit.

Act 3, Scene 1

Enter VIOLA, and the FOOL playing with a tabor VIOLA and the FOOL, playing a drum, enter.
No Fear Shakespeare Twelfth Night (by SparkNotes) -47-

Original Text Modern Text

VIOLA VIOLA
Save thee, friend, and thy music. Dost thou live by thy God bless you, my friend, and your music too. Do
tabour? you make your living by playing that drum?
FOOL FOOL
No, sir, I live by the church. No, sir, I live by the church.
VIOLA VIOLA
Art thou a churchman? Oh, youre a clergyman?
FOOL FOOL
5 No such matter, sir. I do live by the church; for I do live No, I live by the church because I live in a house,
at my house, and my house doth stand by the church. and my house is by the church.
VIOLA VIOLA
So thou mayst say the king lies by a beggar if a You could just as easily say that a king sleeps
beggar dwell near him, or the church stands by thy near a beggar if the beggar lives near him, or that
tabor, if thy tabor stand by the church. the church is supported by your drum because it
stands by your drum.
FOOL FOOL
10 You have said, sir. To see this age! A sentence is but Youre right, sir. What a wonderful time to be alive!
a cheveril glove to a good wit. How quickly the wrong Sentences can be turned inside out so easily
side may be turned outward! nowadays!
VIOLA VIOLA
Nay, thats certain. They that dally nicely with words Thats true. People who fool around with words
may quickly make them wanton. too much can make words act like whores
changing all the time, and immoral too.
FOOL FOOL
15 I would therefore my sister had no name, sir. Thats why I wish my sister didnt have a name, sir.
VIOLA VIOLA
Why, man? Why, man?

Act 3, Scene 1, Page 2

FOOL FOOL
Why, sir, her names a word, and to dally with that Well, her names a word, and if you fooled around
word might make my sister wanton. But, indeed, with it you might make her into a whore. But, you
words are very rascals since bonds disgraced them. know, words have been rascals ever since people
started using written contracts rather than their
word of honor.
VIOLA VIOLA
20 Thy reason, man? Why do you say that?
FOOL FOOL
Troth, sir, I can yield you none without words, and Honestly, sir, Id need to use words to explain why,
words are grown so false, I am loath to prove reason and since words are so unreliable and false, Id
with them. rather avoid using them in a serious discussion.
VIOLA VIOLA
I warrant thou art a merry fellow and carest for I bet youre a happy fellow who doesnt care about
nothing. anything.
No Fear Shakespeare Twelfth Night (by SparkNotes) -48-

Original Text Modern Text

FOOL FOOL
Not so, sir, I do care for something. But in my Youre wrong, sir, I do care about something. But
conscience, sir, I do not care for you. If that be to care Ill admit I dont care for you. If that means I dont
for nothing, sir, I would it would make you invisible. care about anything, you should disappear right
now, since youre nothing.
VIOLA VIOLA
Art not thou the Lady Olivias fool? Arent you Lady Olivias fool?
FOOL FOOL
No, indeed, sir; the Lady Olivia has no folly. She will No, sir. Lady Olivia doesnt want to have anything
keep no fool, sir, till she be married, and fools are as to do with foolishness. So she wont have a fool
like husbands as pilchards are to herrings; the until she gets married. Fools are to husbands as
husbands the bigger: I am indeed not her fool, but her anchovies are to sardineshusbands are the
corrupter of words. bigger ones. Im not her fool. I just make words
into whores for her.
VIOLA VIOLA
I saw thee late at the Count Orsinos. I saw you at Count Orsinos recently.

Act 3, Scene 1, Page 3

FOOL FOOL
Foolery, sir, does walk about the orb like the sun. It Im everywhere. Foolishness is all over the world,
shines everywhere. I would be sorry, sir, but the fool just like sunshine. Id be sorry if people thought
should be as oft with your master as with my mistress: your master was less familiar with foolishness
I think I saw your wisdom there. than my mistress is. I think I saw you there, you
wise man.
VIOLA VIOLA
Nay, an thou pass upon me, Ill no more with thee. Oh no, if youre joking around with me, Im leaving.
Hold, theres expenses for thee. Wait, heres a coin for you.
FOOL FOOL
Now Jove, in his next commodity of hair, send thee a Next time God sends out a shipment of hair, I
beard! hope he gives you a beard!
VIOLA VIOLA
40 By my troth, Ill tell thee, I am almost sick for one, Oh, I know. Seriously, Im dying for one, (to
(aside) though I would not have it grow on my chin. (to herself) I mean, Im dying for a man who has a
fool) Is thy lady within? beard; I dont want one to grow on my chin. (to
the FOOL) Is Lady Olivia inside?
FOOL FOOL
Would not a pair of these have bred, sir? If I had two of these coins, do you think theyd
breed more coins?
VIOLA VIOLA
Yes, being kept together and put to use. Yes, if you kept them together and invested them.
FOOL FOOL
45 I would play Lord Pandarus of Phrygia, sir, to bring a Id like to be like that famous pimp, Lord Pandarus,
Cressida to this Troilus. and get a Cressida for my Troilus.
VIOLA VIOLA
No Fear Shakespeare Twelfth Night (by SparkNotes) -49-

Original Text Modern Text

(giving him money) I understand you, sir. 'Tis well (giving the FOOL money) I get what youre driving
begged. at, sir. Youre a very clever beggar.
FOOL FOOL
The matter, I hope, is not great, sir, begging but a It shouldnt be too much to ask; Im only begging
beggar. Cressida was a beggar. My lady is within, sir. I for a beggar. They say Cressida became a beggar
will construe to them whence you come. Who you are in her old age. My lady Olivias inside, sir. Ill tell
and what you would are out of my welkin, I might say them where you come from, though I dont know
element, but the word is overworn. who you are or what you want. Id say I was out of
my element, but that phrase is overused, so Ill
say Im out of my air.
Exit The FOOL exits.

Act 3, Scene 1, Page 4

VIOLA VIOLA
This fellow is wise enough to play the fool, This guys wise enough to play the fool, and only
And to do that well craves a kind of wit. clever people can do that. He pays attention to the
55 He must observe their mood on whom he jests, mood and social rank of the person hes joking
The quality of persons, and the time, with, and also to the time of day. And he doesnt
And, like the haggard, check at every feather let go of his target when a distraction appears. His
That comes before his eye. This is a practise job requires as much effort and skill as any wise
As full of labor as a wise mans art, mans occupation could. And he shows hes very
60 For folly that he wisely shows is fit. smart at playing the fool, while smart people look
But wise men, folly-fall'n, quite taint their wit. stupid when they play the fool.
Enter SIR TOBY BELCH, and SIR ANDREW SIR TOBY BELCH and SIR ANDREW enter.
SIR TOBY BELCH SIR TOBY BELCH
Save you, gentleman. Hello, sir.
VIOLA VIOLA
And you, sir. Hello to you too, sir.
SIR ANDREW SIR ANDREW
Dieu vous garde, monsieur. (speaking in French) May God protect you, sir.
VIOLA VIOLA
65 Et vous aussi. Votre serviteur! (speaking in French) And you too, sir. Im at your
service.
SIR ANDREW SIR ANDREW
I hope, sir, you are, and I am yours. (stammering) Oh, good, I am too.
SIR TOBY BELCH SIR TOBY BELCH
Will you encounter the house? My niece is desirous My niece would like you to come in to the house, if
you should enter, if your trade be to her. your business here has to do with her.
VIOLA VIOLA
I am bound to your niece, sir. I mean, she is the list of Im headed for your niece, sir. Shes the reason
my voyage. Im here.
SIR TOBY BELCH SIR TOBY BELCH
Taste your legs, sir. Put them to motion. Taste your legs, sir. Please go inside.
No Fear Shakespeare Twelfth Night (by SparkNotes) -50-

Original Text Modern Text

Act 3, Scene 1, Page 5

VIOLA VIOLA
My legs do better understand me, sir, than I Taste my legs? My legs stand under me, but I
understand what you mean by bidding me taste my dont understand what taste your legs means.
legs.
SIR TOBY BELCH SIR TOBY BELCH
I mean, to go, sir, to enter. I mean please go into the house, sir.
VIOLA VIOLA
75 I will answer you with gait and entrance. But we are I will. But now we dont have to!
prevented.
Enter OLIVIA and MARIA OLIVIA and MARIA enter.
Most excellent accomplished lady, the heavens rain Oh, beautiful and accomplished lady, may the
odors on you! heavens rain odors upon you!
SIR ANDREW SIR ANDREW
(aside) That youths a rare courtier. Rain odors. Well. (to himself) That young mans classy. Rain
odors. Thats good.
VIOLA VIOLA
80 My matter hath no voice, lady, but to your own most My message is not for anyone else to hear, my
pregnant and vouchsafed ear. lady. Its only for your willing and receptive ear.
SIR ANDREW SIR ANDREW
(aside) Odors, pregnant, and vouchsafed. Ill get (to himself) Odors, willing, and deserving. Ill
'em all three all ready. have to remember those words so I can use them
later myself.
OLIVIA OLIVIA
Let the garden door be shut, and leave me to my Close the garden door and leave me alone to hear
hearing. his message.
Exeunt SIR TOBY BELCH, SIR ANDREW, SIR TOBY BELCH, SIR ANDREW,
andMARIA and MARIAexit.
85 Give me your hand, sir. Give me your hand, sir.
VIOLA VIOLA
My duty, madam, and most humble service. I give you my obedience and my humble service,
madam.
OLIVIA OLIVIA
What is your name? Whats your name?

Act 3, Scene 1, Page 6

VIOLA VIOLA
Cesario is your servants name, fair princess. Cesario is my nameyour servants namefair
princess.
OLIVIA OLIVIA
My servant, sir! 'Twas never merry world My servant! The worlds gone downhill since fake
90 Since lowly feigning was calld compliment. humility started passing for compliments. Youre
No Fear Shakespeare Twelfth Night (by SparkNotes) -51-

Original Text Modern Text

Youre servant to the Count Orsino, youth. not my servant, young man. Youre Count
Orsinos servant.
VIOLA VIOLA
And he is yours, and his must needs be yours: But hes your servant, so everything thats his
Your servants servant is your servant, madam. must be yours too. Your servants servant is your
servant, madam.
OLIVIA OLIVIA
For him, I think not on him. For his thoughts, As for him, I never think about him. As for his
95 Would they were blanks, rather than filld with me. thoughts, I wish hed think about nothing at all
rather than think about me all the time.
VIOLA VIOLA
Madam, I come to whet your gentle thoughts Madam, Ive come here to try to make you like
On his behalf. him.
OLIVIA OLIVIA
O, by your leave, I pray you, Oh, please, Im begging you, dont mention him
I bade you never speak again of him. again. But if you want to tell me that someone
But, would you undertake another suit, else loves me, Id enjoy hearing that more than Id
100 I had rather hear you to solicit that enjoy listening to angels sing.
Than music from the spheres.
VIOLA VIOLA
Dear lady My dear lady
OLIVIA OLIVIA
Give me leave, beseech you. I did send, Please let me say something, Im begging you.
After the last enchantment you did here, After you cast your magic spell on me last time, I
A ring in chase of you. So did I abuse sent you a ring. I fear it was a mistake, since I
105 Myself, my servant, and, I fear me, you: tricked my servant, myself, and you too. You
Under your hard construction must I sit, probably think poorly of me after I forced that ring
To force that on you, in a shameful cunning on you with such outrageous trickery. What else
Which you knew none of yours. What might you could you possibly think of me?
think?

Act 3, Scene 1, Page 7

Have you not set mine honor at the stake, Havent you totally dismissed my honor and
110 And baited it with all the unmuzzled thoughts integrity in your anger? For someone as intelligent
That tyrannous heart can think? To one of your as you the situation must be clear enough. Im
receiving wearing my heart on my sleeve, and I cant hide
Enough is shown. A cypress, not a bosom, my feelings. So let me hear what you have to say.
Hides my heart. So, let me hear you speak.
VIOLA VIOLA
I pity you. I feel sorry for you.
OLIVIA OLIVIA
Thats a degree to love. Thats a step in the direction of love.
VIOLA VIOLA
115 No, not a grize. For tis a vulgar proof No, not at all. Its a perfectly ordinary experience
No Fear Shakespeare Twelfth Night (by SparkNotes) -52-

Original Text Modern Text

That very oft we pity enemies. for us to feel sorry for our enemies.
OLIVIA OLIVIA
Why then methinks tis time to smile again. Well, enough of my whining then. Thats that! I
O world, how apt the poor are to be proud! was getting carried away with fantasies I didnt
If one should be a prey, how much the better deserve to have. But I should consider myself
120 To fall before the lion than the wolf! (clock strikes) lucky. Its much better to be destroyed by a noble
The clock upbraids me with the waste of time. enemy than by a cruel and heartless one. (a
Be not afraid, good youth, I will not have you. clock strikes) Listen to that, the clocks scolding
And yet when wit and youth is come to harvest, me for wasting my time loving you. Dont worry,
Your wife is like to reap a proper man. young man, I wont stalk you. And when youre
125 There lies your way, due west. older and wiser and ready for marriage, your
future wife will have a fine husband. Theres the
way back home for you, due west.
VIOLA VIOLA
Then westward ho! Then west is where Im headed! I wish you all the
Grace and good disposition attend your ladyship! best. You do
Youll nothing, madam, to my lord by me?
OLIVIA OLIVIA
Stay, I prithee, tell me what thou thinkest of me. Stay, Please, tell me what you think of me.
VIOLA VIOLA
That you do think you are not what you are. I think youre denying what you really are.
OLIVIA OLIVIA
130 If I think so, I think the same of you. If thats true, I think the same thing about you.
VIOLA VIOLA
Then think you right: I am not what I am. Youre right. I am not what I am.
OLIVIA OLIVIA
I would you were as I would have you be! I wish you were what I wanted you to be!

Act 3, Scene 1, Page 8

VIOLA VIOLA
Would it be better, madam, than I am? Would it be better if I were that, instead of what I
I wish it might, for now I am your fool. am? I wish I were something better, because right
now Im a big fool.
OLIVIA OLIVIA
135 (aside) Oh, what a deal of scorn looks beautiful (to herself) Oh, how beautiful he is even when
In the contempt and anger of his lip! hes angry and full of contempt! A murderer can
A murderous guilt shows not itself more soon hide his guilt longer than someone in love can
Than love that would seem hid. Loves night is noon. hide her love. Love shines brightly and cant be
(to VIOLA) Cesario, by the roses of the spring, hidden. (to VIOLA) Cesario, I swear by the spring
140 By maidhood, honor, truth, and everything, roses, by virginity, honor, truth, and everything, I
I love thee so, that, maugre all thy pride, swear I love you. I love you so much that I cant
Nor wit nor reason can my passion hide. hide my passion for you, as clever as I am. Dont
Do not extort thy reasons from this clause, assume that because Im pursuing you theres no
For that I woo, thou therefore hast no cause, reason to pursue me. Put two and two together
No Fear Shakespeare Twelfth Night (by SparkNotes) -53-

Original Text Modern Text

145 But rather reason thus with reason fetter. and realize that asking for love is good, but
Love sought is good, but given unsought better. getting it without asking is much better.
VIOLA VIOLA
By innocence I swear, and by my youth And I swear by my youth and innocence that Ive
I have one heart, one bosom, and one truth, only got one heart and one love to give, and that
And that no woman has, nor never none Ive never given them to a woman and never will.
150 Shall mistress be of it, save I alone. So goodbye, my lady. I wont ever come to
And so adieu, good madam. Nevermore complain about my lords love for you again.
Will I my masters tears to you deplore.
OLIVIA OLIVIA
Yet come again, for thou perhaps mayst move Then come again for another reason. You might
That heart, which now abhors, to like his love. still be able to make yourself fall in love with me,
the person he loves, even though you hate me
now.
Exeunt They exit.

Act 3, Scene 2

Enter SIR TOBY BELCH, SIR ANDREW, SIR TOBY BELCH, SIR ANDREW,
andFABIAN and FABIANenter.
SIR ANDREW SIR ANDREW
No, faith, Ill not stay a jot longer. No, I wont stay a second longer.
SIR TOBY BELCH SIR TOBY BELCH
Thy reason, dear venom, give thy reason. Why are you leaving, my angry friend?
FABIAN FABIAN
You must needs yield your reason, Sir Andrew. Yes, you have to tell us why, Sir Andrew.
SIR ANDREW SIR ANDREW
Marry, I saw your niece do more favors to the Counts Well, because I saw your niece Olivia treat the
servingman than ever she bestowed upon me. I saw t counts messenger better than shes ever treated
i' the orchard. me. I saw it in the orchard.
SIR TOBY BELCH SIR TOBY BELCH
Did she see thee the while, old boy? Tell me that. Did she see you there the whole time, old boy?
Tell me that.
SIR ANDREW SIR ANDREW
As plain as I see you now. Yes, she saw me quite clearly.
FABIAN FABIAN
This was a great argument of love in her toward you. Well, that proves shes in love with you.
SIR ANDREW SIR ANDREW
10 'Slight, will you make an ass o' me? Are you trying to make fun of me?
FABIAN FABIAN
I will prove it legitimate, sir, upon the oaths of No, Ill prove it with airtight evidence and logical
judgment and reason. argument.
SIR TOBY BELCH SIR TOBY BELCH
And they have been grand-jurymen since before Noah And you cant deny evidence and argument
was a sailor. Theyve been around since Noahs ark.
No Fear Shakespeare Twelfth Night (by SparkNotes) -54-

Original Text Modern Text

FABIAN FABIAN
15 She did show favor to the youth in your sight only to She flirted with the messenger boy to exasperate
exasperate you, to awake your dormouse valor, to put you, fire up your passions, and make you angry
fire in your heart and brimstone in your liver. You and jealous. You should have run up to her,
should then have accosted her, and with some unleashed a few excellent quips invented on the
excellent jests, fire-new from the mint, you should spot, and rendered the young man speechless.
have banged the youth into dumbness.

Act 3, Scene 2, Page 2

This was looked for at your hand, and this was balked. Thats what she was expecting, and you let her
The double gilt of this opportunity you let time wash down. You wasted a golden opportunity, and now
off, and you are now sailed into the north of my ladys my lady thinks badly of you. You can only raise her
opinion, where you will hang like an icicle on a opinion of you with some impressive act of
Dutchmans beard, unless you do redeem it by some courage or complicated intrigue.
laudable attempt either of valor or policy.
SIR ANDREW SIR ANDREW
An t be any way, it must be with valor, for policy I Ill have to do something courageous then,
hate. I had as lief be a Brownist as a politician. because I hate intrigue. Id rather be a heretic than
a schemer with fancy plots.
SIR TOBY BELCH SIR TOBY BELCH
Why, then, build me thy fortunes upon the basis of Well then, improve your situation with a show of
valor. Challenge me the counts youth to fight with courage. Challenge the counts young servant to a
him. Hurt him in eleven places. My niece shall take fight. Hurt him in eleven different places. My niece
note of it, and assure thyself, there is no love-broker in Olivia will notice, and let me tell you, no
the world can more prevail in mans commendation matchmaker in the world can get you a woman
with woman than report of valor. faster than a reputation for courage.
FABIAN FABIAN
35 There is no way but this, Sir Andrew. Its really the only way, Sir Andrew.
SIR ANDREW SIR ANDREW
Will either of you bear me a challenge to him? Will either of you give him the message that Im
challenging him to a duel?
SIR TOBY BELCH SIR TOBY BELCH
Go, write it in a martial hand. Be curst and brief. It is Go ahead and write it down. Make your
no matter how witty, so it be eloquent and full of handwriting look like a soldiers. Be pointed and
invention. Taunt him with the license of ink. If thou brief. It doesnt need to be witty as long as its
thou-est him some thrice, it shall not be amiss; and eloquent and imaginative. Taunt him as much as
as many lies as will lie in thy sheet of paper, although you want, since youre only doing it in writing. Its
the sheet were big enough for the bed of Ware in fine if you refer to him as thou instead
England, set 'em down. Go, about it. Let there be gall ofyou. Write down as many lies as you can fit on
enough in thy ink, though thou write with a goose-pen, a sheet of paper. Go ahead, get on with it. You
no matter. About it. may be using an ordinary pen, but you can fill it
with poison ink. Now get busy.
SIR ANDREW SIR ANDREW
45 Where shall I find you? Where will I find you when Ive finished it?
No Fear Shakespeare Twelfth Night (by SparkNotes) -55-

Original Text Modern Text

Act 3, Scene 2, Page 3

SIR TOBY BELCH SIR TOBY BELCH


Well call thee at the cubiculo. Go. Well come find you in the bedroom. Go on.
Exit SIR ANDREW SIR ANDREW exits.
FABIAN FABIAN
This is a dear manikin to you, Sir Toby. This precious little guy is putty in your hands, Sir
Toby.
SIR TOBY BELCH SIR TOBY BELCH
I have been dear to him, lad, some two thousand He must like me, since hes let me spend two
strong, or so. thousand of his ducats.
FABIAN FABIAN
50 We shall have a rare letter from him: but youll not His letters going to be hilarious. But youre not
deliver t? going to deliver it, are you?
SIR TOBY BELCH SIR TOBY BELCH
Never trust me, then. And by all means stir on the Never trust me again if I dont. And by all means
youth to an answer. I think oxen and wainropes see if you can get the young man to answer it. I
cannot hale them together. For Andrew, if he were dont think a team of oxen could get them close
opened and you find so much blood in his liver as will enough to fight. If you dissected Andrew and
clog the foot of a flea, Ill eat the rest of the anatomy. found enough red blood in his liver for a flea to
eat, then Id eat the rest of his corpse. Hes a
coward.
FABIAN FABIAN
And his opposite, the youth, bears in his visage no And his opponent, the young messenger, doesnt
great presage of cruelty. look like hed be very aggressive in a fight.
Enter MARIA MARIA enters.
SIR TOBY BELCH SIR TOBY BELCH
Look where the youngest wren of nine comes. Here comes my little bird.
MARIA MARIA
60 If you desire the spleen, and will laugh yourself into Listen, if you want a good laughand I mean a
stitches, follow me. Yond gull Malvolio is turned side-splitting onethen follow me. That gullible
heathen, a very renegado. For there is no Christian idiot Malvolio must have renounced Christianity,
that means to be saved by believing rightly can ever since no Christian could do such outrageous
believe such impossible passages of grossness. Hes things as hes doing. Hes wearing yellow
in yellow stockings. stockings.

Act 3, Scene 2, Page 4

SIR TOBY BELCH SIR TOBY BELCH


65 And cross-gartered? With crisscrossed laces?
MARIA MARIA
Most villanously, like a pedant that keeps a school i' Oh, he looks like a pathetic Sunday school
the church. I have dogged him, like his murderer. He teacher. Ive stalked him like a murderer, and hes
does obey every point of the letter that I dropped to done everything the letter told him to. He smiles
No Fear Shakespeare Twelfth Night (by SparkNotes) -56-

Original Text Modern Text

betray him. He does smile his face into more lines so much his face has more lines in it than a map
than is in the new map with the augmentation of the of the East Indies. Youve never seen anything like
Indies. You have not seen such a thing as tis. I can it. I can hardly keep myself from throwing things at
hardly forbear hurling things at him. I know my lady him. I know that my ladys going to end up hitting
will strike him. If she do, hell smile and take t for a him. And when she does, hell imagine shes
great favor. flirting with him.
SIR TOBY BELCH SIR TOBY BELCH
Come, bring us, bring us where he is. Come on, take us to him.
Exeunt They all exit.

Act 3, Scene 3

Enter SEBASTIAN and ANTONIO SEBASTIAN and ANTONIO enter.


SEBASTIAN SEBASTIAN
I would not by my will have troubled you, I really didnt want to inconvenience you. But since
But, since you make your pleasure of your pains, you seem to enjoy helping me, I wont nag you to
I will no further chide you. stop any more.
ANTONIO ANTONIO
I could not stay behind you. My desire, I couldnt stay behind after you left. I just felt a
5 More sharp than fild steel, did spur me forth. sharp desire to follow you. It wasnt just that I
And not all love to see you, though so much wanted to see you, though I very much did want
As might have drawn one to a longer voyage, that. I was also worried about what might happen
But jealousy what might befall your travel, to you while you were traveling, since youre not
Being skilless in these parts, which to a stranger, familiar with this area, and its rough and
10 Unguided and unfriended, often prove unwelcoming to a stranger with no guide. I
Rough and unhospitable. My willing love, followed you because I love you and I was worried
The rather by these arguments of fear, about you.
Set forth in your pursuit.
SEBASTIAN SEBASTIAN
My kind Antonio, My friend Antonio, all I can say is thank you. I
I can no other answer make but thanks, know words are cheap. If I had any money Id
15 And thanks, and ever thanks. And oft good turns back up my gratitude with cash. Anyway, what
Are shuffled off with such uncurrent pay. should we do? Should we go see the sights in the
But were my worth as is my conscience, firm, town?
You should find better dealing. Whats to do?
Shall we go see the relics of this town?
ANTONIO ANTONIO
20 Tomorrow, sir. Best first go see your lodging. We can do that tomorrow, sir. First we should
make sure you have somewhere to stay.
SEBASTIAN SEBASTIAN
I am not weary, and tis long to night: Im not tired, and night is a long time away. Come
I pray you, let us satisfy our eyes on, lets go see the sights.
With the memorials and the things of fame
That do renown this city.
No Fear Shakespeare Twelfth Night (by SparkNotes) -57-

Original Text Modern Text

Act 3, Scene 3, Page 2

ANTONIO ANTONIO
Would youd pardon me; Im sorry, but I cant. You see, its dangerous for
25 I do not without danger walk these streets: me to walk in these streets. Once in a battle at sea
Once in a sea-fight 'gainst the Count his galleys I did a lot of damage to Count Orsinos warships. If
I did some service, of such note indeed, they arrested me here, itd be the end of me.
That were I ta'en here it would scarce be answered.
SEBASTIAN SEBASTIAN
Belike you slew great number of his people? You probably killed a lot of his men?
ANTONIO ANTONIO
30 The offence is not of such a bloody nature; No, I didnt do anything as violent as that, though
Albeit the quality of the time and quarrel we wouldve been justified in shedding a little
Might well have given us bloody argument. blood over the matter. The whole quarrel might
It might have since been answered in repaying have been resolved since then when we repaid
What we took from them, which, for traffics sake, what we stole from themwhich most of our city
35 Most of our city did. Only myself stood out; did, for the sake of friendly trade relations. I was
For which, if I be lapsd in this place, the only one who refused to give back what I stole.
I shall pay dear. Thats why Ill pay dearly if they find me here.
SEBASTIAN SEBASTIAN
Do not then walk too open. Then dont make yourself too conspicuous.
ANTONIO ANTONIO
It doth not fit me. Hold, sir, heres my purse. Youre right. Hang on a minute, heres some
(giving him money) money for you. (he gives SEBASTIAN money)The
40 In the south suburbs, at the Elephant, best place to stay around here is an inn called the
Is best to lodge. I will bespeak our diet, Elephant, in the suburbs south of the city. Ill
Whiles you beguile the time and feed your knowledge arrange for our meals while you enjoy yourself and
With viewing of the town. There shall you have me. educate yourself by looking at the town. Youll find
me at the Elephant.
SEBASTIAN SEBASTIAN
Why I your purse? Why are you giving me your purse?
ANTONIO ANTONIO
45 Haply your eye shall light upon some toy Maybe youll see some little trinket you want to
You have desire to purchase, and your store, buy. I doubt youve got enough money for little
I think, is not for idle markets, sir. purchases like that.
SEBASTIAN SEBASTIAN
Ill be your purse-bearer and leave you Ill hold on to your money and leave you for an
For an hour. hour.

Act 3, Scene 3, Page 3

ANTONIO ANTONIO
To the Elephant. Well meet at the Elephant.
SEBASTIAN SEBASTIAN
No Fear Shakespeare Twelfth Night (by SparkNotes) -58-

Original Text Modern Text

I do remember. I remember.
Exeunt They exit.

Act 3, Scene 4

Enter OLIVIA and MARIA OLIVIA and MARIA enter.


OLIVIA OLIVIA
I have sent after him. He says hell come. Ive sent for him. He says hell come. What kind of
How shall I feast him? What bestow of him? food should I serve him? What presents should I
For youth is bought more oft than begged or borrowd. give him? Its easier to buy young people than to
I speak too loud. beg or borrow them. Oh, Im talking too loud.
5 Wheres Malvolio? He is sad and civil Wheres Malvolio? Hes very serious, which is right
And suits well for a servant with my fortunes. for someone in mourning like me. Where is
Where is Malvolio? Malvolio?
MARIA MARIA
Hes coming, madam; but in very strange manner. He Hes coming, madam; but hes acting very
is sure possessed, madam. strangely. He must be possessed by the devil.
OLIVIA OLIVIA
10 Why, whats the matter? Does he rave? Why, whats the matter with him? Is he talking
nonsense?
MARIA MARIA
No, madam, he does nothing but smile. Your ladyship No, he just smiles. You should have a guard
were best to have some guard about you if he come, nearby if he comes in here, because hes clearly
for sure the man is tainted in s wits. disturbed.
OLIVIA OLIVIA
Go call him hither. Ask him in here.
Exit MARIA MARIA exits.
I am as mad as he, Im as crazy as he is, if sad craziness and happy
15 If sad and merry madness equal be. craziness are equivalent.
Enter MARIA, with MALVOLIO MARIA enters with MALVOLIO.
How now, Malvolio? Whats going on, Malvolio?
MALVOLIO MALVOLIO
Sweet lady, ho, ho. Hello, sweet lady.

Act 3, Scene 4, Page 2

OLIVIA OLIVIA
Smilest thou? I sent for thee upon a sad occasion. Youre smiling? I sent for you about a sad
occasion.
MALVOLIO MALVOLIO
Sad, lady! I could be sad. This does make some Sad, my lady! I could be sad if I wanted to be.
obstruction in the blood, this cross-gartering, but what These crisscrossing laces do cut off the circulation
of that? If it please the eye of one, it is with me as the in my legs a bit, but who cares? As the sonnet
very true sonnet is, Please one, and please all. says, If you please one special person, you
No Fear Shakespeare Twelfth Night (by SparkNotes) -59-

Original Text Modern Text

please everyone who matters.


OLIVIA OLIVIA
Why, how dost thou, man? What is the matter with Why, whats going on? Whats the matter with
thee? you?
MALVOLIO MALVOLIO
Not black in my mind, though yellow in my legs. It did My legs may be yellow, but I dont feel blue. It was
come to his hands, and commands shall be executed. addressed to him, and orders must be obeyed. I
I think we do know the sweet Roman hand. think we know whose fancy handwriting that was.
OLIVIA OLIVIA
Wilt thou go to bed, Malvolio? Dont you think you should go to bed, Malvolio?
MALVOLIO MALVOLIO
To bed? Ay, sweetheart, and Ill come to thee. To bed! Yes, sweetheart, Ill come to you.
OLIVIA OLIVIA
God comfort thee! Why dost thou smile so, and kiss For heavens sake, why are you smiling like that
thy hand so oft? and kissing your hand so much?
MARIA MARIA
How do you, Malvolio? How are you feeling, Malvolio?
MALVOLIO MALVOLIO
At your request! Yes, nightingales answer daws! Youre asking me! Noble people dont answer to
peasants!
MARIA MARIA
Why appear you with this ridiculous boldness before Why are you acting so brazen toward my lady?
my lady?
MALVOLIO MALVOLIO
35 Be not afraid of greatness. 'Twas well writ. Dont be afraid of greatness. That was well
written.
OLIVIA OLIVIA
What meanest thou by that, Malvolio? What do you mean by that, Malvolio?
MALVOLIO MALVOLIO
Some are born great Some are born great

Act 3, Scene 4, Page 3

OLIVIA OLIVIA
Ha? What?
MALVOLIO MALVOLIO
Some achieve greatness Some achieve greatness
OLIVIA OLIVIA
40 What sayest thou? What are you saying?
MALVOLIO MALVOLIO
And some have greatness thrust upon them. And some have greatness thrust upon them.
OLIVIA OLIVIA
Heaven restore thee! Heaven help you!
MALVOLIO MALVOLIO
Remember who commended thy yellow stockings Remember who liked your yellow stockings
No Fear Shakespeare Twelfth Night (by SparkNotes) -60-

Original Text Modern Text

OLIVIA OLIVIA
Thy yellow stockings? Your yellow stockings?
MALVOLIO MALVOLIO
45 And wished to see thee cross-gartered. And wanted to see you with laces crisscrossed
over your legs.
OLIVIA OLIVIA
Cross-gartered? Crisscrossed?
MALVOLIO MALVOLIO
Go to, thou art made, if thou desirest to be so Go ahead. A happy new life is there if you want it

OLIVIA OLIVIA
Am I made? Am I a new life?
MALVOLIO MALVOLIO
If not, let me see thee a servant still. If you dont want it, just keep acting like a lowly
servant.
OLIVIA OLIVIA
50 Why, this is very midsummer madness. This is completely insane.
Enter SERVANT SERVANT enters.
SERVANT SERVANT
Madam, the young gentleman of the Count Orsinos is Madam, Count Orsinos young messenger has
returned. I could hardly entreat him back. He attends returned. It was hard to get him to come back, but
your ladyships pleasure. hes here now, waiting for you.

Act 3, Scene 4, Page 4

OLIVIA OLIVIA
Ill come to him. Ill go to him.
Exit SERVANT SERVANT exits.
55 Good Maria, let this fellow be looked to. Wheres my Maria, take care of this poor fellow here. Wheres
cousin Toby? Let some of my people have a special my cousin Toby? Have some of my servants take
care of him. I would not have him miscarry for the half care of Malvolio. Id give half my dowry to keep
of my dowry. anything bad from happening to him.
Exeunt OLIVIA and MARIA OLIVIA and MARIA exit.
MALVOLIO MALVOLIO
Oh, ho! Do you come near me now? No worse man Oh ho! Look at me now! No less a person than Sir
than Sir Toby to look to me. This concurs directly with Toby, Lady Olivias own relative, is going to take
the letter. She sends him on purpose that I may care of me. This is just what the letter said. Shes
appear stubborn to him, for she incites me to that in sending him to me on purpose, so I can be rude to
the letter. Cast thy humble slough, says she. Be him just like she said in the letter. Get rid of your
opposite with a kinsman, surly with servants. Let thy low-class trapping, she said. Argue with a
tongue tang with arguments of state. Put thyself into relative of mine like a nobleman, and be rude to
the trick of singularity, and consequently sets down servants. Talk about politics and affairs of state,
the manner how: as, a sad face, a reverend carriage, and act free and independent. And then she
a slow tongue, in the habit of some sir of note, and so explains how to do it: I should have a serious face
forth. I have limed her, but it is Joves doing, and Jove and dignified demeanor, well-modulated speech,
No Fear Shakespeare Twelfth Night (by SparkNotes) -61-

Original Text Modern Text

make me thankful! And when she went away now, acting like a distinguished gentleman and so on.
Let this fellow be looked to. Fellow! Not Malvolio, Ive got her now, but Ive got God to thank for it!
nor after my degree, but fellow. Why, everything And when she left just now, she said Take care of
adheres together, that no dram of a scruple, no this poor fellow here. Fellow! Not Malvolio, not
scruple of a scruple, no obstacle, no incredulous or anything referring to my low station in life, but
unsafe circumstancewhat can be said? Nothing that fellow. Everythings going perfectly. Not the
can be can come between me and the full prospect of tiniest ounce, not the littlest insignificant amount of
my hopes. Well, Jove, not I, is the doer of this, and he trouble or bad luck could ruin itwhat can I say?
is to be thanked. Nothing can come between me and the fulfillment
of all my hopes. Well, God is responsible for that,
not me, and he deserves thanks.
Enter MARIA, with SIR TOBY BELCH and FABIAN MARIA enters with SIR TOBY
BELCH andFABIAN.

Act 3, Scene 4, Page 5

SIR TOBY BELCH SIR TOBY BELCH


Which way is he, in the name of sanctity? If all the Where is he, for Gods sake? I dont care if all the
devils of hell be drawn in little, and Legion himself devils in hell crammed together to possess him, I
possessed him, yet Ill speak to him. still want to speak to him.
FABIAN FABIAN
80 Here he is, here he is. How ist with you, sir? How ist Here he is, here he is. How are you, sir?
with you, man?
MALVOLIO MALVOLIO
Go off, I discard you. Let me enjoy my private. Go off. Go away. I dont want to see your face. Let me
enjoy my privacy. Go away.
MARIA MARIA
(to SIR TOBY BELCH) Lo, how hollow the fiend (to SIR TOBY BELCH) Ooh, listen to the scary
speaks within him! Did not I tell you? Sir Toby, my lady devil speaking from inside him! Didnt I tell you?
prays you to have a care of him. Sir Toby, Lady Olivia wants you to take care of
him.
MALVOLIO MALVOLIO
Aha! Does she so? Ah-ha! Does she?
SIR TOBY BELCH SIR TOBY BELCH
(to FABIAN and MARIA) Go to, go to! Peace, peace. (to FABIAN and MARIA) Come on, come on! Calm
We must deal gently with him. Let me alone.How do down, calm down. We need to treat him gently. Let
you, Malvolio? How is t with you? What, man, defy me take care of this.How are you, Malvolio?
the devil! Consider, hes an enemy to mankind. How are things? Come on, man, just say no to the
devil! Think about it, hes the enemy of mankind.
MALVOLIO MALVOLIO
Do you know what you say? Do you even know what youre talking about?
MARIA MARIA
(to SIR TOBY BELCH) La you, an you speak ill of the (to SIR TOBY BELCH) Look at that, he acts
devil, how he takes it at heart! Pray God, he be not insulted if you say bad things about the devil! I
bewitched! hope to God hes not bewitched!
No Fear Shakespeare Twelfth Night (by SparkNotes) -62-

Original Text Modern Text

FABIAN FABIAN
Carry his water to the wisewoman. Get a urine sample and take it to a witch doctor to
find out.
MARIA MARIA
95 Marry, and it shall be done tomorrow morning if I live. Sure thing, well do it tomorrow morning. My lady
My lady would not lose him for more than Ill say. would never want to lose him.
MALVOLIO MALVOLIO
How now, mistress? What are you saying, mistress?

Act 3, Scene 4, Page 6

MARIA MARIA
O Lord! Oh, Lord!
SIR TOBY BELCH SIR TOBY BELCH
(to MARIA) Prithee, hold thy peace. This is not the (to MARIA) Please, keep quiet. This is not the
way. Do you not see you move him? Let me alone way to act. Dont you see youre upsetting him?
with him. Leave me alone with him.
FABIAN FABIAN
No way but gentleness, gently, gently. The fiend is Gentleness is the only way to gogently, gently.
rough and will not be roughly used. The devil inside him is rough, but we cant treat it
roughly.
SIR TOBY BELCH SIR TOBY BELCH
(to MALVOLIO) Why, how now, my bawcock! How (to the imaginary devil inside MALVOLIO) So how
dost thou, chuck? are you, my pretty little bird? How are you doing
in there, sweet little chicken?
MALVOLIO MALVOLIO
105 Sir! Sir!
SIR TOBY BELCH SIR TOBY BELCH
Ay, Biddy, come with me.What, man! 'Tis not for Yes, dear little chick, come along with me.Shut
gravity to play at cherry-pit with Satan. Hang him, foul up, man! Youre serious enough to know not to
collier! play games with Satan. Damn that dirty black
coalminer of a devil!
MARIA MARIA
Get him to say his prayers, good Sir Toby, get him to Get him to say his prayers, Sir Toby, get him to
pray. pray.
MALVOLIO MALVOLIO
110 My prayers, minx? My prayers, you hussy?
MARIA MARIA
(to SIR TOBY BELCH) No, I warrant you, he will not (to SIR TOBY BELCH) No, Im telling you, he
hear of godliness. refuses to hear anything about religion.
MALVOLIO MALVOLIO
Go, hang yourselves all! You are idle, shallow things. Go hang yourselves, all of you! Youre all lazy and
I am not of your element. You shall know more shallow. Im not like you. I have a higher future
hereafter. waiting for me. Youll know more about it later.
Exit MALVOLIO exits.
No Fear Shakespeare Twelfth Night (by SparkNotes) -63-

Original Text Modern Text

Act 3, Scene 4, Page 7

SIR TOBY BELCH SIR TOBY BELCH


115 Is t possible? Is it possible?
FABIAN FABIAN
If this were played upon a stage now, I could If this were a play, Id complain it was unrealistic.
condemn it as an improbable fiction.
SIR TOBY BELCH SIR TOBY BELCH
His very genius hath taken the infection of the device, Hes really taken this prank to heart. Hes playing
man. the role perfectly.
MARIA MARIA
Nay, pursue him now, lest the device take air and No, follow him now, before he divulges the prank
taint. and ruins everything.
FABIAN FABIAN
120 Why, we shall make him mad indeed. Wow, were really going to drive him crazy.
MARIA MARIA
The house will be the quieter. The house will be so much quieter.
SIR TOBY BELCH SIR TOBY BELCH
Come, well have him in a dark room and bound. My Come on, lets put him in a dark room and tie him
niece is already in the belief that hes mad. We may up. My niece already thinks hes insane. We can
carry it thus, for our pleasure and his penance, till our go on like this, punishing him and having some
very pastime, tired out of breath, prompt us to have fun, until were tired of it. Then we can take mercy
mercy on him, at which time we will bring the device on him and let him out, and talk about how well
to the bar and crown thee for a finder of madmen. the joke went. Well also worship you for setting
But see, but see! up this trick. Lets do it, lets do it!
Enter SIR ANDREW SIR ANDREW enters.
FABIAN FABIAN
More matter for a May morning. Heres more insanity for us.
SIR ANDREW SIR ANDREW
(presenting a paper) Heres the challenge, read it. (presenting them a piece of paper) Heres the
Warrant theres vinegar and pepper in t. challenge, read it. Its bursting with fighting words.
FABIAN FABIAN
Is t so saucy? Is it that aggressive?
SIR ANDREW SIR ANDREW
Ay, is t, I warrant him. Do but read. Yes, it is, I think. Just read it.

Act 3, Scene 4, Page 8

SIR TOBY BELCH SIR TOBY BELCH


Give me. (reads) Youth, whatsoever thou art, thou Give it to me. (he reads) Young man, whatever
art but a scurvy fellow. you are, youre a real scum bucket.
FABIAN FABIAN
135 Good, and valiant. Nice. Very courageous.
SIR TOBY BELCH SIR TOBY BELCH
No Fear Shakespeare Twelfth Night (by SparkNotes) -64-

Original Text Modern Text

(reads) Wonder not, nor admire not in thy mind, why (reading) Dont even ask why I call you that,
I do call thee so, for I will show thee no reason for t. because I wont give you any explanation.
FABIAN FABIAN
A good note, that keeps you from the blow of the law. Thats a good thing to put init keeps you from
getting in trouble with the law.
SIR TOBY BELCH SIR TOBY BELCH
(reads) Thou comest to the lady Olivia, and in my (reading) You come to see the lady Olivia, and
sight she uses thee kindly. But thou liest in thy throat. shes kind to you. But youre a complete liar.
That is not the matter I challenge thee for. Thats not why Im challenging you to a duel.
FABIAN FABIAN
Very brief, and to exceeding good senseless. Nice and short and full of good senseor should
I say nonsense?
SIR TOBY BELCH SIR TOBY BELCH
(reads) I will waylay thee going home, where if it be (reading) Ill ambush you on your way home, and
thy chance to kill me if youre lucky enough to kill me
FABIAN FABIAN
145 Good. Good.
SIR TOBY BELCH SIR TOBY BELCH
(reads) Thou killest me like a rogue and a villain. (reading) Youll be killing me like a common
criminal, a mugger.
FABIAN FABIAN
Still you keep o' the windy side of the law. Good. You still havent said anything incriminating.
Good.
SIR TOBY BELCH SIR TOBY BELCH
(reads) Fare thee well, and God have mercy upon (reading) Good luck, and may God have mercy
one of our souls. He may have mercy upon mine, but on one of our souls. He may have mercy upon
my hope is better, and so look to thyself. Thy friend, mine. But I have a better chance of surviving, so
as thou usest him, and thy sworn enemy, watch out. Signed, your friend, if you treat him
Andrew Aguecheek right, and your sworn enemy,
Andrew Aguecheek

Act 3, Scene 4, Page 9

If this letter move him not, his legs cannot. Ill give t If this letter doesnt make him fight, I dont know
him. what will. Ill give it to him.
MARIA MARIA
You may have very fit occasion for t. He is now in You might have a great opportunity to give it to
some commerce with my lady and will by and by him right now. Hes conducting some business
depart. with my lady, and sooner or later hell leave.
SIR TOBY BELCH SIR TOBY BELCH
155 Go, Sir Andrew. Scout me for him at the corner the Go, Sir Andrew. Look out for him in the corner of
orchard like a bum-baily. So soon as ever thou seest the orchard as if you were a sheriffs deputy. As
him, draw, and as thou drawest, swear horrible, for it soon as you see him, draw your sword, and as
comes to pass oft that a terrible oath, with a you draw it, start swearing horribly. Sometimes a
swaggering accent sharply twanged off, gives terrible swear word, like a well-shot arrow, makes
No Fear Shakespeare Twelfth Night (by SparkNotes) -65-

Original Text Modern Text

manhood more approbation than ever proof itself you look more brave and manly than getting in a
would have earned him. Away! fight would. Now go!
SIR ANDREW SIR ANDREW
Nay, let me alone for swearing. Dont worry about me not swearing enough.
Exit SIR ANDREW exits.
SIR TOBY BELCH SIR TOBY BELCH
Now will not I deliver his letter, for the behavior of the I wont deliver this letter. The young gentlemans
young gentleman gives him out to be of good behavior shows that hes sensible and has good
capacity and breeding. His employment between his manners. The fact that he serves as a go-
lord and my niece confirms no less. Therefore this between for his lord and my niece Olivia confirms
letter, being so excellently ignorant, will breed no this. So this letter, which is so incredibly stupid
terror in the youth. He will find it comes from a and ignorant, isnt going to scare him at all. Hell
clodpole. But, sir, I will deliver his challenge by word just think an idiot wrote it. But Ill deliver Sir
of mouth, set upon Aguecheek a notable report of Andrews challenge by word of mouth, describing
valor, and drive the gentleman (as I know his youth Sir Andrew as courageous in battle and
will aptly receive it) into a most hideous opinion of his convincing the young gentleman that Sir Andrew
rage, skill, fury, and impetuosity. This will so fright is furious, impetuous, and a skilled fighter (hell
them both that they will kill one another by the look, believe me because hes young). This will make
like cockatrices. them both so afraid that theyll kill each other just
by looking at each other.
Enter OLIVIA, with VIOLA OLIVIA enters with VIOLA.

Act 3, Scene 4, Page 10

FABIAN FABIAN
Here he comes with your niece. Give them way till he Here comes the messenger with your niece.
take leave, and presently after him. Leave them alone until he sets off home, and then
follow him.
SIR TOBY BELCH SIR TOBY BELCH
175 I will meditate the while upon some horrid message Meanwhile, Ill think of some horrible way to
for a challenge. phrase the challenge.
Exeunt SIR TOBY BELCH, FABIAN, and MARIA SIR TOBY BELCH, FABIAN, and MARIA exit.
OLIVIA OLIVIA
I have said too much unto a heart of stone Ive said too much to someone with a heart of
And laid mine honor too unchary on t. stone. Ive foolishly jeopardized my honor and
Theres something in me that reproves my fault, reputation. I hate myself for behaving that way,
180 But such a headstrong potent fault it is but I just had to, and no criticism could have
That it but mocks reproof. stopped me.
VIOLA VIOLA
With the same 'havior that your passion bears My lord acts just as crazy with love as you do.
Goes on my masters grief.
OLIVIA OLIVIA
Here, wear this jewel for me. 'Tis my picture. Here, take this piece of jewelry. Theres a picture
185 Refuse it not. It hath no tongue to vex you. of me inside. Dont refuse it. It wont annoy you
And I beseech you come again tomorrow. like me, because it doesnt have a voice. And I
No Fear Shakespeare Twelfth Night (by SparkNotes) -66-

Original Text Modern Text

What shall you ask of me that Ill deny, beg you, please come here again tomorrow. What
That honor, saved, may upon asking give? could you possibly ask of me that I wouldnt give
you, as long as it didnt damage my honor and
self-respect?
VIOLA VIOLA
Nothing but this: your true love for my master. Nothing, except your true love for my lord.
OLIVIA OLIVIA
190 How with mine honor may I give him that How could I honorably give him what Ive already
Which I have given to you? given you?
VIOLA VIOLA
I will acquit you. Ill give it back to you.
OLIVIA OLIVIA
Well, come again tomorrow. Fare thee well. Just come again tomorrow. Good-bye. A devil like
A fiend like thee might bear my soul to hell. you could lead me to hell.
Exit OLIVIA exits.

Act 3, Scene 4, Page 11

Enter SIR TOBY BELCH and FABIAN SIR TOBY BELCH and FABIAN enter.
SIR TOBY BELCH SIR TOBY BELCH
195 Gentleman, God save thee. Hello, sir.
VIOLA VIOLA
And you, sir. Hello to you.
SIR TOBY BELCH SIR TOBY BELCH
That defense thou hast, betake thee to t. Of what Youd better think up a way to defend yourself. I
nature the wrongs are thou hast done him, I know dont know what youve done to upset him, but
not, but thy intercepter, full of despite, bloody as the someone has challenged you to a duel. Hes riled
hunter, attends thee at the orchard end. Dismount thy up and bloodthirsty, and hes waiting for you at the
tuck, be yare in thy preparation, for thy assailant is back of the orchard. Draw your sword and get on
quick, skillful and deadly. your toes, because your assailant is quick, skillful,
and deadly.
VIOLA VIOLA
You mistake, sir. I am sure no man hath any quarrel There must be some mistake, sir. Im sure nobody
to me. My remembrance is very free and clear from would have any reason to fight with me. I cant
any image of offense done to any man. remember anything Ive ever done to offend
anyone.
SIR TOBY BELCH SIR TOBY BELCH
205 Youll find it otherwise, I assure you. Therefore, if you Youre wrong about that, I assure you. So if you
hold your life at any price, betake you to your guard, value your life at all, be on your guard. Your
for your opposite hath in him what youth, strength, opponent has enough youth, strength, skill, and
skill, and wrath can furnish man withal. anger to outfight anyone.
VIOLA VIOLA
I pray you, sir, what is he? But who is this person, sir?
SIR TOBY BELCH SIR TOBY BELCH
210 He is knight, dubbed with unhatched rapier and on Hes a knight. He was made a knight because of
No Fear Shakespeare Twelfth Night (by SparkNotes) -67-

Original Text Modern Text

carpet consideration, but he is a devil in private his court connections, but when hes fighting a
brawl. Souls and bodies hath he divorced three, and civilian hes a real monster. Hes killed three
his incensement at this moment is so implacable that people, and hes so furious right now that the only
satisfaction can be none but by pangs of death and thing that will satisfy him is seeing you die. Fight
sepulchre. Hob, nob, is his word. Give t or take t. to the death is his motto.

Act 3, Scene 4, Page 12

VIOLA VIOLA
I will return again into the house and desire some Ill go back inside and ask the lady for some kind
conduct of the lady. I am no fighter. I have heard of of escort. Im not a fighter. Ive heard of men who
some kind of men that put quarrels purposely on pick fights with other people on purpose, just to
others, to taste their valor. Belike this is a man of that see how brave they are. This man is probably like
quirk. that.
SIR TOBY BELCH SIR TOBY BELCH
220 Sir, no. His indignation derives itself out of a very No, sir. Hes furious because you insulted him,
competent injury. Therefore get you on and give him and he has a right to satisfaction. So go out there
his desire. Back you shall not to the house, unless and give him what he wants. You cant go back
you undertake that with me which with as much into the house unless you want to fight with me
safety you might answer him. Therefore on, or strip and if youre willing to do that, you might as well
your sword stark naked, for meddle you must, thats just go and fight with him. So go to the orchard, or
certain, or forswear to wear iron about you. take out your sword right now. Youre going to
have to fight one way or another, theres no doubt
about that, or else youll have to stop wearing a
sword and claiming to be a gentleman.
VIOLA VIOLA
This is as uncivil as strange. I beseech you, do me This is as rude as it is strange. Please, do me this
this courteous office, as to know of the knight what one favor: find out what Ive done to offend this
my offense to him is. It is something of my knight. It must be something I did accidentally.
negligence, nothing of my purpose.
SIR TOBY BELCH SIR TOBY BELCH
I will do so. Signior Fabian, stay you by this I will do so. Mr. Fabian, stay with this gentleman
gentleman till my return. until I come back.
Exit SIR TOBY exits.
VIOLA VIOLA
Pray you, sir, do you know of this matter? Excuse me, sir, do you know anything about this?
FABIAN FABIAN
I know the knight is incensed against you, even to a I know the knight is furious with you, so much that
mortal arbitrament, but nothing of the circumstance hes willing to fight you to the death, but I dont
more. know anything else about it.
VIOLA VIOLA
I beseech you, what manner of man is he? What kind of man is he?
FABIAN FABIAN
Nothing of that wonderful promise, to read him by his Hes not much to look at, but hes very brave in
form, as you are like to find him in the proof of his battle. He really is the most skillful, bloodthirsty,
No Fear Shakespeare Twelfth Night (by SparkNotes) -68-

Original Text Modern Text

valor. He is, indeed, sir, the most skillful, bloody, and and dangerous opponent you can find in Illyria.
fatal opposite that you could possibly have found in Do you want to go see him? Ill try to calm him
any part of Illyria. Will you walk towards him? I will down for you if I can.
make your peace with him if I can.

Act 3, Scene 4, Page 13

VIOLA VIOLA
I shall be much bound to you for t. I am one that had Id be very grateful to you if you did. Im much
rather go with sir priest than sir knight. I care not who more of a religious type than a fighter, and I dont
knows so much of my mettle. care who knows it.
Exeunt They exit.
Enter SIR TOBY BELCH, with SIR ANDREW SIR TOBY BELCH enters with SIR ANDREW.
SIR TOBY BELCH SIR TOBY BELCH
Why, man, hes a very devil. I have not seen such a Wow, hes a real devil. Ive never seen such a
firago. I had a pass with him, rapier, scabbard, and monster. I had a round with him, and his sword
all, and he gives me the stuck-in with such a mortal thrust is so deadly that you cant even duck out of
motion, that it is inevitable. And on the answer, he the way. And when he strikes back at you, hell hit
pays you as surely as your feet hit the ground they you as sure as youre standing there. They say he
step on. They say he has been fencer to the Sophy. used to fence for the shah of Persia.
SIR ANDREW SIR ANDREW
Pox on t! Ill not meddle with him. Thats it! I wont mess with him.
SIR TOBY BELCH SIR TOBY BELCH
Ay, but he will not now be pacified. Fabian can scarce Yes, but now theres no way to calm him down.
hold him yonder. Fabian can hardly control him over there.
SIR ANDREW SIR ANDREW
255 Plague on t, an I thought he had been valiant and so Darn it, if Id guessed he was so brave and such a
cunning in fence, Id have seen him damned ere Id good swordsman, I never would have challenged
have challenged him. Let him let the matter slip, and him. Ill give him my gray horse Capilet if he
Ill give him my horse, gray Capilet. forgets the whole thing.
SIR TOBY BELCH SIR TOBY BELCH
Ill make the motion. Stand here, make a good show Ill give it a try. Stay right here and try to look
260 on t. good. This may end without anyone getting
This shall end without the perdition of souls. killed. (to himself) Ill ride your horse just like I ride
(aside) Marry, you.
Ill ride your horse as well as I ride you.
Enter FABIAN and VIOLA FABIAN and VIOLA enter.

Act 3, Scene 4, Page 14

(to FABIAN) I have his horse to take up the quarrel. I (to FABIAN) Hes given me his horse to try to
have persuaded him the youths a devil. avoid the fightIve persuaded him that the
young man is a fighting machine.
FABIAN FABIAN
No Fear Shakespeare Twelfth Night (by SparkNotes) -69-

Original Text Modern Text

He is as horribly conceited of him, and pants and Hes just as terrified of Sir Andrew. Hes pale and
looks pale, as if a bear were at his heels. hyperventilating, as if a bear were chasing him.
SIR TOBY BELCH SIR TOBY BELCH
(to VIOLA) Theres no remedy, sir; he will fight with (to VIOLA) Theres nothing you can do about it,
you for s oath sake. Marry, he hath better bethought sir. He insists on fighting with you because he
him of his quarrel, and he finds that now scarce to be swore he would. But hes thought over his reason
worth talking of. Therefore, draw for the supportance for challenging you to fight, and he realizes its so
of his vow. He protests he will not hurt you. insignificant that its not worth thinking about. So
draw your sword so he can carry out his vow. He
promises not to hurt you.
VIOLA VIOLA
(aside) Pray God defend me! A little thing would (to herself) God help me! If anything happens Im
make me tell them how much I lack of a man. going to have to tell them exactly how unmanly I
am.
FABIAN FABIAN
Give ground, if you see him furious. Back off if he seems really furious.
SIR TOBY BELCH SIR TOBY BELCH
Come, Sir Andrew, theres no remedy. The Come on, Sir Andrew, theres nothing you can do
gentleman will, for his honors sake, have one bout about it. The gentleman insists on fighting a round
with you. He cannot by the duello avoid it. But he has with you, for the sake of his honor. The rules of
promised me, as he is a gentleman and a soldier, he dueling say he has to. But as a gentleman and a
will not hurt you. Come on, to t. soldier hes promised me he wont hurt you.
Come on, get ready.
SIR ANDREW SIR ANDREW
Pray God, he keep his oath! I hope to God he keeps his promise!
VIOLA VIOLA
280 I do assure you, tis against my will. I swear to you, I dont want to be doing this.
They draw swords Enter ANTONIO They draw their swords. ANTONIO enters.
ANTONIO ANTONIO
Put up your sword. If this young gentleman Put your sword away. If this young gentleman has
Have done offence, I take the fault on me. offended you, Ill take the blame for it. If youve
If you offend him, I for him defy you. offended him, Ill fight you.

Act 3, Scene 4, Page 15

SIR TOBY BELCH SIR TOBY BELCH


You, sir? Why, what are you? You, sir? Who are you?
ANTONIO ANTONIO
285 One, sir, that for his love dares yet do more Im just a good friend of his. In fact, Id do even
Than you have heard him brag to you he will. more to him than what youve heard him promise
to do.
SIR TOBY BELCH SIR TOBY BELCH
Nay, if you be an undertaker, I am for you. If youre someone who gets into fights, Ill fight
with you.
They draw swords Enter OFFICERS They draw their swords. OFFICERS enter.
No Fear Shakespeare Twelfth Night (by SparkNotes) -70-

Original Text Modern Text

FABIAN FABIAN
O good Sir Toby, hold! Here come the officers. Oh, Sir Toby, stop! The police are here.
SIR TOBY BELCH SIR TOBY BELCH
(to ANTONIO) Ill be with you anon. (to ANTONIO) Ill be back for you soon.
VIOLA VIOLA
290 (to ANDREW) Pray, sir, put your sword up, if you (to ANDREW) Please, sir, put away your sword.
please. Please.
SIR ANDREW SIR ANDREW
Marry, will I, sir. And for that I promised you, Ill be as I certainly will, sir. And as for what I promised to
good as my word. He will bear you easily and reins you, Im as good as my word. You can ride him
well. easily, and he responds well when you pull the
reins.
FIRST OFFICER FIRST OFFICER
This is the man. Do thy office. This is the man. Do your job.
SECOND OFFICER SECOND OFFICER
Antonio, I arrest thee at the suit of Count Orsino. Antonio, youre under arrest on the orders of
Count Orsino.
ANTONIO ANTONIO
295 You do mistake me, sir. You must be mistaking me for someone else, sir.
FIRST OFFICER FIRST OFFICER
No, sir, no jot. I know your favor well, No, sir, not at all. I recognize your face perfectly,
Though now you have no sea-cap on your head. even without a sailors cap on your head.Take
Take him away. He knows I know him well. him away. He knows I recognize him.
ANTONIO ANTONIO
I must obey. (to VIOLA) This comes with seeking I have to obey. (to VIOLA) This has happened
300 you: because I came looking for you, but theres
But theres no remedy. I shall answer it. nothing I can do about it now. Ill take whats
coming to me. But whatll you do now that I have
to ask you for my purse back?

Act 3, Scene 4, Page 16

What will you do, now my necessity Im more upset about not being able to help you
Makes me to ask you for my purse? It grieves me than I am about whats going to happen to me.
Much more for what I cannot do for you You look so confused. Dont worry about me.
Than what befalls myself. You stand amazed,
305 But be of comfort.
SECOND OFFICER SECOND OFFICER
Come, sir, away. Come on, sir, lets go.
ANTONIO ANTONIO
(to VIOLA) I must entreat of you some of that money. (to VIOLA) Really, I must ask you for some of that
money.
VIOLA VIOLA
What money, sir? What money, sir? I feel sorry for you in this
For the fair kindness you have showed me here, situation, and I want to thank you for the kindness
No Fear Shakespeare Twelfth Night (by SparkNotes) -71-

Original Text Modern Text

And part being prompted by your present trouble, youve shown me here, so Ill lend you some of
310 Out of my lean and low ability my money, though I dont have much. Ill give you
Ill lend you something. My having is not much. half of everything I have right now. Take this. Its
Ill make division of my present with you. half of all my money. (she offers him money)
Hold, theres half my coffer. (offering him money)
ANTONIO ANTONIO
Will you deny me now? Are you really going to pretend you dont know me
Is t possible that my deserts to you now? After everything Ive done for you, youre
315 Can lack persuasion? Do not tempt my misery, refusing to help me? Dont make me more
Lest that it make me so unsound a man miserable than I am. I might do something really
As to upbraid you with those kindnesses weak and unmanly, like listing the kind things Ive
That I have done for you. done for you.
VIOLA VIOLA
I know of none, I dont know any kind things youve done for me,
Nor know I you by voice or any feature. and I dont recognize your voice or your face. I
320 I hate ingratitude more in a man hate an ungrateful man more than I hate lying,
Than lying, vainness, babbling, drunkenness, vanity, babbling, drunkenness, or any other vice
Or any taint of vice whose strong corruption that we feeble human beings are susceptible to.
Inhabits our frail blood
ANTONIO ANTONIO
O heavens themselves! Oh, my God!
SECOND OFFICER SECOND OFFICER
Come, sir, I pray you, go. Come on, sir, please. Lets go.

Act 3, Scene 4, Page 17

ANTONIO ANTONIO
325 Let me speak a little. This youth that you see here No, Ive got something to say. I saved this young
I snatched one half out of the jaws of death, mans life when he was half-dead, and nursed
Relieved him with such sanctity of love, him back to health lovingly and tenderly. I devoted
And to his image, which methought did promise myself to him, since he looked noble and good.
Most venerable worth, did I devotion.
FIRST OFFICER FIRST OFFICER
330 Whats that to us? The time goes by. Away! Why should we care? Times passing. Lets go!
ANTONIO ANTONIO
But oh, how vile an idol proves this god! But oh, what a deceiver he turned out to be! You
Thou hast, Sebastian, done good feature shame. dont live up to your good looks, Sebastian. You
In nature theres no blemish but the mind. look good but youre bad on the inside, where it
None can be called deformed but the unkind. counts, since the only real flaws in nature are in a
335 Virtue is beauty, but the beauteous evil persons mind and soul. Only really cruel people
Are empty trunks o'erflourished by the devil. can be called deformed. Virtue is beauty, but
someone beautiful and wicked is like an empty
box decorated by the devil.
FIRST OFFICER FIRST OFFICER
The man grows mad. Away with him. Come, come, The mans going crazy. Take him away. Come on,
No Fear Shakespeare Twelfth Night (by SparkNotes) -72-

Original Text Modern Text

sir. sir. Come on.


ANTONIO ANTONIO
Lead me on. Take me.
Exit with OFFICERS He exits with the OFFICERS.
VIOLA VIOLA
Methinks his words do from such passion fly, He was so angry I feel he must really believe
340 That he believes himself. So do not I. what he was saying. I dont believe it. Yet I wish I
Prove true, imagination, oh, prove true, could. Oh, please be true, please let it be that this
That I, dear brother, be now ta'en for you! man has mistaken me for you, my dear brother!
SIR TOBY BELCH SIR TOBY BELCH
Come hither, knight. Come hither, Fabian. Well Come here, Sir Andrew. You too, Fabian. Weve
whisper o'er a couplet or two of most sage saws. got some words of wisdom to mull over.
VIOLA VIOLA
345 He named Sebastian. I my brother know He called me Sebastian. I know my brothers still
Yet living in my glass. Even such and so alive in a sense, since I see him whenever I look
In favor was my brother, and he went in the mirror. My brother looked like me, and he
dressed the same way that Im dressed nowin
the same colors,

Act 3, Scene 4, Page 18

Still in this fashion, color, ornament, with the same accessories. Oh, if it turns out to be
For him I imitate. Oh, if it prove, true that he survived, then that storm was kind,
350 Tempests are kind and salt waves fresh in love! and the ocean was full of love!
Exit VIOLA exits.
SIR TOBY BELCH SIR TOBY BELCH
A very dishonest paltry boy, and more a coward than Hes a very dishonest, puny boy, and more
a hare. His dishonesty appears in leaving his friend cowardly than a rabbit. He abandoned his friend
here in necessity and denying him. And for his here in an emergency, and even pretended he
cowardship, ask Fabian. didnt know him. That shows hes dishonest. As
for his cowardliness, ask Fabian.
FABIAN FABIAN
355 A coward, a most devout coward, religious in it. Hes a coward, a total coward. Hes religiously
devoted to his cowardice.
SIR ANDREW SIR ANDREW
'Slid, Ill after him again and beat him. By God, Ill go after him again and beat him up.
SIR TOBY BELCH SIR TOBY BELCH
Do, cuff him soundly, but never draw thy sword. Please do. Beat him up well, but dont draw your
sword.
SIR ANDREW SIR ANDREW
An I do not I swear I will
FABIAN FABIAN
Come, lets see the event. Come on, lets go see what happens.
SIR TOBY BELCH SIR TOBY BELCH
360 I dare lay any money twill be nothing yet. Ill bet anything you like that nothing will happen,
No Fear Shakespeare Twelfth Night (by SparkNotes) -73-

Original Text Modern Text

once again.
Exeunt They all exit.

Act 4, Scene 1

Enter SEBASTIAN and FOOL SEBASTIAN and the FOOL enter.


FOOL FOOL
Will you make me believe that I am not sent for you? Are you trying to tell me that I wasnt sent to get
you?
SEBASTIAN SEBASTIAN
Go to, go to, thou art a foolish fellow. Let me be clear Oh, who cares, youre acting like a fool. Leave me
of thee. alone.
FOOL FOOL
Well held out, i' faith. No, I do not know you, nor I am Good for you, holding out on me like this! No, I
not sent to you by my lady, to bid you come speak dont know you, and my lady didnt send me to get
with her, nor your name is not Master Cesario, nor this you, and Im not supposed to tell you to come
is not my nose neither. Nothing that is so is so. speak with her, and your name is not Master
Cesario, and this is not my nose, either. Nothing is
what it is.
SEBASTIAN SEBASTIAN
I prithee, vent thy folly somewhere else. Thou knowst Oh please, go somewhere else to blab your
not me. nonsense. You dont know me.
FOOL FOOL
10 Vent my folly? He has heard that word of some great Blab my nonsense? He mustve heard that phrase
man and now applies it to a fool. Vent my folly! I am describing some great man and now hes using it
afraid this great lubber, the world, will prove a on a jester. Blab my nonsense! What an idiotic
cockney. I prithee now, ungird thy strangeness and tell place this world is. Now please stop being so
me what I shall vent to my lady. Shall I vent to her that strange and tell me what exactly I should blab to
thou art coming? my lady. Should I blab to her that youre coming?
SEBASTIAN SEBASTIAN
15 I prithee, foolish Greek, depart from me. Theres Please, fool, go away. Heres money for you.
money for thee. (giving money) If you tarry longer, I (giving him money) If you stay any longer, Ill give
shall give worse payment. you something worse.
FOOL FOOL
By my troth, thou hast an open hand. These wise men Well, well. Youre a generous man. Wise men who
that give fools money get themselves a good report give fools money might get a good reputationif
after fourteen years' purchase. they keep up regular payments for fourteen years.

Act 4, Scene 1, Page 2

Enter SIR ANDREW, SIR TOBY BELCH, SIR ANDREW, SIR TOBY BELCH,
andFABIAN and FABIANenter.
SIR ANDREW SIR ANDREW
(to SEBASTIAN) Now, sir, have I met you again? Well, sir, we meet again? Take that.
No Fear Shakespeare Twelfth Night (by SparkNotes) -74-

Original Text Modern Text

Theres for you.


SIR ANDREW strikes SEBASTIAN SIR ANDREW hits SEBASTIAN.
SEBASTIAN SEBASTIAN
(returning the blow) Why, theres for thee, and there, (returning the blow) Well, then, take that, and that,
and there. Are all the people mad? and that. Is everyone here insane?
SIR TOBY BELCH SIR TOBY BELCH
25 Hold, sir, or Ill throw your dagger o'er the house. Stop right now or Ill throw your dagger over the
roof.
FOOL FOOL
(aside) This will I tell my lady straight. I would not be (to himself) Im going to tell my lady about this
in some of your coats for two pence. right away. I wouldnt be in any of your shoes if
you paid me.
Exit FOOL exits.
SIR TOBY BELCH SIR TOBY BELCH
(seizing SEBASTIAN) Come on, sir, hold! (grabbing SEBASTIAN) Come on, sir, stop!
SIR ANDREW SIR ANDREW
Nay, let him alone. Ill go another way to work with No, leave him alone. Ill get back at him another
him. Ill have an action of battery against him if there way. Ill sue him for assault and battery, if theres
be any law in Illyria. Though I struck him first, yet its any justice in Illyria. It doesnt matter that I hit him
no matter for that. first.
SEBASTIAN SEBASTIAN
(to SIR TOBY BELCH) Let go thy hand. (to SIR TOBY BELCH) Let me go.
SIR TOBY BELCH SIR TOBY BELCH
Come, sir, I will not let you go. Come, my young No, sir, I wont let you go. Come on, put your
soldier, put up your iron. You are well fleshed. Come sword away, my little soldier. Youre awfully eager
on. to fight. Come on.
SEBASTIAN SEBASTIAN
35 I will be free from thee. Ill get free of you.
SEBASTIAN pulls free and draws his sword SEBASTIAN pulls free and draws his sword.

Act 4, Scene 1, Page 3

What wouldst thou now? If thou darest tempt me What are you going to do now? If you insist on
further, draw thy sword. trying my patience any further, then take out your
sword right now.
SIR TOBY BELCH SIR TOBY BELCH
What, what? Nay, then I must have an ounce or two of What? No. Because then Id have to shed an
this malapert blood from you. ounce or two of your impudent blood.
SIR TOBY BELCH draws his sword Enter OLIVIA SIR TOBY BELCH draws his
sword. OLIVIAenters.
OLIVIA OLIVIA
40 Hold, Toby! On thy life I charge thee, hold! Stop, Sir Toby! I order you to stop!
SIR TOBY BELCH SIR TOBY BELCH
Madam! Madam!
OLIVIA OLIVIA
No Fear Shakespeare Twelfth Night (by SparkNotes) -75-

Original Text Modern Text

Will it be ever thus? Ungracious wretch, Are you always going to be like this? Youre an
Fit for the mountains and the barbarous caves, ungrateful slob whos only fit to live in the
Where manners ne'er were preachd! Out of my sight! mountains, in caves far from civilized people
45 where you wont ever need good manners! Get out
Be not offended, dear Cesario. of my sight!Dear Cesario, please dont be
Rudesby, be gone! offended.Get out of here, you barbarian!
Exeunt SIR TOBY BELCH, SIR ANDREW, SIR TOBY BELCH, SIR ANDREW,
andFABIAN and FABIANexit.
I prithee, gentle friend, Oh, my dear friend, please dont get too upset by
Let thy fair wisdom, not thy passion, sway these rude people who bothered you. Come with
In this uncivil and unjust extent me to my house. Ill tell you about all the pointless,
Against thy peace. Go with me to my house, clumsy pranks this thug uncle of mine has come
50 And hear thou there how many fruitless pranks up with, so that you can laugh at this one. You
This ruffian hath botched up, that thou thereby have to come with me. Please dont say no. Damn
Mayst smile at this. Thou shalt not choose but go. that Toby! He made my heart leap for you.
Do not deny. Beshrew his soul for me!
He started one poor heart of mine in thee.
SEBASTIAN SEBASTIAN
55 (aside) What relish is in this? How runs the stream? (to himself) What does this mean? Where is this
Or I am mad, or else this is a dream. all going? Either Im insane or this is a dream. I
Let fancy still my sense in Lethe steep. hope these

Act 4, Scene 1, Page 4

If it be thus to dream, still let me sleep! delusions continue. If this is a dream, let me keep
on sleeping!
OLIVIA OLIVIA
Nay, come, I prithee. Would thoudst be ruled by me! Come with me, please. I wish youd do what I ask!
SEBASTIAN SEBASTIAN
60 Madam, I will. Madam, I will.
OLIVIA OLIVIA
Oh, say so, and so be! Oh, say it, and mean it!
Exeunt They exit.

Act 4, Scene 2

Enter MARIA and FOOL MARIA and the FOOL enter.


MARIA MARIA
Nay, I prithee, put on this gown and this beard. Make No, Im telling you, put on this robe and beard.
him believe thou art Sir Topas the curate. Do it Make him think youre Sir Topas the priest. Be
quickly. Ill call Sir Toby the whilst. quick. Meanwhile, Ill get Sir Toby.
Exit MARIA exits.
FOOL FOOL
Well, Ill put it on, and I will dissemble myself in t, and Well, Ill put it on and disguise myself. I wish I
No Fear Shakespeare Twelfth Night (by SparkNotes) -76-

Original Text Modern Text

I would I were the first that ever dissembled in such a were the first person who ever told lies in a priests
gown. robe.
FOOL puts on gown and beard The FOOL puts on the robe and beard.
I am not tall enough to become the function well, nor Im not tall enough to make a believable priest, or
lean enough to be thought a good student, but to be skinny enough to look like a good student. But if
said an honest man and a good housekeeper goes as youre an honest man and a good host, thats
fairly as to say a careful man and a great scholar. The almost as good as being moral and studious. Here
competitors enter. come the conspirators.
Enter SIR TOBY BELCH and MARIA SIR TOBY BELCH and MARIA enter.
SIR TOBY BELCH SIR TOBY BELCH
10 Jove bless thee, master Parson. God bless you, Mr. Priest.
FOOL FOOL
Bonos dies, Sir Toby. For, as the old hermit of Prague, Bonos dies, Sir Toby. As the old hermit of Prague,
that never saw pen and ink, very wittily said to a niece who couldnt read or write, said very wittily to a
of King Gorboduc, That that is is. So I, being Master niece of King Gorboduc, Whatever is, is. So
Parson, am Master Parson. For, what is that but since Im Mr. Priest, Im Mr. Priest. Because isnt
that, and is but is? that that, and isnt is is?
SIR TOBY BELCH SIR TOBY BELCH
To him, Sir Topas. Go to him, Sir Topas.

Act 4, Scene 2, Page 2

FOOL FOOL
(disguising his voice) What ho, I say! Peace in this (disguising his voice) Quiet down in this prison!
prison!
SIR TOBY BELCH SIR TOBY BELCH
The knave counterfeits well. A good knave. The fools a good actor. A good fool.
MALVOLIO MALVOLIO
(from within) Who calls there? (offstage) Whos shouting?
FOOL FOOL
20 Sir Topas the curate, who comes to visit Malvolio the Im Sir Topas the priest. Ive come to visit Malvolio
lunatic. the lunatic.
MALVOLIO MALVOLIO
Sir Topas, Sir Topas, good Sir Topas, go to my lady Sir Topas, Sir Topas, good Sir Topas, please go
find my lady Olivia
FOOL FOOL
Out, hyperbolical fiend! How vexest thou this man! Get out, demon! Why are you bothering this poor
Talkest thou nothing but of ladies? man! Cant you talk about anything besides
ladies?
SIR TOBY BELCH SIR TOBY BELCH
25 (aside) Well said, Master Parson. (to himself) Well said, Mr. Priest.
MALVOLIO MALVOLIO
Sir Topas, never was man thus wronged. Good Sir Sir Topas, nobodys ever been as badly treated as
Topas, do not think I am mad. They have laid me here Ive been. Good Sir Topas, dont believe Im
in hideous darkness. insane, Theyve shut me up here in horrible
No Fear Shakespeare Twelfth Night (by SparkNotes) -77-

Original Text Modern Text

darkness.
FOOL FOOL
Fie, thou dishonest Satan! I call thee by the most You should be ashamed of yourself, Satan, you
modest terms, for I am one of those gentle ones that liar! Im being gentle with you, because Im one of
will use the devil himself with courtesy. Sayest thou those good-hearted people who are polite to the
that house is dark? devil himself. You call this house dark?
MALVOLIO MALVOLIO
As hell, Sir Topas. Dark as hell, Sir Topas.
FOOL FOOL
Why, it hath bay windows transparent as barricadoes, But it has bay windows that are as transparent as
and the clerestories toward the south-north are as stone walls, and the upper windows facing south-
lustrous as ebony. And yet complainest thou of north are as clear as coal. But youre still
obstruction? complaining of darkness and a bad view?
MALVOLIO MALVOLIO
I am not mad, Sir Topas. I say to you this house is Im not insane, Sir Topas. Im telling you, this
dark. house is dark.

Act 4, Scene 2, Page 3

FOOL FOOL
Madman, thou errest. I say, there is no darkness but Youre wrong, you madman. Theres no darkness
ignorance, in which thou art more puzzled than the except ignorance, and youre more ignorant than
Egyptians in their fog. the Egyptians during the plague of fog.
MALVOLIO MALVOLIO
40 I say, this house is as dark as ignorance, though I tell you, this house is as dark as ignorance. And I
ignorance were as dark as hell. And I say, there was tell you, no man has ever been treated worse than
never man thus abused. I am no more mad than you me. Im no more insane than you are, and Ill
are. Make the trial of it in any constant question. prove it. Ask me any commonsense question.
FOOL FOOL
What is the opinion of Pythagoras concerning What was the philosopher Pythagorass belief
wildfowl? about wild birds?
MALVOLIO MALVOLIO
45 That the soul of our grandam might haply inhabit a That our grandmothers soul could end up
bird. inhabiting a bird.
FOOL FOOL
What thinkest thou of his opinion? What do you think of his belief?
MALVOLIO MALVOLIO
I think nobly of the soul, and no way approve his I respect the soul very much, so I disagree with
opinion. his belief.
FOOL FOOL
Fare thee well. Remain thou still in darkness. Thou Well then, goodbye. Stay in the dark. Ill only admit
shalt hold the opinion of Pythagoras ere I will allow of that youre sane when you agree with Pythagoras
thy wits, and fear to kill a woodcock lest thou and hesitate to kill a bird because it might contain
dispossess the soul of thy grandam. Fare thee well. your grandmothers soul. Goodbye.
MALVOLIO MALVOLIO
No Fear Shakespeare Twelfth Night (by SparkNotes) -78-

Original Text Modern Text

Sir Topas, Sir Topas! Sir Topas, Sir Topas!


SIR TOBY BELCH SIR TOBY BELCH
My most exquisite Sir Topas! The brilliant Sir Topas!
FOOL FOOL
Nay, I am for all waters. I can do anything!
MARIA MARIA
55 Thou mightst have done this without thy beard and You couldve done this without your beard and
gown. gown. He couldnt see you.
He sees thee not.

Act 4, Scene 2, Page 4

SIR TOBY BELCH SIR TOBY BELCH


To him in thine own voice, and bring me word how Now talk to him in your own voice, and tell me how
thou findest him. I would we were well rid of this he is. I wish this trick would be over. If we can find
knavery. If he may be conveniently delivered, I would a convenient way to let him go, I want to do it. Im
he were, for I am now so far in offense with my niece in so much trouble with my niece that it wouldnt
that I cannot pursue with any safety this sport to the be safe to let this prank go to its conclusion. Come
upshot. Come by and by to my chamber. to my room later on.
Exeunt SIR TOBY BELCH and MARIA SIR TOBY BELCH and MARIA exit.
FOOL FOOL
(sings in his own voice) (he sings in his own voice)
Hey, Robin, jolly Robin, Hey, Robin, jolly Robin,
65 Tell me how thy lady does. Tell me how your lady is.
MALVOLIO MALVOLIO
Fool! Fool!
FOOL FOOL
(sings) My lady is unkind, perdy. (singing) My ladys mean, and thats a fact.
MALVOLIO MALVOLIO
Fool! Fool!
FOOL FOOL
(sings) Alas, why is she so? (singing) Oh, Im sorry, why is she mean?
MALVOLIO MALVOLIO
70 Fool, I say! Fool, I say!
FOOL FOOL
(sings) She loves anotherWho calls, ha? (singing) She loves someone elseWhos
shouting?
MALVOLIO MALVOLIO
Good fool, as ever thou wilt deserve well at my hand, Good fool, good jester, Ill make it worth your while
help me to a candle, and pen, ink, and paper. As I am if you get me a candle, and a pen, ink and paper.
a gentleman, I will live to be thankful to thee for t. You have my word as a gentleman that Ill always
be grateful to you.
FOOL FOOL
75 Master Malvolio? Master Malvolio?
MALVOLIO MALVOLIO
No Fear Shakespeare Twelfth Night (by SparkNotes) -79-

Original Text Modern Text

Ay, good fool. Yes, good fool.

Act 4, Scene 2, Page 5

FOOL FOOL
Alas, sir, how fell you besides your five wits? Poor man, how did you go insane?
MALVOLIO MALVOLIO
Fool, there was never a man so notoriously abused: I Fool, no one has ever been as mistreated as I am.
am as well in my wits, Fool, as thou art. Im completely sane, Fool. Im as sane as you are.
FOOL FOOL
80 But as well? Then you are mad indeed, if you be no As sane as me? Then you really are insane, if
better in your wits than a fool. youre no saner than a fool.
MALVOLIO MALVOLIO
They have here propertied me, keep me in darkness, They treat me like garbage here. They keep me in
send ministers to measses!and do all they can to darkness, and send idiotic priests to talk to me
face me out of my wits. those asses!and do everything they can to insist
Im insane.
FOOL FOOL
85 Advise you what you say. The minister is here. (in the Be careful what you saythe priest is here. (in
voice of Sir Topas) Malvolio, Malvolio, thy wits the the voice of Sir Topas) Malvolio, Malvolio, may
heavens restore! Endeavor thyself to sleep, and leave heaven make you sane again! Try to sleep, and
thy vain bibble-babble. stop your pointless babbling.
MALVOLIO MALVOLIO
Sir Topas! Sir Topas!
FOOL FOOL
90 (as Sir Topas) Maintain no words with him, good (as Sir Topas) Dont talk to him, my friend. (in his
fellow. (in his own voice) Who, I, sir? Not I, sir. God b' own voice) Who, me, sir? Not me, sir. God be with
wi' you, good Sir Topas. (as Sir Topas) Marry, you, Sir Topas, goodbye. (as Sir Topas) Well then,
amen. (in his own voice) I will, sir, I will. amen. (in his own voice) Goodbye, sir.
MALVOLIO MALVOLIO
Fool, fool, fool, I say! Fool, fool, hey, fool!
FOOL FOOL
95 Alas, sir, be patient. What say you sir? I am shent for Please, sir, be quiet. What do you want to say, sir?
speaking to you. Ive just been scolded for speaking to you.
MALVOLIO MALVOLIO
Good fool, help me to some light and some paper. I Be a nice fool and help me find a candle and
tell thee, I am as well in my wits as any man in Illyria. some paper. I tell you, Im as sane as any man in
Illyria.
FOOL FOOL
Well-a-day that you were, sir. If only you were, sir.

Act 4, Scene 2, Page 6

MALVOLIO MALVOLIO
No Fear Shakespeare Twelfth Night (by SparkNotes) -80-

Original Text Modern Text

100 By this hand, I am. Good fool, some ink, paper, and I swear I am. Get me some ink, paper, and a
light, and convey what I will set down to my lady. It candle. Ill write a letter and youll take it to my
shall advantage thee more than ever the bearing of lady. Youll get a bigger reward than you ever got
letter did. delivering a letter before.
FOOL FOOL
I will help you to t. But tell me true, are you not mad Ill help you. But tell me honestly, are you sure
indeed? Or do you but counterfeit? youre not insane? Or are you just pretending?
MALVOLIO MALVOLIO
105 Believe me, I am not. I tell thee true. Believe me, Im not. Im telling the truth.
FOOL FOOL
Nay, Ill ne'er believe a madman till I see his brains. I Ill never believe a madman until I can see his
will fetch you light, and paper, and ink. brains. But Ill get you a candle and paper and
ink.
MALVOLIO MALVOLIO
Fool, Ill requite it in the highest degree. I prithee, be Fool, Ill repay you for this favor. Please, hurry.
gone.
FOOL FOOL
(sings) (he sings)
110 I am gone, sir, Im going now, sir, but soon
And anon, sir, Ill be with you again,
Ill be with you again, To help you resist the devil,
In a trice, Like the sidekick in the old plays
Like to the old Vice, Who shakes a wooden dagger,
115 Your need to sustain, Fumes in rage and wrath,
Who, with dagger of lath And shouts Whoa! to the devil.
In his rage and his wrath, He yells, Trim your nails, old man.
Cries Aha, to the devil, And goodbye, Satan, you peasant.
Like a mad lad,
120 Pare thy nails, dad,
Adieu, goodman devil.
Exit FOOL exits.

Act 4, Scene 3

Enter SEBASTIAN SEBASTIAN enters.


SEBASTIAN SEBASTIAN
This is the air, that is the glorious sun. This is the air, thats the glorious sun. I can feel
This pearl she gave me, I do feel t and see t, and see this pearl she gave me. I may be dazed
And though tis wonder that enwraps me thus, and confused, but Im not insane. Wheres
Yet tis not madness. Wheres Antonio, then? Antonio, then? I didnt find him at the Elephant.
5 I could not find him at the Elephant. But hed been there before me, and they told me
Yet there he was, and there I found this credit, hed gone out looking for me. I could really use his
That he did range the town to seek me out. advice right now. I feel sure this situation is due to
His counsel now might do me golden service. some mistake, and I dont think Im crazy. But this
For though my soul disputes well with my sense sudden flood of good luck is so unbelievable that
No Fear Shakespeare Twelfth Night (by SparkNotes) -81-

Original Text Modern Text

10 That this may be some error, but no madness, Im ready to distrust my own eyes and my own
Yet doth this accident and flood of fortune rational mind when they tell me Im not insane
So far exceed all instance, all discourse, maybe the ladys insane. But if that were the case,
That I am ready to distrust mine eyes she wouldnt be able to run her house, command
And wrangle with my reason that persuades me her servants, listen to reports, make decisions,
15 To any other trust but that I am mad and take care of business as smoothly as she
Or else the ladys mad. Yet if twere so, does. Theres something going on thats not what
She could not sway her house, command her it seems. But here she comes.
followers,
Take and give back affairs and their dispatch
20 With such a smooth, discreet, and stable bearing
As I perceive she does. Theres something in t
That is deceivable. But here the lady comes.
Enter OLIVIA and PRIEST OLIVIA and a PRIEST enter.

Act 4, Scene 3, Page 2

OLIVIA OLIVIA
(to SEBASTIAN) (to SEBASTIAN) Dont be angry with me for acting
Blame not this haste of mine. If you mean well, so quickly. If your intentions toward me are
Now go with me and with this holy man honorable, come with me and this holy man into
25 Into the chantry by. There, before him the chapel over there, where you can soothe all
And underneath that consecrated roof, my worries by making your marriage vows to me.
Plight me the full assurance of your faith, The priest will keep it secret until youre ready to
That my most jealous and too doubtful soul make the news public and we can throw a full
May live at peace. He shall conceal it marriage celebration that befits my social
30 Whiles you are willing it shall come to note, standing. What do you say?
What time we will our celebration keep
According to my birth. What do you say?
SEBASTIAN SEBASTIAN
Ill follow this good man, and go with you; Ill follow the priest and go with you; and after Ive
And, having sworn truth, ever will be true. sworn to be faithful, Ill be faithful forever.
OLIVIA OLIVIA
35 Then lead the way, good father; and heavens so shine Then lead the way, father. I want the skies bright
That they may fairly note this act of mine. and shining to show its approval of our wedding.
Exeunt They all exit.

Act 5, Scene 1

Enter FOOL and FABIAN The FOOL and FABIAN enter.


FABIAN FABIAN
Now, as thou lovest me, let me see his letter. If youre my friend, youll let me see his letter.
FOOL FOOL
Good Master Fabian, grant me another request. Dear Mr. Fabian, do me another favor first.
No Fear Shakespeare Twelfth Night (by SparkNotes) -82-

Original Text Modern Text

FABIAN FABIAN
Anything. Anything.
FOOL FOOL
Do not desire to see this letter. Dont ask to see this letter.
FABIAN FABIAN
5 This is, to give a dog and in recompense desire my Thats like giving someone a dog as a present,
dog again. and then asking for the dog back in return.
Enter ORSINO, VIOLA, CURIO, and lords ORSINO, VIOLA, CURIO, and lords enter.
ORSINO ORSINO
Belong you to the Lady Olivia, friends? My friends, are you all Lady Olivias servants?
FOOL FOOL
Ay, sir, we are some of her trappings. Yes, sir, were part of her entourage.
ORSINO ORSINO
I know thee well. How dost thou, my good fellow? I know you. How are you, my friend?
FOOL FOOL
10 Truly, sir, the better for my foes and the worse for my Im better off because of my enemies, and worse
friends. off because of my friends.
ORSINO ORSINO
Just the contrary. The better for thy friends. You mean it the other way around. Youre better off
because of your friends.
FOOL FOOL
No, sir, the worse. No, sir, worse off.
ORSINO ORSINO
How can that be? How can that be?

Act 5, Scene 1, Page 2

FOOL FOOL
15 Marry, sir, they praise me and make an ass of me, Well, my friends praise me and make me look like
now my foes tell me plainly I am an ass. So that by an idiot, while my enemies tell me
my foes, sir I profit in the knowledge of myself, and by straightforwardly that I am an idiot. My enemies
my friends, I am abused. So that, conclusions to be help me understand myself better, which is an
as kisses, if your four negatives make your two advantage, and my friends help me lie about
affirmatives, why then the worse for my friends and myself, which is a disadvantage. So if four
the better for my foes. negatives make two affirmatives, Im worse off
because of my friends and better off because of
my foes.
ORSINO ORSINO
Why, this is excellent. Thats excellent.
FOOL FOOL
By my troth, sir, nothough it please you to be one of Dont say thatunless you want to be one of my
my friends. friends.
ORSINO ORSINO
(giving a coin) (he gives him a coin) You wont be worse off
25 Thou shalt not be the worse for me: theres gold. because of me: heres some money.
No Fear Shakespeare Twelfth Night (by SparkNotes) -83-

Original Text Modern Text

FOOL FOOL
But that it would be double-dealing, sir, I would you Thats a nice hand you dealt me. But if its not
could make it another. double-dealing, sir, I wish youd deal me another.
ORSINO ORSINO
O, you give me ill counsel. Oh, youre a naughty one, encouraging double-
dealing.
FOOL FOOL
Put your grace in your pocket, sir, for this once, and Ignore your virtue and nobility just this once, sir,
let your flesh and blood obey it. go ahead.
ORSINO ORSINO
Well, I will be so much a sinner, to be a double-dealer. Well, Ill commit the sin of double-dealing, and
Theres another. (giving a coin) deal you a second coin. Here it is. (he gives him
another coin)
FOOL FOOL
Primo, secundo, tertio is a good play, and the old And maybe a third? You know, theres a game
saying is, the third pays for all. The triplex, sir, is a called third times the charm, which is fun to play,
good tripping measure, or the bells of Saint Bennet, and they always say that threes a magic number.
sir, may put you in mindone, two, three. The three-beat rhythm is a good for dancing, and
the church bells chimeone, two, three.

Act 5, Scene 1, Page 3

ORSINO ORSINO
You can fool no more money out of me at this throw. If You cant get any more money out of me right
you will let your lady know I am here to speak with now. If you tell your lady Im here to speak with
her, and bring her along with you, it may awake my her, and bring her out with you when you come
bounty further. back, you might make me more generous.
FOOL FOOL
40 Marry, sir, lullaby to your bounty till I come again. I go, Well then, sing a lullaby to your generosity: itll nap
sir, but I would not have you to think that my desire of until I come back. But dont think Im doing this
having is the sin of covetousness. But, as you say, sir, because Im greedy. Ill be back soon to wake up
let your bounty take a nap, I will awake it anon. your generosity.
Exit The FOOL exits.
VIOLA VIOLA
Here comes the man, sir, that did rescue me. Here comes the man who rescued me, sir.
Enter ANTONIO and OFFICERS ANTONIO and OFFICERS enter.
ORSINO ORSINO
45 That face of his I do remember well. I remember his face well. Though the last time I
Yet, when I saw it last, it was besmeared saw him it was black from the smoke of war. He
As black as Vulcan in the smoke of war. was the captain of a flimsy boat that was
A baubling vessel was he captain of, practically worthless because it was so small. But
For shallow draught and bulk unprizable, with that tiny boat he fought such a fierce battle
50 With which such scathful grapple did he make against the largest warship in our fleet that we had
With the most noble bottom of our fleet, to admire his courage and skill even though he
That very envy and the tongue of loss caused us a lot of damage.Whats going on?
No Fear Shakespeare Twelfth Night (by SparkNotes) -84-

Original Text Modern Text

Cried fame and honor on him.Whats the matter?


FIRST OFFICER FIRST OFFICER
Orsino, this is that Antonio Orsino, this is the same Antonio who took
55 That took the Phoenix and her fraught from Candy, thePhoenix and her cargo from Crete and
And this is he that did the Tiger board captured our ship the Tiger during the battle where
When your young nephew Titus lost his leg. your young nephew Titus lost his leg. We arrested
Here in the streets, desperate of shame and state, him here for fighting in the streets. Its as if he
In private brabble did we apprehend him. didnt care we were on the lookout for him here.

Act 5, Scene 1, Page 4

VIOLA VIOLA
60 He did me kindness, sir, drew on my side, He was kind to me and took my side in the fight.
But in conclusion put strange speech upon me. But then he said strange things to me. He might
I know not what twas but distraction. be insane. I dont know what else it could be.
ORSINO ORSINO
Notable pirate! Thou saltwater thief, But youre a famous pirate! A master thief of the
What foolish boldness brought thee to their mercies, seas! What made you stupid and careless enough
65 Whom thou, in terms so bloody and so dear, to come visit the people you robbed and
Hast made thine enemies? slaughtered?
ANTONIO ANTONIO
Orsino, noble sir, Orsino, sir, please dont call me those names. I
Be pleased that I shake off these names you give me. was never a thief or a pirate, though I admit I was
Antonio never yet was thief or pirate, your enemy for good reasons. I came here
Though, I confess, on base and ground enough, because someone put a spell on me. I rescued
70 Orsinos enemy. A witchcraft drew me hither. that ungrateful boy next to you from drowning. He
That most ingrateful boy there by your side was a wreck, almost past hope. I saved his life
From the rude seas enraged and foamy mouth and gave him my love, without reservation. I
Did I redeem. A wreck past hope he was. dedicated myself to him. For his sake I ran the risk
His life I gave him and did thereto add of revisiting this unfriendly town, and I drew my
75 My love, without retention or restraint, sword to defend him when he was in trouble. But
All his in dedication. For his sake when the police caught us, he was clever and
Did I expose myself, pure for his love, treacherous enough to pretend hed never met me
Into the danger of this adverse town, before. He acted like someone who barely knew
Drew to defend him when he was beset, me. He refused to give me my own wallet, which I
80 Where being apprehended, his false cunning, had lent him only half an hour before.
(Not meaning to partake with me in danger)
Taught him to face me out of his acquaintance,
And grew a twenty-years-removed thing
While one would wink, denied me mine own purse,
85 Which I had recommended to his use
Not half an hour before.
VIOLA VIOLA
How can this be? How is that possible?
No Fear Shakespeare Twelfth Night (by SparkNotes) -85-

Original Text Modern Text

ORSINO ORSINO
(to ANTONIO) When came he to this town? (to ANTONIO) When did he come to town?

Act 5, Scene 1, Page 5

ANTONIO ANTONIO
Today, my lord, and for three months before, Today, my lord. And for three months before that,
90 No interim, not a minutes vacancy, we spent every day and night together.
Both day and night did we keep company.
Enter OLIVIA and attendants OLIVIA and attendants enter.
ORSINO ORSINO
Here comes the Countess. Now heaven walks on Ah, the countess is coming! An angel is walking
earth. on earth. But as for you, mister, what youre
But for thee, fellow. Fellow, thy words are madness: saying is insane. This young man has worked for
95 Three months this youth hath tended upon me; me for three months; but more about that later. (to
But more of that anon. (to an ofcer) Take him aside. an ofcer) Take him away.
OLIVIA OLIVIA
What would my lord, but that he may not have, What can I give you that you want, my lord,
Wherein Olivia may seem serviceable? except the one thing you cant have? Cesario, you
Cesario, you do not keep promise with me. missed your appointment with me.
VIOLA VIOLA
Madam? Madam?
ORSINO ORSINO
100 Gracious Olivia Dearest Olivia
OLIVIA OLIVIA
What do you say, Cesario?Good my lord What do you have to say for yourself, Cesario?
My lord, please
VIOLA VIOLA
My lord would speak. My duty hushes me. My lord wants to speak. Its my duty to be quiet.
OLIVIA OLIVIA
If it be aught to the old tune, my lord, If what you have to say is anything like what you
It is as fat and fulsome to mine ear used to say, itll be as repulsive to my ears as wild
105 As howling after music. screams after beautiful music.
ORSINO ORSINO
Still so cruel? Are you still so cruel?
OLIVIA OLIVIA
Still so constant, lord. I am still so faithful, my lord.

Act 5, Scene 1, Page 6

ORSINO ORSINO
What, to perverseness? You, uncivil lady, What, faithful to being mean and nasty? Youre
To whose ingrate and unauspicious altars not polite! I breathed from my soul the most
110 My soul the faithfullst off'rings have breathed out faithful offerings to your ungrateful altars that any
No Fear Shakespeare Twelfth Night (by SparkNotes) -86-

Original Text Modern Text

That e'er devotion tenderedwhat shall I do? devoted person has ever offeredwhat more am
I supposed to do?
OLIVIA OLIVIA
Even what it please my lord that shall become him. You can do whatever you want as long as its
socially appropriate.
ORSINO ORSINO
Why should I not, had I the heart to do it, Maybe I should act like the Egyptian thief who
Like to the Egyptian thief at point of death, kills the woman he loves before he dies? That
115 Kill what I love?A savage jealousy kind of savage jealousy sometimes seems noble.
That sometimes savors nobly. But hear me this: But listen to me. Since you keep denying the love
Since you to nonregardance cast my faith, I feel for you, and since I know whos stealing my
And that I partly know the instrument place in your heart, you can go on being cold-
That screws me from my true place in your favor, hearted, but Im going to take this boy from you.
120 Live you the marble-breasted tyrant still. He knows his master loves you. Im doing this,
But this your minion, whom I know you love, even though hes dear to me, because I know you
And whom, by heaven I swear, I tender dearly, love him. Come with me, boy. Im ready to do
Him will I tear out of that cruel eye something extreme. Ill sacrifice this boy I care for,
Where he sits crowned in his masters spite. just to spite a beautiful woman with a heart of
125 Come, boy, with me. My thoughts are ripe in stone.
mischief:
Ill sacrifice the lamb that I do love
To spite a ravens heart within a dove.
VIOLA VIOLA
And I, most jocund, apt, and willingly, And I would die a thousand deaths cheerfully, if it
To do you rest, a thousand deaths would die. made your life easier.
OLIVIA OLIVIA
130 Where goes Cesario? Wheres Cesario going?
VIOLA VIOLA
After him I love Following the one I love more than my eyes or my
More than I love these eyes, more than my life, life. More than I will ever love a wife. Thats the
More, by all mores, than e'er I shall love wife. truth. The angels in heaven are my witnesses,
If I do feign, you witnesses above, and can see how pure my love is.
Punish my life for tainting of my love!

Act 5, Scene 1, Page 7

OLIVIA OLIVIA
135 Ay me, detested! How am I beguiled! Ah, how awful, I feel so used! Ive been tricked!
VIOLA VIOLA
Who does beguile you? Who does do you wrong? Who tricked you? Who treated you badly?
OLIVIA OLIVIA
Hast thou forgot thyself? Is it so long? Have you completely forgotten? Has it been so
Call forth the holy father. long? Call the priest.
Exit an attendant An attendant exits.
ORSINO ORSINO
No Fear Shakespeare Twelfth Night (by SparkNotes) -87-

Original Text Modern Text

(to VIOLA) (to VIOLA) Come on, lets go!


Come, away!
OLIVIA OLIVIA
140 Whither, my lord?Cesario, husband, stay. Go where, my lord?Cesario, my husband, stay
here.
ORSINO ORSINO
Husband? Husband?
OLIVIA OLIVIA
Ay, husband. Can he that deny? Yes, husband. Can he deny it?
ORSINO ORSINO
Her husband, sirrah? Are you her husband, boy?
VIOLA VIOLA
No, my lord, not I. No, my lord, not me.
OLIVIA OLIVIA
Alas, it is the baseness of thy fear Youre afraid, so you hide your identity. But dont
That makes thee strangle thy propriety. be afraid, Cesario. Accept the good luck thats
145 Fear not, Cesario. Take thy fortunes up. come your way. Be the person you know you are,
Be that thou knowst thou art, and then thou art and youll be as powerful as this person you fear.
As great as that thou fearst.
Enter PRIEST The PRIEST enters.
O, welcome, father! Oh, hello, father! Father, could I please ask you to
Father, I charge thee, by thy reverence, tell these people what happened between me and
Here to unfold (though lately we intended this young man? (I know we wanted to hide it, but
150 To keep in darkness what occasion now now the situation demands that we reveal
Reveals before tis ripe) what thou dost know everything.)
Hath newly passed between this youth and me.

Act 5, Scene 1, Page 8

PRIEST PRIEST
A contract of eternal bond of love, They were joined in an eternal bond of love and
Confirmed by mutual joinder of your hands, matrimony, and it was confirmed by a holy kiss
155 Attested by the holy close of lips, and an exchange of rings. I witnessed it all as
Strengthened by interchangement of your rings, priest. It took place just two hours ago.
And all the ceremony of this compact
Sealed in my function, by my testimony,
Since when, my watch hath told me, toward my grave
160 I have traveled but two hours.
ORSINO ORSINO
O thou dissembling cub! What wilt thou be (to VIOLA) Oh, you little liar! How much worse will
When time hath sowed a grizzle on thy case? you be when youre older? Maybe youll get so
Or will not else thy craft so quickly grow good at deceit that your tricks will destroy you.
That thine own trip shall be thine overthrow? Goodbye, and take her. Just never set foot in any
165 Farewell, and take her; but direct thy feet place where you and I might happen to meet.
Where thou and I henceforth may never meet.
No Fear Shakespeare Twelfth Night (by SparkNotes) -88-

Original Text Modern Text

VIOLA VIOLA
My lord, I do protest My lord, I swear to you
OLIVIA OLIVIA
O, do not swear! Oh, dont swear! Keep a little bit of honesty, even
Hold little faith, though thou hast too much fear. if youre afraid.
Enter SIR ANDREW SIR ANDREW enters.
SIR ANDREW SIR ANDREW
For the love of God, a surgeon! Send one presently For the love of God, call a doctor! Sir Toby needs
170 to Sir help right away.
Toby.
OLIVIA OLIVIA
Whats the matter? Whats the matter?
SIR ANDREW SIR ANDREW
He has broke my head across and has given Sir Toby He cut my head and gave Sir Toby a bloody head,
a bloody coxcomb too. For the love of God, your help! too. For the love of God, help us! Id give forty
I had rather than forty pound I were at home. pounds to be safe at home right now.
OLIVIA OLIVIA
175 Who has done this, Sir Andrew? Who did this, Sir Andrew?

Act 5, Scene 1, Page 9

SIR ANDREW SIR ANDREW


The Counts gentleman, one Cesario. We took him The counts messenger, Cesario. We thought he
for a coward, but hes the very devil incardinate. was a coward, but he fights like a devil.
ORSINO ORSINO
My gentleman, Cesario? My Cesario?
SIR ANDREW SIR ANDREW
'Ods lifelings, here he is!You broke my head for Oh, no, there he is! You cut my head for no
nothing, and that that I did, I was set on to do t by Sir reason. Anything I did to you, I did it because Sir
Toby. Toby made me.
VIOLA VIOLA
Why do you speak to me? I never hurt you. Why are you talking like this? I never hurt you.
You drew your sword upon me without cause, You waved your sword at me for no reason, but I
But I bespoke you fair and hurt you not. was nice to you. I didnt hurt you.
SIR ANDREW SIR ANDREW
If a bloody coxcomb be a hurt, you have hurt me. I If a bloody head counts as a hurt, then you hurt
think you set nothing by a bloody coxcomb. me. Apparently you think theres nothing unusual
about a bloody head.
Enter SIR TOBY BELCH and FOOL SIR TOBY BELCH and the FOOL enter.
Here comes Sir Toby halting. You shall hear more. Here comes Sir Toby, limping. Hell tell you more
But if he had not been in drink, he would have tickled of the story. If he hadnt been drunk, he wouldve
you othergates than he did. really roughed you up.
ORSINO ORSINO
How now, gentleman? How is t with you? Hello, sir! How are you?
SIR TOBY BELCH SIR TOBY BELCH
No Fear Shakespeare Twelfth Night (by SparkNotes) -89-

Original Text Modern Text

190 Thats all one: has hurt me, and theres the end on It doesnt matter how I am: he hurt me, and thats
t. (to that. (to FOOL) Fool, have you seen Dick the
FOOL) Sot, didst see Dick Surgeon, sot? surgeon?
FOOL FOOL
Oh, hes drunk, Sir Toby, an hour agone. His eyes Oh, hes drunk, Sir Toby, for a whole hour now.
were set at eight i' the morning. His eyes started glazing over around eight in the
morning.
SIR TOBY BELCH SIR TOBY BELCH
Then hes a rogue, and a passy-measures pavin. I Then hes no good. I hate no-good drunks.
hate a drunken rogue.

Act 5, Scene 1, Page 10

OLIVIA OLIVIA
Away with him! Who hath made this havoc with Take him away! Who did this to him?
them?
SIR ANDREW SIR ANDREW
Ill help you, Sir Toby, because well be dressed Ill help you, Sir Toby. Theyll treat our wounds
together. together.
SIR TOBY BELCH SIR TOBY BELCH
Will you help?An ass-head, and a coxcomb, and a Will you help me?What an ass and a fool, a
knave, a thin-faced knave, a gull! gullible no-good idiot!
OLIVIA OLIVIA
200 Get him to bed, and let his hurt be looked to. Get him to bed and make sure his wounds are
treated.
Exeunt FOOL, FABIAN, SIR TOBY BELCH, and SIR The FOOL, FABIAN, SIR TOBY BELCH,
ANDREW and SIR ANDREW exit.
Enter SEBASTIAN SEBASTIAN enters.
SEBASTIAN SEBASTIAN
I am sorry, madam, I have hurt your kinsman, Im sorry, madam. I wounded your relative. But I
But, had it been the brother of my blood, wouldve been forced to do the same thing to my
I must have done no less with wit and safety. brother, since my safety was at stake. Youre
You throw a strange regard upon me, and by that looking at me strangely, so I guess youre
205 I do perceive it hath offended you. offended. But please forgive me, darling, for the
Pardon me, sweet one, even for the vows sake of the vows we made to each other so
We made each other but so late ago. recently.
ORSINO ORSINO
One face, one voice, one habit, and two persons! One face, one voice, one way of dressing, but two
A natural perspective, that is and is not! people! Its like an optical illusion. It is and isnt
the same person!
SEBASTIAN SEBASTIAN
210 Antonio, O my dear Antonio! Antonio, oh my dear Antonio! Ive been so
How have the hours racked and tortured me tortured since I lost track of you!
Since I have lost thee!
ANTONIO ANTONIO
No Fear Shakespeare Twelfth Night (by SparkNotes) -90-

Original Text Modern Text

Sebastian are you? Are you Sebastian?


SEBASTIAN SEBASTIAN
Fearst thou that, Antonio? Do you have any doubts, Antonio?

Act 5, Scene 1, Page 11

ANTONIO ANTONIO
215 How have you made division of yourself? How did you divide yourself in two? These two
An apple, cleft in two, is not more twin people are as identical as two halves of an apple.
Than these two creatures. Which is Sebastian? Which one is Sebastian?
OLIVIA OLIVIA
Most wonderful! How unbelievable!
SEBASTIAN SEBASTIAN
(looking at VIOLA) Do I stand there? I never had a (looking at VIOLA) Is that me standing over
220 brother; there? I never had a brother, and Im certainly not
Nor can there be that deity in my nature, a god who can be in two places at once. I had a
Of here and everywhere. I had a sister, sister who drowned. Please tell me, how am I
Whom the blind waves and surges have devoured. related to you? Are you from my country? Whats
Of charity, what kin are you to me? your name? Who are your parents?
What countryman? What name? What parentage?
VIOLA VIOLA
225 Of Messaline. Sebastian was my father; Im from Messaline. Sebastian was my fathers
Such a Sebastian was my brother too, name, and my brother was named Sebastian too.
So went he suited to his watery tomb. He was dressed just like you are when he
If spirits can assume both form and suit drowned. If ghosts can take on someones body
You come to fright us. and clothes, you must be a spirit whos come to
frighten us.
SEBASTIAN SEBASTIAN
A spirit I am indeed, I am a spirit, yes, since I have a soul. But my spirit
230 But am in that dimension grossly clad has a body attached to it, one that Ive carried
Which from the womb I did participate. since I was in the womb. If you were a woman, Id
Were you a woman, as the rest goes even, hug you now and cry, and say Welcome back,
I should my tears let fall upon your cheek drowned Viola!
And say Thrice-welcome, drownd Viola!
VIOLA VIOLA
235 My father had a mole upon his brow. My father had a mole on his forehead.
SEBASTIAN SEBASTIAN
And so had mine. Mine did too.
VIOLA VIOLA
And died that day when Viola from her birth He died on Violas thirteenth birthday.
Had numbered thirteen years.

Act 5, Scene 1, Page 12


No Fear Shakespeare Twelfth Night (by SparkNotes) -91-

Original Text Modern Text

SEBASTIAN SEBASTIAN
Oh, that record is lively in my soul! Oh, I remember that very clearly! Its true, he died
240 He finished indeed his mortal act on the day my sister turned thirteen.
That day that made my sister thirteen years.
VIOLA VIOLA
If nothing lets to make us happy both If the only thing keeping us from rejoicing is the
But this my masculine usurped attire, fact that Im wearing mens clothes, then dont hug
Do not embrace me till each circumstance me till I can prove beyond the shadow of a doubt
245 Of place, time, fortune, do cohere and jump that Im Viola. Ill take you to a sea captain here in
That I am Viola. Which to confirm, town whos got my womens clothing in storage.
Ill bring you to a captain in this town, He saved my life so I could serve this noble
Where lie my maiden weeds, by whose gentle help count. Everything thats happened to me since
I was preserved to serve this noble count. then has involved my relationship with this lady
250 All the occurrence of my fortune since and this lord.
Hath been between this lady and this lord.
SEBASTIAN SEBASTIAN
(to OLIVIA) So comes it, lady, you have been (to OLIVIA) So you got it wrong, my lady. But
mistook. nature fixed everything, turning your love for my
But nature to her bias drew in that. sister into a love for me. If you hadnt, you
255 You would have been contracted to a maid; wouldve married a maiden. But thats not
Nor are you therein, by my life, deceived. completely wrong. Im still a virgin, so in a sense
You are betrothed both to a maid and man. Im a maiden too.
ORSINO ORSINO
(to OLIVIA) Be not amazed. Right noble is his blood. (to OLIVIA) Dont be shocked. His blood is noble.
If this be so, as yet the glass seems true, If this is all as true as it seems to be, then Im
I shall have share in this most happy wreck. going to have a share in that lucky
260 (to VIOLA) Boy, thou hast said to me a thousand shipwreck. (to VIOLA) Boy, you told me a
times thousand times youd never love a woman as
Thou never shouldst love woman like to me. much as you love me.
VIOLA VIOLA
And all those sayings will I overswear; Everything I said before Ill say again. I swear I
And those swearings keep as true in soul meant every word.
As doth that orbd continent the fire
265 That severs day from night.
ORSINO ORSINO
Give me thy hand, Give me your hand and let me see you dressed in
And let me see thee in thy womans weeds. womans clothing.

Act 5, Scene 1, Page 13

VIOLA VIOLA
The captain that did bring me first on shore The captain who brought me to shore has my
Hath my maids garments. He, upon some action, womens clothes. For some reason hes in prison
Is now in durance at Malvolios suit, now on some legal technicality, on Malvolios
No Fear Shakespeare Twelfth Night (by SparkNotes) -92-

Original Text Modern Text

270 A gentleman and follower of my ladys. orders. Malvolio is a gentleman in my ladys


entourage.
OLIVIA OLIVIA
He shall enlarge him. Hell release him.
Enter FOOL with a letter, and FABIAN FABIAN and the FOOL with a letter enter.
Fetch Malvolio hither: Go and get MalvolioBut, oh no! Now I
And yet, alas, now I remember me, remember, they say the poor man is mentally ill. I
They say, poor gentleman, hes much distract. was so crazy myself that I forgot all about him.(to
275 A most extracting frenzy of mine own the FOOL) How is Malvolio doing, do you know?
From my remembrance clearly banished his.
(to FOOL) How does he, sirrah?
FOOL FOOL
Truly, madam, he holds Beelzebub at the staves' end Well, he keeps the devil away as well as a man
as well as a man in his case may do. Has here writ a can in his situation. Hes written you a letter. I
letter to you. I should have given t you today wouldve given it to you this morning, but a
morning, but as a madmans epistles are no gospels, madmans letters arent Gospel, so it doesnt
so it skills not much when they are delivered. matter much if Im a bit late.
OLIVIA OLIVIA
Open t, and read it. Open it and read it.
FOOL FOOL
Look then to be well edified when the fool delivers the Theres a lot to learn when a fool recites the
madman. (reads) By the Lord, madam, words of a madman. (he reads) I swear to God,
madam,
OLIVIA OLIVIA
How now? Art thou mad? Why are you talking like that? Are you insane?
FOOL FOOL
No, madam, I do but read madness. An your ladyship No, madam, Im just reading an insane letter. If
will have it as it ought to be, you must allow vox. you want things done in the right way, youll have
to let me read a crazy letter in a crazy voice.
OLIVIA OLIVIA
Prithee, read i' thy right wits. No, please, read it like a sane person.

Act 5, Scene 1, Page 14

FOOL FOOL
290 So I do, madonna. But to read his right wits is to read I will, my lady, but a sane person reading this
thus. would make it sound crazy. So listen up, princess.
Therefore perpend, my princess, and give ear.
OLIVIA OLIVIA
(giving the letter to FABIAN) Read it you, sirrah. (giving the letter to FABIAN) Oh, you read it, sir.
FABIAN FABIAN
(reads) (he reads)
By the Lord, madam, you wrong me, and the world I swear to God, madam, youve wronged me, and
shall know it. Though you have put me into darkness Ill tell the whole world. Youve shut me up in a
and given your drunken cousin rule over me, yet have dark room and given your drunken cousin
No Fear Shakespeare Twelfth Night (by SparkNotes) -93-

Original Text Modern Text

I the benefit of my senses as well as your Ladyship. I authority over me, but Im as sane as you are. Ive
have your own letter that induced me to the got a letter from you encouraging me to act the
semblance I put on, with the which I doubt not but to way I did. If I didnt have it, I couldnt prove that
do myself much right or you much shame. Think of Im right and youre wrong. I dont care what you
me as you please. I leave my duty a little unthought think of me. Im going to forget my duties to you a
of and speak out of my injury. The madly used little bit and complain about the injuries youve
Malvolio. caused me. Signed,
The poorly treated Malvolio.
OLIVIA OLIVIA
Did he write this? Did he write this?
FOOL FOOL
Ay, madam. Yes, madam.
ORSINO ORSINO
305 This savors not much of distraction. It doesnt sound like an insane persons letter.
OLIVIA OLIVIA
See him delivered, Fabian; bring him hither. Set him free. Fabian, bring him here.
Exit FABIAN FABIAN exits.
My lord so please you, these things further thought My lord, I hope that after you think things over a
on, bit youll come to like the idea of having me as a
To think me as well a sister as a wife, sister-in-law instead of a wife. We can have the
310 One day shall crown the alliance on t, so please you, weddings tomorrow if you want, here at my own
Here at my house and at my proper cost. house. Ill pay for everything.

Act 5, Scene 1, Page 15

ORSINO ORSINO
Madam, I am most apt to embrace your offer. I accept that offer happily, madam. (to VIOLA) So
(to VIOLA) youre free now. Im offering you my hand in
Your master quits you, and for your service done him, marriage because of your loyal service to me,
So much against the mettle of your sex, which was far from what any woman should be
315 So far beneath your soft and tender breeding, expected to do, especially a noble woman. Youve
And since you called me master for so long, called me master for so long. And now youll be
Here is my hand. You shall from this time be your masters mistress.
Your masters mistress.
OLIVIA OLIVIA
(to VIOLA) A sister! You are she. (to VIOLA) Youll be my sister-in-law!
Enter FABIAN, with MALVOLIO FABIAN enters with MALVOLIO
ORSINO ORSINO
320 Is this the madman? Is this the madman?
OLIVIA OLIVIA
Ay, my lord, this same. Yes, my lord. How are you, Malvolio?
How now, Malvolio!
MALVOLIO MALVOLIO
Madam, you have done me wrong, Madam, youve treated me badly, very badly.
Notorious wrong.
No Fear Shakespeare Twelfth Night (by SparkNotes) -94-

Original Text Modern Text

OLIVIA OLIVIA
Have I, Malvolio? No. I did, Malvolio? No.
MALVOLIO MALVOLIO
(handing a paper) (he hands OLIVIA a paper) You did. Please have
Lady, you have. Pray you, peruse that letter. a look at this letter. You cant deny that its your
325 You must not now deny it is your hand. handwriting. Go ahead and try to write differently,
Write from it if you can, in hand or phrase; and try to pretend thats not your seal with your
Or say tis not your seal, not your invention: design on it. You cant. So just admit it. And tell
You can say none of this. Well, grant it then me honestly, why did you show me such fondness
And tell me, in the modesty of honor, and asked me to smile at you, wear yellow
330 Why you have given me such clear lights of favor, stockings and crisscrossed laces for you, and be
Bade me come smiling and cross-gartered to you, rude to Sir Toby and the servants?
To put on yellow stockings, and to frown
Upon Sir Toby and the lighter people?

Act 5, Scene 1, Page 16

And, acting this in an obedient hope, And then tell me why you imprisoned me in a dark
335 Why have you suffered me to be imprisoned, house after I followed your instructions perfectly.
Kept in a dark house, visited by the priest, You made me look like the biggest fool that
And made the most notorious geck and gull anybody ever tricked. Tell me why you did it.
That e'er invention played on? Tell me why.
OLIVIA OLIVIA
Alas, Malvolio, this is not my writing, Im sorry, Malvolio, but this isnt my writing,
340 Though, I confess, much like the character. though I admit it looks like mine. Its definitely
But out of question, tis Marias hand. Marias handwriting. Now that I think about it,
And now I do bethink me, it was she Maria was the one who first told me you were
First told me thou wast mad, then camest in smiling, insane. Thats when you came in smiling at me,
And in such forms which here were presupposed dressed up like the letter said, and acting just like
345 Upon thee in the letter. Prithee, be content. it told you to act. Someone has played a very
This practice hath most shrewdly passed upon thee; mean trick on you, but when we find out whos
But when we know the grounds and authors of it, responsible, you wont just be the victim, but the
Thou shalt be both the plaintiff and the judge judge who sentences the culprit. I promise.
Of thine own cause.
FABIAN FABIAN
Good madam, hear me speak, Madam, let me say something. Please dont let
350 And let no quarrel nor no brawl to come squabbles ruin this beautiful and miraculous
Taint the condition of this present hour, moment. I confess that Toby and I were the ones
Which I have wonderd at. In hope it shall not, who tricked Malvolio because we hated his strict
Most freely I confess, myself and Toby and heavy-handed ways. Sir Toby had Maria
Set this device against Malvolio here, wrote that letter, and he married her as a reward.
355 Upon some stubborn and uncourteous parts We should just laugh about the whole thing rather
We had conceived against him. Maria writ than get upset about it, especially if we consider
The letter at Sir Tobys great importance, that each of the two parties offended the other
No Fear Shakespeare Twelfth Night (by SparkNotes) -95-

Original Text Modern Text

In recompense whereof he hath married her. equally.


How with a sportful malice it was followed,
360 May rather pluck on laughter than revenge,
If that the injuries be justly weighed
That have on both sides passed.
OLIVIA OLIVIA
(to MALVOLIO) Alas, poor fool, how have they baffled (to MALVOLIO) Oh, poor fool, theyve really
thee! humiliated you!

Act 5, Scene 1, Page 17

FOOL FOOL
Why, some are born great, some achieve greatness, Well, you know, some are born great, some
and some have greatness thrown upon them. I was achieve greatness, and some have greatness
one, sir, in this interlude, one Sir Topas, sir, but thats thrust upon them. Anyway, I was part of the trick,
all one. (imitates MALVOLIO)By the Lord, fool, I am sir. I pretended to be a priest named Sir Topas.
not mad.But do you remember? Madam, why But what does it matter? (he
laugh you at such a barren rascal; an you smile not, imitatesMALVOLIO) I swear, fool, Im not
hes gagged? and thus the whirligig of time brings in crazy.But do you remember what he said
his revenges. about me before? Im surprised you enjoy the
company of this stupid troublemakerunless hes
got somebody laughing at him, he cant think of
anything to say. What goes around comes
around.
MALVOLIO MALVOLIO
Ill be revenged on the whole pack of you. Ill get my revenge on every last one of you.
Exit MALVOLIO exits.
OLIVIA OLIVIA
He hath been most notoriously abused. He really was tricked horribly.
ORSINO ORSINO
Pursue him and entreat him to a peace. Go after him and try to calm him down a little.
Some exit Some exit.
He hath not told us of the captain yet. He still hasnt told us about the captain. When
375 When that is known and golden time convents, thats been taken care of and the time is right,
A solemn combination shall be made well all get married. Until then, well stay here, my
Of our dear souls.Meantime, sweet sister, dear sister-in-law. Cesario, come here. Ill keep
We will not part from hence. Cesario, come, calling you Cesario while youre still a man, but
For so you shall be, while you are a man. when we see you in womens clothes youll be the
380 But when in other habits you are seen, queen of my dreams, Orsinos true love.
Orsinos mistress and his fancys queen.
Exeunt all, except FOOL Everyone exits except the FOOL

Act 5, Scene 1, Page 18


No Fear Shakespeare Twelfth Night (by SparkNotes) -96-

Original Text Modern Text

FOOL FOOL
(sings) (he sings)
When that I was and a little tiny boy, When I was a tiny little boy,
With hey, ho, the wind and the rain, With, hey, ho, the wind and the rain,
385 A foolish thing was but a toy, A foolish thing didnt matter much,
For the rain it raineth every day. Because the rain it rains every day.
But when I came to mans estate, But when I became a man,
With hey, ho, the wind and the rain, With, hey, ho, the wind and the rain,
'Gainst knaves and thieves men shut their gate, People stopped talking to bad guys and thieves.
390 For the rain it raineth every day. Because the rain it rains every day.
But when I came, alas! to wive, But when I got married, ah, too bad!
With hey, ho, the wind and the rain, With, hey, ho, the wind and the rain,
By swaggering could I never thrive, It did me no good to boast and show off,
For the rain it raineth every day. Because the rain, it rains every day.
395 But when I came unto my beds, But when I had to go to bed
With hey, ho, the wind and the rain, With, hey, ho, the wind and the rain,
With toss-pots still had drunken heads, With idiots drunk out of their minds,
For the rain it raineth every day. Because the rain it rains every day.
A great while ago the world begun, The world began a long time ago,

400 With hey, ho, the wind and the rain, With, hey, ho, the wind and the rain,
But thats all one, our play is done, But that doesnt matter, our play is done,
And well strive to please you every day. And well try to please you every day.
Exit The FOOL exits.

You might also like