The Receiver Front End: An Overview
The Receiver Front End: An Overview
The Receiver Front End: An Overview
The front end of the receiver is key to its dy- the simplest form of front-end architecture. It
namic performance. Specifications such as the consists of a mixer stage and local oscillator
dynamic range, intermodulation distortion, −1 preceded by a bandpass filter. The input sig-
dB compression point, and third-order inter- nal to the bandpass filter will come from the
cept point demonstrate how well the front antenna. The bandpass filter can be narrow
end of the receiver performs. or broad depending on design.
Two main theories stand behind this
type of architecture. First, it costs less than
FRONT-END ARCHITECTURES the other architectures in some implementa-
tions. Second, some authorities ask, “Why
Several different architectures are used in re- amplify noise prior to mixing?” The goal is to
ceiver front-end circuits. Figure 4.1 shows not use up the mixer’s head room with
ANTENNA
BANDPASS TO IF
MIXER
FILTER AMPLIFIER
Fig. 4.1
Bandpass filter at the input of the OSCILLATOR
receiver.
37
38 THE TECHNICIAN’S RADIO RECEIVER HANDBOOK
unneeded energy. This theory has some benefit of the RF amplifier is that it im-
merit, as was evident in the Squires-Sanders proves the isolation of the mixer/LO circuit
SS-1 receiver in the 1960s. from the antenna circuit.
The main attributes of the bandpass filter A third version is shown in Figure 4.3.
are good forward performance (i.e., within Like the other two architectures, this has a
the passband) and good reverse isolation. The mixer and local oscillator circuit (or a con-
isolation is needed to prevent the local oscilla- verter, which contains both mixer and local
tor signal from reaching the antenna, where it oscillator). The difference between this archi-
can be radiated. The bandpass filter has three tecture and the previous ones is in the addi-
important duties: tion of a second bandpass filter.
This second bandpass filter may have
1. It must limit the bandwidth of the in-
the same frequency as the first bandpass fil-
put signal to minimize intermodulation
ter but that is not the only arrangement.
distortion.
The second bandpass filter often is tuned to
2. It must attenuate spurious responses, the image frequency. This frequency is the
mainly the image frequency and the RF frequency plus or minus twice the IF, lo-
1/2-IF frequency problems. cated on the other side of the local oscilla-
tor from the RF signal (Figure 4.4). That
3. It must suppress local oscillator energy
way, the image frequency gets the same
to prevent it from reaching the antenna.
treatment in the mixer as the RF, so it
A second version of the front-end ar- comes through the system as a valid signal.
chitecture is shown in Figure 4.2. This ver- By having a filter tuned to notch the image
sion uses an RF amplifier. The gain of the frequency, while passing the desired fre-
RF amplifier is low, certainly less than 20 quency, we can limit this problem. Of
dB. Gains in excess of 20 dB may compro- course, the image filter must track the
mise stability, and the intercept point may bandpass filter at the input if the receiver
not be achieved. The purpose of the RF am- has multiple frequencies.
plifier is to isolate the mixer as well as give The second bandpass filter also may at-
the signal a small boost prior to mixing. tenuate the receiver’s other spurious re-
The boost overcomes the losses in the sponse and direct IF pick-up. Further, it
mixer and the bandpass filter. The principal attenuates noise originating in the RF ampli-
ANTENNA
RF AMPLIFIER
BANDPASS TO IF
MIXER
FILTER AMPLIFIER
OSCILLATOR
Fig. 4.2 RF amplifier and bandpass filter at the input of the receiver.
The Receiver Front End: An Overview 39
ANTENNA
RF AMPLIFIER
BANDPASS BANDPASS TO IF
MIXER
FILTER 1 FILTER 2 AMPLIFIER
OSCILLATOR
LO
posite occurs: All the spurious signals will
be on the high side of the RF signal. The
trade-off between insertion loss and selec-
tivity in the filter usually is made in favor of
insertion loss in bandpass filter number 1,
RF IMAGE
but it can be sacrificed in bandpass filter
number 2.
SPURIOUS RESPONSES
FIF FIF
FIF is the IF frequency; Fig. 4.5 Spectrum analyzer presentation of 1/2 IF.
FRF is the RF frequency;
FLO is the local oscillator frequency;
m and n are either integers or zero.
where
By solving equation 4.3 for FRF, we get
two possible RF frequencies at which spurs FT is the transmitter frequency;
can occur: ∆f is the difference between the trans-
mitter and receiver frequencies.
nFLO − FIF
FRF = (4.4)
m
INTERCEPT POINTS
nFLO + FIF
FRF = (4.5) The intercept points are a measure of circuit
m
linearity. They allow us to calculate inter-
The most common spurs are as follows: modulation distortion levels from the input
signal levels. The intercept point represents
1. Image frequency (previously defined, an input amplitude (Figure 4.6) at which the
see Figure 4.5). desired fundamental frequency is equal in
2. 1/2 IF (see Figure 4.5). amplitude to the undesired signal.
3. Direct IF pick-up.
4. n × LO frequency. SECOND-ORDER INTERCEPT POINT
5. LO spurious frequencies. The second-order intercept point (SOIP)
6. Second mixer spurs (dual conversion comes from the operation of the second-
receivers only). order products of a signal and increases at
a rate of 2 dB for a 1 dB increase in the fun-
Full duplex radio receivers (i.e., those damental level. The 1/2 IF response of the
used in conjunction with a transmitter at the mixer can be predicted from the second-
same time) have two additional responses order intercept point. The 1/2 IF point is due
that must be considered: full duplex image to the second harmonics of the RF signal
and half duplex image: and the LO signal, both of which are inter-
nally generated (2FRF ± 2FLO). The 1/2 IF re-
Full Duplex Image = FT − ∆f (4.6)
jection is
∆f IP2 − S − C
Half Duplex Image = FT + (4.7) 1/2 IF rejection = (4.8)
2 2
42 THE TECHNICIAN’S RADIO RECEIVER HANDBOOK
nth-Order Response
Fig. 4.6
The nth-order intercept point. INPUT LEVEL (Pin) IN dBm
where where
IP2 is the second-order intercept point; IM is the intermodulation rejection
S is the receiver sensitivity (dBm); ratio (dB);
C is the capture ratio or the cochannel IP3 is the TOIP;
rejection in dB. S is the receiver sensitivity (dBm);
C is the capture ratio or cochannel re-
For example, suppose a receiver has a jection in dB.
second-order intercept point of 45 dBm
and a sensitivity of –120 dBm. If the co- Equation 4.9 covers the situation for
channel rejection is 6 dB, the 1/2 IF rejec- one carrier. Unfortunately, real receivers see
tion is (45 dBm – 120 dBm – 6 dB)/2 = 159/2 many carriers. The number of such products
= 79.5 dB. is n(n − 1), where n is the number of carriers
present for both (2F1 – F1) and (2F1 + F2),
and (for triple beats) n(n – 1)(n – 2)/2 for
THIRD-ORDER INTERCEPT POINT (F1 + F2 – F3) situations.