15 Myths and Fairytales

Lesson 15: Myths and Fairy Tales
Context
Many students regard myths and fairy tales as sources of purely fictional entertainment. Yet they
have been and still are an important source of knowledge and understanding.
Students should consider the ways in which myths and fairy tales might be understood as part of
history, psychology, religion and, of course, the use of myth as a pejorative term to indicate
falsehood. What sort of understanding is provided by myths? What truths, if any, do they contain
and if they contain truths, how can they be verified? How much of what we think to be
knowledge or reasonable belief today might, on closer analysis, turn out to have been myth (in
the pejorative sense)?
When we realize and reflect upon the universal importance and presence of myths in human
civilization, we can be brought to realize the deep human need for qualitative maps of reality to
complement the purely quantitative maps of reality provided by the physical sciences. We might
also realize the equally dangerous consequences of neglecting the quantitative maps of reality.
Students may be brought to realize that our knowledge and understanding requires a sensitive
balance between the powers of imagination and those of reason—that upsetting the balance can
lead either on the one hand to impersonal, inhuman forms of understanding and knowledge or,
on the other, to the equally oppressive tyranny of fiction and fantasy.
Aims
y To analyse the nature of myths and fairy tales as sources of knowledge and understanding
about ourselves and our environment.
y To compare the knowledge and understanding which can be gained from these sources with
scientific knowledge and understanding.
Class Management
Teachers need only familiarize themselves with a few myths and fairy tales and bring examples in
to their class. If further research is required they could turn to writings by Bruno Bettleheim, Carl
Jung and Joseph Campbell.
Focus Activity
Ask the students to collect together as many myths and/or fairy tales as they can and bring them
to the next lesson. Try to resist requests for further clarification of the task, because it is to be
hoped that there will be a variety of interpretations as to what a myth and what a fairy tale is,
which will be reflected when the material is presented. This can form a starting point for a
discussion of their nature and epistemological status.
Ensure that you bring your own selection of myths and fairy tales from your own and other
cultures. You may wish to bring some writings on myths and fairy tales to stimulate some more
discussion.
Teacher Support Material—Theory of Knowledge Lessons from Around the World © IBO, November 2000 Lesson 15—page 1
Discussion Questions
1 What is a myth?
You may wish to point out the etymological origin of the English word “myth”, namely from
the Greek “mythos” meaning a speech/utterance/word in the sense of a story. This contrasts
with “logos”, meaning “word” in the sense of rational discourse, discussion, argument.
Myths, in one sense, are concerned with storytelling, giving meaning, purpose, value and
direction to our lives (that is, qualitative forms of understanding and knowledge). This
contrasts with the sciences, which are not normally concerned with questions of human or
divine purpose or value judgement, but are rather seen as providing only quantitative maps of
reality. These assumptions can, of course, be challenged.
2 Can myths provide a way of understanding (ourselves and our world) that is complementary
to that provided by logic, science, social science and religion (with which myths are so
intimately connected)?
Myths are often concerned with explaining the origins of features of our landscape. The
explanation might give an account of how, for example, a mountain, rock or river acquired
the features it now possesses. Or myths might relate to features of animals, such as the claws
of a lion, the stripes of a tiger, or the spots of a leopard. Or they might relate to human
characteristics—such as the origin of a race, nation or tribe. Or they might relate to
metaphysical and ontological concerns such as why humans are so powerful and destructive.
What explains the origin of our propensity for good and evil? What is the origin of moral
principles? Why is there suffering? Why is happiness so fleeting?
Myths and fairy tales have provided answers which are characteristically anthropomorphic.
They provide answers that are stories. Can they be regarded as true or valid in any sense, now
that the sciences (both physical and social) have come to dominate all our accepted means of
understanding and explaining?
3 To what degree is it possible and desirable to arrive at explanations and knowledge of our
world that are free of all human value judgements and perspectives? Can science ever be
value-free and totally objective?
4 What are the comparative roles of reason and imagination in science and in myths and fairy
tales?
Links to Other Areas of TOK

Myths and fairy tales can be linked to many elements of TOK. Do myths, for example, contain
their own logic? How can we define a mythological use of language; and how are mythological
and religious forms of language related?
Myths and fairy tales provide potential sources of understanding and knowledge of our
environment which may or may not be compatible with those provided by the sciences. The same
could be said of our understanding of ourselves.
In some human sciences, such as psychology, myths and fairy tales have assumed great
importance: for example, in Freudian and Jungian psychoanalysis as the archetypes of the
unconscious. In the study of history, myths and mythological language play a major role.
From Other Times and Places

Modern Myths: what myths (in the sense of stories that are assumed to be true, but have little or
no evidence or reasonable justification to support them) are there today in society? Possible
examples may include the popularity of the supernatural, phenomena such as fortune telling and
psychic powers, also the fascination with UFOs and crop circles, and modern mythologies such
as the Star Wars trilogy and Star Trek in many Western countries. This fascination could be
related to a human reaction against the cold, impersonal, rational picture of reality presented by
the physical sciences, with UFOs replacing visitations by gods to compensate for our loneliness in
a meaningless universe devoid of purpose.
Another example of modern mythology might be the rise in popularity of New Age religions and
the revival of talk of Mother Earth (a delicate, creative, female life force) in response to
environmental concerns and the destructive effects of understanding the earth in purely
mechanical, materialistic, scientific terms. Again, this concerns the difference between qualitative
and quantitative forms of knowledge and understanding.
There are many possibilities for classroom activities, from discussions to debates to dramatic
representations of myths. Could one say that myth and the arts are closely intertwined, where one
is re-enacting a story or a drama, weaving together meaning and purpose, in contrast to science,
which appears unable to articulate understanding into drama and appears unable to give direction
and purpose to human knowledge?
Quotation
Fairy tales or fairy land is nothing but the sunny country of common sense . . . the world is a
wild, startling and delightful place which could have been otherwise . . . fairy tales provide a
certain way of looking at life: certain things are necessary (in the sense that it cannot be
imagined otherwise) in nature. There is no necessary law saying that eggs must turn into
birds or that fruit falls in Autumn. The explanation of such events is magic, just like the
answer to the question why do mice turn into horses in Cinderella.
… Nature is best explained by fairy book terms: ‘charm’, ‘spell’, ‘enchantment’ (rather than
‘laws’, ‘necessity’, ‘tendency’ et cetera), for they express the arbitrariness of the facts of
nature and their mystery. A tree grows fruit because it is a magic tree; water runs downhill
because it is bewitched, et cetera.
… This elementary wonder, however, is not mere fancy derived from the fairy tales; on the
contrary, all the fire of the fairy tales is derived from this . . . This is proved by the fact that
when we are very young children we do not need fairy tales. Mere life is interesting enough.
… Nursery tales only echo an almost pre-natal leap of interest and amazement. These tales
say that apples were golden only to refresh the forgotten moment when we found that they
were green. They make rivers run with wine only to make us remember, for one wild
moment, that they run with water.’
Orthodoxy, GK Chesterton
Reference
Bettelheim, B, The Uses of Enchantment, (1989) Vintage Books, ISBN 0679723935

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Lesson 15: Myths and Fairy Tales

Links to Other Areas of TOK

From Other Times and Places

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