EAPP WWWW
EAPP WWWW
EAPP WWWW
A reaction paper, a review, and a critique are specialized forms of writing in which a reviewer or reader evaluates any of the following:
A scholarly work (e.g., academic books and articles)
A work of art (e.g., performance art, play, dance, sports, film, exhibits)
Designs (e.g., industrial designs, furniture, fashion design)
Graphic designs (e.g., posters, billboards, commercials, and digital media)
Reaction papers, reviews, critiques usually range in length from 250-750 words. They are not simply summaries but are critical assessments,
analyses, or evaluation of different works. As advanced forms of writing, they involve your skills in critical thinking and recognizing arguments.
However, you should connect the word critique to cynicism and pessimism.
There are various ways or standpoints by which you can analyze and critique a certain material. You can critique a material based on its technical
aspects, its approach to gender, your reaction as the audience, or through its portrayal of class struggle and social structure.
1. Formalism- claims that literary works contain intrinsic properties and treats each work as a distinct work of art. In short, it posits that the key
to understanding a text is through the text itself; the historical context, the author, or any other external contexts are not necessary in interpreting
the meaning.
2. Feminist Criticism-also called feminism, it focuses on how literature presents women as subjects of socio-political, psychological, and
economic oppression. It also reveals how aspects of our culture are patriarchal, i.e., how our culture views men as superior and women as inferior.
The common aspects looked into when using feminism are as follows:
How culture determines gender
How gender equality (or lack of it) is presented in the text
How gender issues are presented in literary works and other aspects of human production and daily life
How women are socially, politically, psychologically, and economically oppressed by patriarchy
How patriarchal ideology is an overpowering presence
3. Reader-Response Criticism- is concerned with the reviewer’s reaction as an audience of a work. This approach claims that the reader’s role
cannot be separated from the understanding of the work; a text does not have meaning until the reader reads it and interprets it. Readers are
therefore not passive and distant, but are active consumers of the material presented to them. The common aspects looked into when using
reader response criticism are as follows:
Interaction between the reader and the text in creating meaning
The impact of the reader’s delivery of sounds and visuals on enhancing and changing meaning
4. Marxist Criticism- is concerned with differences between economic classes and implications of a capitalist system, such as the continuing
conflicts between the working class and the elite. Hence, it attempts to reveal that the ultimate source of people’s experience is the socioeconomic
system. The common aspects looked into when using Marxist criticism are as follows:
Social class as represented in the work
Social class of the writer/creator
Social class of the characters
Conflicts and interactions between economic classes
Note that these are not the only critical approaches you can use. Other approaches in writing a critique include postmodern criticism, post-colonial
criticism, structuralism, psychological criticism, gender criticism, ecocriticism, biographical criticism, historical criticism, mythological criticism, and
deconstructionist criticism.
For other types of reviews, there is no prescribed structure, but the following sections are almost always present.
Introduction
o Basic details about the material, such as its title, director or artist, name of exhibition/event, and the like
o Main assessment of the material (for films and performances)
Plot Summary/Description
o Gist of the plot
o Simple description of the artwork
Analysis/Interpretation
Discussion and analysis of the work (you may employ the critical approach here)
It is best to ask the following questions during this part.
o What aspects of the work make you think it is a success or failure?
o Were there unanswered questions or plot lines? If yes, how did they affect the story?
o Does the work remind you of other things you have experienced through analogies, metaphors, or other figurative
devices? How does this contribute to the meaning?
o How does the work relate to other ideas or events in the world and/or in your other studies?
o What stood out while you were watching the film or the performance?
Conclusion/Evaluation
o Reinforcement of main assessment
o Comparison to a similar work
o Recommendation of the material (if you liked it)