Owner'S Manual Mode D'Emploi

UCA
NATURAL SOUND AV AMPLIFIER DSP A1 CINEMA DSP 7ch
VOLUME
INPUT SELECTOR
l6
20 l2
28 8
40 4
STANDBY/ON
TAPE 2 MON 60 2
/EXT. DECODER
0
–dB
SET MENU NEXT PROGRAM EFFECT INPUT MODE
PHONES BASS BASS TREBLE BALANCE REC OUT VIDEO AUX

EXTENSION SOURCE MD/TAPE 1
0 0 0
l l l l l l LD CD
2 2 2 2 2 2 VCR 1 TV/DBS
3 3 3 3 3 3 VCR 2
4 4 4 4 4 4 DVD/VCR 3
5 5 5 5 L5 5R VIDEO AUX
OWNER’S MANUAL
MODE D’EMPLOI
• Explanation of Graphical Symbols
CAUTION The lightning flash with arrowhead
symbol, within an equilateral triangle,
RISK OF ELECTRIC SHOCK is intended to alert you to the
DO NOT OPEN presence of uninsulated “dangerous
voltage” within the product’s
enclosure that may be of sufficient
CAUTION: TO REDUCE THE RISK OF magnitude to constitute a risk of
ELECTRIC SHOCK, DO NOT REMOVE electric shock to persons.
COVER (OR BACK). NO USER-SERVICEABLE
The exclamation point within an
PARTS INSIDE. REFER SERVICING TO equilateral triangle is intended to alert
QUALIFIED SERVICE PERSONNEL. you to the presence of important
operating and maintenance
(servicing) instructions in the
literature accompanying the
IMPORTANT appliance.
Please record the serial number of this unit in
the space below.
WARNING
Model: TO REDUCE THE RISK OF FIRE OR ELECTRIC
Serial No.: SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN
OR MOISTURE.
The serial number is located on the rear of
the unit.
Retain this Owner’s Manual in a safe place
for future reference.
SAFETY INSTRUCTIONS
1 Read Instructions – All the safety and operating 10 Power Sources – The unit should be connected to a
instructions should be read before the unit is operated. power supply only of the type described in the operating
instructions or as marked on the unit.
2 Retain Instructions – The safety and operating instructions
should be retained for future reference. 11 Power-Cord Protection – Power-supply cords should be
routed so that they are not likely to be walked on or
3 Heed Warnings – All warnings on the unit and in the pinched by items placed upon or against them, paying
operating instructions should be adhered to. particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
4 Follow Instructions – All operating and other instructions

should be followed. 12 Cleaning – The unit should be cleaned only as
recommended by the manufacturer.
5 Water and Moisture – The unit should not be used near

water – for example, near a bathtub, washbowl, kitchen 13 Nonuse Periods – The power cord of the unit should be
sink, laundry tub, in a wet basement, or near a swimming unplugged from the outlet when left unused for a long
pool, etc. period of time.
6 Carts and Stands – The unit should be used only with a 14 Object and Liquid Entry – Care should be taken so that
cart or stand that is recommended by the manufacturer. objects do not fall into and liquids are not spilled into the
inside of the unit.
6A A unit and cart combination should be

moved with care. Quick stops, excessive 15 Damage Requiring Service – The unit should be serviced
force, and uneven surfaces may cause by qualified service personnel when:
the unit and A. The power-supply cord or the plug has been
cart combination to overturn. damaged; or
B. Objects have fallen, or liquid has been spilled into the
7 Wall or Ceiling Mounting – The unit unit; or
should be mounted to a wall or ceiling only as C. The unit has been exposed to rain; or
recommended by the manufacturer. D. The unit does not appear to operate normally or
exhibits a marked change in performance; or
8 Ventilation – The unit should be situated so that its E. The unit has been dropped, or the cabinet damaged.
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated 16 Servicing – The user should not attempt to service the unit
on a bed, sofa, rug, or similar surface, that may block the beyond those means described in the operating
ventilation openings; or placed in a built-in installation, instructions. All other servicing should be referred to
such as a bookcase or cabinet that may impede the flow qualified service personnel.
of air through the ventilation openings.
17 Power Lines – An outdoor antenna should be located
9 Heat – The unit should be situated away from heat away from power lines.
sources such as radiators, stoves, or other appliances
that produce heat.
18 Grounding or Polarization – Precautions should be taken
so that the grounding or polarization is not defeated.
English
SPECIAL NOTES FOR FCC COMPOSITE DEVICE (for US customers only)
This device is a composite system. The digital device component may not cause harmful interference.
FCC INFORMATION (for US customers only)

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! Compliance with FCC regulations does not guarantee that
This product, when installed as indicated in the interference will not occur in all installations. If this product
instructions contained in this manual, meets FCC is found to be the source of interference, which can be
requirements. Modifications not expressly approved by determined by turning the unit “OFF” and “ON”, please try
Yamaha may void your authority, granted by the FCC, to to eliminate the problem by using one of the following
use the product. measures:
2. IMPORTANT : When connecting this product to Relocate either this product or the device that is being
accessories and/or another product use only high quality affected by the interference.
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Utilize power outlets that are on different branch (circuit
Failure to follow instructions could void your FCC breaker or fuse) circuits or install AC line filter/s.
authorization to use this product in the USA. In the case of radio or TV interference, relocate/reorient the
3. NOTE : This product has been tested and found to antenna. If the antenna lead-in is 300 ohm ribbon lead,
comply with the requirements listed in FCC Regulations, change the lead-in to coaxial type cable.
Part 15 for Class “B” digital devices. Compliance with If these corrective measures do not produce satisfactory
these requirements provides a reasonable level of results, please contact the local retailer authorized to
assurance that your use of this product in a residential distribute this type of product. If you can not locate the
environment will not result in harmful interference with appropriate retailer, please contact Yamaha Electronics
other electronic devices. Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA
This equipment generates/uses radio frequencies and, if 90620.
not installed and used according to the instructions
found in the users manual, may cause interference The above statements apply ONLY to those products
harmful to the operation of other electronic devices. distributed by Yamaha Corporation of America or its
subsidiaries.
We Want You Listening For A Lifetime (for US customers only)

YAMAHA and the Electronic Industries Association’s Since hearing damage from loud sounds is often
Consumer Electronics Group want you to get the most out of undetectable until it is too late, YAMAHA and the
your equipment by playing it at a safe level. One that lets the Electronic Industries Association’s Consumer
sound come through loud and clear without annoying blaring Electronics Group recommend you to avoid
or distortion – and, most importantly, without affecting your prolonged exposure from excessive volume levels.
sensitive hearing.
SUPPLIED ACCESSORIES
After unpacking, check that the following parts are included.
Remote Control Transmitter Batteries (size AA, R6, UM-3)
User function stickers
1
Thank you for selecting this YAMAHA AV Amplifier.
CONTENTS
SAFETY INSTRUCTIONS USING DIGITAL SOUND FIELD PROCESSOR (DSP)
...................................................... Inside of the Front Cover .............................................................................................. 45
PLAYING A SOURCE WITH AN EFFECT OF THE

SUPPLIED ACCESSORIES ............................................... 1 DIGITAL SOUND FIELD PROCESSOR (DSP) .............. 45
ADJUSTING OUTPUT LEVEL OF THE CENTER, RIGHT
FEATURES ........................................................................... 3 REAR, LEFT REAR, FRONT EFFECT SPEAKERS AND
SUBWOOFER .................................................................... 48
CAUTION .............................................................................. 3
BRIEF OVERVIEW OF DIGITAL SOUND FIELD
PROGRAMS ....................................................................... 50
NOTES ABOUT THE REMOTE CONTROL
TRANSMITTER .................................................................... 4
ON SCREEN DISPLAY .................................................... 55
PROFILE OF THIS UNIT ..................................................... 5

CREATING YOUR OWN SOUND FIELDS .................... 56
SPEAKER SETUP ............................................................... 8 SELECTING AND EDITING PROGRAM PARAMETERS

............................................................................................... 57
DESCRIPTIONS OF THE DIGITAL SOUND FIELD
CONNECTIONS ................................................................. 10 PARAMETERS ................................................................... 58
CONNECTING AUDIO/VIDEO SOURCE EQUIPMENT
TO THIS UNIT ..................................................................... 10 SETTING THE SLEEP TIMER ......................................... 61
CONNECTING SPEAKERS .............................................. 18
PLUGGING IN THIS UNIT ................................................. 22 REMOTE CONTROL TRANSMITTER ........................... 62
BASIC OPERATIONS (When the lid is open) ................. 62

CONTROLS AND THEIR FUNCTIONS ......................... 23
LEARNING NEW CONTROL FUNCTIONS
FRONT PANEL ................................................................... 23 (When the lid is open).......................................................... 64
DISPLAY PANEL ................................................................ 25 USING OPERATION CONTROL KEYS
(When the lid is closed) ...................................................... 66
ADJUSTMENTS BEFORE USING THIS UNIT ............. 26 MACRO OPERATIONS (When the lid is closed) ............ 68
LEARNING A NEW FUNCTION ....................................... 70
SELECTING THE OUTPUT MODES SUITABLE FOR
MAKING A NEW MACRO ................................................. 71
YOUR SPEAKER SYSTEM (IN THE “SET MENU” MODE)
............................................................................................... 26 CLEARING LEARNED FUNCTIONS .............................. 72
SPEAKER BALANCE ADJUSTMENT ............................. 29
TROUBLESHOOTING ...................................................... 73
ADJUSTMENTS IN THE “SET MENU” MODE ............ 32
SPECIFICATIONS ............................................................. 76
BASIC OPERATIONS ....................................................... 39
TO PLAY A SOURCE......................................................... 39
TO RECORD A SOURCE TO TAPE (OR MD)
(OR DUBBING FROM A TAPE TO ANOTHER) ............. 42
FOR SOUND CONTROL ON THIS UNIT........................ 44
2
English
FEATURES
● 7 Speaker Configuration ● “SET MENU” Mode which Provides You
Main: 110W + 110W (8Ω) RMS Output with 12 Titles of Setting Changes and
Power, 0.015% THD, 20–20,000 Hz Adjustments for Using This Unit in the
Center: 110W (8Ω) RMS Output Power, Best Condition in Your Audio/Video
0.015% THD, 20–20,000 Hz System
Rear: 110W + 110W (8Ω) RMS Output ● BASS EXTENSION Switch for Reinforcing
Power, 0.015% THD, 20–20,000 Hz Bass Response
Front: 35W + 35W (8Ω) RMS Output ● On Screen Display Function Helpful in
Power, 0.05% THD, 1 kHz Controlling This Unit
● Digital Sound Field Processor ● REC OUT Selector which is Independent of
● Dolby Digital (AC-3) Decoder Input Source Selection
● Dolby Pro Logic Surround Decoder ● SLEEP Timer
● DTS Decoder ● Digital Audio Signal Terminals:
● CINEMA DSP: Theater-like Sound 5 OPTICAL Inputs, 3 COAXIAL Inputs,
Experience by the Combination of 1 DOLBY DIGITAL (AC-3) RF Input,
YAMAHA DSP Technology and Dolby 1 OPTICAL Output
Surround or DTS ● 6 Channel Audio Signal Input Terminals for
● Automatic Input Balance Control for Connecting with an External Audio Signal
Dolby Pro Logic Surround Decoder etc.
● Test Tone Generator for Easier Speaker ● Video Signal Input/Output Capability
Balance Adjustment (Including S Video Connections)
● Speaker Output Mode Changing ● “Learning” Remote Control Transmitter
Capability
CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this manual 7. Digital signals generated by this unit may interfere with
carefully. Keep it in a safe place for future reference. other equipment such as tuners, receivers or TVs. Move
this unit farther away from such equipment if interference
2. Install this unit in a cool, dry, clean place – away from is observed.
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming 8. Always set the VOLUME control to “– ∞” before starting
(transformers, motors). To prevent fire or electrical shock, the audio source play. Increase the volume gradually to an
do not expose the unit to rain or water. appropriate level after playback has been started.
3. Never open the cabinet. If something drops into the set, 9. Do not attempt to clean the unit with chemical solvents;
contact your dealer. this might damage the finish. Use a clean, dry cloth.
4. Do not use force on switches, controls or connection wires. 10. Be sure to read the “TROUBLESHOOTING” section
When moving the unit, first disconnect the power plug and regarding common operating errors before concluding that
the wires connected to other equipment. Never pull the the unit is faulty.
wires themselves.
11. When not planning to use this unit for long periods of time
5. The openings on the cabinet assure proper ventilation of (ie., vacation, etc.), disconnect the AC power plug from the
the unit. If these openings are obstructed, the temperature wall outlet.
inside the cabinet will rise rapidly. Therefore, avoid placing
objects against these openings, and install the unit in well-
12. To prevent lightning damage, disconnect the AC power
plug and antenna cable when there is an electrical storm.
ventilated condition. Make sure to allow a space of at least
10 cm behind, 10 cm on the both sides and 30 cm above 13. Grounding or polarization – Precautions should be taken
the top panel of the unit. Otherwise it may not only damage so that the grounding or polarization of an appliance is not
the unit, but also cause fire. defeated.
6. The voltage to be used must be the same as that specified 14. Do not connect an audio equipment to the AC outlet on the
on this unit. Using this unit with a higher voltage than that rear panel if the equipment requires more power than the
which is specified is dangerous and may result in a fire or outlet is rated to provide.
other type of accident causing damage. YAMAHA will not
be held responsible for any damage resulting from use of
this unit with a voltage other than that which is specified.
3
This unit is not disconnected from the AC power source as WARNING
long as it is connected to the wall outlet, even if this unit Do not change the IMPEDANCE SELECTOR switch
itself is turned off. This state is called the standby mode. setting while the power to this unit is on, otherwise this
In this state, this unit is designed to consume a very small unit may be damaged.
quantity of power.
IF THIS UNIT FAILS TO TURN ON WHEN THE
STANDBY/ON SWITCH IS PRESSED;
The IMPEDANCE SELECTOR switch may not be set to
Voltage Selector (China and General Models only) either end closely. If so, set the switch to either end closely.
The voltage selector on the rear panel of this unit must
be set for your local main voltage BEFORE plugging into IMPEDANCE SELECTOR
the AC main supply.
Voltages are 110/120/220/240 V AC, 50/60 Hz.
IMPEDANCE SELECTOR
SET BEFORE POWER ON
FREQUENCY STEP switch (China and General Models A+ B MAIN : 4ΩMIN. /SPEAKER
only) A OR B
CENTER
REAR
A B : 4ΩMIN. /SPEAKER
A OR B : 4ΩMIN. /SPEAKER
: 4ΩMIN. /SPEAKER
FRONT EFFECT : 6ΩMIN. /SPEAKER
Because the interstation frequency spacing differs in MAIN

CENTER
: 8ΩMIN. /SPEAKER
different areas, set the FREQUENCY STEP switch (located REAR

: 8ΩMIN. /SPEAKER
at the rear) according to the frequency spacing in your area.

Before setting this switch, disconnect the AC power plug of
this unit from the AC outlet. VOLTAGE SELECTOR AC OUTLETS
SWITCHED UNSWITCHED
FRONT REAR
(SURROUND)
FOR CANADIAN CUSTOMERS

I00W MAX. TOTAL 200W MAX.
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE

OF PLUG TO WIDE SLOT AND FULLY INSERT.
THIS CLASS B DIGITAL APPARATUS MEETS ALL (General model)

REQUIREMENTS OF THE CANADIAN INTERFERENCE-
CAUSING EQUIPMENT REGULATIONS.
NOTES ABOUT THE REMOTE CONTROL TRANSMITTER

Battery installation Remote control transmitter operation range
2
1 Remote control
sensor
3
Within approximately
Battery replacement 6 m (19.7 feet)
If you find that the remote control transmitter must be used 30° 30°
closer to the main unit, the batteries are weak. Replace both
batteries with new ones.
Notes
● Use only AA, R6, UM-3 batteries for replacement.
● Be sure the polarities are correct. (See the illustration inside

Notes
the battery compartment.) ● There should be no large obstacles between the remote
● Remove the batteries if the remote control transmitter will
control transmitter and the main unit.
not be used for an extended period of time. ● If the remote control sensor is directly illuminated by strong
● If batteries leak, dispose of them immediately. Avoid
lighting (especially an inverter type of fluorescent lamp etc.),
touching the leaked material or letting it come in contact with
it might cause the remote control transmitter not to work
clothing, etc. Clean the battery compartment thoroughly
correctly. In this case, reposition the main unit to avoid direct
before installing new batteries.
lighting.
● After you change batteries, make sure to press the RESET
button inside the battery compartment.

4
English
PROFILE OF THIS UNIT
This unit incorporates a sophisticated, multi-program digital In addition, this unit incorporates a Dolby Pro Logic Surround
sound field processor. The processor allows you to decoder and Dolby Digital (AC-3) decoder for multi-channel
electronically expand and change the shape of the audio sound sound reproduction of Dolby Surround encoded video sources,
field from both audio and video sources, creating a theater-like and a DTS decoder for multi-channel sound reproduction of DTS-
experience in your listening room. This unit has a total of 12 encoded audio and video sources. The operation of the Dolby
digital sound field processor (DSP) modes. You can create an Pro Logic Surround, Dolby Digital (AC-3) or DTS decoder can be
excellent audio sound field by selecting a suitable sound field controlled by selecting a corresponding DSP program including
(this will, of course, depend on what you will be listening to), combined operations of DSP and Dolby Pro Logic Surround, DSP
and adding desired adjustments. and Dolby Digital (AC-3), or DSP and DTS.
This unit also features a built-in automatic input balance
control. This always assures you the best performance without
manual adjustment.
Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced Furthermore, our technicians, armed with sophisticated
sound reproduction technology lets you get extremely close to measuring equipment, have even made it possible to capture
the sound of a live performance, but chances are you’ll still the acoustics of a variety of actual concert halls, jazz clubs,
notice something missing, the acoustic environment of the live theaters, etc. from around the world, to allow you to accurately
concert hall. Extensive research into the exact nature of the recreate any one of these live performance environments, all in
sonic reflections that create the ambience of a large hall has your own home.
made it possible for Yamaha engineers to bring you this same
sound in your own listening room, so you’ll feel all the sound of
a live concert.
Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar Dolby Surround is encoded on a lot of sound tracks of pre-
to professional Dolby Stereo decoders used in many movie recorded video tapes, laserdiscs, and some TV/cable
theaters. By using the Dolby Pro Logic Surround decoder, you broadcasts. When you play a source encoded with Dolby
can experience the dramatic realism and impact of Dolby Surround on this unit, the Dolby Pro Logic Surround decoder
Stereo theater sound in your own home. decodes the signal and distributes the surround-sound effects.
Dolby Pro Logic employs a four-channel-five-speaker system.
The Pro Logic Surround system divides the input signal into
four levels: the left and right main channels, the center channel
(used for dialog), and the rear surround sound channel (used
for sound effects, background noise, and other ambient
noises). The center channel allows listeners seated in even
less-than-ideal positions to hear the dialog originating from the
action on the screen while experiencing good stereo imaging.
Dolby Digital (AC-3)

Dolby Digital (AC-3) is a new generation of Dolby Surround Compared to Dolby Pro Logic that is referred to a “3/1” system
sound system which is a spatial sound processing format (left front, center, right front and just one surround channel),
developed for 35 mm film-movies by employing low bit-rate Dolby Digital (AC-3) features two surround channels, called
audio coding. stereo or split surrounds, each offering the same full range
fidelity as the three front channels.
Dolby Digital (AC-3) is a digital surround sound system that
provides completely independent multi-channel audio to By using the built-in Dolby Digital (AC-3) decoder, you can
consumers. In multi-channel form, Dolby Digital (AC-3) experience the dramatic realism and impact of Dolby Stereo
provides five full range channels in what is sometimes referred Digital theater sound in your own home.
to as a “3/2” configuration: three front channels (left, center and
Sound of wide dynamic range reproduced by the five full range
right), plus two surround channels. A sixth bass-only effect
channels presents listeners much excitement that has never
channel is also provided for output of LFE (low frequency
been experienced before. Precise sound orientation by the
effect), or low bass effects that are independent of other
discrete digital sound processing expands realism that the
channels. (This is called the “subwoofer channel” or “LFE
original movie possesses.
channel”.) This channel is counted as 0.1, thus giving rise to
the term 5.1 channels in total.
5
Dolby Digital (AC-3) forms 5.1 channels as mentioned on the Laserdisc and DVD are home audio formats that could benefit
previous page, and moreover, it can also form fewer channels, from Dolby Digital (AC-3). In the near future, Dolby Digital (AC-
for example 2 channel stereo and monaural. You may be able 3) will also be applied to DBS, CATV and HDTV. The ongoing
to find some 2 channel stereo and/or monaural sources release of Dolby Stereo Digital theatrical films now underway
encoded with the Dolby Digital (AC-3) in a market. will provide an immediate source of Dolby Digital (AC-3)
encoded video software.
If a 2 channel stereo source encoded with the Dolby Digital
(AC-3) is played back as the input source and the DSP
program No. 10, 11 or 12 is used at the same time, the source
is first decoded with the Dolby Digital (AC-3) decoder into 2
Manufactured under license from Dolby Laboratories Licensing
channels, and then decoded with the Dolby Pro Logic decoder.
Corporation. “Dolby”, “AC-3”, “Pro Logic”, and the double-D
In such a case, only the decoding of Dolby Pro Logic is shown
symbol are trademarks of Dolby Laboratories Licensing
on the display panel of this unit.
Corporation.
Copyright 1992 Dolby Laboratories, Inc. All rights reserved.
DTS Digital Surround

The DTS (Digital Theater Systems) system was developed to By using the DTS decoder built into this unit, you can
replace analog soundtracks of movies with six discrete experience the dramatic realism and impact of the DTS
channels of digital soundtracks, and now, it is installed in many installed theater’s high quality sound in your own home.
theaters around the world. The DTS digital playback system
changed the way we experienced movies in theaters with six Laserdisc and compact disc (and DVD in the near future) are
discrete channels of superb digital audio. home audio format within which DTS can represent its high
quality multi-channel audio. (In addition to movies on
The DTS technology, through intense research and laserdiscs, many exciting new multi-channel music recordings
development, made it possible to deliver a similar will also become available in the form of DTS-encoded
encode/decode discrete technology to home audio surround- compact discs.)
sound entertainment.
The DTS Digital Surround is an encode/decode system which
delivers six channels of master-quality, 20-bit audio; technically
5.1 channels, which means 5 full-range (left, center, right and Manufactured under license from DTS Technology LLC.
two surround) channels, plus a subwoofer (LFE) channel (as Additionally licensed under the following US Patent 5,451,942
“0.1”). It is compatible with the 5.1 speaker configurations that & National Patent applications derived from PCT/US95/00959.
are currently available for home theater systems Additional U.S. and Foreign Patents pending. “DTS”, “digital
surround”, and “coherent acoustics” logos are trademarks of
The DTS Digital Surround algorithm is designed to encode the DTS Technology LLC. All rights reserved.
six channels of 20-bit audio onto any laserdisc or compact disc
(or DVD in the near future) with considerably less data-
compression.
6
English
CINEMA DSP: Dolby Surround + DSP / DTS + DSP
Dolby Surround sound system and DTS system show their full Yamaha DSP technology made it possible to present you with
ability in a large movie theater, because movie sounds are nearly the same sound experience as that of a large movie
originally designed to be reproduced in a large movie theater theater in your listening room by compensating for lack of
using many speakers. It is difficult to create a sound presence and dynamics in your listening room with its original
environment similar to that of a movie theater in your listening digital sound fields combined with Dolby Surround sound or
room, because the room size, materials of inside walls, the DTS Digital Surround sound.
number of speakers, etc. of your listening room are much
different from those of a movie theater.
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates those programs
are created by the combination of YAMAHA DSP technology
and Dolby Surround or DTS.
Dolby Pro Logic + 2 Digital Sound Fields Dolby Digital (AC-3) or DTS + 3 Digital Sound
Fields
Digital sound fields are created on the presence side and
the rear surround side of the Dolby Pro Logic Surround- Digital sound fields are created on the presence side and
decoded sound field respectively. They create a wide the independent left and right surround sides of the Dolby
acoustic environment and emphasize surround-effect in the Digital (AC-3)-decoded or the DTS-decoded sound field
room, letting you feel much presence as if you were respectively. They create a wide acoustic environment and
watching a movie in a popular Dolby Stereo theater. much surround effect in the room without losing high
channel separation. With wide dynamic range of Dolby
This combination is available when the digital sound field
Digital (AC-3) or DTS sound, this sound field combination
program No. 7, 8, 9, 10, 11 or “PRO LOGIC/Enhanced” of
lets you feel as if you were watching a movie in the newest
No. 12 is selected, and the input signal of source is analog,
Dolby Stereo Digital theater or DTS installed theater. This
PCM audio or encoded with the Dolby Digital (AC-3) in 2-
will be the most ideal home theater sound at the present
channels.
time.
This combination is available when the digital sound field
program No. 7, 8, 9, 10, 11 or “DOLBY DIGITAL (or DTS
DIGITAL SUR.)/Enhanced” of No. 12 is selected, and the
input signal of source is encoded with the Dolby Digital (AC-
3) (except in 2-channels) or encoded with the DTS.
7
SPEAKER SETUP
Setting Up Your Speaker System
This unit has been designed to provide the best sound field If for some reason it is not practical to use a center speaker, it
quality with a full seven-speaker system setup, using a pair of is possible to enjoy movie viewing without it. Best results,
main speakers to output main source sounds, two extra pairs however, are obtained with the full system.
of effect speakers to generate the sound field plus one center
speaker for dialog. We therefore recommend that you use a Use of a Subwoofer Expands Your Sound
seven-speaker setup. A four-speaker system using only one Field
pair of effect speakers for the sound field will still provide It is also possible to further expand your system with the
impressive ambience and effects, however, and may be a addition of a subwoofer and amplifier. The use of a subwoofer
good way to begin with this unit. You can always upgrade to is effective not only for reinforcing bass frequencies from any
the full seven-speaker system later. In the 4 or 5 speaker or all channels, but also for reproducing signals at the
system, the Digital Sound Field Processing is still performed, subwoofer channel with high fidelity during playing back a
but the main speakers are used for both the main channels source with the Dolby Digital (AC-3) or the DTS decoded. You
and the front effect channels. may wish to choose the convenience of a Yamaha Active
Servo Processing Subwoofer System, which has its own built-
Use of the Center Dialog Speaker Is in power amplifier.
Recommended
When playing back a source with the Dolby Pro Logic
decoded, or playing back a source which contains center-
channel signals with the Dolby Digital (AC-3) or the DTS
decoded, dialog, vocals etc. are output from the center
channel. Therefore, if you want to maximize the performance
of your Audio/Video home theater system, it is recommended
that you use a center channel speaker.
Speakers and Speaker Placement

Your full seven-speaker system will require three speaker
pairs: the MAIN SPEAKERS (your normal stereo speakers),
the FRONT EFFECT SPEAKERS and the REAR SPEAKERS,
plus the CENTER SPEAKER. You may also be using a
SUBWOOFER.
The MAIN SPEAKERS should be high performance models

and have enough power handling capacity to accept the
maximum output of your audio system.
Other speakers do not have to be equal to the MAIN
SPEAKERS. For precise sound localization, however, it is
ideal to use high performance models that can reproduce
sounds in full range for the CENTER SPEAKER, the FRONT
EFFECT and REAR SPEAKERS.
Place the MAIN SPEAKERS in the normal position.

Place the FRONT EFFECT SPEAKERS further apart than the
MAIN SPEAKERS, on either side of and 0.5–1m behind and
above the MAIN SPEAKER pair.
Place the REAR SPEAKERS behind your listening position.
They should be nearly 1.8m up from the floor.
Place the CENTER SPEAKER precisely between the two
MAIN SPEAKERS. (To avoid interference, keep the speaker Main speaker Front effect speaker Center speaker
above or below the television monitor, or use a magnetically
shielded speaker.)
If using a SUBWOOFER, such as a Yamaha Active Servo
Subwoofer System, the position of the speaker is not so critical
because low bass tones are not highly directional. Subwoofer Rear speaker
8
English
Four Possible Types of Speaker System Configurations Recommended
4 Speaker System 5 Speaker System
Simplest system. Good for Audio/Video sources.
You can enjoy widely diffused sound by only adding two By the use of center speaker, center sounds (dialog, vocals
additional speaker units at the rear. etc.) are precisely localized.
1E. FRONT MIX—Set to ON-5ch. (See page 27.) 1E. FRONT MIX—Set to ON-5ch. (See page 27.)
1A. CENTER SP—Set to NONE. (See page 26.) 1A. CENTER SP—Set to LRG or SML. (See page 26.)
6 Speaker System 7 Speaker System
Good for sound fields from 2-channel stereo sources. This is the recommended speaker system, providing the
best sound effects.
When a normal stereo source is played back with the sound
field programs No. 1 through No. 6, a sound effect matching The rear speakers and the front effect speakers produces a
that of a 7-speaker system can be obtained. The addition of 360-degree sound field, and the center speaker provides
front left and right effect speakers produces a more effective precise center localization.
sound field. You can experience the amazing YAMAHA “CINEMA DSP”
sound fields completely with the 7 speaker system.
1E. FRONT MIX—Set to OFF-7ch. (See page 27.) 1E. FRONT MIX—Set to OFF-7ch. (See page 27.)
1A. CENTER SP—Set to NONE. (See page 26.) 1A. CENTER SP—Set to LRG or SML. (See page 26.)
9
CONNECTIONS
Never plug in this unit and other components until all connections are completed.
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left)
to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
CONNECTING AUDIO/VIDEO SOURCE EQUIPMENT TO THIS UNIT

For connections with audio/video units, use RCA type pin plug cables with the exception described later.
* If you have YAMAHA audio/video units numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily only by
connecting the output (or input) terminals of each unit to the same-numbered terminals of this unit.
BASIC CONNECTIONS (for Audio Units)
Turntable CD player
GND
OUTPUT
OUTPUT
1 (General model)
* DIGITAL
(AC-3) RF SIGNAL GND
AUDIO SIGNAL AUDIO SIGNAL
VIDEO
VIDEO SIGNAL
S VIDEO
LD PHONO MAIN
LD
Tuner CD
1
CD TV/DBS
OUTPUT
2
TV/DBS IN
TUNER
VCR 1
DVD/
3
OUT FRONT
VCR 3 PLAY
MD recorder, COAXIAL
MD/TAPE 1
OPTICAL
Tape deck 1, etc. 4
LINE OUT CD
REC
IN
VCR 2
LINE IN 3
PLAY PLAY OUT
MD/TAPE 1 TAPE 2
REC
4
IN
REC
DVD/
VCR 3
DVD/VCR 3 OUT
CAN BE USED AS A SECOND
LD MAIN OUT
Tape deck 2 MONITOR OUT, IF SELECTED
BY SET MENU.
LINE OUT
TV/DBS SUB MONITOR
CENTER PAL NTSC
LINE IN WOOFER OUT
DVD/
VCR 3 SURROUND
DIGITAL SIGNAL EXTERNAL DECODER INPUT
1
: GND terminal (For turntable use)
* Connecting the ground wire of the turntable to the GND
terminal will normally minimize hum, but in some cases
better results may be obtained with the ground wire
disconnected.
10
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BASIC CONNECTIONS (for Video Units)
LD player
AUDIO OUT
VIDEO OUT
(General model) TV/Satellite tuner

AUDIO OUT
VIDEO OUT
DIGITAL AUDIO SIGNAL AUDIO SIGNAL VIDEO SIGNAL
(AC-3) RF SIGNAL GND VIDEO S VIDEO
LD PHONO MAIN
LD
1
CD CD TV/DBS
TV/DBS
2
TUNER
IN
VIDEO OUT Video cassette recorder 1
VCR 1
AUDIO OUT
DVD/
VCR 3
3
PLAY OUT FRONT VIDEO IN
COAXIAL
OPTICAL
MD/TAPE 1
AUDIO IN
CD
4 IN
VIDEO OUT
REC
VCR 2
AUDIO OUT
3 VIDEO IN
PLAY PLAY OUT
MD/TAPE 1 TAPE 2 AUDIO IN

4
REC
REC
IN Video cassette recorder 2
DVD/
VCR 3
DVD/VCR 3 OUT
LD MAIN OUT MONITOR OUT, IF SELECTED
BY SET MENU. DVD player or
TV/DBS SUB
WOOFER CENTER
MONITOR
OUT PAL NTSC VIDEO OUT video cassette recorder 3
AUDIO OUT
DVD/
VCR 3 SURROUND VIDEO IN
AUDIO IN
* Monitor TV
VIDEO IN
2
:
* PAL/NTSC switch (China and General models

only)
This unit is designed for use with the NTSC and PAL NTSC: Outputs signals in the NTSC format no matter
television formats. Set this switch to the position for the which format (PAL or NTSC) of video signal is sent
format your monitor TV employs. from an external video unit to this unit.
Set to this position if your monitor TV employs the
PAL: Outputs signals in the PAL format no matter which NTSC format.
format (PAL or NTSC) of video signal is sent from
an external video unit to this unit. Note
Set to this position if your monitor TV employs the Be sure to input a video signal which employs the same
PAL format. format that your monitor TV employs, otherwise a picture
will not be played back normally.
11
Note
DVD player, etc.
If you wish to connect a second monitor TV (or a projector) to this
unit, you can switch the DVD/VCR 3 VIDEO OUT terminal (and S
VIDEO terminal also) to a second monitor out terminal for the
S-VIDEO OUT
VIDEO OUT
connection with another monitor TV. (Refer to page 38.)
AUDIO OUT
VCR 2
3
PLAY PLAY OUT
MD/TAPE 1 TAPE 2
REC
4
IN
REC
DVD/
VCR 3
DVD/VCR 3 OUT
BY SET MENU.
TV/DBS SUB MONITOR

WOOFER CENTER OUT
DVD/
VCR 3 SURROUND
S-VIDEO IN
VIDEO IN
Projector
For connecting with a monitor TV that uses a 21 pin

connector for input (for Europe and U.K. models)
Make a connection as figured below with a commercially

available scart-plug connector cable.
VCR 2
3
PLAY PLAY OUT
MD/TAPE 1 TAPE 2
REC
4
IN
REC
DVD/
VCR 3
DVD/VCR 3 OUT
BY SET MENU.
TV/DBS SUB MONITOR

WOOFER CENTER OUT
DVD/
VCR 3 SURROUND
No connection
AUDIO R
AUDIO L
VIDEO
Monitor TV
Scart-plug connector cable
12
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m Connecting to VIDEO AUX terminals (on the front panel)
These terminals are used to connect any video input source such as a camcorder to this unit.
VIDEO AUX
AUDIO OUT R
R
AUDIO OUT L
L
VIDEO OUT VIDEO
S VIDEO OUT Camcorder

S VIDEO
13
m Connecting to digital (OPTICAL and COAXIAL) terminals
If your CD player, MD recorder, LD player, DVD player, Notes
TV/satellite tuner, etc. are equipped with coaxial or optical ● When you connect an audio/video unit to both of the digital
digital audio signal output terminals, they can be connected to and analog terminals of this unit, make sure to connect to
this unit’s COAXIAL and/or OPTICAL digital signal input both terminals of the same name.
terminals. ● Be sure to attach the covers when the OPTICAL terminals
are not being used, in order to protect the terminals from

To make a connection between optical digital audio signal dust.
terminals, remove the cover from each terminal, and then ● All digital audio signal input terminals are applicable to the
connect them by using a commercially available optical fiber sampling frequency of 32 kHz, 44.1 kHz and 48 kHz.
cable that conforms to EIAJ standards. Other cables might not ● In order to make this unit perform a successful DTS-
function correctly. decoding, the DTS bitstream must not be altered,

manipulated or corrupted in the process that it is sent from
Even if you connect an audio/video unit to the OPTICAL (or the DIGITAL OUT terminal of a unit playing back a source
COAXIAL) terminal of this unit, you must keep the unit encoded with the DTS to a digital signal input terminal of
connected with the same named analog audio signal terminals this unit.
of this unit, because digital signal cannot be recorded by a tape
deck or VCR connected to only analog audio signal terminals
of this unit. You can switch the selection of input signals
between “digital” and “analog” easily. (See page 41 for details.)
* However, if you connect an MD recorder or DAT to this
unit’s OPTICAL MD/TAPE 1 PLAY and REC terminals, it
can record input sources connected to this unit’s OPTICAL
digital signal input terminals.
TV/Satellite tuner LD player
COAXIAL OPTICAL OPTICAL

DIGITAL DIGITAL DIGITAL
OUT OUT OUT
CD player

(AC-3) RF SIGNAL VIDEO S VIDEO
OPTICAL COAXIAL GND
DIGITAL DIGITAL LD PHONO LD

MAIN
OUT OUT
1
CD CD TV/DBS
2
TV/DBS IN
TUNER
VCR 1
DVD/
3
OUT FRONT
VCR 3 PLAY
COAXIAL
MD/TAPE 1
OPTICAL
CD
4 IN
MD recorder, REC
VCR 2
DAT, etc. OPTICAL 3
DIGITAL OUT PLAY PLAY OUT
MD/TAPE 1 TAPE 2
REC
4
IN
OPTICAL REC
DVD/
VCR 3
DIGITAL IN LD MAIN OUT
DVD/VCR 3 OUT
MONITOR OUT, IF SELECTED
BY SET MENU.
DVD player, etc. COAXIAL SUB MONITOR

DIGITAL OUT TV/DBS
WOOFER CENTER OUT PAL NTSC
DVD/
VCR 3 SURROUND
OPTICAL
DIGITAL OUT DIGITAL SIGNAL EXTERNAL DECODER INPUT
(General model)
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m Connecting to DOLBY DIGITAL (AC-3) RF output of the LD player
If your LD player has a DOLBY DIGITAL (AC-3) RF signal Note
output terminal, connect it to this unit’s DIGITAL (AC-3) RF DOLBY DIGITAL (AC-3) RF audio input signal cannot be
SIGNAL input terminal. Audio signals encoded with the Dolby recorded by a tape deck, MD recorder or VCR. To record an
Digital (AC-3) are input to this unit by this connection. LD source, the LD player must be connected to the OPTICAL
* To play back an LD source with the Dolby Digital decoded, digital audio signal input terminal and/or analog audio signal
set the input mode of LD to “AUTO” or “AC-3 RF”. (Refer to input terminals of this unit.
page 41 for details.)
It is also necessary to connect the LD player to this unit’s

OPTICAL digital audio signal input terminal and/or analog
audio signal input terminals regardless of the DOLBY DIGITAL
(AC-3) RF signal connection, for playing back an LD source
with the Dolby Pro Logic Surround or the DTS decoded, or in
normal stereo (or monaural).
LD player
DIGITAL OUT
DOLBY DIGITAL
AUDIO OUT
VIDEO OUT
S-VIDEO OUT
(AC-3) RF
OUTPUT

LD PHONO MAIN
LD
1
CD CD TV/DBS
2
TV/DBS IN
TUNER
VCR 1
DVD/
3
OUT FRONT
VCR 3 PLAY
COAXIAL
MD/TAPE 1
OPTICAL
CD
4 IN
REC
VCR 2
3
PLAY PLAY OUT
MD/TAPE 1 TAPE 2
REC
4
IN
REC
DVD/
VCR 3
DVD/VCR 3 OUT
BY SET MENU.
TV/DBS SUB MONITOR

DVD/
VCR 3 SURROUND
(General model)
15
m Connecting to S VIDEO terminals
If your video cassette recorder, LD player, etc. and your Notes about the Video superimpose
monitor are equipped with “S” (high-resolution) video terminals, ● If you watch a video source that is connected to both S
connect them to this unit’s S VIDEO terminals, and connect VIDEO and VIDEO input terminals of this unit, signals of
this unit’s S VIDEO MONITOR OUT terminal to the “S” video screen display information are output from only the S
input of your monitor. Otherwise, connect the composite video VIDEO MONITOR OUT terminal.
terminals from your video cassette recorder, LD player, etc. to ● When no video signal is input to either S VIDEO or VIDEO
the VIDEO terminals of this unit, and connect this unit’s VIDEO input terminals of this unit, signals of screen display
MONITOR OUT terminal to the composite video input of your information are output from both S VIDEO MONITOR OUT
monitor. and VIDEO MONITOR OUT terminals with a color
background.
Note * For China and General models, if the PAL/NTSC switch
If video signals are sent to both S VIDEO input and VIDEO on the rear panel is set to “PAL”, nothing will be output
input terminals, the signals will be sent to their respective from either S VIDEO MONITOR OUT or VIDEO
output terminals. MONITOR OUT terminal in this case.
LD player
VIDEO S-VIDEO
Video cassette recorder 1 OUT OUT
TV/Satellite tuner
AUDIO SIGNAL VIDEO SIGNAL

VIDEO S VIDEO
S-VIDEO IN
VIDEO IN
S-VIDEO OUT
VIDEO
S-VIDEO VIDEO
OUT
LD
OUT OUT
TV/DBS
IN
VCR 1
OUT
IN
VCR 2
OUT
IN
DVD/
VCR 3
DVD/VCR 3 OUT
S-VIDEO OUT
S-VIDEO OUT
OUT MONITOR OUT, IF SELECTED

BY SET MENU.
VIDEO OUT
S-VIDEO IN
VIDEO OUT
S-VIDEO IN
VIDEO IN
MONITOR
VIDEO IN
OUT
S-VIDEO IN
VIDEO IN
DVD player or video Video cassette recorder 2

cassette recorder 3
Monitor TV
16
English
m Connecting an external sound processor, decoder, amplifier, etc. to this unit
This unit is equipped with additional 6-channel audio signal Note
input terminals (for left main, right main, center, left rear When signals input to these terminals are selected, the digital
surround, right rear surround and subwoofer channels) sound field processor cannot be used.
available for inputting signals from your existing amplifier,
sound processor, decoder, etc. to this unit.
To listen to a sound by reproducing signals input to these
terminals, press the TAPE 2 MON/EXT. DECODER button on
the front panel once or more so that “EXT. DECODER IN”
appears on the display. By doing so, the signals input to these
terminals are sent to the corresponding SPEAKERS terminals
and OUTPUT terminals of this unit.
(General model)

LD PHONO MAIN
LD
1
CD CD TV/DBS
2
TV/DBS IN
TUNER
VCR 1
DVD/
3
OUT FRONT
VCR 3 PLAY
COAXIAL
MD/TAPE 1
OPTICAL
CD
4 IN
REC
VCR 2
3
PLAY PLAY OUT
MD/TAPE 1 TAPE 2
REC
4
IN
REC
DVD/
VCR 3
DVD/VCR 3 OUT
BY SET MENU.
TV/DBS SUB MONITOR

DVD/
VCR 3 SURROUND
MAIN OUT
CENTER OUT
SURROUND OUT
SUBWOOFER OUT
External sound processor,
decoder, amplifier, etc.
17
CONNECTING SPEAKERS
Use speakers with the specified impedance shown on the
rear of this unit.
Main speakers
Center speaker
Rear speakers
Right Left Right Left
SPEAKERS
CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
MAIN A CENTER B
A+ B
A OR B
FRONT REAR
(SURROUND)
COUPLER
MAIN CH CENTER SUBWOOFER FRONT REAR
PRE MAIN (SURROUND)
OUT IN OUT MONO SPLIT
Subwoofer system
OUT IN
Right Left
Front effect speakers
How to Connect:
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit and/or
speakers.
Red: positive (+) <U.S.A., Canada, China, Australia and General models
Black: negative (–) only>
Banana Plug connections are also possible. Simply insert the
Banana Plug connector into the corresponding terminal.
➀ Unscrew the knob.
2 ➁ Insert the bare wire.
[Remove approx. 5mm
3 (1/4”) insulation from
the speaker wires.]
➂ Tighten the knob and
secure the wire.
1
18
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Note on center speaker connection: Note on a subwoofer connection:
One or two center speakers can be connected to this unit. If You may wish to add a subwoofer to reinforce low frequencies
you cannot place the center speaker on or under the TV, it is or to output low bass sound from the subwoofer channel when
recommended to use two center speakers and place them on reproducing discrete signals.
both sides of the TV to orient the center sound at the center When using one subwoofer, connect the SUBWOOFER
position. When using one center speaker, connect it to either MONO terminal of this unit to the INPUT terminal of the
the A or B terminals and set the CENTER SPEAKERS switch subwoofer amplifier, and connect the speaker terminals of the
to “A OR B” (bottom position). When using two center subwoofer amplifier to the subwoofer.
speakers, connect them to the A and B terminals, and set the
switch to “A + B” (top position). COUPLER
If, however, you will not use a center speaker, be sure to set MAIN CH CENTER SUBWOOFER FRONT REAR
(SURROUND)
PRE MAIN
the function “1A. CENTER SP” in the SET MENU mode in the OUT IN OUT MONO SPLIT
“NONE” position. (See page 26.)
OUT IN
Center Center
speaker speaker
SPEAKERS
CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
MAIN A CENTER B
A+ B
Subwoofer
A OR B
system
If you wish to obtain more presence in your listening room, the

use of two subwoofers is recommended. To connect two
FRONT REAR subwoofers to this unit, connect one SUBWOOFER SPLIT
terminal to the INPUT terminal of the amplifier driving a
subwoofer, and the other SUBWOOFER SPLIT terminal to the
INPUT terminal of the amplifier driving the other subwoofer,
(SURROUND)
and then connect each subwoofer to the corresponding
amplifier.
CENTER SPEAKERS COUPLER
switch MAIN CH
PRE MAIN
CENTER SUBWOOFER FRONT REAR
(SURROUND)
OUT IN
Subwoofer Subwoofer
system system
With some subwoofers, including the Yamaha Active Servo

Processing Subwoofer System, the amplifier and subwoofer
are in the same unit.
(Refer to page 21 for details about the SUBWOOFER
MONO/SPLIT terminals.)
19
m IMPEDANCE SELECTOR switch
Be sure to switch this only when the power to this unit is not on. (Left position)
Select the position whose requirements your speaker system
meets. Rear: The impedance of each speaker must be 4Ω or
higher.
WARNING
Do not change the IMPEDANCE SELECTOR switch Center: If you use two center speakers, the impedance of
setting while the power to this unit is on, otherwise this each speaker must be 4Ω or higher.
unit may be damaged. If you use one center speaker, the impedance of the
speaker must be 4Ω or higher.
IF THIS UNIT FAILS TO TURN ON WHEN THE
STANDBY/ON SWITCH IS PRESSED; Main: The impedance of each speaker must be 4Ω or
The IMPEDANCE SELECTOR switch may not be set to higher.
either end closely. If so, set the switch to either end closely.
Front effect:
The impedance of each speaker must be 6Ω or
IMPEDANCE SELECTOR higher.
(Right position)
IMPEDANCE SELECTOR
SET BEFORE POWER ON
Rear: The impedance of each speaker must be 8Ω or
higher.
A+ B MAIN : 4ΩMIN. /SPEAKER
CENTER A B : 4ΩMIN. /SPEAKER
A OR B A OR B : 4ΩMIN. /SPEAKER
REAR : 4ΩMIN. /SPEAKER
Center: If you use two center speakers, the impedance of
MAIN
CENTER
REAR
: 8ΩMIN. /SPEAKER
: 8ΩMIN. /SPEAKER
each speaker must be 4Ω or higher.
If you use one center speaker, the impedance of the
speaker must be 8Ω or higher.
VOLTAGE SELECTOR AC OUTLETS

SWITCHED UNSWITCHED
Main: The impedance of each speaker must be 8Ω or
FRONT REAR
(SURROUND)
higher.
Front effect:
I00W MAX. TOTAL 200W MAX. The impedance of each speaker must be 8Ω or
higher.
(General model)
20
English
m To drive main, center, front effect and/or rear speakers with external amplifiers
The speaker connections described on page 18 are fine for
most applications. If for some reason, however, you wish to
3 SUBWOOFER terminals
drive main, center, front effect and/or rear speakers with your
SUBWOOFER MONO terminal
existing amplifier, etc., the following terminals are available for
When using a subwoofer, connect its amplifier input to
connecting external amplifier(s) to this unit.
this terminal. Frequencies below 90 Hz distributed from
the main, center and/or rear channels are output from this
COUPLER
MAIN CH CENTER SUBWOOFER FRONT REAR
terminal. Signals of LFE (low frequency effect) generated
PRE MAIN (SURROUND) when the Dolby Digital (AC-3) or the DTS is decoded are
also output if they are assigned to this terminal.
SUBWOOFER SPLIT terminals

When using two subwoofers, connect their amplifier
inputs to these terminals. Low bass signals that are
OUT IN output from the SUBWOOFER MONO terminal are also
output from these terminals. However, signals from the
left main and left rear channels are output to the SPLIT L
terminal, and signals from the right main and right rear
1 2 3 4 5 channels are to the SPLIT R terminal separately.
1 MAIN CH PRE OUT/MAIN IN terminals

4 FRONT terminals
These terminals are for front effect channel line output.
The PRE OUT terminals are for main channel line output,
There is no connection to these terminals when you use
and the MAIN IN terminals are for line input to the built-in
the built-in amplifier.
main channel amplifier. The PRE OUT and MAIN IN
However, if you drive front effect speakers with an
terminals must be connected with jumper bars when the
external stereo power amplifier, connect the input
built-in amplifier is used.
terminals of the external amplifier (MAIN IN or AUX
However, if you drive main speakers with an external
terminals of an amplifier or a receiver) to these terminals.
stereo power amplifier, first remove the jumper bars, and
then connect the input terminals of the external amplifier
(MAIN IN or AUX terminals of an amplifier or a receiver)
to the PRE OUT terminals. No connection is needed to
5 REAR (SURROUND) terminals
These terminals are for rear channel line output. There is
the MAIN IN terminals.
no connection to these terminals when you use the built-
* Output signals from the PRE OUT terminals are
in amplifier.
affected by the use of BASS, TREBLE, BALANCE
However, if you drive rear speakers with an external
controls and BASS EXTENSION switch.
stereo power amplifier, connect the input terminals of the
external amplifier (MAIN IN or AUX terminals of an
amplifier or a receiver) to these terminals.
2 CENTER OUT/IN terminals
The CENTER OUT terminals are for center channel line
output, and the CENTER IN terminal is for line input to the
Notes
built-in center channel amplifier.
• Output level of signals from all of these terminals are
The lower side of CENTER OUT terminals and the
adjusted by the use of VOLUME control on the front panel
CENTER IN terminal must be connected with a jumper
or MASTER VOLUME keys on the remote control
bar when the built-in amplifier is used.
transmitter.
However, if you drive one or two center speakers with an
• If an external power amplifier is connected to the FRONT
external power amplifier (for each), first remove the
or REAR output terminals, the corresponding internal
jumper bar, and then connect the input terminal(s) of the
amplifier will be turned off and no output will be available
external amplifier(s) to either or both CENTER OUT
at the SPEAKERS terminals.
terminals. No connection is needed to the CENTER IN
terminal.
21
PLUGGING IN THIS UNIT
• After completing all connections, plug the AC power cord • Unplug the AC power cord from the AC outlet if this unit is
into a convenient AC outlet. not to be used for a long period of time.
IMPEDANCE SELECTOR
SET BEFORE POWER ON
A+ B MAIN : 4ΩMIN. /SPEAKER

A OR B A OR B : 4ΩMIN. /SPEAKER
MAIN : 8ΩMIN. /SPEAKER

To AC outlet
VOLTAGE SELECTOR AC OUTLETS
SWITCHED UNSWITCHED
FRONT REAR
(SURROUND)
I00W MAX. TOTAL 200W MAX.
(General model)
2 1
* *
1
*
AC OUTLET(S)
(U.S.A., Canada, China and General models) The power to the UNSWITCHED outlet is not controlled by this
.......................................................... 2 SWITCHED OUTLETS unit’s STANDBY/ON switch or the provided remote control
1 UNSWITCHED OUTLET transmitter’s SYSTEM POWER ON and STANDBY keys. This
(Europe, U.K. and Australia models) outlet will supply power to the connected unit even if this unit is
............................................................. 1 SWITCHED OUTLET in the standby mode.
The maximum power (total power consumption of components)
Use these to connect the power cords from your components
that can be connected to the UNSWITCHED AC OUTLET is as
to this unit.
follows.
The power to the SWITCHED outlets is controlled by this unit’s ● U.S.A. and Canada models: 180W
STANDBY/ON switch or the provided remote control ● China and General models: 200W
transmitter’s SYSTEM POWER ON and STANDBY keys.

These outlets will supply power to any connected unit
whenever this unit is turned on.
The maximum power (total power consumption of components) 2
that can be connected to the SWITCHED AC OUTLET(S) is as
follows.
● U.S.A. model: 120W
*Voltage Selector (China and General Models
only)
● Except U.S.A. model: 100W
The voltage selector on the rear panel of this unit must be

set for your local main voltage BEFORE plugging into the
AC main supply.
Voltages are 110/120/220/240 V AC, 50/60 Hz.
22
English
CONTROLS AND THEIR FUNCTIONS
FRONT PANEL
1 2 3 4 5 6
VOLUME
INPUT SELECTOR
l6
20 l2
28 8
TV/DBS LD
DIGITAL VCR 1 MD/TAPE 1 4
40
VCR 2 TUNER
STANDBY/ON PRO LOGIC
DVD/VCR 3 CD
DSP V-AUX PHONO
DIGITAL SOURCE SLEEP TAPE 2 MON 60 2
AC 3 DTS PCM TAPE 2 MON
/EXT. DECODER
0
–dB

0 0 0
l l l l l l LD CD
2 2 2 2 2 2 VCR 1 TV/DBS
3 3 3 3 3 3 VCR 2
4 4 4 4 4 4 DVD/VCR 3
7 8 9 0 A B C D E F G
1 STANDBY/ON switch 5 INPUT SELECTOR

Press this switch to turn the power to this unit on. Press it Selects the input source that you want to listen to (and watch).
again to turn this unit into the standby mode. The selected source is shown on the display.
* When you press this switch to turn the power on, you will
hear a click and a sound of the built-in fan rotating for a 6 Master VOLUME control
moment. Simultaneously controls volume level at all outputs: front effect,
main, rear, center, and subwoofer. (This does not affect REC
Standby mode OUT level.)
In this state, this unit consumes a very small quantity of * When the volume is decreased by pressing the MUTE key
power to receive infrared-signals from the remote control on the remote control transmitter, the indicator on the master
transmitter. VOLUME control flashes on and off.
2 Remote control sensor 7 PHONES jack

Receives signals from the remote control transmitter. Plug in headphones here for private listening. Sound signals
from the main channels only are output here. However, if the
3 Display panel Dolby Digital (AC-3) or the DTS is decoded, signals at all
Shows various information. (For details, refer to page 25.) channels are distributed to the main channels and output here.
4 TAPE 2 MON/EXT. DECODER button

When this button is pressed once or more so that “TAPE2 PHONES
MONITOR ON” appears on the display, sound source played
on the unit connected to the TAPE 2 PLAY/REC AUDIO
SIGNAL terminals on the rear of this unit is selected as the
input source taking priority of the INPUT SELECTOR’s setting.
When this button is pressed once or more so that “EXT.
DECODER IN” appears on the display, sound signals input to
the EXTERNAL DECODER INPUT terminals on the rear of this
unit is selected as the input source taking priority of the INPUT
SELECTOR’s setting.
When this button is pressed once or more so that the display
returns to a normal display mode, the above input sources are
canceled.
23
8 BASS EXTENSION switch E INPUT MODE button
When this switch is pressed inward (ON), boosts bass Switches the mode of selecting input signals between “AUTO”,
frequency response at the main left and main right channels “DTS” and “ANALOG” modes for sources that input two or
while maintaining overall tonal balance. If you do not have a more types of signals to this unit. (Refer to page 41 for details.)
subwoofer, the use of this switch will be effective to reinforce * For LD source, this switches among “AUTO”, “AC-3 RF”,
the bass frequencies. “DTS”, “DIGITAL” and “ANALOG” modes.
9 SET MENU –/+ button F VIDEO AUX terminals

Performs setting changes and adjustments for functions Connect an auxiliary video or audio input source unit such as a
selected by pressing the NEXT button. camcorder to these terminals. If the connected video unit has a
S video output terminal, connect it to the S VIDEO terminal to
NEXT button obtain a high resolution picture. The source connected to these
Selects functions in the SET MENU mode whenever pressed. terminals can be selected by the INPUT SELECTOR and REC
OUT selector.
0 BASS and TREBLE controls
Adjust low and high frequency response respectively for the left G Control door
main, right main and center channels only. When it is not necessary to operate controls inside the control
door, close the door.
A PROGRAM selector button
Sequentially selects the digital sound field processing To open the door
programs in the or direction.
B BALANCE control
This control is effective only for the sound from the main
speakers.
This control adjusts the balance of the output volume to the left
and right main speakers to compensate for sound imbalance
caused by speaker location or listening room conditions.
C EFFECT button
Switches on and off the output from the center, rear and front
effect speakers. When switched to off, the sound becomes
normal 2-channels.
* Even if the output from the center, rear and front effect To close the door
speakers is off, when the Dolby Digital (AC-3) or the DTS is
decoded, signals at all channels are distributed to the main
channels and output from the main speakers.
D REC OUT selector

Selects the source to be recorded to an MD recorder (or tape
deck 1) or VCR 1 independently of the setting of the INPUT
SELECTOR. However, when set to the SOURCE position, the
setting of the INPUT SELECTOR decides the source to be
recorded to an MD recorder (or tape deck) or VCR.
24
English
DISPLAY PANEL
1 2 3
TV/DBS LD
DIGITAL VCR 1 MD/TAPE 1
VCR 2 TUNER
PRO LOGIC
DVD/VCR 3 CD
DSP V-AUX PHONO
DIGITAL SOURCE
AC 3 DTS PCM SLEEP TAPE 2 MON
4 5 6 7 8
1 indicators 5 DSP indicator

When the built-in DTS decoder is on, either dts indicator lights “DSP” lights up when the built-in digital sound field processor
up. Red “dts” indicator lights up when playing a compact disc is on.
or laserdisc encoded with the DTS. Orange “dts” indicator
lights up when playing a DVD encoded with the DTS. 6 Digital audio input signal indicators
* On a DVD/LD combi-player, if you play a laserdisc encoded These indicators show the type of digital signal currently input
with the DTS after playing a Video-CD, DVD, etc., the to this unit.
orange “dts” indicator may light up. When PCM digital audio signals are input to this unit, “PCM”
lights up.
2 Multi-information display When digital audio signals encoded with the Dolby Digital
Shows the currently selected DSP program, or information for (AC-3) are input to this unit, “AC-3” lights up.
several adjustments or setting changes made on this unit. When digital audio signals encoded with the DTS are input to
this unit, “DTS” lights up.
3 Input source indicators
Show the currently selected input source by the arrow-shaped 7 SLEEP indicator
cursor. Lights up while the built-in SLEEP timer is functioning.
4 DIGITAL and PRO LOGIC indicators 8 TAPE 2 MON indicator

“ DIGITAL” lights up when the built-in Dolby Digital (AC-3) Lights up when the tape deck (or MD recorder etc.) connected
Decoder is on and the signals of selected source encoded with to the TAPE 2 PLAY/REC AUDIO SIGNAL terminals on the
the Dolby Digital (AC-3) is not in 2-channels. rear of this unit is selected as the input source by pressing the
“ PRO LOGIC” lights up when the built-in Dolby Pro Logic TAPE 2 MON/EXT. DECODER button.
Surround Decoder is on.
25
ADJUSTMENTS BEFORE USING THIS UNIT
SELECTING THE OUTPUT MODES SUITABLE FOR YOUR SPEAKER
SYSTEM (IN THE “SET MENU” MODE)
This unit provides you with the following functions to distribute respective output signals to suitable speakers in your audio system.
When speaker connections are all completed, select a proper position on each function to make the best use of your speaker
system.
* For details about the SET MENU mode, refer to pages 32 to 38.
1. SPEAKER SET
1A. CENTER SP
1B. REAR SP
1C. MAIN SP
1D. LFE/BASS OUT
1E. FRONT MIX
1F. MAIN LEVEL
m DESCRIPTION OF EACH FUNCTION
1A. CENTER SP 1B. REAR SP

Choices: LARGE (LRG)/SMALL (SML)/NONE Choices: LARGE/SMALL
Preset position: LRG Preset position: LARGE
LRG: Select this position when your center speaker is LARGE: Select this position if your rear speakers have a high
approximately the same size as the main speakers. ability for bass reproduction, or a subwoofer is
connected to the rear speaker in parallel.
SML: Select this position when you use a center speaker In this position, full range signals are output from the
that is smaller than the main speakers. In this rear speakers.
position, low bass signals (below 90 Hz) at the center
channel are output from the SUBWOOFER terminals SMALL: Select this position if your rear speakers do not have
(or the main speakers if the MAIN position is selected a high ability for bass reproduction.
on “1D. LFE/BASS OUT”). In this position, low bass signals (below 90 Hz) at the
rear channels are output from the SUBWOOFER
NONE: Select this position when you do not have a center terminals (or the main speakers if the MAIN position
speaker. The center channel sound will be output is selected on “1D. LFE/BASS OUT”).
from the left and right main speakers.
26
English
1C. MAIN SP 1E. FRONT MIX
Choices: LARGE/SMALL Choices: OFF-7ch/ON-5ch
Preset position: LARGE Preset position: OFF-7ch
LARGE: Select this position if your main speakers have a high OFF-7ch:Select this position if your speaker system includes a
ability for bass reproduction. pair of front effect speakers.
In this position, full range signals present at the main
channels are output from the main speakers. ON-5ch: Select this position if your speaker system does not
include a pair of front effect speakers.
SMALL: Select this position if your main speakers do not have Sound signals at the left and right front effect
a high ability for bass reproduction. However, if your channels are distributed to the left and right main
system does not include a subwoofer, do not select channels respectively, and output from the main
this position. speakers.
In this position, low bass signals (below 90 Hz) at the
main channels are output from the SUBWOOFER
terminals (if the SW or BOTH position is selected on
“1D. LFE/BASS OUT”).
1D. LFE/BASS OUT 1F. MAIN LEVEL

Choices: SW/MAIN/BOTH Choices: Normal/–10dB
Preset position: SW Preset position: Normal
MAIN: Select this position if your system does not include a Normal: Normally, select this position.
subwoofer.
In this position, full range signals present at the main –10dB: Select this position if the volume levels to the center,
channels, signals from the LFE channel and other rear and/or front effect speakers are lower than the
low bass signals that are selected on “1A. CENTER level to the main speakers even though they are
SP” to “1C. MAIN SP” to be distributed from other adjusted to maximum.
channels are output from the main speakers. The volume level to the main speakers are
decreased by 10 dB, so you can adjust the speaker
SW/BOTH: output level balance properly.
Select either the SW or BOTH position if your system
includes a subwoofer.
In either position, signals at LFE channel and other
low bass signals that are selected on “1A. CENTER
SP” to “1C. MAIN SP” to be distributed from other
channels are output from the SUBWOOFER
terminals.
When the LARGE position is selected on “1C. MAIN
SP”, in the SW position, no signal is distributed from
the main channels to the SUBWOOFER terminals,
however in the BOTH position, low bass signals from
the main channels are output to both of the main
speakers and the SUBWOOFER terminals.
27
m METHOD OF CHANGING SELECTIONS
Operations should be made watching information on this unit’s display panel or the monitor screen.
1 PARAMETER/SET MENU
VIDEO 1 VIDEO 2 THEATER
7 8 9 EFFECT
CINEMA DSP 7ch
NATURAL SOUND AV AMPLIFIER DSP A1 MOVIE MOVIE / DTS ON/OFF
THEATER 1 THEATER 2 SURROUND
10 11 12
VOLUME
INPUT SELECTOR l6
20 l2
LEVEL
PARAMETER
2, 3, 4
28 8
TV/DBS LD
DIGITAL VCR 1 MD/TAPE 1 40 4
STANDBY/ON PRO LOGIC VCR 2 TUNER TEST
1
DVD/VCR 3 CD
DSP
DIGITAL SOURCE V-AUX PHONO
TAPE 2 MON TAPE 2 MON 60 2
AC 3 DTS PCM
SLEEP
/EXT. DECODER SET MENU
0
–dB
SLEEP ON SCREEN
SET MENU NEXT PROGRAM EFFECT INPUT MODE MASTER VOLUME

SYSTEM
POWER ON
PHONES BASS
EXTENSION
BASS TREBLE BALANCE REC OUT
SOURCE MD/TAPE 1
VIDEO AUX
TV
0 0 0
l l l l l l LD CD
2 2 2 2 2 2 VCR 1 TV/DBS
3 3 3 3 3 3 VCR 2
4 4 DVD/VCR 3
4 4 4 4
MUTE
VCR
STANDBY
3, 4 2
If you will use the remote control transmitter, set the
PARAMETER/SET MENU switch to the SET MENU 3 Front panel Remote control
position on the remote control transmitter.
SET MENU NEXT
Note: Be sure to use the remote control transmitter with the
lid open. or
PARAMETER
SET MENU Press once.
1 Turn the power to this unit on. (If you want to display
information on the monitor, turn the power to the monitor
on.) TV/DBS
VCR 1
LD
MD/TAPE 1
Front panel Remote control VCR 2

DVD/VCR 3
V-AUX
TUNER
CD
PHONO
SYSTEM
POWER ON
STANDBY/ON
or
4 Press “+” or “–” once or more so that the arrow-shaped
cursor points the position you will select.
Front panel Remote control
2 Select the title “1. SPEAKER SET” by pressing the
button figured below once or more (so that the title SET MENU NEXT
appears on the display). or

Remote control
Front panel
SET MENU NEXT
or
TV/DBS LD
VCR 1 MD/TAPE 1
VCR 2 TUNER
DVD/VCR 3 CD
V-AUX PHONO
Cursor
TV/DBS
VCR 1
VCR 2
DVD/VCR 3
V-AUX
LD
MD/TAPE 1
TUNER
CD
PHONO
5 In the same way, select a proper position on “1B.
REAR SP”, “1C. MAIN SP”, “1D. LFE/BASS OUT”, “1E.
FRONT MIX” and/or “1F. MAIN LEVEL”.
First select the title of function by following step 2, and
then select a proper position by following step 4.
28
English
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the main, center rear and front effect speakers using the
built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the
same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital (AC-3)
decoder, the Dolby Pro Logic Surround decoder and the DTS decoder.
The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.
Otherwise, the result may not be satisfactory.
Note: Be sure to use the remote control transmitter with the lid open.
2 1
PRESET A/B/C/D/E
V-AUX
HALL 1 HALL 2 CHURCH /EXT. DECODER
5
1 2 3 TAPE 2 MON
JAZZ ROCK ENTER-
VOLUME
CLUB CONCERT TAINMENT
INPUT SELECTOR l6
20 l2 4 5 6 PHONO
28 8 CONCERT CONCERT TV
TV/DBS LD
DIGITAL VCR 1 MD/TAPE 1 40 4 7 8 9 EFFECT
6
STANDBY/ON PRO LOGIC VCR 2 TUNER
DVD/VCR 3 CD
DSP
TAPE 2 MON
MOVIE MOVIE / DTS ON/OFF
AC 3 DTS PCM
SLEEP TAPE 2 MON
/EXT. DECODER
60 2
–dB
0
10 11 12
LEVEL
PARAMETER
PHONES BASS
EXTENSION
4
BASS
5
0
5
l
2
4
2
4
TREBLE
5
0
l
5
2
4
2
4
BALANCE
L5
0
l
5R
4
2
3
VCR 1 TV/DBS
VCR 2
DVD/VCR 3
VIDEO AUX
REC OUT
LD
SOURCE
CD
MD/TAPE 1
VIDEO AUX
2 TEST
SET MENU
SLEEP ON SCREEN
MASTER VOLUME
SYSTEM
POWER ON
TV
4 3
MUTE
VCR
STANDBY
1 4 Front panel
Front panel BASS
EXTENSION
VOLUME
l6
20 l2
ON OFF
28 8
40 4
Set to the “OFF ( )”.

60 2
0
–dB
5 Set the PARAMETER/SET MENU switch on the

Set to the “∞” position. remote control transmitter to the PARAMETER
position.
Remote control
2 Turn the power on. PARAMETER

SYSTEM
POWER ON
SET MENU
STANDBY/ON
or
6 Press the TEST key on the remote control transmitter

so that “TEST DOLBY SUR.” appears on the display to
enter test mode.
3 Front panel
Remote control
BASS TREBLE BALANCE
TEST
0 0 0
l l l l l l
2 2 2 2 2 2
3 3 3 3 3 3
4 4 4 4 4 4
5 5 5 5 L5 5R
Set to the “0” position.
CONTINUED
29
CONCERT CONCERT TV
CINEMA DSP 7ch
NATURAL SOUND AV AMPLIFIER DSP A1
7 8 9 EFFECT
VOLUME
INPUT SELECTOR
20
l6
l2
10 11 12
28 8
LEVEL
TV/DBS LD
PARAMETER
9
DVD/VCR 3 CD
DSP
V-AUX PHONO
DIGITAL SOURCE
AC 3 DTS PCM
SLEEP TAPE 2 MON TAPE 2 MON 60 2 TEST
/EXT. DECODER
0
–dB SET MENU
SLEEP ON SCREEN
MASTER VOLUME
PHONES BASS
EXTENSION
BASS TREBLE BALANCE REC OUT
SOURCE MD/TAPE 1
VIDEO AUX SYSTEM
l
0
l l
0
l l
0
l
VCR 1 TV/DBS
LD CD POWER ON
2
3
2
3
2
3
2
3
2
3
2
3 VCR 2
TV
4 4 DVD/VCR 3
4 4 4 4
MUTE
7
VCR
8
STANDBY
7 Turn up the volume. 8 Adjust the BALANCE control so that the effect sound
output level of the left main speaker and the right main
Remote control
speaker are the same.
Front panel
BALANCE
MUTE
0
l l
2 2
3 3
4 4
L5 5R
You will hear a test tone (like pink noise) from the left main
speaker, then the center speaker, then the right main 9 Adjust the sound output levels of the center speaker
and the rear speakers so that they become almost as
speaker, then the right rear speaker, and then the left rear
speaker, for about 2.5 seconds each. The display changes same as that of the main speakers.
as shown below.
How to adjust:
Pressing the + or – key adjusts the level to the speaker
Main (L) (except the main speakers) currently outputting the test
tone.
* Pressing the + key raises and the – key lowers the
Center level.
* While adjusting, the test tone is fixed on the selected
speaker.
Main (R) Remote control
Rear (R)
Rear (L)
If desired, you can select a speaker to output the test

* The state of test tone output is also shown on the monitor
tone by pressing the or key once or more so that
screen by an image of audio listening room. This is
“CENTER”, “RIGHT SURROUND” or “LEFT
convenient for adjusting each speaker level.
SURROUND” appears on the display.
* While holding the or key pressed, the test tone
is fixed on the selected speaker.
TEST DOLBY SUR. * “CENTER” shows the center speaker is selected,
“RIGHT SURROUND” shows the right rear speaker,
and “LEFT SURROUND” shows the left rear speaker.
* The output level of the selected speaker can be
adjusted by the + or – key.
Remote control
EFFECT LEVEL
CENTER + 2dB
* If the function “1A. CENTER SP” in the SET MENU mode

is set in the “NONE” position, you will hear the center
channel test tone from the left and right main speakers.
30
English
1 2 3 TAPE 2 MON
JAZZ ROCK ENTER-
4 5 6 PHONO
CONCERT CONCERT TV
7 8 9 EFFECT
10 11 12
LEVEL
PARAMETER
10, 12 TEST
SET MENU
SLEEP ON SCREEN
11
MASTER VOLUME
SYSTEM
POWER ON
TV
MUTE
VCR
STANDBY
10 For the front effect speaker level adjustment, press 12 When the adjustment is finished, press the TEST
key once again to cancel the test tone.
the TEST key on the remote control transmitter
again so that “TEST DSP” appears on the display.
Remote control
Remote control
TEST
TEST
Disappears
A calibration signal should be heard from the main

speakers and the front effect speakers in turn. Notes
● Once you have completed these adjustments, you can
adjust whole sound level on your audio system by using
Main
the VOLUME control (or the MASTER VOLUME keys on
the remote control transmitter) only.
● If you use external power amplifiers, you may also use
Front effect their volume controls to achieve proper balance.

● If the function “1A. CENTER SP” in the SET MENU mode
is set in the “NONE” position, in step 9, the sound output

level of the center speaker cannot be adjusted. This is
11 Adjust the front effect speaker level by pressing the
+ or – key so that it becomes almost as same as
because in this mode, the center sound is automatically
output from the left and right main speakers.
that of the main speakers. ● If there is insufficient sound output from the center and
* While adjusting, the test tone is fixed on the front rear speakers, you may decrease the main speaker
effect speaker. output level by setting the function “1F. MAIN LEVEL” in
the SET MENU mode in the “–10dB” position.
Remote control
* Pressing the or key makes the test tone fix

on the left front effect speaker and the right front
effect speaker respectively. This is helpful for you
to check that each speaker is correctly connected
to this unit.
31
ADJUSTMENTS IN THE “SET MENU” MODE
The following twelve types of functions maximize the performance of your system and expand your enjoyment for audio listening and
video watching.
1. SPEAKER SET 3. DLBY DGTL SET 07. CINEMA EQ

1A. CENTER SP 3A. LFE LEVEL 08. PARAMETER INI
1B. REAR SP 3B. D-RANGE
1C. MAIN SP 09. MEMORY GUARD
4. DTS SET
1D. LFE/BASS OUT 4A. LFE LEVEL
10. VCR3 VIDEO
1E. FRONT MIX 11. INPUT MODE
1F. MAIN LEVEL 5. CENTER DELAY
6. CENTER GEQ 12. DIMMER
2. LOW FREQ. TEST
m METHOD OF SETTING CHANGE AND ADJUSTMENT
PARAMETER/SET MENU
CONCERT CONCERT TV
NATURAL SOUND AV AMPLIFIER DSP A1 CINEMA DSP 7ch 7 8 9 EFFECT
VOLUME
INPUT SELECTOR l6
10 11 12
20 l2
28 8 LEVEL
PARAMETER
1, 2
TV/DBS LD
DVD/VCR 3 CD
DSP
TAPE 2 MON 2
TEST
AC 3 DTS PCM TAPE 2 MON 60
SLEEP
/EXT. DECODER
–dB
0 SET MENU
SLEEP ON SCREEN
MASTER VOLUME
PHONES BASS BASS TREBLE BALANCE REC OUT
SYSTEM
EXTENSION
0 0 0
SOURCE MD/TAPE 1
VIDEO AUX
POWER ON
2
l l
2 2
l l
2 2
l l
2 VCR 1 TV/DBS
LD CD
TV
3 3 3 3 3 3 VCR 2
4 4 DVD/VCR 3
4 4 4 4
MUTE
VCR
STANDBY
2 1
Operations should be made watching information on this unit’s
display panel or the monitor screen. If you want to display
2 Select any desired position or edit parameters on the
function.
information on the monitor, turn on the power to the monitor.
Remote control
Front panel
The use of the remote control transmitter is recommended for
easier operation. SET MENU NEXT
When using the remote control transmitter, set the
or
PARAMETER/SET MENU switch to the SET MENU position
on the remote control transmitter.
Note: Be sure to use the remote control transmitter with the
lid open.
PARAMETER
SET MENU
3 Repeat step 1 and 2 to make a setting change or
adjustment on any other function.
1 Press once or more until the title of function on which you

Note
A detailed adjusting method by using the remote control
will make a change appears on the display. transmitter’s keys is described for each function on pages 33 to
Remote control 38. When you make an adjustment on the front panel, note the
Front panel following.
● +/– keys on the remote control transmitter are identical with
SET MENU NEXT
the SET MENU +/– button on the front panel.
or ● key on the remote control transmitter is identical with the
NEXT button on the front panel.
In addition, note that the key on the remote control

transmitter can be used to change selections in the order
reverse to the key.
32
English
m DESCRIPTIONS OF THE FUNCTIONS
1. SPEAKER SET (Selecting the output modes suitable for your speaker system)
Refer to pages 26 to 28 for details. (Once you have selected proper modes, you do not have to make a setting change until any
alteration is made in your speaker system.)
2. LOW FREQ. TEST (Adjusting subwoofer level by using the test tone)
The internal low frequency test tone generator is useful for * The test tone will not be necessarily output from only the
adjusting subwoofer level to make the subwoofer sound match selected speaker(s). The output mode of the test tone
the sound of other speakers in your audio system. depends on the settings on “1. SPEAKER SET” in the
SET MENU mode.
Operating procedure * Even if a source is being played back, the test tone is
1. After selecting this function (title) in step 1 on page 32, output instead of the source sounds.
press the + or – key to display the mode for adjustment.
4. Press the key so that the arrow points to
2. Press the key so that the arrow points to “FREQ. . . . . . . . 88 Hz”. To confirm that the subwoofer
“TEST TONE . . . . OFF”. Next press the + or – key to sound matches the sound of other speakers, change the
switch to the “ON” position. frequency of test tone one by one by pressing the + or –
The test tone is heard from the selected speaker(s). key. (Frequency can be changed from 35 Hz to 250 Hz,
and last, all range (35–250 Hz) of frequencies are output.)
3. Press the key so that the arrow points to Adjust subwoofer level with the control on the
“OUTPUT . . . .”. Next press the + or – key to select the subwoofer so that the subwoofer sound matches the
speaker whose sound you want to compare with the sound of other speakers in any range of low frequencies.
subwoofer sound. The test tone is output from the selected
speaker. Note
This low frequency test tone can also be applied to check the
* Adjust the MASTER VOLUME keys so that the test tone bass response in your room. For the best bass condition, bass
can be heard at your desired listening level. sound must be heard definitely at any position in your room. If
* If “SUBWOOFER” is selected, the test tone below 90 Hz not, change the setting of subwoofer or furniture in your room.
is output from the subwoofer.
3. DLBY DGTL (DOLBY DIGITAL) SET
Adjusting method
After selecting the title “3. DLBY DGTL SET” in step 1 on page 32, press the + or – key to display the title “3A. LFE LEVEL”. To
select the title “3B. D-RANGE”, press the key. (To select the title “3A. LFE LEVEL” again, press the key.) Then make a
setting change or adjustment with the + or – key.
3A. LFE LEVEL (Adjusting the output level at the LFE (low frequency effect) channel)
● Control range: –20 dB to 0 dB Adjusts the output level at the LFE (low frequency effect)
Preset value: 0 dB channel. If the LFE signals are mixed with signals at other
channels to output them from the same speakers, the ratio of
● This adjustment is effective only when the Dolby Digital
LFE signal level to the level of other signals are adjusted. (Refer
(AC-3) is decoded and the signals of selected source
to page 5 for details about the LFE channel.)
encoded with the Dolby Digital (AC-3) contain LFE signals.
33
3B. D-RANGE (Adjusting dynamic range)
● Choices: MAX/STD/MIN In this position, a source encoded with the Dolby
Preset position: MAX Digital (AC-3) is reproduced in the “compressed”
dynamic range of the source suitable for low level
listening.
(AC-3) is decoded.
If you desire, you can adjust the dynamic range
MAX: “Dynamic range” is the difference between the
manually only when the STD position is selected.
maximum level and the minimum level of sounds.
Sounds on a movie originally designed for movie
m H-LEVEL CUT (High Level Cut Scale)
theaters feature very wide dynamic range.
Dolby Digital (AC-3) technology can bring the original Control range: 0.0 to 1.0
sound track into a home audio format with this wide Preset value: 1.0
dynamic range unchanged.
Adjusts the dynamic range of high level signals of
In this position, a source encoded with the Dolby
source. The larger the value, the more the range is
Digital (AC-3) is reproduced in the original sound
reduced. The smaller the value, the range is more
track’s wide dynamic range providing you with
widened.
powerful sounds like a movie theater.
Selecting this position will be more ideal if you can
m L-LEVEL BST (Low Level Boost Scale)
listen to a source in a high output level in a room
specially soundproofed for audio/video enjoyment. Control range: 0.0 to 1.0
Preset value: 1.0
STD (Standard):
Adjusts the dynamic range of low level signals of
Powerful sounds of extremely wide dynamic range
source. The larger the value, the more the range is
are not always suitable for home use. Depending
widened. The smaller the value, the range is more
upon the condition of your listening environment, it
reduced.
may not be possible to increase the sound output
level as high as a movie theater. However, in a level
Adjusting method
suitable for listening in your room, the low level parts
Select the title H-LEVEL CUT or L-LEVEL BST by
of source sound cannot be heard well because they
pressing the or key and adjust its value by
will be lost among noises in your environment.
pressing the + or – key.
Dolby Digital (AC-3) technology also made it
possible to reduce an original sound track’s dynamic MIN: In this position, dynamic range is more reduced than
range for a home audio format by “compressing” the in the STD position. Selecting this position will be
data of sound. effective when you must listen to a source in
extremely low level.
* In this position, it may happen that sound is output
faintly or not output normally depending on a
source. In that case, select the MAX or STD
position.
4. DTS SET
Adjusting method
After selecting the title “4. DTS SET” in step 1 on page 32, press the + or – key to display the title “4A. LFE LEVEL”. Then adjust its
level with the + or – key.
4A. LFE LEVEL (Adjusting the output level at the LFE (low frequency effect) channel)
● Control range: –10 dB to 10 dB Adjusts the output level at the LFE (low frequency effect)
Preset value: 0 dB channel. If the LFE signals are mixed with signals at other
channels to output them from the same speakers, the ratio of
● This adjustment is effective only when the DTS is decoded
LFE signal level to the level of other signals is adjusted. (Refer to
and the signals of selected source encoded with the DTS
page 6 for details about the LFE channel.)
contain LFE signals.
34
English
5. CENTER DELAY (Adjusting the delay of center sounds (dialog etc.))
● Control range: 0 ms to 5 ms (in 1 ms step) Adjusts the delay between the main sounds (at the main
Preset value: 0 ms channels) and dialog etc. (at the center channel).
The larger the value, the later the dialog etc. is generated.
In your audio system, the distance from the center speaker to
(AC-3) or the DTS is decoded and the signals of selected
your listening position may be shorter than the distance from
source encoded with the Dolby Digital (AC-3) or the DTS
the left or right main speaker to your listening position. In that
contain center channel signals.
case, sounds from the left main, center and right main
speakers can reach your listening position at the same time by
delaying the sound from the center speaker.
6. CENTER GEQ (Adjusting the Center Channel Graphic Equalizer)
The built-in five band graphic equalizer is used to tailor, over a Adjusting method
±6 dB range, the overall output frequency response of the After selecting the function (title) in step 1 on page 32, press
center channel. The five bands cover the complete audible the + or – key to display the condition of the equalizer. Then
sound spectrum and are centered on 100 Hz, 300 Hz, 1 kHz, select a frequency with the or key and adjust its level
3 kHz and 10 kHz frequencies. Adjustment should be done to with the + or – key.
each frequency individually.
* Adjustment can be made by monitoring sounds using the
test tone. To use the test tone, press the TEST key so that
“TEST DOLBY SUR.” appears on the display before making
adjustment. The test tone is output from the center
speaker(s).
7. CINEMA EQ (Adjusting the tonal balance of speakers)
It is difficult to balance tonal quality of the main, center, front 4. Press the key repeatedly until the title of adjusting
effect and rear effect speakers, because they may be different mode (7A. L,C,R EQ/7B. FRNT EFCT EQ/7C. REAR
in type and size, and their setting positions and heights are EFCT EQ) for the channels on which you will make
also different. The built-in CINEMA Equalizer enables you to adjustments is displayed.
balance tonal quality of the speakers easily by adjusting tonal * The adjusting mode will not be displayed for the channels
quality of the main/center, front effect and rear effect channels that are set to “OFF” in step 2.
individually.
5. Make adjustments for the selected channels.
This is also useful to compensate for loss of tonal response of Select the item with the or key and change the
the main and center speakers when these speakers are placed value with the + or – key.
behind the projection screen (if you use a projector in place of
a TV). HIGH: FRQ..................... Selects a turnover frequency of
the High-shelving equalizer.
The CINEMA Equalizer consists of the High-shelving equalizer GAIN ............................. Adjusts the maximum equalizing
(HIGH) and the Parametric equalizer (PEQ). The High-shelving level.
equalizer changes high frequency characteristics smoothly, PEQ: FRQ ...................... Selects a frequency you will
and the Parametric equalizer boosts or cuts any selected boost or cut.
GAIN .............................. Adjusts the equalizing level on
frequency smoothly.
the selected frequency.
Adjusting method
* Adjustment can be made by monitoring sounds using the
1. After selecting this function (title) in step 1 on page 32,
test tone. To use the test tone, press the TEST key so that
press the + or – key.
“TEST DOLBY SUR.” or “TEST DSP” appears on the
display. The test tone is fixed on the channels on which you
2. Select the channels on which you will make adjustments by
make an adjustment and output from the corresponding
pressing the or key so that the arrow points the
speakers.
corresponding title.
It is recommended to make these adjustments together with
L, C, R ............... Left main, center and right main channels
the tonal quality adjustment of the center speaker on the
FRNT EFCT ....................................... Front effect channels
function “6. CENTER GEQ”.
REAR EFCT ................................................ Rear channels
Note
3. Press the + or – key to turn the equalizer for the selected
Excessive increase of the GAIN level may cause an overload.
channels to “ON”.
It is recommended to adjust the GAIN level so that it becomes
lower than the preset value. 35
m Preset value of the CINEMA Equalizer
+6
L, C, R EQ
HIGH: FRQ ..................... 12.7 kHz +3
GAIN .................................... –3 dB
GAIN (dB)
PEQ: FRQ ....................... 12.7 kHz 0 PEQ
GAIN .................................... –4 dB
HIGH
–3
HIGH + PEQ
(OVERALL)
–6
–9
20 50 100 200 500 1k 2k 5k 10k 20k
Frequency (Hz)
FRONT, REAR EFCT EQ +6

HIGH: FRQ ..................... 12.7 kHz
GAIN ...................................... 0 dB +3
PEQ: FRQ ......................... 8.0 kHz
GAIN (dB)
GAIN .................................... –3 dB 0 HIGH
–3 PEQ
–6
–9
20 50 100 200 500 1k 2k 5k 10k 20k
Frequency (Hz)
m Frequency characteristics
The following curves show frequency characteristics when the High-shelving equalizer (HIGH) is adjusted at the indicated values.
HIGH: FRQ ....................... 1.0 kHz +6

GAIN ..................... +6 dB to –9 dB
+3
GAIN (dB)
–3
–6
–9
20 50 100 200 500 1k 2k 5k 10k 20k
Frequency (Hz)
HIGH: FRQ .... 1.0 kHz to 12.7 kHz

+6
GAIN ......................... +6 dB/–9 dB FREQ.
POINTS
+3 1.0k
1.2k
1.6k
2.0k
0
GAIN (dB)
2.5k
3.2k
4.0k
5.0k
–3 5.7k
6.3k
7.1k
8.0k
–6 9.0k
10.1k
11.3k
12.7kH
–9
20 50 100 200 500 1k 2k 5k 10k 20k
Frequency (Hz)
36
English
The following curves show frequency characteristics when the Parametric Equalizer (PEQ) is adjusted at the indicated values.
PEQ: FRQ ........................... 1.0 kHz +6

GAIN ........................ +6 dB to –9 dB
+3
GAIN (dB)
0
–3
–6
–9
20 50 100 200 500 1k 2k 5k 10k 20k
Frequency (Hz)
PEQ: FRQ ........ 1.0 kHz to 12.7 kHz

GAIN ............................ +6 dB/–9 dB +6
FREQ.
POINTS
1.0k
+3 1.2k
GAIN (dB)
1.6k
2.0k
2.5k
0 3.2k
4.0k
5.0k
5.7k
–3 6.3k
7.1k
8.0k
9.0k
10.1k
–6 11.3k
12.7kH
–9
20 50 100 200 500 1k 2k 5k 10k 20k
Frequency (Hz)
8. PARAMETER INI (Initializing parameters on a DSP program)

You can initialize all parameter settings on a DSP program. Initializing method
Note that a DSP program has two or three subprograms; all After selecting this function (title) in step 1 on page 32, press
parameters on both subprograms are initialized by this the + or – key to display the DSP program numbers (1 – 12). A
operation. program number whose parameters has been changed is
marked with “ ”. Press a DSP program selector key
*
corresponding to the program number of which parameters
you want to initialize. When initialized, the “ ” mark will
disappear. *
9. MEMORY GUARD (Locking DSP parameters and other adjustments)

If you wish to prevent accidental alteration to DSP parameters • DSP parameters
or other adjustments on this unit, select “ON”. In this position, • Other functions in the “SET MENU” mode
they are locked and cannot be changed. The following • ON SCREEN display key
functions on this unit can be locked by this operation. • LEVEL key
• TEST key
37
10. VCR 3 VIDEO (Switching the DVD/VCR 3 VIDEO OUT terminal to a second monitor out
terminal.)
If you wish to connect a second monitor TV (or a projector) to Notes
this unit, select “MONTR” position. The DVD/VCR 3 VIDEO • Even in the “MONTR” position, the DVD/VCR 3 VIDEO IN
OUT terminal (and S VIDEO terminal also) is switched to a terminal can be used as a normal video signal input terminal
second monitor out terminal, so you can connect this terminal and the DVD/VCR 3 AUDIO SIGNAL IN/OUT terminals as
to the video input terminal of another monitor TV. normal audio input/output terminals.
• If using the DVD/VCR 3 terminals for connecting a third
video cassette recorder only, be sure to select “REC OUT”
position.
If the picture on the monitor is disturbed while the third
video cassette recorder is functionning, “MONTR” position
may be selected. If so, select “REC OUT” position.
11. INPUT MODE (Selecting the initial input mode of the sources connected to the
TV/DBS and DVD/VCR 3 input terminals)
For the sources connected to the TV/DBS and DVD/VCR 3 Operating method
input terminals of this unit only, you can designate the input After selecting this function (title) in step 1 on page 32, press
mode that is automatically selected when the power of this unit the + or – key. Next select the input source TV/DBS or
is switched on. DVD/VCR 3 by pressing the or key so that the arrow
points to its name, and then select the AUTO or LAST mode
AUTO: In this position, the AUTO input mode is always by pressing the + or – key.
selected when the power of this unit is switched on.
LAST: In this position, the input mode you have selected the
last time is memorized and will not be changed even if
the power of this unit is switched on.
* Refer to page 41 for details about switching the input mode.
12. DIMMER (Changing brightness of the display panel)
You can adjust brightness of the display panel in five degrees.
38
English
BASIC OPERATIONS
TO PLAY A SOURCE
REC/PAUSE A/B
MD/TAPE 1
A
CD
TUNER
2 3 1, 6 STOP
A DIR B
DISC
VCR 1
LD
B
3, 4
TV/DBS

VCR 2
C
VOLUME
INPUT SELECTOR l6 DVD/VCR 3
20 l2
28 8
PRESET A/B/C/D/E
TV/DBS LD
V-AUX
DSP
DVD/VCR 3 CD HALL 1 HALL 2 CHURCH /EXT. DECODER
AC 3 DTS PCM TAPE 2 MON TAPE 2 MON 60 2
SLEEP
/EXT. DECODER 1 2 3 TAPE 2 MON
7
–dB
0 JAZZ ROCK ENTER-
4 5 6 PHONO
CONCERT CONCERT TV
7 8 9 EFFECT
PHONES BASS BASS TREBLE BALANCE REC OUT

VIDEO AUX
EXTENSION SOURCE MD/TAPE 1 THEATER 1 THEATER 2 SURROUND
0 0 0
l l l l l l LD CD
2 2 2 2 2 2 VCR 1 TV/DBS 10 11 12
3 3 3 3 3 3 VCR 2
DVD/VCR 3
4 4 4 4 4 4 LEVEL
5 5 5 5 L5 5R VIDEO AUX PARAMETER
2
TEST
SET MENU
6
SLEEP ON SCREEN
7 4 TV
SYSTEM
POWER ON
MASTER VOLUME
MUTE
Note: If you use the remote control transmitter, be sure to use it with the lid open. VCR
STANDBY
1 Front panel
VOLUME
4 For the source that inputs two or more types of signals to
this unit, its current input mode is also shown.
l6
20 l2
28 8 To change the input mode, press the INPUT MODE

button on the front panel or the input selector key for the
40 4
currently selected source on the remote control
transmitter. (Refer to page 41 for details on switching the
60 2
input mode.)
0
–dB
Set to the “∞” position. INPUT MODE
LD
or
2 Turn the power on.
SYSTEM
POWER ON
STANDBY/ON
or
TV/DBS LD
VCR 1 MD/TAPE 1
VCR 2 TUNER
DVD/VCR 3 CD
V-AUX PHONO
3 Select the desired input source. Input mode

(For video sources, turn the TV/monitor ON.)
The selected source is shown on the display panel and
the monitor screen.
5 Play the source.
LD
6 Front panel Remote control
or VOLUME
l6 MASTER VOLUME
20 l2
28 8
40 4
or MUTE
TV/DBS LD
VCR 1 MD/TAPE 1 60 2
VCR 2 TUNER
DVD/VCR 3 CD
V-AUX PHONO
0
–dB
Adjust to the desired output level.

Name of the selected input source
To select the tape deck connected to this unit’s TAPE 2
terminals or the source connected to this unit’s 7 If desired, adjust the BASS, TREBLE, BALANCE
controls, etc. (refer to page 44) and use the digital
EXTERNAL DECODER INPUT terminals, refer to page
sound field processor. (Refer to pages 45 to 49.)
40.
39
When you finish using this unit Notes on input source selection
● Note that selecting a name of input source selects the
Press the STANDBY/ON switch on the front panel again or the
STANDBY key on the remote control transmitter to turn this source which is connected to the corresponding input
unit into the standby mode. terminals on the rear panel.
* To select the source connected to the VIDEO AUX
Front panel Remote control terminals on the front panel, select “VIDEO AUX”.
● The setting of the TAPE 2 MON/EXT. DECODER button
cannot be canceled by selecting another input source. To

STANDBY/ON
or cancel it, press the TAPE 2 MON/EXT. DECODER button

STANDBY again so that neither the “TAPE 2 MON” indicator nor “EXT.
DECODER IN” lights up on the display.
● If you select a video input source without canceling the
setting of the TAPE 2 MON/EXT. DECODER button, the

playback result will be the video image from the video
source and the sound from the source selected by the
To select the tape deck connected to this TAPE 2 MON/EXT. DECODER button.
unit’s TAPE 2 terminals or the source ● If a different audio source is selected with the input selector
connected to this unit’s EXTERNAL keys on the remote control transmitter while enjoying a
video source, the sound from the newly selected audio
DECODER INPUT terminals as the input source is heard, but the picture from the video source can
source. still be seen.
● When you select an input source, the DSP program (or the
Press the TAPE 2 MON/EXT. DECODER button once or more state of no DSP program is used) which was used when the
so that the corresponding indication appears on the display. same input source was selected the last time will be
automatically recalled.
Front panel Remote control ● If a nonstandardized source is played back, or the unit
/EXT. DECODER
playing back a source is misoperating, “INPUT DATA
TAPE 2 MON ERROR” appears on the display.
TAPE 2 MON or
/EXT. DECODER
TAPE 2 MON
or
“TAPE2 MONITOR ON”: Lights up for a few seconds just

after you select the tape deck
connected to the TAPE 2 terminals.
“EXT. DECODER IN”: Lights up when the source
connected to the EXTERNAL
DECODER INPUT terminals is
selected.
Note
The input source selected in this way has priority over any
other input source already selected.
To select another input source, the TAPE 2 MON/EXT.
DECODER button must be pressed so that neither the “TAPE
2 MON” indicator nor “EXT. DECODER IN” lights up on the
display.
40
English
Switching the input mode
This unit allows you to switch the input mode only for sources Notes on input mode selection
● For the TV/DBS and DVD/VCR 3 sources, the input mode
that input two or more types of signals to this unit.
selected on the function “11. INPUT MODE” in the SET
MENU mode is selected when you turn on the power of this
unit.
m For CD, MD/TAPE 1, TV/DBS and ● To play back an LD source with the Dolby Digital (AC-3)
DVD/VCR 3 sources: decoded, set the input mode to “AUTO” or “AC-3 RF”.
The following two input modes are provided. ● When you want to enjoy a source which has normal 2-
channel signals with a Dolby Pro Logic Surround program,

AUTO: select the ANALOG mode.
This mode is automatically selected when you turn on the ● In the AUTO mode, there may be a case depending on
power of this unit. some LD players or DVD players that when you make a
In this mode, input signal is automatically selected by the search on a source encoded with the Dolby Digital (AC-3) or
following order of priority. the DTS during playback and then playback is restored,
sound output is interrupted for a moment because the digital
1. Digital signal encoded with the Dolby Digital (AC-3) or the input signal is selected again.
● For sources PHONO, TUNER, TAPE 2, VCR 1, VCR 2 and
DTS, or Normal digital input signal (PCM)
2. Analog input signal (ANALOG) V-AUX, the input mode cannot be changed because they
input analog signals only to this unit.
● When the input source is changed to LD, CD, MD/TAPE 1,
* For CD, TV/DBS and DVD/VCR 3 sources, if digital signals
are input from both of the OPTICAL and COAXIAL TV/DBS or DVD/VCR 3, or the input mode is changed, the
currently selected input mode is shown on the display panel
terminals, the digital signal from the OPTICAL terminal is
and the monitor screen.
selected.
If changed to the AUTO mode, the type of selected input
signal is also shown as figured below.
DTS:
In this mode, only digital input signal encoded with the DTS is
selected even though other signals are input at the same time. TV/DBS
VCR 1
VCR 2
LD
MD/TAPE 1
TUNER
DVD/VCR 3 CD
V-AUX PHONO
ANALOG
In this mode, only analog input signal is selected even though
digital signal is input at the same time. * However, if those operations are made when the test tone is
Select this mode when you want to use the analog input signal output from this unit, the type of selected input signal will
instead of the digital input signal. not be shown. (Only “AUTO” will be displayed.)
m For LD sources: Notes on playing back a source encoded with the DTS
● When you play back an LD or CD source with the DTS
The following five input modes are provided.
decoded (with the red “dts” indicator illuminated on the
AUTO: display) in the AUTO mode, a noise may be heard just
This mode is automatically selected when you turn on the after playback begins. To prevent such a noise, select
power to this unit. the DTS mode.
In this mode, input signal is automatically selected by the Be careful not to play back these sources in the
ANALOG mode. If they are played back in the ANALOG
following order of priority.
mode, only a noise will be output from the speakers.
● If you play back a CD or LD source encoded with the
1. Dolby Digital (AC-3) RF signal (DOLBY DIGITAL)
DTS in the AUTO mode, this unit is locked in the DTS-
2. Digital signal encoded with the Dolby Digital (AC-3) or the decoding mode automatically to prevent the generation
DTS, or Normal digital input signal (PCM) of noise possible in subsequent operations. In this state,
3. Analog input signal (ANALOG) the red “dts” indicator flashes.
In this state, if you play back a CD or LD with normal
AC-3 RF: (PCM) digital signals, no sound will be heard. To play
In this mode, only Dolby Digital (AC-3) RF signal is selected. back these sources normally, press the INPUT MODE
button on the front panel or the input selector key for the
DTS: currently selected source on the remote control
In this mode, only digital input signal encoded with the DTS is transmitter so that “PCM” appears on the display.
selected even though other signals are input at the same time.
DIGITAL:
In this mode, only digital input signal is selected even though
other types of signals are input at the same time.
ANALOG
In this mode, only analog input signal is selected even though
other types of signals are input at the same time.
41
TO RECORD A SOURCE TO TAPE (OR MD) (OR DUBBING FROM A
TAPE TO ANOTHER)
REC/PAUSE A/B
MD/TAPE 1
A
CD
5 2 3 A DIR B
TUNER
VCR 1
STOP DISC B
LD
INPUT SELECTOR
20
VOLUME
l6
l2
TV/DBS
VCR 2
C
2
DVD/VCR 3
28 8
TV/DBS LD PRESET A/B/C/D/E

DIGITAL VCR 1 MD/TAPE 1 4
40
V-AUX
DVD/VCR 3 CD
5
DSP
SLEEP
/EXT. DECODER HALL 1 HALL 2 CHURCH /EXT. DECODER
–dB
0
1 2 3 TAPE 2 MON
JAZZ ROCK ENTER-
4 5 6 PHONO
SET MENU NEXT PROGRAM EFFECT INPUT MODE CONCERT CONCERT TV
7 8 9 EFFECT
l
0
l l
0
l l
0
l LD CD MOVIE MOVIE / DTS ON/OFF
2 2 2 2 2 2 VCR 1 TV/DBS
3 3 3 3 3 3 VCR 2
4 4 4 4 4 4 DVD/VCR 3 10 11 12
LEVEL
PARAMETER
TEST
SET MENU
3
SLEEP ON SCREEN
1
MASTER VOLUME
SYSTEM
POWER ON
TV
MUTE
VCR
STANDBY
Note: If you use the remote control transmitter, be sure to use it

with the lid open.
1 Set the REC OUT selector to the SOURCE position. 3 Play the source and then turn the VOLUME control up
to confirm the input source.
Front panel
REC OUT
SOURCE MD/TAPE 1 Front panel Remote control
LD CD
VCR 1 TV/DBS
VOLUME
VCR 2
l6 MASTER VOLUME
DVD/VCR 3
20 l2
VIDEO AUX
28 8
40 4
or MUTE
2 Select the source you want to record. 60 2
Front panel 0
Remote control –dB
or CD
4 Begin recording on the tape deck (or MD recorder etc.)

or VCR connected to this unit.
5 If the second tape deck (or MD recorder etc.)

connected to this unit’s TAPE 2 REC terminals is used
for recording, you can monitor the sounds being
recorded by pressing the TAPE 2 MON/EXT.
DECODER so that the “TAPE 2 MON” indicator lights
up on the display.
42
English
To record a source to tape (or MD) while listening to (or watching) another
source
Regardless of the setting of the INPUT SELECTOR, when you set the REC OUT selector to CD, the audio signal from your CD
player can be recorded by your first tape deck (or MD recorder) which is connected to this unit’s MD/TAPE 1 REC terminals.
Likewise, when the REC OUT selector is set to LD, TV/DBS, VCR 2, DVD/VCR 3 or VIDEO AUX, both the audio and video signals
of the selected source can be recorded by your first VCR which is connected to this unit’s VCR 1 OUT terminals.
REC/PAUSE A/B
MD/TAPE 1
3, 5, 6 3 CD
TUNER
A
A DIR B VCR 1
STOP DISC B
LD
3, 5, 6
VOLUME
INPUT SELECTOR l6 TV/DBS
20 l2
28 8
TV/DBS LD VCR 2
STANDBY/ON PRO LOGIC VCR 2
DVD/VCR 3
TUNER
CD
C
DSP
AC 3 DTS PCM
SLEEP TAPE 2 MON TAPE 2 MON 60 2 DVD/VCR 3
/EXT. DECODER
0
–dB PRESET A/B/C/D/E
V-AUX

1 2 3 TAPE 2 MON
PHONES BASS BASS TREBLE BALANCE REC OUT VIDEO AUX JAZZ ROCK ENTER-
EXTENSION
l
0
l l
0
l
0 LD
SOURCE
CD
MD/TAPE 1 CLUB CONCERT TAINMENT
l l
VCR 1 TV/DBS
2 2 2 2 2 2
4 5 6 PHONO
3 3 3 3 3 3 VCR 2
4 4 4 4 4 4 DVD/VCR 3 CONCERT CONCERT TV

5 5 5 5 L5 5R VIDEO AUX VIDEO 1 VIDEO 2 THEATER
7 8 9 EFFECT
10 11 12
LEVEL
PARAMETER
1 TEST
SET MENU
3
SLEEP ON SCREEN
MASTER VOLUME
SYSTEM
POWER ON
TV
MUTE
Note: If you use the remote control transmitter, be sure to use it with the lid open. VCR
STANDBY
1 Select the source you want to record. 4 Begin recording on the first tape deck (or MD recorder
etc.) or the first VCR connected to this unit.
REC OUT
SOURCE MD/TAPE 1
LD CD
VCR 1 TV/DBS
DVD/VCR 3
VCR 2
VIDEO AUX
5 To monitor the sound (and picture) to be recorded (or
being recorded), select the tape deck (or VCR) being
used for recording with the INPUT SELECTOR.
2 Play the source.

3 Confirm the source by selecting it with the INPUT

or
MD/TAPE 1
SELECTOR and turning up the VOLUME control.
or
CD 6 If you want to enjoy another source while recording,
select it with the INPUT SELECTOR.
Notes
● While recording, you can use any other VCR or tape deck
not selected by the REC OUT selector to record an audio

and video source selected by the INPUT SELECTOR.
● The audio and video signals from VCR 2 (or DVD/VCR 3)
VOLUME are sent to VCR 1 when the REC OUT selector is set to
l6 MASTER VOLUME
20 l2 VCR 2 (or DVD/VCR 3).
● If the REC OUT selector is set to VCR 2 (or DVD/VCR 3),
28 8
you cannot dub from your first VCR to the second VCR (or
40 4
or MUTE the third VCR), even if VCR 1 is selected by the INPUT
SELECTOR.
60 2
● To dub the audio signal from your second tape deck to the
–dB
0 first one, press the TAPE 2 MON/EXT. DECODER button
so that the “TAPE 2 MON” indicator lights up on the display
(and set the INPUT SELECTOR to any source other than
MD/TAPE 1 before beginning to record).
43
Notes on recording
● The settings of DSP and the VOLUME, BASS, TREBLE, ● Dolby Digital (AC-3) RF audio input signal cannot be
BALANCE controls and the BASS EXTENSION switch recorded by a tape deck or VCR. To record an LD source,
have no effect on the material being recorded. the LD player must be connected to the OPTICAL digital
● Composite video and S video signals pass independently audio signal input terminal and/or analog audio signal input
through this unit’s video circuits. Therefore, when recording or terminals of this unit.
dubbing video signals, if your video source unit is connected ● A source of signals input to the EXTERNAL DECODER
to provide only a S video (or only a composite video) signal, INPUT terminals of this unit cannot be recorded.
you can record only a S video (or only a composite video) ● Please check the copyright laws in your country to record
signal on your VCR. from records, compact discs, radio, etc. Recording of
● A source that is connected to this unit between optical copyright material may infringe copyright laws.
digital terminals only cannot be recorded by a tape deck or
VCR other than the tape deck (or MD recorder etc.) If you watch a video software that uses scramble or
connected to the OPTICAL MD/TAPE 1 REC terminal of encoded signals to prevent it from being dubbed, there
this unit. may be a case that display information superimposed on
the picture and/or the picture itself is disturbed due to
those signals.
FOR SOUND CONTROL ON THIS UNIT
Adjusting the BALANCE control Adjusting the BASS and TREBLE

controls
Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions. BASS TREBLE
0 0
l l l l
2 2 2 2
3 3 3 3
BALANCE
4 4 4 4
0 5 5
l l 5 5
2 2
3 3
4 4
L5 5R
BASS : Turn this clockwise to increase (or counter-

Note clockwise to decrease) the low frequency
This control is effective only for the sound from the main response.
speakers.
TREBLE : Turn this clockwise to increase (or counter-
clockwise to decrease) the high frequency
response.
Using the BASS EXTENSION switch

Note
You can boost bass frequency response by setting this switch These controls are effective only for the sound from the main
to the “ON” position. This switch is effective only on the sound speakers.
from the main speakers.
BASS
EXTENSION
ON OFF
44
English
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand
and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your
listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend
on what you will be listening to), and adding desired adjustments.
In addition, this unit incorporates a Dolby Digital (AC-3) decoder and a Dolby Pro Logic Surround decoder for multi-channel sound
reproduction of sources encoded with Dolby Surround, and a DTS decoder for multi-channel sound reproduction of sources encoded
with the DTS. The operation of these decoders can be controlled by selecting a corresponding DSP program including a combined
operation of the YAMAHA DSP and the Dolby Digital (AC-3), the Dolby Pro Logic Surround or the DTS.
This unit has 12 programs for digital sound field processing; 6 from actual acoustic environments from around the world, and 6
programs for Audio/Video sources. In addition, each program has two or three subprograms. All programs contain various
parameters that can be adjusted to the listener’s taste.
For details about digital sound field programs, refer to pages 50 to 54.
PLAYING A SOURCE WITH AN EFFECT OF THE DIGITAL SOUND

FIELD PROCESSOR (DSP)
STOP DISC B
LD
TV/DBS
VOLUME
VCR 2
INPUT SELECTOR l6
20 l2
C
28 8
DVD/VCR 3
TV/DBS LD
VCR 2 TUNER
DSP
DVD/VCR 3 CD PRESET A/B/C/D/E
TAPE 2 MON TAPE 2 MON 60 2
AC 3 DTS PCM
SLEEP
/EXT. DECODER V-AUX
0
–dB

1 2 3 TAPE 2 MON
JAZZ ROCK ENTER-
EXTENSION
l
0
l l
0
l l
0
l LD
SOURCE
CD
MD/TAPE 1
4 5 6 PHONO
2 2 2 2 2 2 VCR 1 TV/DBS
3 3 3 3 3 3 VCR 2 CONCERT CONCERT TV

4 4 4 4 4 4 DVD/VCR 3 VIDEO 1 VIDEO 2 THEATER
7 8 9 EFFECT
2
10 11 12
LEVEL
PARAMETER
TEST
2 SET MENU
SLEEP ON SCREEN
1 Follow steps 1 to 7 shown in “BASIC OPERATIONS” on page 39.
2 When operating on the front panel: When operating on the remote control transmitter:
If no program name is illuminated on the display panel, Set the PARAMETER/SET MENU switch to the
press the EFFECT button to turn on the digital sound PARAMETER position.
field processor so that a name of DSP program Note: Be sure to use the remote control transmitter with the
lights up on the display panel and the monitor screen. lid open.
EFFECT
TV
V
PARAMETER
V
DVD/V
V-
SET MENU
CONTINUED
45
LD
TV/DBS
VOLUME
VCR 2
INPUT SELECTOR l6
20 l2
C
28 8
DVD/VCR 3
TV/DBS LD
VCR 2 TUNER
DSP
DVD/VCR 3 CD PRESET A/B/C/D/E
SLEEP
/EXT. DECODER V-AUX
0
–dB

1 2 3 TAPE 2 MON
JAZZ ROCK ENTER-
3
EXTENSION
l
0
l l
0
l l
0
l LD
SOURCE
CD
MD/TAPE 1
4 5 6 PHONO
2 2 2 2 2 2 VCR 1 TV/DBS
3 3 3 3 3 3 VCR 2 CONCERT CONCERT TV

4 4 4 4 4 4 DVD/VCR 3 VIDEO 1 VIDEO 2 THEATER
7 8 9 EFFECT
10 11 12
LEVEL
PARAMETER
3 TEST
SET MENU
SLEEP ON SCREEN
3
3 Select the desired program that is suitable for the source.
When operating on the front panel: When operating on the remote control transmitter:
a)
HALL 1 HALL 2 CHURCH
PROGRAM 1 2 3
JAZZ ROCK ENTER-
4 5 6
CONCERT CONCERT TV
7 8 9
MOVIE MOVIE / DTS
Press once or more. 10 11 12
b) Select a desired subprogram by pressing the same

DSP program selector key once or more, or by
pressing the +/– keys.
* The name of the selected program lights up on the display panel and the monitor screen.
TV/DBS LD
VCR 1 MD/TAPE 1
VCR 2 TUNER
PRO LOGIC
DVD/VCR 3 CD
DSP V-AUX PHONO
Subprogram name Program name
4 ● If desired, adjust the output level of each speaker. (For details, refer to the corresponding descriptions on pages 48 and 49.)
● If desired, you can create your own sound field taste. (For details, refer to pages 56 to 60.)
Notes
● Program selection can be made to individual input sources. Once you select a program, it is linked with the input source selected
at that time. So, when you select the same input source next time, the same program is automatically called.
● If you prefer to cancel the DSP, press the EFFECT button. The sound will be the normal 2-channel stereo without surround
sound effect.
● When a monaural sound source is played with the program DOLBY/DTS SURROUND, no sound is heard from the main
speakers and the rear speakers. Sound is heard only from the center speaker. However, if the function “1A. CENTER SP” in the
SET MENU mode is set in the “NONE” position, the main speakers output the sound of the center channel.
● When this unit’s Dolby Pro Logic Surround decoder, Dolby Digital decoder or DTS decoder is used, if the main-source sound is
considerably altered by overadjustment of the BASS or TREBLE control, the relationship between the center and rear channels
may produce an unnatural effect.
● When a source of signals input to the EXTERNAL DECODER INPUT terminals of this unit is selected, the DSP cannot be used
and the EFFECT button also will not function.
46
English
To enjoy a video source encoded with Note
the Dolby Pro Logic Surround, the If you change the LD (or CD) being played back with the DTS
Dolby Digital (AC-3) or the DTS decoded to another disc not encoded with the DTS when the
red “dts” indicator is illuminated, playing back the newly
When you select the program No. 10, 11 or 12, and the input selected disc will output no sound. In this state, the red “dts”
signal of the source is 2-channel stereo, Dolby Pro Logic indicator flashes to show that this unit is locked in the DTS-
Surround is decoded. When some program is selected and the decoding mode.
input signal of the source is encoded with the Dolby Digital (AC- To play back the disc normally, change the current DTS-
3), Dolby Digital (AC-3) is automatically decoded. decoding mode to another mode by pressing an input selector
When some program is selected and the input signal of the key on the remote control transmitter or the INPUT MODE
source is encoded with the DTS, DTS is automatically decoded. button on the front panel so that the red “dts” indicator turns
off.
The following indicators on the display panel show you what
sound processing is being made.
1 2
To cancel the effect sound
The EFFECT button on the front panel or the EFFECT ON/OFF
key on the remote control transmitter make it simple to compare
the normal stereo sound with the fully processed effect sound.
3 DIGITAL
4 PRO LOGIC To cancel the effect sound and monitor only the main sound,
press the EFFECT ON/OFF key or the EFFECT button. Press
5 DSP
the EFFECT ON/OFF key or the EFFECT button a second time
DIGITAL SOURCE
AC 3 DTS PCM to restore the effect sound.
1 Lights up when a DVD source encoded with the DTS is
played back and the DTS is decoded. Front panel Remote control
2 Lights up when an LD source or a CD source encoded with EFFECT
the DTS is played back and the DTS is decoded. EFFECT

ON/OFF
3 Lights up when the Dolby Digital (AC-3) is being decoded or
and the signals of selected source encoded with the
Dolby Digital (AC-3) is not in 2-channels.
This indicator also lights up when the input mode is set to Notes
“AC-3 RF” even if no signal encoded with the Dolby ● If the effect sound is canceled when signals encoded with the
Digital (AC-3) is input to this unit. Dolby Digital (AC-3) or the DTS are input to this unit, signals of
4 Lights up when the Dolby Pro Logic Surround is being all channels are mixed and are output from the main speakers.
decoded
5 Lights up when the Digital Sound Field Processor is ● If the EFFECT button or the EFFECT ON/OFF key is pressed
turned on. to turn effect sounds OFF when the Dolby Digital (AC-3) or the
DTS is decoded, it may happen that sound is output faintly or
In addition, for the program No. 10, 11 and 12, the name of the not output normally depending on a source. In that case, press
selected subprogram on the display panel or the monitor screen the EFFECT button or the EFFECT ON/OFF key to turn effect
will change according to the type of decoding. (For details, refer sounds ON, or use input signals not encoded with the Dolby
to pages 53 to 54.) Digital (AC-3) or the DTS.
● If the EFFECT button or the EFFECT ON/OFF key is
Notes pressed to turn effect sounds OFF when the Dolby Digital
● The Dolby Digital (AC-3) will not be decoded to the source (AC-3) is decoded, the sampling frequency and channel
that is not encoded with the Dolby Digital (AC-3). formation of the decoded signal is shown on the display
The DTS will not be decoded to the source that is not panel.
encoded with the DTS. ex.)
● If the input signals of source encoded with the Dolby Digital
(AC-3) are in 2-channels only, the sound processing for them EFFECT OFF
is similar to that for analog or PCM audio signals.
fs=48k in : 3/2
Sampling frequency is Three channels at the front

48 kHz. Two channels at the rear
* If the input source is a Dolby Digital KARAOKE source, “K”

is shown at the head of channel formation.
47
ADJUSTING OUTPUT LEVEL OF THE CENTER, RIGHT REAR, LEFT
REAR, FRONT EFFECT SPEAKERS AND SUBWOOFER
If desired, you can adjust the sound output level of the each Note: These adjustments can be made only when the effect
DSP
speaker even if the output level is already set in “SPEAKER sound is on. If none of the indicators , ,
BALANCE ADJUSTMENT” on pages 29 to 31. DIGITAL and PRO LOGIC are illuminated on the display
panel, press the EFFECT button on the front panel or the

EFFECT ON/OFF key on the remote control transmitter so that
at least one of those indicators lights up on the display panel.
CENTER (Center speaker output level)
LS/RS (Left and right rear speaker output level)
FRONT (Front effect speaker output level)
SWFR (Subwoofer output level)
Method of adjustment
This adjustment can be made only by using the remote control transmitter.
Note: Be sure to use the remote control transmitter with the lid open.
1 Set the PARAMETER/SET MENU switch on the remote

control transmitter to the PARAMETER position.
4 Adjust the level on the selected speaker(s).
PARAMETER
SET MENU
2 LEVEL
5 Repeat step 2 and 3 to make adjustments on other

speaker(s).
3 Press once or more until the name of speaker(s) whose
level you want to adjust appears on the display.
LEVEL
or
Whenever pressed, the selection changes as the above chart

shows.
* Pressing the key on the remote control transmitter

changes the selection in the reverse order.
48
English
Speakers Control range (dB) Preset value
CENTER MUTE, –40 to +10 0
RIGHT SURROUND (RS) MUTE, –40 to +10 0
LEFT SURROUND (LS) MUTE, –40 to +10 0
SUBWOOFER (SWFR) MUTE, –20 to 0 0
FRONT MUTE, –40 to +10 0
Notes
● In this way, the output level of left rear and right rear ● The value of each speaker output level you set the last time
speakers are adjusted at the same time, keeping the will remain memorized even when this unit is in the standby
difference of level between them unchanged. mode.
To adjust each level of them respectively, follow the method However, if the power cord is kept disconnected for more
of “SPEAKER BALANCE ADJUSTMENT” on pages 29 to than one week, these values will be automatically changed
31. back to the original factory settings.
● If the function “1A. CENTER SP” in the SET MENU mode is
set in the “NONE” position, the sound output level of the
center speaker cannot be adjusted. This is because in this
mode, the center sound is automatically output from the left
and right main speakers.
● Once the output level is adjusted, the level value will be the
same in all the digital sound field programs.
49
BRIEF OVERVIEW OF
DIGITAL SOUND FIELD PROGRAMS
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of
these are precise digital recreations of actual acoustic environments. The data for these sound fields were recorded at actual
locations using sophisticated sound field measurement equipment.
Note
The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are
listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments.
Program No. 1 to 6: Hi-Fi DSP programs (for audio sources)

● When the input signal is analog or PCM audio: ( DSP )
Speaker output: main, rear, front effect
● When the input signal is encoded with the Dolby Digital (not in 2 channels): ( DIGITAL DSP )
Speaker output: main, center, rear, front effect
● When the input signal is encoded with the DTS: ( DSP )
Speaker output: main, center, rear, front effect
No. PROGRAM SUBPROGRAM (TYPE) FEATURE

1 CONCERT Hall A in Europe This is a large fan-shaped concert hall in Munich which has approximately
HALL 1 2500 seats. Almost the whole interior is made of wood. There is relatively
little reflection from the right and left walls, and sounds spread finely and
beautifully.
Hall B in Europe This is a large shoe-box type concert hall with approximately 2500 seats.
Almost the whole interior except the ceiling is made of wood, including
mahogany reflective panels. Special reflective paneling above the stage
produces strong frontal reflections which tend to reinforce the direct sound
from the stage. This hall has a very solid, powerful sound.
Hall C in Europe A classic shoe-box type concert hall with approximately 1700 seats. Pillars
and ornate carvings create extremely complex reflections. Those
reflections and the reflections from all directions of the hall produce a very
full, rich sound.
2 CONCERT Hall D in U.S.A. This is a large 2600-seat concert hall in the United States which features a
HALL 2 fairly traditional European design. The interior is relatively simple,
suggesting an American taste. Sound of the middle and high frequencies
are richly and beautifully reproduced.
Hall E in Europe A classic large shoe-box type concert hall with approximately 2200 seats. It
has a circular stage and seats located behind the stage.
Live Concert A large round concert hall with a rich surround effect. Pronounced reflections
from all directions emphasize the extension of sounds. You will experience
the sound field with a great deal of presence sitting at about the center
position near the stage.
This sound field is also effective for karaoke. This is because you feel as if
you are standing on a real stage.
50
English
3 CHURCH Tokyo The acoustic environment of an ordinary church with moderate
reverberations. This is ideal for reproducing church music played by a pipe
organ etc.
Freiburg This program recreates the acoustic environment of a big church with a high
pointed dome and columns along the sides. This interior produces very long
reverberations.
Royaumont This program features a sound field created by the refectory (dining hall) of
the monastery, a beautiful medieval Gothic structure located in Royaumont
on the outskirts of Paris. The dome-like spaces in the ceiling formed by the
supporting pillars cause reverberations to echo and create a beautiful,
lingering tone.
4 JAZZ CLUB Village Gate A jazz club in New York. It is in a basement and has a relatively spacious
floor area. The reflection pattern is similar to that of a small hall.
Village Vanguard A traditional New York jazz club located on 7th Avenue. This room has a
low ceiling, and the “stage” is located in a corner. This program does not
produce nearly as many reflections as the concert hall or church
programs, but creates an intimate “close-to-the-music” feel.
The Bottom Line This is the sound field at stage front in “The Bottom Line,” a famous New
York jazz club. The floor can seat 300 people to the left and right in a
sound field offering real and vibrant sound.
5 ROCK The Roxy Theatre The ideal program for lively, dynamic rock music. The data for this program
CONCERT was recorded at LA’s “hottest” rock club.
Warehouse Loft This program simulates a space enclosed by concrete. An energetic sound
field is created with relatively clear reflections by the wall.
Arena This program gives you long delays between direct sounds and effect
sounds, and extraordinarily spacious feel of a large arena theater.
6 ENTERTAINMENT Disco This program recreates the acoustic environment of a lively disco in the
heart of a very lively city. The sound is dense and highly concentrated. It is
also characterized by a high-energy, “immediate” sound.
Party This is a sound field suitable for background music at parties where you
can hear the sound directly from the rear as well, thus realizing music
enjoyment over a wide area.
Game/Amusement This program adds a deep and spatial feeling to video game sounds etc.
whichever kind of source is used, stereo or monaural. You can enjoy video
games with much power and presence.
51
Program No. 7 to 12: CINEMA-DSP programs (for Audio/Video
sources)
● These programs use the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder.
● Speaker output for each program is as follows.
No. 7, 8, 9, 10, 11: main, center, rear, front effect
No. 12 (Normal): main, center, rear
No. 12 (Enhanced): main, center, rear, front effect
● For program No. 7, 8 and 9 only, indicators light up as follows.
When the input signal is analog or PCM audio: ( DSP )
When the input signal is encoded with the Dolby Digital (not in 2 channels): ( DIGITAL DSP )
When the input signal is encoded with the DTS: ( DSP )

7 CONCERT Pop/Rock This program produces an enthusiastic atmosphere and lets you feel that
VIDEO 1 you are in the midst of the action, as if attending an actual jazz or rock
concert.
The indirect sound constituent spreads on the surround side of the sound
field by the use of data of a large round hall for the surround side, so the
image space around the screen and the sound space are fully expanded.
DJ With this program, the voice of a disc jockey sounds more clearly, and
music entertains you with a rich sound field feeling.
8 CONCERT Classical/Opera This program provides excellent depth of vocals and overall clarity,
VIDEO 2 restraining excessive reverberation.
For opera, the orchestra pit and the stage are ideally combined, letting you
feel a full presence sound. The rear surround side of the sound field is
relatively moderated, however, it reproduces beautiful sound by the use of
the data of a concert hall. You will not be tired from long watching of an
opera.
Pavilion This program reproduces vocals clearly, letting you feel the spaciousness of
a pavilion. Reverberation, which is somewhat delayed, reproduces the live
sound field unique to a pavilion, and helps to make a concert scene more
exciting.
9 TV THEATER Mono Movie This program is for reproducing monaural video sources (old movies etc.).
Monaural sounds are reproduced with much presence by the front
presence side of the sound field and optimum reverberation effect. The
use of the center speaker makes conversations more audible, obtaining a
pleasant mix of conversations and picture.
Variety/Sports Though the front presence side of the sound field is relatively narrow, the
rear surround side employs the sound environment of a large concert hall.
With this program, you can enjoy watching various TV programs such as
the news, variety shows, music programs or sports programs. In a stereo
broadcast of a sports game, the commentator is oriented at the center
position, and the shouts and the atmosphere in the stadium spread on the
surround side, however, spreading of them to the rear side is properly
restrained.
52
English
● Program No. 10 to 11 are suitable for reproducing video discs, video tapes and similar sources which are encoded with the Dolby
Surround (bearing the “DOLBY SURROUND” or “DOLBY DIGITAL” logo) or encoded with the DTS (bearing the “dts” logo).

10 MOVIE 70 mm Spectacle This program creates the extremely wide sound field of a
THEATER 1 ( PRO LOGIC DSP ) movie theater. It precisely reproduces the source sound
Functions when the input signal is analog in detail, giving both the video and the sound field
or PCM audio or encoded with the Dolby incredible reality. Any kind of video sources encoded
Digital (AC-3) in 2 channels. with the Dolby Surround or DTS (especially large-scale
movie productions) are ideal for use with this program.
DGTL Spectacle
( DIGITAL DSP )
Functions when the input signal is encoded
with the Dolby Digital not in 2 channels.
DTS Spectacle
( DSP )
with the DTS .
70 mm Sci-Fi This program clearly reproduces dialog and sound

( PRO LOGIC DSP ) effects in the latest sound design of science fiction films,
Functions when the input signal is analog thus creating a broad and expansive cinematic space
or PCM audio or encoded with the Dolby amid the silence. You can enjoy science fiction films in a
Digital (AC-3) in 2 channels.
virtual-space sound field that includes Dolby Pro Logic,
DGTL Sci-Fi Dolby Digital (AC-3) and DTS-encoded software
( DIGITAL DSP ) employing the most advanced techniques.
DTS Sci-Fi
( DSP )
with the DTS.
11 MOVIE 70 mm Adventure This program is ideal for precisely reproducing the sound
THEATER 2 ( PRO LOGIC DSP ) design of the newest multi-track films. The sound field is
Functions when the input signal is analog made to be similar to that of the newest movie theaters,
or PCM audio or encoded with the Dolby so the reverberations of the sound field itself are
Digital (AC-3) in 2 channels. restrained as much as possible. The data of the sound
field of an opera house are used for the front presence
DGTL Adventure side, so the three dimensional feeling of the sound field
( DIGITAL DSP ) is emphasized, and dialog is precisely oriented on the
Functions when the input signal is encoded screen. By using the data of the sound field of a concert
with the Dolby Digital not in 2 channels. hall on the rear surround side, powerfull reverberations
are generated. You can enjoy watching action, adventure
DTS Adventure movies, etc. with much presence.
( DSP )
with the DTS.
70 mm General This program is for reproducing sounds on a multi-track

( PRO LOGIC DSP ) film, and characterized by a soft and extensive sound
Functions when the input signal is analog field. The front presence side of the sound field is
or PCM audio or encoded with the Dolby relatively narrow. It spatially spreads all around and
Digital (AC-3) in 2 channels. toward the screen, restraining echo effect of
conversations without losing clarity. For the surround
DGTL General side, the harmony of music or chorus sounds beautifully
( DIGITAL DSP ) in a wide space at the rear of the sound field.
DTS General
( DSP )
with the DTS.
53
● Program No. 12 is for reproducing video discs, video tapes and similar sources which are encoded with the Dolby Surround
(bearing the “DOLBY SURROUND” or “DOLBY DIGITAL” logo) or encoded with the DTS (bearing the “dts” logo).

12 /DTS PRO LOGIC/Normal ( PRO LOGIC ) The built-in Dolby Pro Logic Surround decoder, the Dolby
SURROUND Functions when the input signal is analog Digital (AC-3) decoder or the DTS decoder precisely
or PCM audio or encoded with the Dolby reproduces sounds and sound effects of a source
Digital (AC-3) in 2 channels. encoded with the Dolby Surround or the DTS. The
realization of a highly efficient decoding process improves
DOLBY DIGITAL/Normal ( DIGITAL ) crosstalk and channel separation and makes sound
Functions when the input signal is encoded positioning smoother and more precise.
DTS DIGITAL SUR./Normal ( )

with the DTS.
PRO LOGIC/Enhanced This program ideally simulates the multi-surround speaker

( PRO LOGIC DSP ) systems of the newest film theater. The digital sound field
Functions when the input signal is analog processing and the Dolby Surround decoding or the DTS
or PCM audio or encoded with the Dolby decoding are precisely performed without altering the
Digital (AC-3) in 2 channels. originally designed sound orientation. The surround
effects produced by this sound field fold the viewer
DOLBY DIGITAL/Enhanced naturally from the rear to the left and right and toward the
( DIGITAL DSP ) screen.
DTS DIGITAL SUR./Enhanced

( DSP )
with the DTS.
Note: If the “NONE” position is selected on “1A. CENTER SP” in the SET MENU mode, no sound is output from
the center speaker(s).
54
English
ON SCREEN DISPLAY
If you connect your video cassette recorder, LD player, video Selecting a type of display
monitor, etc. to this unit, you can take advantage of this unit’s
capability to display program titles, parameter data and You can change the type of display showing various
information for various setting changes and adjustments on information on the monitor’s screen by pressing the ON
your video monitor’s screen. This information will be SCREEN display key on the remote control transmitter.
superimposed over the video image. Whenever pressed, the screen changes to a full display, a
simple display and no display in turn.
If there is no video source connected or it is turned off, the
information will be displayed over a blue colored background. A
C
ON SCREEN
/ CONCERT HALL 1
P01
Hall A in Europe REMOTE CONTROL
TRANSMITTER
EFCT TRIM . . . . 0dB

/
INIT. DLY . . . . 30ms
/
ROOM SIZE . . . . 1.0/ (Example)
LIVENESS . . . . . . . 5
Full display
/ CONCERT HALL 1
P01
Hall A in Europe
/
Note: The program titles, parameter data and other INIT. DLY . . . . 30ms
/
information are also displayed on the display panel of this unit. ROOM SIZE . . . . 1.0/
LIVENESS . . . . . . . 5
Simple display
/
P01 CONCERT HALL 1
Hall A in Europe
Goes off after being displayed for

several seconds.
Notes
● When making a setting change or adjustment in the SET
MENU mode, or making speaker balance adjustment by

using the test tone, information is fully displayed on the
monitor’s screen even if another type of display is currently
selected.
● Information displayed on the monitor’s screen in this way
cannot be recorded by a VCR.
55
CREATING YOUR OWN SOUND FIELDS
WHAT IS A SOUND FIELD? DSP programs consist of some parameters to determine
apparent room size, reverberation time, distance from you to
In order to explain the impressive functions of the DSP, we the performer, etc. In each program, these parameters are
need to first understand what a sound field really is. preset with values precisely calculated by Yamaha to create
the sound field unique for the program. It is recommended to
What really creates the rich, full tones of a live instrument are use DSP programs without changing values of parameters,
the multiple reflections from the walls of the room. In addition however, this unit also allows you to create your own sound
to making the sound “live”, these reflections enable us to tell fields. Starting with one of the built-in programs, you can adjust
where the player is situated, and the size and shape of the those parameters. Even if this unit is in the standby mode, your
room in which we are sitting. We can even tell whether it is custom sound fields will remain in the DSP’s memory for about
highly reflective with steel and glass surfaces, or more two weeks. The following page details how to make your own
absorbent with wood panels, carpeting and curtains. sound fields.
In addition to the “TYPE” parameter which selects the

THE ELEMENTS OF A SOUND FIELD subprograms within each DSP program (e.g. “Hall A in
Europe”, “Hall B in Europe” and “Hall C in Europe” for program
In any environment, in addition to the direct sound coming 1, “HALL 1”), each program also has a set of parameters that
straight to our ears from the player’s instrument, there are two allow you to change the characteristics of the acoustic
distinct types of sound reflections that combine to make up the environment to create precisely the effect you want. These
sound field: parameters correspond to the many natural acoustic factors
that create the sound field you experience in an actual concert
(1) Early Reflections. hall or other listening environment. The size of the room, for
Reflected sounds reach our ears extremely rapidly example, affects the length of time between the “early
(50 ms — 100 ms after the direct sound), after reflecting reflections”—that is, the first few widely spaced reflections you
from one surface only—for example, from the ceiling or a hear after the direct sound. The “ROOM SIZE” parameter
wall. These reflections fall into specific patterns as shown provided in many of the DSP programs alters the timing
in the diagram on page 58 for any particular environment, between these reflections, thus changing the shape of the
and provide vital information to our ears. Early reflections “room” you hear. In addition to room size, the shape of the
actually add clarity to the direct sound. room and the characteristics of its surfaces have a significant
effect on the final sound. Surfaces that absorb sound, for
(2) Reverberations. example, cause the reflections and reverberations to die out
These are caused by reflections from more than one quicker, while highly reflective surfaces allow the reflections to
surface—walls, ceiling, the back of the room—so carry on for a longer period of time. The DSP parameters allow
numerous that they merge together to form a continuous you to control these and many other factors that contribute to
sonic “afterglow”. They are non-directional, and lessen the your personal sound field, allowing you to essentially
clarity of the direct sound. “redesign” the concert halls and rooms provided to create
custom-tailored listening environments that ideally match your
Direct sound, early reflections and subsequent reverberation mood and music.
taken together help us to determine the subjective size and
shape of the room, and it is this information that the DSP Refer to “DESCRIPTIONS OF THE DIGITAL SOUND FIELD
reproduces in order to create sound fields. PARAMETERS” on pages 58 to 60 for a description of what
each parameter does, how it effects the sound, and its control
If you could create the appropriate early reflections and range.
subsequent reverberations in your listening room, you would
be able to create your own listening environment. The
acoustics in your room could be changed to those of a concert
hall, a dance floor, or virtually any size room at all. This ability
to create sound fields at will is exactly what Yamaha has done
with the DSP.
56
English
SELECTING AND EDITING PROGRAM PARAMETERS
This adjustment can be made only by using the remote control transmitter watching the monitor screen or the display panel.
Note
It is recommended to watch the monitor screen for making adjustments more easily than to watch the display panel.
1 Set the PARAMETER/SET MENU switch to the 4 Select a desired subprogram.

PARAMETER position.
Note: Be sure to use the remote control transmitter
with the lid open. 1 2 3
JAZZ ROCK ENTER-
PARAMETER 4 5 6
CONCERT CONCERT TV
or
7 8 9
MOVIE MOVIE / DTS
SET MENU THEATER 1 THEATER 2 SURROUND
10 11 12
2 Turn your monitor on. If the currently selected type of

display is not the full display, press the ON SCREEN
Press the button for
the currently selected
display key to call the full display. program once or more.
ON SCREEN
5 Select the parameter which you want to edit.
3 If no DSP program is selected, select a desired

program.

1 2 3
JAZZ ROCK ENTER-
6
4 5 6
Change the value on the selected parameter to create
CONCERT CONCERT TV
VIDEO 1 VIDEO 2 THEATER the effect you want.
7 8 9
MOVIE MOVIE / DTS
10 11 12
The selected program name and its parameters will be

displayed on the monitor screen. The arrow-shaped
cursor points to the subprogram name.
“+” increases the value of the selected parameter, and “–”

/ CONCERT HALL 1
P01 decreases the value of the selected parameter. In both cases
you can hold the key down for continuous incrementing or
Hall A in Europe Subprogram decrementing.
/ The display will pause for a moment at the initial value of the
INIT. DLY . . . . 30ms
/ parameter as a reminder. (On the monitor screen, mark at
ROOM SIZE . . . . 1.0/
LIVENESS . . . . . . . 5
*
the head of parameter name disappears at the initial value of
the parameter.)
Notes
● For details about parameters, refer to pages 58 to 60.
● Parameter edits made in this way will remain in effect even
with power cut due to power failure or the power plug

disconnected from the AC outlet for up to about two weeks,
after which all parameters, as well as other adjustments or
setting changes on this unit, will return to their initial values
or conditions.
57
DESCRIPTIONS OF THE DIGITAL SOUND FIELD PARAMETERS
Not all of the following parameters are found in every program.
● ROOM SIZE
How it Affects the Sound: P. ROOM SIZE (Presence Room Size)
Changes the apparent size of the music venue. The larger Adjusts the apparent space size of the front presence sound
the value, the larger the simulated room will sound. field. The larger the value, the longer the interval between
reflections becomes, which increases the depth of the sound
What it Does: source.
Adjusts the timing between the early reflections. Early S. ROOM SIZE (Surround Room Size)
reflections are the first group of reflections you hear before
the subsequent, dense reverberation begins. Adjusts the apparent space size of the rear surround sound field.
The larger the value, the larger the surround sound field
Control Range: becomes.
0.1 – 2.0
Standard setting is 1.0.
Changing this parameter from 1 to 2 increases the apparent

volume of the room eight times (length, width, and height all
doubled).
Level Direct sound Level Direct sound Level Direct sound

Early reflections Early reflections Early reflections
Small Large
Time Time Time

Small space Large space
● INIT. DLY (Initial Delay)

How it Affects the Sound: P. INIT. DLY (Presence Initial Delay)
Changes the apparent distance from the source sound. Adjusts the delay between the direct sound and the first reflection
on the presence side of the sound field. The larger the value, the
Since the distance between a sound source and a reflective later the first reflection begins.
surface determines the delay between the direct sound and
the first reflection, this parameter changes the location of the Control Range:
sound source within the acoustic environment.
1 – 99 milliseconds
What it Does:
Adjusts the delay between the direct sound and the first
reflection heard by the listener.
S. INIT. DLY (Surround Initial Delay)
Adjusts the delay between the direct sound and the first reflection
Control Range: on the rear surround side of the sound field. The larger the value,
1 – 99 milliseconds the later the first reflection begins.
For a small living room this parameter would be set for a small Control Range:
value. Large values for a big room. Larger values produce an 1 – 49 milliseconds
echo effect.
Level Level Level
Direct sound
Early reflections
Small Large
INIT. DLY
Time INIT. DLY
Time INIT. DLY Time
58
English
● LIVENESS
How it Affects the Sound: P. LIVENESS (Presence Liveness)
This parameter changes the apparent reflectivity of the walls Adjusts the apparent reflectivity of the walls on the front presence
in the hall. sound field. The larger the value, the more reflective the front
presence sound field becomes.
The early reflections from a sound source will lose intensity
(decay) much faster in a room with acoustically absorbent
wall surfaces than in one which has mostly reflective S. LIVENESS (Surround Liveness)
surfaces. A room with highly reflective surfaces in which the
early reflections decay slowly is termed “live”, while a room Adjusts the apparent reflectivity of the walls on the rear surround
with absorbent characteristics in which the reflections decay sound field. The larger the value, the more reflective the rear
rapidly is termed “dead”. The LIVENESS parameter lets you surround sound field becomes.
adjust the early reflection decay rate, and thus the “liveness”
of the room.
What it Does:
Changes the rate at which the early reflections decay.
Control Range:
0 – 10.
Level Level Level

Direct sound
Small Large
Time Time Time

Dead Live
● REV. TIME (Reverberation Time)

How it Affects the Sound: Control Range:
The natural reverberation time of a room depends primarily 1.0 – 5.0 seconds.
on its size and the characteristics of its inner surfaces. This
parameter, therefore, changes the apparent size of the The reverb time in a small-to-medium size hall would be
acoustic environment over an extremely wide range. between 1 and 2, and in a large hall it is normally between 2
and 3.
What it Does:
Adjusts the amount of time it takes for the level of the dense,
subsequent reverberation sound to decay by 60 dB (1 kHz).
Level Level Direct sound Level

Early reflections
60 dB Small 60 dB Large 60 dB
Time Time Time

REV. TIME REV. TIME REV. TIME
Reverberations Reverberations Reverberations
59
● REV. DELAY (Reverberation Delay) ● EFCT TRIM (Effect Trim)
This parameter sets the time difference between the beginning of Performs fine adjustment of the level of all the effect sounds.
the direct sound and the beginning of the reverberation sound.
The larger the value, the later the reverberation sound will begin. Control Range:
A later reverberation sound makes you feel like the space of the
acoustic environment has become larger. –3 dB to 3 dB
Control Range:
● S. DELAY (Surround Delay)
Adjusts the delay between the direct sound and the first reflection
on the rear surround side sound field. The larger the value, the
Level
later the surround sound field is generated.
Direct sound
Control Range:
When the Dolby Pro Logic Surround is decoded:
60 dB When the Dolby Digital (AC-3) or the DTS is decoded:
Reverberations When a program without the Dolby Surround or the DTS
Time
REV.DELAY encoded is used:
REV.TIME 0 – 15 milliseconds
● REV. LEVEL (Reverberation Level)

This parameter adjusts the volume of the reverberation sound.
The larger the value, the stronger the reverberation becomes.
Control Range:
0 – 100%
Level
Direct sound
REV. LEVEL
Time
60
English
SETTING THE SLEEP TIMER
If you use the SLEEP timer of this unit, you can make this unit turn into the standby mode. When you are going to sleep while
enjoying a broadcast or other desired input source, this timer function is helpful.
Notes
● The SLEEP timer can be controlled only with the remote control transmitter.
● The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear
panel of this unit.
To set the SLEEP time To cancel the selected SLEEP time
1 A
A
C
SLEEP
B
C
SLEEP
REMOTE CONTROL
TRANSMITTER
REMOTE CONTROL
TRANSMITTER
Press once or more so that “SLEEP OFF” appears on the

Press once or more to select the desired
display. (It will soon disappear and the “SLEEP” indicator will
SLEEP time.
go off from the display.)
Note
The SLEEP timer setting can also be canceled by turning this
unit into the standby mode with the STANDBY/ON switch on
Indicates the SLEEP time. the front panel (or the STANDBY key on the remote control
transmitter) or disconnecting the power plug of this unit from
the AC outlet.
TV/DBS LD
VCR 1 MD/TAPE 1
VCR 2 TUNER
DVD/VCR 3 CD
V-AUX PHONO
SLEEP
Flashes.
Whenever the SLEEP key is pressed, the SLEEP time will

change as follows.
(Minutes)
120 90 60 30
The SLEEP timer is off (OFF).

(The state before the SLEEP key
is pressed.)
After a while, the display returns to the indication before

the SLEEP timer is set.
2 The unit will be turned into the standby mode

automatically at the selected SLEEP time.
61
REMOTE CONTROL TRANSMITTER
BASIC OPERATIONS (When the lid is open)
The remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If the
CD player, tape deck, tuner, LD player, etc. connected to this unit are YAMAHA components designed for remote control
compatibility, then this remote control transmitter will also control various functions of each component.
* For basic operations, use the remote control transmitter with the lid open.
NAMES OF KEYS AND THEIR FUNCTIONS
CLEAR LEARN MACRO

TRANSMIT
/LEARN I
REC/PAUSE A/B
MD/TAPE 1
H
A
CD
1 TUNER
A DIR B VCR 1
B
STOP DISC
LD G
TV/DBS
2 VCR 2
C
DVD/VCR 3
F
3 PRESET A/B/C/D/E
V-AUX

1 2 3 TAPE 2 MON
JAZZ ROCK ENTER-
4 4
CONCERT CONCERT
5
TV
6 PHONO
7
MOVIE
8
MOVIE
9
/ DTS
EFFECT
ON/OFF
E
5 10 11 12
J
LIGHT
LEVEL
PARAMETER
6 TEST D
7 SET MENU
MACRO
SLEEP ON SCREEN
8
OFF
MASTER VOLUME
QUICK
SYSTEM
9 TV
POWER ON
SLOW
MUTE
C
VCR
STANDBY
B
0
A
REMOTE CONTROL
TRANSMITTER
Lid is opened. Side panel
62
English
1 Tape deck keys A RESET button
Control tape deck. This button is inside the battery compartment.
(The A/B/C switch (G) should be set to the “A” position.) Press this button to “reset” the internal microcomputer which
* DIR A, B and A/B are applicable only to double controls remote control operations. Microcomputer “reset” is
cassette tape deck. necessary when the remote control freezes.
* Pressing the RESET button will not erase learned
* For a single cassette deck with automatic reverse
functions.
function, pressing DIR A will reverse the direction of RESET button
tape running.
2 CD/LD player keys

Control compact disc player or LD player.
(To control compact disc player, set the A/B/C switch (G) to
the “A” position. To control LD player, set the A/B/C switch
(G) to the “B” position.)
* DISC is applicable only to compact disc changer.
* STOP is applicable only to LD player.
B MASTER VOLUME (up) and (down) keys
Turn the volume level up and down.
3 Tuner keys C MUTE key
Control tuner. When pressed, this key mutes the volume level. To resume the
(The A/B/C switch (G) should be set to the “A” position.) original volume level, press this key again.
+: Selects higher preset station number. While muting, the indicator on the VOLUME control flashes
–: Selects lower preset station number. continuously.
A/B/C/D/E: Selects the group (A – E) of preset station
numbers. D / and –/+ keys
(up) and (down) keys change parameters (or functions)
in the mode selected by the PARAMETER/SET MENU switch.
4 DSP program selector keys – and + keys make an adjustment or setting change on the
Select a DSP program when the built-in digital sound field parameter (or function) selected by the or key.
processor (including the Dolby Pro Logic Surround decoder,
the Dolby Digital (AC-3) decoder and the DTS decoder) is on. E EFFECT ON/OFF key
Switches on/off the digital sound field processor (including the
5 LEVEL key Dolby Pro Logic Surround decoder, the Dolby Digital (AC-3)
When you will adjust output level of the center speaker(s), rear decoder and the DTS decoder).
speakers, front effect speakers or subwoofer, first press this
key once or more so that the name of speaker(s) whose level F A/B/C indicators
you want to adjust appears on the display. While the name is The position (A, B or C) selected by the A/B/C switch is shown
in red.
illuminated on the display, you can change the level by
pressing the + or – keys (D) G A/B/C switch
This switch must be used only when the lid of the remote
6 PARAMETER/SET MENU switch control transmitter is open. (This switch will not function when
Set to the PARAMETER position when you edit a parameter of the lid is closed.)
a DSP program. Set to the SET MENU position when you will Normally, set this switch to the “A” position. When controlling a
make an adjustment or setting change on a function in the SET Yamaha LD player by using the CD/LD player keys (2), set
MENU mode. this switch to the “B” position.
7 TEST key H Input selector keys

Select input source. The TAPE 2 MON key differs from other
Used for speaker balance adjustment. (For details, refer to
input selector keys in function. It is identical with the TAPE 2
pages 29 to 31.) MON/EXT. DECODER button on the front panel. Refer to page
23 for details.
8 SLEEP timer key
This key is used to turn the built-in SLEEP timer on and off, I TRANSMIT/LEARN indicator
and to set the SLEEP time. (For details, refer to page 61.) Lights up when the remote control transmitter is transmitting
infrared signals (when a command key is pressed).
9 ON SCREEN display key
Changes the type of display showing the program name and J LIGHT key
parameters, or information for various setting changes and If this key is pressed, some of the keys on the remote control
unit light up for about 5 seconds. If this key is pressed while
adjustments on the connected monitor’s screen.
those keys are lighting up, they stop lighting.
Whenever pressed, the screen changes to a full display, a
simple display and no display in turn.
Note
0 SYSTEM POWER ON and STANDBY keys When using the keys to control Yamaha components,
Pressing the SYSTEM POWER ON key turns the power to this identify them with your component’s keys. If these keys
unit on and pressing the STANDBY key turns this unit into the are identical, their functions will be the same. For each key
standby mode. function, refer to the corresponding instruction in your
component’s manual.
63
LEARNING NEW CONTROL FUNCTIONS (When the lid is open)
This is a learning remote control transmitter. The shaded keys in the illustration shown below can be programmed to “learn”
control functions from other remote control transmitters. By learning key-functions from other remote control transmitter, this unit can
then be used in place of one or more other remote control transmitters, thus making operation of your various audio and video
components more convenient.
Some of the “learning-capable” keys are originally empty and others have already been preset with functions to control this unit and
other Yamaha components. You can store new functions to them (in place of preset functions) as desired.
* See page 70 for the learning method.
* See page 72 for clearing a learned function (or all learned functions).
Note
If the memory capacity of the remote control transmitter becomes full, no further learning is possible even if some learning-capable
keys are not occupied with new functions. If, for example, you store Yamaha codes only into this remote control transmitter, up to
about 50 functions can be stored. Store new functions to the learnable-capable keys which are useful for you.
Keys which can have three functions (1, 2, 3, 4)
1 In the “Learning-capable” keys, the keys numbered 1–4 in the
* illustration at left can have three functions. This is because they

have three memory areas (A, B and C). (One function per area.)
TRANSMIT You can store new functions into the area B and C, and use three
/LEARN
CLEAR LEARN MACRO
functions on a key by switching the memory areas with the A/B/C
REC/PAUSE A/B
switch. (Area A cannot learn a new function.)
MD/TAPE 1
A To use these keys:

CD
1. Before using a key, select the area A, B or C of the key on which
1 TUNER the function you want to use is stored by using the A/B/C switch.
A/B/C switch
2. Press the key.

A DIR B VCR 1
STOP DISC B
LD
The original factory settings of these keys are as follows.
TV/DBS
2 The position of A/B/C switch

VCR 2
A B C
C
DVD/VCR 3 Preset with Empty Empty
PRESET A/B/C/D/E
1 functions for
3 V-AUX controlling a
HALL 1 HALL 2 CHURCH /EXT. DECODER Yamaha tape deck.
1 2 3 TAPE 2 MON
JAZZ
CLUB
ROCK ENTER-
CONCERT TAINMENT
Preset with Preset with functions Empty
functions for for controlling a
4
4 5 6 PHONO
CONCERT CONCERT TV
2 controlling a Yamaha LD player.
7
MOVIE
8
MOVIE
9
/ DTS
EFFECT
ON/OFF
Yamaha CD player. (DISC is empty.)
SURROUND
THEATER 1 THEATER 2
10 11 12
(STOP is empty.)
LEVEL
PARAMETER Preset with Empty Empty
functions for
TEST 3 controlling
SET MENU
SLEEP ON SCREEN a Yamaha tuner.
Preset as the DSP Preset as the DSP Preset as the DSP
MASTER VOLUME
TV
SYSTEM
POWER ON 4 program selector program selector program selector
keys keys keys
1 MUTE
Note
VCR
STANDBY
The area A of all keys cannot learn new functions. To store new
functions to these keys, store them onto the area B or C.
REMOTE CONTROL
TRANSMITTER
Empty keys (1)
Lid is open. These are empty keys. Each key can learn a function from another
remote control transmitter.
For example, the TV key is useful for storing the function of your
1 TV’s power switch, and the VCR key can be used for your VCR’s
: These buttons are used for learning a new function
* or clearing a learned function (or all learned
functions). For details, refer to pages 70 to 72 .
power switch.
64
English
Note About the lighting of keys
If a key which has a preset function learns a new function, the
preset function will not be deleted, but disabled. When the When you press an input selector key, it lights up for about 3
learned function is cleared, the preset function is restored. (For seconds.
information on clearing a learned function, refer to page 72.)
When an input selector key in the group of selected memory
area (A, B or C) is pressed, the mark of key group (1–3)
About the marks shown on the remote control which is the same as the mark of the selected input selector
transmitter key lights up for about 3 seconds.
The marks on the remote control transmitter signify functions of Example)

keys, input sources, etc.
Examples)
(tape): Tape deck, VCR, etc.
(disc): CD player, LD player, etc.
(radio wave): Tuner, TV/BS tuner, etc. Lights up.
These marks are helpful for storing new functions. TRANSMIT

/LEARN
CLEAR LEARN MACRO
Examples)
• The area B of keys 1 is suitable for storing functions to REC/PAUSE A/B
control your VCR. MD/TAPE 1
• The area B of keys 3 is suitable for storing functions to CD

A
control your TV/BS tuner. Red (This shows that

TUNER
the memory area A is
A DIR B VCR 1
selected.)
STOP DISC B
Conversely, when a key of group 1–3 is pressed, its mark

and the input selector key with the same mark in the group of
the selected memory area light up for about 3 seconds.
This feature may be helpful for you if you store functions for
controlling an input source to a group of keys whose mark
lights up when the corresponding input selector key is pressed.
65
USING OPERATION CONTROL KEYS (When the lid is closed)
When the lid of the remote control transmitter is closed, you can easily operate Yamaha components including learned functions by
using the OPERATION CONTROL keys.
TRANSMIT
TRANSMIT /LEARN
CLEAR LEARN MACRO
REMOTE CONTROL
TRANSMITTER REC/PAUSE A/B
MD/TAPE 1 MD/TAPE 1
Input selector keys

CD CD
1
TUNER TUNER
VCR 1 A DIR B VCR 1
STOP DISC B
LD LD
TV/DBS TV/DBS
2
VCR 2 VCR 2
C
DVD/VCR 3 DVD/VCR 3
V-AUX 3 PRESET A/B/C/D/E

V-AUX

TAPE 2 MON 1 2 3 TAPE 2 MON
JAZZ ROCK ENTER-
OPERATION CONTROL keys

PHONO 4 5 6 PHONO
CONCERT CONCERT TV
EFFECT 7 8 9 EFFECT
OPERATION THEATER 1 THEATER 2 SURROUND
CONTROL
10 11 12
LEVEL
PARAMETER
TEST
SET MENU
SLEEP ON SCREEN
MASTER
VOLUME MASTER VOLUME
SYSTEM SYSTEM
POWER ON POWER ON
TV TV
MUTE MUTE
VCR VCR
STANDBY STANDBY
REMOTE CONTROL
TRANSMITTER
Lid is closed.
When the lid is closed, the OPERATION CONTROL keys Note

substitute for the keys numbered 1, 2 and 3 on the above When the lid is closed, the EFFECT, MASTER VOLUME,
illustration. To use these keys, you do not have to switch the MUTE, TV and VCR keys will function in the same way as
A/B/C switch. The functions which the OPERATION when the lid is open.
CONTROL keys carry out are determined by which input * If the MACRO switch on the side of the remote control
selector key was pressed before using the OPERATION transmitter is set to “OFF”, when the lid is closed, the
CONTROL keys. SYSTEM POWER ON and STANDBY keys also will
function in the same way as when the lid is open.
66
English
Examples of operations controlled by using the To operate your VCR
OPERATION CONTROL keys 1. Press the “VCR” input selector key.
2. Use the OPERATION CONTROL keys. (They carry out the
To operate a Yamaha CD player functions in area B of keys 1. This area is originally preset
1. Press the “CD” input selector key. with no function. You must store the functions related to
2. Use the OPERATION CONTROL keys. (They carry out the controlling the VCR in area B of keys 1 beforehand.)
functions in area A of keys 2.)
OPERATION
CONTROL
Play OPERATION
CONTROL
Play
Skip to Skip to next Rewind Fast forward

previous track track
Pause or Stop Pause or Stop
See the table below for a combination of an input selector key and key functions which the OPERATION CONTROL keys carry out.
(Also, refer to the table on page 64.)
Selected input selector Key functions which the OPERATION CONTROL keys carry out
MD/TAPE 1 Functions in area A of keys 1 (except REC/PAUSE, A/B, DIR A and B)
CD Functions in area A of keys 2 (except STOP, DISC, and )

TUNER Functions in area A of keys 3
VCR 1 Functions in area B of keys 1 (except REC/PAUSE, A/B, DIR A and B)
LD Functions in area B of keys 2 (except STOP, DISC, and )
TV/DBS Functions in area B of keys 3
VCR 2 Functions in area C of keys 1 (except REC/PAUSE, A/B, DIR A and B)
DVD/VCR 3 Functions in area C of keys 2 (except STOP, DISC, and )
V-AUX Functions in area C of keys 3
Pressing the “TAPE 2 MON” or “PHONO” input selector key has no effect on the OPERATION CONTROL keys.
Notes About the lighting of keys

• If the OPERATION CONTROL keys substitute for keys
which have no function (empty), no command is carried out. When an input selector key is pressed, the pressed key and
According to your plan, store functions from other remote only the available OPERATION CONTROL keys (which
control transmitters into an empty area of those keys. (Refer substitute for the keys stored with the preset functions or
to page 70 for the learning method.) learned functions) light up for about 3 seconds. So you will
• While playing an audio/video unit, if you want to operate know what keys are available at a glance.
another unit by using the remote control transmitter (for
example, if you want to rewind a tape on your VCR while OPERATION
CONTROL
listening to a CD), you should open the lid of the remote
control transmitter and use the A/B/C switch and the TUNER
corresponding keys.
(If you press an input selector key with the lid closed to
change the functions of the OPERATION CONTROL keys to
the functions for controlling a VCR, the input of currently
playing CD source is canceled.) Conversely, when an OPERATION CONTROL key is pressed,
all of the available OPERATION CONTROL keys and the
currently selected input selector key light up.
67
MACRO OPERATIONS (When the lid is closed)
“Macro” is a command which defines a sequence of several Preset macro keys are originally preset with macros. If you
operations. prefer, however, you can change the contents of a macro key
by storing a desired series of functions on it. You can store up
The keys shown in the illustrations below (as preset macro to seven functions onto a macro key. (Refer to page 71 for the
keys) are also preset with macros, in addition to individual learning method.)
functions.
Each macro key is preset so that simply pressing it alone will
carry out several functions of other keys on this remote control Setting the MACRO switch
transmitter sequentially. (To know what key functions are OFF: In this position, no macro will function even if the lid of
sequentially carried out by pressing each preset macro key, remote control transmitter is closed.
see the next page.) QUICK: In this position, when a macro key is pressed, each
Macros can be used only when the lid is closed and the command is transmitted at 0.5 second intervals.
MACRO switch is set to “SLOW” or “QUICK”. (If “OFF” is SLOW: In this position, when a macro key is pressed, each
selected, no macro will function even if the lid is closed.) command is transmitted at 3 second intervals.
Preset macro keys
TRANSMIT
TRANSMIT /LEARN
CLEAR LEARN MACRO
REMOTE CONTROL
TRANSMITTER
REC/PAUSE A/B
MD/TAPE 1 MD/TAPE 1
A
CD CD
1
TUNER TUNER
VCR 1 A DIR B VCR 1
STOP DISC B
LD LD
TV/DBS TV/DBS
2
VCR 2 VCR 2
C
DVD/VCR 3 DVD/VCR 3
PRESET A/B/C/D/E
V-AUX V-AUX

TAPE 2 MON 1 2 3 TAPE 2 MON
JAZZ ROCK ENTER-
PHONO 4 5 6 PHONO
CONCERT CONCERT TV
EFFECT 7 8 9 EFFECT
OPERATION THEATER 1 THEATER 2 SURROUND
CONTROL
10 11 12
LEVEL
PARAMETER
TEST
MACRO switch
SET MENU
MACRO
SLEEP ON SCREEN
MASTER
OFF
VOLUME MASTER VOLUME

SYSTEM
QUICK
SYSTEM
POWER ON POWER ON
TV TV
SLOW
MUTE MUTE
VCR VCR
STANDBY STANDBY
REMOTE CONTROL
TRANSMITTER
Lid is closed.
(Set the MACRO switch to
“QUICK” or “SLOW”.)
68
English
Preset macro keys and the key functions which they carry out sequentially are as follows. (Also, refer to the table on page 64.)
Function of the key (and area) which operates when a macro key is pressed
Macro key
1st 2nd 3rd
(Turning the power of this unit on) (Selecting an input source) (Playing a source)
MD/TAPE 1 MD/TAPE 1 “ ” on area A of keys 1
CD CD “ ” on area A of keys 2
TUNER TUNER –
VCR 1 VCR 1 “ ” on area B of keys 1
LD SYSTEM LD “ ” on area B of keys 2

POWER ON
TV/DBS TV/DBS –
VCR 2 VCR 2 “ ” on area C of keys 1
DVD/VCR 3 DVD/VCR 3 “ ” on area C of keys 2
V-AUX V-AUX –
TAPE 2 MON TAPE 2 MON –
PHONO PHONO –
Function of the key which operates when a macro key is pressed

Macro key
1st 2nd 3rd
SYSTEM SYSTEM
POWER ON POWER ON TV
VCR
– –
STANDBY
STANDBY
Notes
• A key in which no function is stored will carry out no • Once you press a macro key, this unit will not receive the
command. command of another key (even if it is pressed) until this unit
• If it occurs that this unit will not receive the second command finishes carrying out all commands of the macro key. Take
because the internal operation of the first command takes a notice of this especially when the MACRO switch is in the
long time, set the MACRO switch to the “SLOW” position, or “SLOW” position.
add no function or repeat the same command between the • Once you press a macro key, you must keep the remote
first command and the next command. control transmitter directed at the main unit’s remote control
• If you program the power on/off switching function of TV, sensor until the remote control transmitter finishes
VCR, etc. as part of a macro sequence, note that it switches transmitting all command signals of the macro key.
the current mode to the other (“on” to “off”, or “off” to “on”). • You can also use the OPERATION CONTROL keys while
For example, when you press the macro key, if the power of using the macro functions.
TV, VCR, etc. is already on, the power will be turned off
even though you may not want it to do so.
69
LEARNING A NEW FUNCTION
1 Place this remote control transmitter and the other

remote control transmitter so that they face each other.
5 Press and hold the key (on the other remote control
transmitter) which has the function you want to store.
This remote control

transmitter
Other remote
1
control transmitter
TV RTS
O
2
ST
AD
1
SP
IU
5
TV RTS
M
O
Z
4
CL
3
U
OC
D
B
IS
2
K
ST
CO
CH 9
AD
U
IU
JA 8
5
RC
M
ZZ
H
CL
V
ES
3
-A
UB
D
1
T
IS
P
0
X
CO
H
6
CH 9
O
U
N
EF /OF
RC
O
FE F
ON
H
TE
V
C
-A
T
ST
U
P
X
H
O
N
EF /OF
O
FE F
ON
C
T
About 5–10 cm
(2–4 in.)
When learning is finished, the TRANSMIT/LEARN indicator
stops lighting. You can release the key. Then the indicator
2 begins flashing slowly.
TRANSMIT * If a signal is not successfully received, the
/LEARN
CLEAR LEARN MACRO TRANSMIT/LEARN indicator flashes rapidly and the mode
prior to step 4 is restored. If this occurs, restart from step 4.
* If memory capacity is full, the TRANSMIT/LEARN indicator
(Press by using the point of Flashes slowly. flashes rapidly to show you that learning is impossible, and
a mechanical pencil, etc.)
then the mode before you began learning operations is
* If there is no operation for about 30 seconds after the restored.
LEARN button is pressed, the TRANSMIT/LEARN indicator
flashes rapidly and the current mode is canceled. If this
occurs, repeat this step. 6 Repeat step 3–5 to store more functions.
3 If necessary, select the memory area by using the A/B/C 7 When you finish the learning operation, press the
switch on the side panel of the remote control LEARN button.
transmitter.
CLEAR LEARN MACRO
4 Press the key on this remote control transmitter in which

you will store a new function. Notes
● Newly learned functions will replace previously learned
functions.
● If there is no more room in the memory area for a function to
Lights up.
be learned, the TRANSMIT/LEARN indicator will flash
rapidly. In this case, even if some keys are not occupied
with functions from other remote control transmitters, no
further learning is possible.
1
SP
TV RTS
O
4
● If you close the lid while learning, and then about 5 seconds
RO
CK
7
2
ST
AD
IU
JA 8
5
L
M
ZZ
CL
3
+1
UB
D
IS
0
CO
6
CH 9
pass, the TRANSMIT/LEARN indicator flashes rapidly and

U
RC
H
TE
V
-A
L
ST
U
P
X
H
O
N
EF /OF
O
FE F
ON
C
T
the mode before beginning learning operations is restored. If

this occurs, restart from step 2. However, if you open the lid
E
* If a key which cannot learn another function is pressed, the within 5 seconds, the mode before closing the lid is
TRANSMIT/LEARN indicator flashes rapidly and the current restored.
mode is canceled. If this occurs, repeat this step. ● There may occasionally be instances in which, due to the
* If there is no operation for about 30 seconds after a key is signal-coding and modulation employed by the other remote
pressed, the TRANSMIT/LEARN indicator flashes rapidly control transmitter, this remote control transmitter will not be
and the mode before you began learning operations is able to “learn” its signals.
restored. If this occurs, restart from step 2. ● When you press the LEARN, MACRO or CLEAR button, or
the RESET button inside of the battery compartment by

using a sharp-pointed thing, be careful not to damage the
button. If you will use a mechanical pencil, make sure that
the lead is not coming out.
70
English
MAKING A NEW MACRO
A new macro can be programmed onto any preset macro key in place of preset functions. (See page 68 to know what keys are
preset macro keys.) You can make as many as 13 new macro keys. A macro key can learn as many as seven functions of other
keys.
Note
If you store a continuous command such as lowering of volume level, it will become a short command when it is carried out as a part
of macro.
1 4 Repeat step 3 to store the second, the third and more

functions. You can store up to seven key functions in
TRANSMIT series as a macro.
/LEARN
CLEAR LEARN MACRO
* If the seventh key function has been learned, the

TRANSMIT/LEARN indicator flashes rapidly and the mode
Flashes slowly. before you began learning operations is restored. (This
shows that the key has completed learning a series of
* If there is no operation for about 30 seconds after the functions as a macro.) If this occurs, you do not have to
MACRO button is pressed, the TRANSMIT/LEARN follow the next step.
indicator flashes rapidly and the mode before you pressed
the MACRO button is restored. If this occurs, press the
MACRO button again. 5 When you finish learning, press the MACRO button.
2 Press a preset macro key on which you want to make a CLEAR LEARN MACRO
new macro.
CD TRANSMIT
/LEARN
It is recommended to write down new key functions you

stored on the provided user function stickers and paste
Lights up. them on the reverse side of the remote control transmitter
or the reverse side of the remote control transmitter’s lid.
* If a key other than a preset macro key is pressed, the
TRANSMIT/LEARN indicator flashes rapidly and the
current mode is canceled. If this occurs, repeat this step.
3 Press a key whose function you want to store as the first

function of the new macro.
A
SYSTEM
POWER ON TRANSMIT
/LEARN C
Goes off.
(When learning is finished,
this indicator lights up again.)
REMOTE CONTROL
TRANSMITTER
* If a key whose function cannot be stored as a command of

macro is pressed, the TRANSMIT/LEARN indicator flashes
rapidly and the current mode is canceled. If this occurs,
repeat this step. Memory back-up
* If about 30 seconds pass before a key is pressed, the All of the learned functions will be retained while you
TRANSMIT/LEARN indicator flashes rapidly and the mode replace the batteries. However, if no batteries are
before you began learning operations is restored. If this installed for a few hours, the learned functions will be
occurs, restart from step 1. erased and will have to be learned again.
71
CLEARING LEARNED FUNCTIONS
To Clear a Learned Function To Clear All Learned Functions
1 To clear a learned key function, press the LEARN button 1 Select the kind of key functions all of which you want to
using the point of a mechanical pencil, etc. clear by using the MACRO switch on the side panel of
To clear a macro you made, press the MACRO button. the remote control transmitter.
or SLOW
QUICK
OFF
MACRO
TRANSMIT
/LEARN
CLEAR LEARN MACRO
OFF: Select this position if you want to clear all of the

learned functions except macros.
Flashes slowly. QUICK: Select this position if you want to clear all of the
macros you made.
SLOW: Select this position if you want to clear all of the
2 Press and hold the CLEAR button using the point of a learned functions including macros.
mechanical pencil, etc.
2 Press the CLEAR button using the point of a

CLEAR LEARN MACRO mechanical pencil, etc.
TRANSMIT
/LEARN
3 Holding the CLEAR button pressed, press and hold the

CLEAR LEARN MACRO
key whose function you want to clear until the indicator

Flashes slowly.
flashes 3 times.
* If one of the following operation is made after you press
CD TRANSMIT
/LEARN the CLEAR button, the TRANSMIT/LEARN indicator
flashes rapidly and the current mode is canceled. If this
occurs, press the CLEAR button again.
Flashes. • MACRO switch is switched to another position.
• Another key is pressed.
To clear two or more functions sequentially, do not • There is no operation for about 30 seconds.
release the CLEAR button pressed, and repeat this step.
3 Press and hold the CLEAR button again. While holding

Note the CLEAR button pressed, press and hold the
If you clear a learned function of a key, the originally preset MASTER VOLUME and keys simultaneously
function of the key is restored (except the keys which are until the indicator flashes 7 times.
originally preset with no function.)
TRANSMIT
/LEARN
MUTE
Flashes.
72
English
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and
contact your authorized YAMAHA dealer or service center for help.
General
SYMPTOM CAUSE REMEDY
The unit fails to turn on when the Power cord is not plugged in or is not Firmly plug in the power cord.
STANDBY/ON switch is pressed, or turns completely inserted.
into the standby mode suddenly soon after The IMPEDANCE SELECTOR switch on the Set the switch to either end closely.
the power is turned on. rear panel is not set to either end closely.
It happens that this unit does not work There is an influence of strong external Turn this unit into the standby mode and
normally. noise (lightning, excessive static electricity, disconnect the AC power cord from the AC
etc.) or a misoperation on this unit while outlet. After about 30 seconds have passed,
using this unit. connect the power and operate this unit
again.
No sound or no picture. Incorrect output cord connections. Connect the cords properly. If the problem
persists, the cords may be defective.
Appropriate input source is not selected. Select the appropriate input source with the
INPUT SELECTOR or the TAPE 2
MON/EXT. DECODER button.
Speaker connections are not secure. Secure the connections.
Digital signals other than PCM audio and the Play a source whose signals this unit can
Dolby Digital (AC-3) (or the DTS) encoded reproduce.
signals which this unit cannot reproduce are
input to this unit by playing a CD-ROM etc.
No picture There is no S video terminal connection Connect this unit’s S VIDEO MONITOR OUT
between this unit and the TV, though S terminal to the TV’s S video input terminal.
video signals are input to this unit.
The sound suddenly goes off. The protection circuit has been activated Turn this unit into the standby mode, and
because of short circuit etc. then turn on to reset the protection circuit.
The SLEEP timer has functioned. Cancel the SLEEP timer function.
Only one side speaker outputs the sound. Incorrect setting of the BALANCE control. Adjust it to the appropriate position.
Incorrect cord connections. Connect the cords properly. If the problem
persists, the cords may be defective.
No sound from the effect speakers. The EFFECT button is set off. Press the EFFECT button to turn it on.
A Dolby Surround (or DTS) decoding Use a different sound field program.
program is being used with material not
encoded with Dolby Surround (or DTS).
No sound from the front effect speakers. The function “1E. FRONT MIX” in the SET Set to the “OFF-7ch” position.
MENU mode is set to the “ON-5ch” position.
PRO LOGIC/Normal, DOLBY DIGITAL/ Select another program (or subprogram).
Normal or DTS DIGITAL SUR./Normal of
the DSP program No. 12 is selected.
No sound from the center speaker. The function “1A. CENTER SP” in the SET Select the appropriate position.
MENU mode is set to the “NONE” position.
One of the DSP programs No. 1 to No. 6 is Select another program.
selected when the input signal of source is
2-channel stereo (analog/PCM).
The input signals of source encoded with Refer to the instructions for the source
the Dolby Digital (AC-3) or the DTS do not currently played.
have center channel signals.
Poor bass reproduction. The function “1D. LFE/BASS OUT” in the Select the MAIN position.
SET MENU mode is set in the SWFR or
BOTH position, though your system does
not include a subwoofer.
Output mode selection for each channel Make output mode selections suitable for
(MAIN, CENTER or REAR) is improper. your speaker system.
Sound “hums”. Incorrect cord connections. Firmly connect the audio plugs. If the
problem persists, the cords may be defective.
No connection from the turntable to the Make the GND connection between the
GND terminal. turntable and this unit.
The volume level is low while playing a The record is being played on a turntable The player should be connected to the unit
record. with an MC cartridge. through the MC head amplifier.
The volume level cannot be increased, or The component connected to the MD/TAPE Turn on the power to the component.
sound is distorted. 1 REC terminals of this unit is turned off.
73
DSP parameters and some other settings The function “9. MEMORY GUARD” in the Set to the “OFF” position.
on this unit cannot be changed. SET MENU mode is set to the “ON” position.
“INPUT DATA ERROR” appears on the A nonstandardized source is played back, or Check the source, or turn off the unit playing
display and no sound is heard. the unit playing back a source is back the source and then turn on again.
misoperating.
The sound field cannot be recorded. It is not possible to record the sound field on
a tape deck connected to this unit’s
MD/TAPE 1 REC terminals.
This unit do not operate properly. The internal microcomputer has been frozen Unplug the AC power cord from the wall AC
by an external electric shock (lightning, outlet, and then plug in again after about one
excessive static electricity, etc.) or power minute.
supply with low voltage.
A source cannot be recorded by a tape The source unit is connected to this unit Make additional connection between analog
deck or VCR connected to this unit. between digital terminals only. terminals.
Noise from nearby TV or tuner. This unit is too close to the affected Move the unit further away from the affected
equipment. equipment.
The sound is degraded when listening with This unit is in the standby mode. Turn the power to this unit on.
the headphones connected to the compact
disc player or tape deck that are connected
with this unit.
Remote control transmitter

The remote control transmitter does not The batteries of this remote control Replace the batteries with new ones and
work. transmitters are weak. press the RESET button on the remote
control transmitter.
The internal microcomputer “freezes”. Press the RESET button on the remote
The remote control transmitter does not Wrong distance or angle. The remote control transmitter will function
function properly. from a maximum range of 6 meters, no more
than 30 degrees off-axis from the front panel.
Direct sunlight or lighting (of an inverter type Change position of the main unit.
of fluorescent lamp etc.) is striking the remote
control sensor of the main unit.
Learning cannot be made successfully. The batteries of this remote control Replace the batteries (and press the RESET
(The TRANSMIT/LEARN indicator does not transmitter and/or the other remote control button for this remote control transmitter).
light up or flash.) transmitter are weak.
The distance between the two remote control Place the remote control transmitters with the
transmitters is too long or too short. proper distance.
The signal coding or modulation of the other Learning is not possible.
remote control transmitter is not compatible
with this remote control transmitter.
Memory capacity is full. Further learning is not possible without
deleting unnecessary commands.
Continuous functions such as volume are Learning process incomplete. Be sure to press and hold the function key on
learned, but operate only for a moment the other remote control transmitter until the
before stopping. TRANSMIT/LEARN indicator begins flashing
slowly.
74
English
When playing back a source encoded with the DTS:
A loud hissing noise is heard when you The player which plays back the source is The player must be connected to a digital
play back a source encoded with the DTS. not connected to a digital audio signal input audio signal input terminal of this unit besides
terminal of this unit. analog audio signal terminal connections.
The “ANALOG” input mode is selected on Select a proper input mode on this unit to turn
this unit. on the DTS decoder built into this unit.
A percussive noise is heard when you If the “AUTO” input mode is selected, Set the input mode of the currently selected
begin playing back a source encoded with depending on some sources, there may be a input source to “DTS”.
the DTS. case that a noise is heard while this unit is
identifying the format of input signal.
No sound is heard when you play back a The DTS decoder built into this unit does not Set the player’s digital volume control at the
source encoded with the DTS, even though function because the player has a digital maximum, neutral or ineffective position.
the “AUTO” or “DTS” input mode is volume control and it is set at a position
selected on this unit. other than “maximum”, “neutral” or
“ineffective”.
No sound is heard when you play back an A source encoded with the DTS cannot be
MD onto which you have recorded a recorded onto an MD.
source encoded with the DTS.
No sound is heard when you play back a Depending on a DAT deck, a source
DAT onto which you have recorded a encoded with the DTS cannot be recorded
source encoded with the DTS. onto a DAT.
No sound is heard when you play back a In the “AUTO” mode, the DTS-decoding Press the INPUT MODE button on the front
source (CD etc.) even though the currently mode cannot be changed to the normal panel or the input selector button (for the
selected input mode is “AUTO”. (PCM) digital signal input mode currently selected source) on the remote
automatically. control transmitter so that “PCM” appears on
the display.
Notes
• It is necessary to use a DTS decoder to play back a source encoded with the DTS, so the player which plays back a source must
be connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only
a D/A converter is used without using a DTS decoder, when you play back a source, only a loud hiss noise will be heard.
• If you make a search (or skip etc.) operation while playing back a source encoded with the DTS, the “PCM” indicator lights up on
the display. This is because this unit automatically changes the DTS-decoding mode to the normal (PCM) digital signal input
mode to prevent a noise from being output.
• A source encoded with the DTS cannot be recorded onto analog audio and video tapes, and also, an analog tape recorded with a
source encoded with the DTS cannot be played back.
The same result is obtained for MDs and DATs (depending on a DAT deck used for recording and/or playback).
75
SPECIFICATIONS
Minimum RMS Output Power Per Channel Headphone Jack Rated Output/Impedance
(When both channels are driven) Output Level
MAIN L/R (20 Hz to 20 kHz, 0.015% THD, 8Ω) (CD/TUNER/MDzTAPE 1/TAPE 2/LD/TVzDBS/VCR 1
....................................................................... 110W+110W /VCR 2/DVDzVCR 3/VIDEO AUX Input: 50 mV, RL=8Ω)
CENTER (20 Hz to 20 kHz, 0.015% THD, 8Ω) ........ 110W .................................................................................... 0.2V
REAR L/R (20 Hz to 20 kHz, 0.015% THD, 8Ω) Impedance .................................................................. 100Ω
........................................................................110W+110W
FRONT L/R (1 kHz, 0.05% THD, 8Ω).................35W+35W Frequency Response (20 Hz to 20 kHz)
CD/TUNER/MDzTAPE 1/TAPE 2/LD/TVzDBS/VCR 1
Maximum Power [China and General models only] /VCR 2/DVDzVCR 3/VIDEO AUX to MAIN L/R SP OUT
1 kHz, 10% THD, 6Ω (When both channels are driven) .............................................................................. 0±0.5 dB
MAIN L/R ........................................................150W+150W
CENTER ....................................................................150W RIAA Equalization Deviation (20 Hz to 20 kHz)
REAR L/R .......................................................150W+150W PHONO MM ............................................................0±0.5 dB
FRONT L/R.........................................................45W+45W
Total Harmonic Distortion (20 Hz to 20 kHz)
Dynamic Power Per Channel CD/TUNER/MDzTAPE 1/TAPE 2/LD/TVzDBS/VCR 1
(by IHF Dynamic Headroom Measuring Method) /VCR 2/DVDzVCR 3/VIDEO AUX to PRE OUT (MAIN L/R),
[U.S.A., Canada, China and General models only] 1V............................................................. Less than 0.005%
MAIN L/R (8Ω/6Ω/4Ω) PHONO MM to REC OUT, 3V ................... Less than 0.01%
(When both channels are driven) .......... 150W/180W/240W MAIN IN to SP OUT (MAIN L/R, CENTER), 40W/8Ω
................................................................. Less than 0.005%
Dynamic Headroom MAIN IN to SP OUT (MAIN L/R, CENTER), 50W/6Ω
[U.S.A., Canada, China and General models only] ................................................................. Less than 0.008%
MAIN L/R (8Ω) ............................................................. 1.3 dB
Signal-to-Noise Ratio (IHF-A Network)
DIN Standard Output Power Per Channel [Europe and U.K. CD/TUNER/MDzTAPE 1/TAPE 2/LD/TVzDBS/VCR 1
models only] /VCR 2/DVDzVCR 3/VIDEO AUX (Input Shorted 150 mV)
MAIN L/R (1 kHz, 0.7% THD, 4Ω) (EFFECT OFF) .......................................... More than 96 dB
(When both channels are driven)................................ 180W PHONO MM (Input Shorted 5 mV) (EFFECT OFF)
....................................................................More than 86 dB
IEC Power [Europe and U.K. models only]
MAIN L/R (1 kHz, 0.015% THD, 8Ω) Residual Noise (IHF-A Network)
(When both channels are driven)................................ 120W MAIN L/R SP OUT.................................... Less than 150 µV
Damping Factor Channel Separation (Vol –30 dB)

MAIN L/R, CENTER (20 Hz to 20 kHz, 8Ω) CD/TUNER/MDzTAPE 1/TAPE 2/LD/TVzDBS/VCR 1
...................................................................... More than 200 /VCR 2/DVDzVCR 3/VIDEO AUX Input 5.1 kΩ Shorted
(EFFECT OFF) 1 kHz/10 kHz ......... More than 70 dB/60 dB
Input Sensitivity/Impedance (100W/8Ω) PHONO MM Input Shorted (EFFECT OFF)
CD/TUNER/MDzTAPE 1/TAPE 2/LD/TVzDBS/VCR 1 1 kHz/10 kHz ..................................More than 70 dB/60 dB
/VCR 2/DVDzVCR 3/VIDEO AUX................... 150 mV/47 kΩ
PHONO MM.....................................................2.5 mV/47 kΩ Tone Control Characteristics
MAIN IN ..................................................................1V/47 kΩ Bass
Boost/Cut .................................................. ±10 dB (50 Hz)
Maximum Input Signal (1 kHz, 0.05% THD, EFFECT ON) Turnover frequency ................................................ 350 Hz
CD/TUNER/MDzTAPE 1/TAPE 2/LD/TVzDBS/VCR 1 Treble
/VCR 2/DVDzVCR 3/VIDEO AUX .................................. 2.3V Boost/Cut ................................................. ±10 dB (20 kHz)
PHONO MM ............................................................ 130 mV Turnover frequency ............................................... 3.5 kHz
Output Level/Impedance Center Channel Graphic Equalizer

REC OUT...................................................... 150 mV/1.5 kΩ Frequency ................... 100 Hz/300 Hz/1 kHz/3 kHz/10 kHz
PRE OUT Boost/Cut ................................................................... ±6 dB
MAIN, CENTER, REAR, FRONT ....................... 1V/1.2 kΩ Q ..................................................................................... 0.7
SUBWOOFER (SPLIT L, R) (EFFECT OFF)
........................................................................ 1.2V/1.2 kΩ Bass Extension (MAIN L/R) ............................. +6 dB (70 Hz)
SUBWOOFER (MONO) (EFFECT OFF)
........................................................................... 2V/1.2 kΩ Low Pass Filter Characteristics
SUBWOOFER (fc = 90 Hz) ................................. 24 dB/oct.
Maximum Voltage Output (20 Hz to 20 kHz, 1% THD)
PRE OUT (MAIN L/R) ..................................... More than 3V
76
English
CINEMA Equalizer AC Outlets
High-shelving filter 2 SWITCHED OUTLETS
Frequency .......................................... 1.0 kHz to 12.7 kHz [U.S.A. model] ......................................... 120W max. total
Boost/Cut ................................................... –9 dB to +6 dB [Canada, China and General models] ..... 100W max. total
Parametric equalizer 1 SWITCHED OUTLET
Frequency .......................................... 1.0 kHz to 12.7 kHz [Europe, U.K. and Australia models] ............... 100W max.
Boost/Cut ................................................... –9 dB to +6 dB 1 UNSWITCHED OUTLET
Q ................................................................................. 1.85 [U.S.A. and Canada models] ........................... 180W max.
[China and General models] ........................... 200W max.
Audio Muting ............................................................... –20 dB
Dimensions (W x H x D)
Video Section [U.S.A., Canada, Europe, U.K. and Australia models]
Video Signal Type .......................................................... 435 x 190.5 x 473 mm
[U.S.A. and Canada Models] .....................................NTSC (17-1/8” x 7-1/2” x 18-5/8”)
[Europe, U.K. and Australia models] .......................... PAL [China and General models (without side panels)]
[China and General Models] ............................ NTSC/PAL .......................................................... 435 x 190.5 x 473 mm
Video Signal Level ............................................. 1 Vp-p/75Ω (17-1/8” x 7-1/2” x 18-5/8”)
S-Video Signal Level [China and General models (with side panels)]
Y ...................................................................... 1 Vp-p/75Ω .......................................................... 473 x 190.5 x 473 mm
C .............................................................. 0.286 Vp-p/75Ω (18-5/8” x 7-1/2” x 18-5/8”)
Maximum Input Level ............................ More than 1.5 Vp-p
Signal-to-Noise Ratio ................................ More than 50 dB Weight
Monitor Out Frequency Response [U.S.A., Canada, Europe, U.K. and Australia models]
.......................................................... 5 Hz to 10 MHz, –3 dB ................................................................. 23.0 kg (50.6 lbs.)
[China and General models (without side panels)]
Power Supply ................................................................. 23.0 kg (50.6 lbs.)
[U.S.A. and Canada models] ...................... AC 120V/60 Hz [China and General models (with side panels)]
[Europe and U.K. models] ........................... AC 230V/50 Hz .................................................................... 25.0 kg (55 lbs.)
[Australia model] ......................................... AC 240V/50 Hz
[China and General models] Accessories....................................Remote control transmitter
........................................... AC 110/120/220/240V 60/50 Hz Batteries
User function stickers
Power Consumption
[U.S.A., Europe, U.K., Australia, China and General models]
.................................................................................... 500W
* Specifications are subject to change without notice.
[Canada model] ...............................................500W/650 VA
77
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
VV58000

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Owner'S Manual Mode D'Emploi

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UCA

NATURAL SOUND AV AMPLIFIER DSP A1 CINEMA DSP 7ch

SET MENU NEXT PROGRAM EFFECT INPUT MODE

PHONES BASS BASS TREBLE BALANCE REC OUT VIDEO AUX

4 Follow Instructions – All operating and other instructions

5 Water and Moisture – The unit should not be used near

6A A unit and cart combination should be

FCC INFORMATION (for US customers only)

We Want You Listening For A Lifetime (for US customers only)

Remote Control Transmitter Batteries (size AA, R6, UM-3)

User function stickers

PLAYING A SOURCE WITH AN EFFECT OF THE

PROFILE OF THIS UNIT ..................................................... 5

SPEAKER SETUP ............................................................... 8 SELECTING AND EDITING PROGRAM PARAMETERS

BASIC OPERATIONS (When the lid is open) ................. 62

CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.

Because the interstation frequency spacing differs in MAIN

different areas, set the FREQUENCY STEP switch (located REAR

at the rear) according to the frequency spacing in your area.

FOR CANADIAN CUSTOMERS

TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE

THIS CLASS B DIGITAL APPARATUS MEETS ALL (General model)

NOTES ABOUT THE REMOTE CONTROL TRANSMITTER

● Be sure the polarities are correct. (See the illustration inside

button inside the battery compartment.

Digital Sound Field Processing

Dolby Pro Logic Surround

Dolby Digital (AC-3)

DTS Digital Surround

Speakers and Speaker Placement

The MAIN SPEAKERS should be high performance models

Place the MAIN SPEAKERS in the normal position.

4 Speaker System 5 Speaker System

Simplest system. Good for Audio/Video sources.

6 Speaker System 7 Speaker System

CONNECTING AUDIO/VIDEO SOURCE EQUIPMENT TO THIS UNIT

BASIC CONNECTIONS (for Audio Units)

DIGITAL SIGNAL EXTERNAL DECODER INPUT

(General model) TV/Satellite tuner

MD/TAPE 1 TAPE 2 AUDIO IN

* PAL/NTSC switch (China and General models

TV/DBS SUB MONITOR

DIGITAL SIGNAL EXTERNAL DECODER INPUT

For connecting with a monitor TV that uses a 21 pin

Make a connection as figured below with a commercially

TV/DBS SUB MONITOR

DIGITAL SIGNAL EXTERNAL DECODER INPUT

Scart-plug connector cable

VIDEO OUT VIDEO

S VIDEO OUT Camcorder

are not being used, in order to protect the terminals from

function correctly. decoding, the DTS bitstream must not be altered,

TV/Satellite tuner LD player

COAXIAL OPTICAL OPTICAL

DIGITAL AUDIO SIGNAL AUDIO SIGNAL VIDEO SIGNAL

DIGITAL DIGITAL LD PHONO LD

DVD player, etc. COAXIAL SUB MONITOR

It is also necessary to connect the LD player to this unit’s

DIGITAL AUDIO SIGNAL AUDIO SIGNAL VIDEO SIGNAL