International Journal of Engineering Research and Technology.

ISSN 0974-3154 Volume 10, Number 1 (2017)

© International Research Publication House http://www.irphouse.com

Application of Aesthetics in Architecture and Design

Ar. Gourav Nandkishor Vinchu
Asst. Professor D.Y.Patil college Of Engg. And Tech.
Dept.of Architecture, Kasaba Bawada,Kolhapur, Maharashtra. India.
gouravvinchu0709@gmail.com

Neela Jirge
Asst.Professor D.Y.Patil college Of Engg. And Tech.
Dept.of Architecture, Kasaba Bawada,Kolhapur, Maharashtra. India.
neelajirge@gmail.com

Ar. Archana Deshpande

Asst.Professor D.Y.Patil college Of Engg. And Tech.
Dept.of Architecture, Kasaba Bawada,Kolhapur, Maharashtra. India.
adeshpandekop@gmail.com

Abstract
This paper introduces the design exploration of space forms in
architecture aesthetics and gives the application of aesthetics
in architectural design, puts forward the design the spaces
belongs to the forms and function as well as culture and whole
human emotion. The concept of aesthetical design is to do the
all processing in the space design, color, proportions, and
textures. The space is through the aesthetical and emotional
qualities of architectural beauty, this is also the significance
of architectural design. “The visual spaces emotive process
depends on the aesthetical elements of architecture- Fig.1:Combination of different forms and colors which
emotions, color, light, material, texture, shape, form, size as creates emotions and aesthetical values in space.
well as their interrelationship.” Creating a space by using various forms and shapes.
Design is the creation of a plan or convention for the
construction of an creation an object, system or measurable
human interactions such as emotions, feelings according to its
form, function, activity and order. Designing process requires
the aesthetic, functional, economic and sociopolitical
dimensions of both the design objects. It may involve
considerable research through sketches, modeling, interactive
adjustments and re-design.

Keywords: Aesthetics, Art, Architecture, Emotions, Feelings,

Elements of Aesthetics, Philosophy and qualities of aesthetics.

Introduction
Aesthetics can be an important link between technology
development, design and architecture. Thus, it is a connecting Fig.2: Use of geometrical forms to creating building
as well as separating element between philosophy of structure.
technology and philosophy of architecture and design.
Aesthetics is the branch of philosophy that deals with the Exploring Architecture As An Art Form
nature and expression of beauty. Architecture is considered a visual art like painting and
Architecture is a design process which involves planning, sculpture. Architects design buildings using a creative process
designing, creating, erecting, constructing and executing by which they manipulate art elements to create a unified and
construction of various types of spaces that are functionally pleasing artistic statement. The difference between a painting
efficient, economical, and aesthetically pleasing. The two and architecture is that a building has a function and must be
most important factors in the design of building are Form and designed with safety in mind. When architects start working
function. Functionality is the most important aspect of space on a project, they prepare quick sketches that suggest areas of
design. The other aspect is form or aesthetics which related to function dictated by the client. Next, architects use a process
feelings and emotions. of design to draw, and then refine the form of the new
building. Understanding architectural design is simplified if
you think of the "façade" or face of the building as a painting.

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© International Research Publication House http://www.irphouse.com

Then, you can use design language to talk about the image
you see.In the process of design you will practice
identifying Sensory Elements that appear on a building. These
are the lines, shapes, colors and textures , emotions, feelings
that we first notice in art. Next, we go on to analyze formal
Elements that are created when architects arrange the lines
and shapes to create a composition that is balanced and
unified. We examine the skill of the architect and
craftsmanship of the builder by studying Technical Elements.
Finally, we take a good look at the overall impression of the
building to determine its Expressive Elements.

Fig.4: Use of aesthetical elements as a building forms

The philosophy of aesthetics can be mastered by any

designer if he follows these key elements listed below…

1. Mass and space: A state in which various form a

satisfying and harmonious whole and nothing is out of
proportion or unduly emphasized at the expense of the
rest.

Fig.3: Visualizing the whole.

Aesthetics is one of the major principles of Architecture that Fig.5: Visual Mass and spaces
students and professionals alike have to worship. It concerns
beauty or appreciation of beauty. In other words, it is a 2. Proportion: Proportion is the term used to describe the
philosophy behind a pleasing appearance. A set of principles relationship between two things of different size.
followed by the Architectural designers or any designers for In architecture we are looking for the proportional
that matter for the evolution of the end product that is relationship between spaces and the size of the human
aesthetically pleasing to the eye, is called aesthetics. It is body.
directly influenced by the artistic taste of an individual.

Aesthetics is concerned with bringing art into the daily lives

of the people. Like people need colorful, designer clothes to
wear and taste and presentation of food. Likewise, people like
to live and work in places that are beautifully designed and are
aesthetically pleasing to the eye.
When a building is designed, the aesthetic aspects can be
satisfied using elements such as sloped roof, decorative
columns, roofs for window elements, and semicircular and
segmental arches.

Fig.6: Le Corbusier - The Modular Man

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© International Research Publication House http://www.irphouse.com

The colors white and black provide the greatest degree of

3. Symmetry: In architecture, symmetry is the reflection contrast.Complementary colors also highly contrast with one
of shared forms, shapes, or angles across a central line another.
or point called the axis. Basically, components that An artist can employ contrast as a tool, to direct the viewer's
mirror each other across an axis are symmetrical. ... Just attention to a particular point of interest within the piece.
imagine a vertical line straight down the middle of that
central tower, from tip to base.

Fig.9: Use of contrast in architecture

6. Pattern: Pattern is an underlying structure that organizes

surfaces or structures in a consistent, regular
manner. Pattern can be described as a repeating unit of shape
or form, but it can also be thought of as the "skeleton" that
organizes the parts of a composition.

Fig.7: Defining symmetry in architecture

4. Balance: Balance is the equal distribution of visual

weight in a design. Visual balance occurs around a
vertical axis; our eyes require the visual weight to be
equal on the two sides of the axis. We are bilateral
creatures and our sense of balance is innate. When
elements are not balanced around a vertical axis, the
effect is disturbing and makes us uncomfortable.

Fig.10: Use of patterns in architecture

7. Decoration: It is the something which is added to

building or any other structure to improve its
aesthetical value and appearance. eg. Light effects,
some ornaments, colors, etc.

Fig.8: visualizing balance in architecture

5. Contrast: Contrast is a principle of art. When defining it,

art experts refer to the arrangement of opposite elements (light
vs. dark colors, rough vs. smooth textures, large vs. small
shapes, etc.) in a piece so as to create visual interest,
excitement, and drama. Fig.11: Use of aesthetics as decorative elements

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© International Research Publication House http://www.irphouse.com

8. Massing: Massing is a term which refers to the All these qualities are collectively important, and can have an
perception of the general shape and form as well as important impact on the design. Architects bend these rules all
size of an element. the time. We all know about Organic Architecture and
Deconstructivism. Beauty lies in the eyes of the beholder. It is
just a perception of the person viewing them. If your design is
functionally effient and aesthetically good, and the client likes
it, then you don’t need to worry about anything

Conclusion
According to conducting study it most important to look into
the main principle discussed here and large no of possibilities
for creating a complex form by using various aesthetical
elements. The limitations are necessary to identify for sound
architectural spaces, however, looking for more deep study
about various new techniques and elements for generating
more innovative spaces in architecture in relation with
aesthetics. For further study of design of spaces, it is
Fig.12: Massing of building forms in architecture recommended that the aesthetical elements such as light,
color, texture, harmony, rhythm, feelings, emotions, etc. as
9. Unity: Unity is the relationship among the elements interesting design elements which can lead to the creation of
of a visual that helps all the elements function dynamic, redefined spaces based on these aesthetical
together. Unity gives a sense of oneness to a visual elements.
image. In other words, the words and the images
work together to create meaning. References
1. Architecture vs. Art: The Aesthetics of art museum
design. Larry Shiner. Volume 5, 2007.
2. Architeacher TM- Architecture and Aesthetics.
3. Emotional Qualities of VR space.- Docplayer.net
4. Aesthetics and architecture, Edward winters,
continuum, 2007.
5. http:// www.emohr.com
6. http:// www.architecture.about.com

Fig.13:Showing unity in architecture design

10. Rhythm: Repeating art elements in regular or

cyclical fashion to create interest, movement, and/or
harmony and unity. Rhythms can be random, regular,
alternating, flowing, and progressive. Classes of
pattern include mosaics, lattices, spirals, meanders,
waves, symmetry and fractals, among others. When
motifs or elements are repeated, alternated, or
otherwise arranged, the intervals between them or
how they overlap can create rhythm and a sense of
movement. In visual rhythm, design motifs become
the beats. Rhythms can be broadly categorized as
random, regular, alternating, flowing, and
progressive.

Fig.14:Formation
of rhythm in
architecture design

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