Theory of Revision
Theory of Revision
Theory of Revision
John Hattie
John Hattie has been Director of the Melbourne Educational Research Institute at the
University of Melbourne, Australia, since March 2011.
Before, he was Project Director of asTTle and Professor of Education at the University of
Auckland, New Zealand.
He holds a PhD from the University of Toronto, Canada.
‘Visible Learning’ is a synthesis of more than 50.000 studies covering more than 80 million
pupils.
Effect Sizes
Hattie uses the statistical measure of effect size to compare the impact of many influences
on students’ achievement, e.g. class size, holidays, feedback, and learning strategies.
An effect size of 1.0 is analogous to a two grade leap at GCSE
An effect size of 0.5 is analogous to a one grade leap.
An effect size of d=0.2 may be judged to have a small effect, d=0.4 a medium effect and
d=0.6 a large effect on outcomes.
He defines d=0.4 to be the hinge point, an effect size at which an initiative can be said to
be having a ‘greater than average influence’ on achievement.
Ranking Effect Sizes
1. High expectations
2. Feedback
3. Teacher-student relationships
4. Attribution (teaching students to attribute the quality of work to factors over which they have control – e.g.
study time, the use of appropriate strategies and NOT to attribute it to fixed attributes over which they have no
control such as talent, IQ, prior learning etc.)
5. Teaching study skills
6. Metacognition (learning about learning)
7. Homework
8. Testing
9. Finances/money (school)
10. Class size
Most study skills teaching has a positive effect, but some works much better than others.
The mean effect size of studies was about 0.45. Study skills teaching improved attitude
more than it did the students’ study skills (0.48). Perhaps it makes students feel less stressed!
Although other strategies can work well, the best strategy is to teach study skills in context.
Only exceptionally will students ‘transfer’ strategies learned in one context, into another. So
if an economics teacher teaches essay planning, the students benefit and their essays get
at least a grade better, but they need to be taught by their history teacher to transfer these
skills to, say, history essay planning which otherwise will not improve!
It’s best to use tasks that are real, embedded, and subject specific. e.g. Teach essay
planning while they are writing a real essay for their course; or teach note taking by looking
at the notes they have made in a real lesson.
Its best to integrate study skills teaching into the scheme of work.
Students must be active while they are learning study skills. Giving notes on how best to
study doesn’t work.
Meta-cognition is a notable feature of all the successful (high effect size) studies that they
found. Meta-cognition is students thinking about their learning, and self-regulating their
own learning. For example, students reflecting about the way they work, and so setting
themselves goals for improvement, then evaluating how this went.
Students are required to self-monitor, self-assess, and self-regulate their use of these skills,
setting themselves targets for experimentation and improvement. This is called ‘meta-
cognition’ and is given a heavy emphasis in this review. The effect sizes of strategies that
require meta-cognition are nearly twice as high as those that do not.
In the very best programmes students are asked to generalise what they have learned
about study skills to other aspects of their study. For example “Its always important to keep
in mind what the key points are when studying a topic” “You forget if you don’t review
and it its best to review often for short periods than rarely for long periods” etc.
Planning
It helps you cover what you need to in the time you have
It allows you to prioritise subjects that need more revision
It motivates you to use your time effectively
But set up specific times in the day/week just to study primes you brain by setting up a
routine (and over time, studying actually becomes easier as your brain is trained to work in
those moments)
Do not work all day, every day. Work 2/3 sessions. You must build in time off
It sparks your motivation
Once your revision timetable is up on your wall, you just have to follow it. Simple!
After these, reasoning and memory may be negatively affected for up to 4 days.
Have a specific goal for each study session - set a goal and manage your time to meet these
targets
An analogy….
When you play football/hockey, there are goals on either side of the field; you are
constantly working throughout the whole game to score a goal.
You have to push through constantly
There will be/are setbacks that whole time
Lots of games are a draw or you lose but you do not give up; you carry on endeavouring to
score a goal
The most efficient study sessions
1. Small, short chunks
The brain is much better at encoding information into the synapses in short repeated
sessions as opposed to one large one
Don't do a ten hour study session, but twenty 30 – minute sessions over a few weeks.
Think tennis, piano, swimming lessons
And keep to a routine
2. Study often
Herman Ebbinghaus’ Forgetting curve
Within an hour, more than half is gone, within 24 hours; two-thirds – memory
degrades
BUT we can help keep information live longer in our brains by bringing it back to
mind – by retrieving it
After studying it a second rime, the curve flattens out at a higher level. If we repeat the
process of learning a third time, the curve shifts again and our LTM includes an even
greater percentage of the content
Each time you review (at key times), you strengthen the neural connections/the memory
until they become well established
Retrieval
Is the stage of learning when we reach into our long term memory to pull facts back into
consciousness – back into the working memory.
When we recall information, we send signals through networks of neurons we’ve formed,
through pathways that have been forged throughout the brain.
Like a desert, water runs across the sand, travelling in paths and rivulets it has previously
carved, both revisiting (remembering) them and deepening them, making them easier to
access the next time (retrieval)
3. Multi-sensory
The previous mantra has been that your revision should reflect learning style - visual should
be colourful, diagrammatic, with notes, posters and mind maps, auditory should be chants,
raps and songs etc. and that you should figure out how you lean (taking an online VARK
profile).
And although we all do have an area/areas in which we are stronger …
Examinations test meaning not sense. They test concepts not what something looks or
sounds like. Re-reading and re-writing will not help a student to understand something. In
order to retain something, we have to organize it in a way which is meaningful. We have to
make connections to it, experience it, relate it to what we already know. It is stored as
meaning (not limited to particular sensory modes).
https://www.youtube.com/watch?v=855Now8h5Rs (from 5.19)
The best way to learn something depends on content itself. If I want to teach what
songbirds look like, the best way is to show the pupils the birds themselves. But this is true for
everyone not just visual learners. If I want to teach what they sound like, I would let the
students hear, if I wanted to teach what flowers smelt like I would let students experience it
by letting them smell as this is the best way to do it, not because they are olfactory learners!
In fact the best way to teach/learn is by using MULTIPLE SENSES.
When learning how to football, the best way is to actually practice but students would also
benefit from watching others play, studying schemes of positions, watching others being
coached and listening to the coach whilst playing.
So – be careful! Learning as a certain type of ‘learner’ can be dangerous. If you only learn
in one way, it might prevent you from trying new strategies. It is all too easy to shut down
and loose interest when not doing something in your preferred style. If you shut down, you
run the risk of failure because you gave up not because you can’t learn it.
We are all capable of learning in variety of ways.
We need to use metacognition - thinking about thinking, learning about learning
4. Revise actively
Active learning strategies involve using more than one part of your brain and therefore
encourage the brain to remember information for longer
The key to effective revision is doing something with the information you are trying to
learn
Where possible, mix it up but use metacognition to work out which strategies are best
for which subject area/topic.
Ways of revising
Acronyms
Mind mapping
Pictures/big flip-chart sheets/posters with key points. Display them on walls (where you will
see them regularly)
Revision aids around the house – especially for 'rote learning' – MFL verbs, grammar,
mathematical formulae – read them when on the loo/in the shower/having breakfast
Record yourself – 10 key points about a topic – play them back in the
car/running/walking/travelling etc.
Highlight key areas in notes/books, picking out key points
Listen to tapes of books and discuss with others
Watch revision DVDs and make notes (pausing when you need to) – test yourself
afterwards – or make your own one!
Read page, shut book and then test yourself. What can you remember?
Tell someone what you have learned
Mnemonics
Get friends/family to test you
Picture Stories
Teach someone else
Create a wiki or a document where you become the expert/explaining it to people
Make podcast
5. Teach it!
You can't evaluate yourself for the first time when you do the examination.
If this is the first time you are evaluating/testing your understanding, it is too late!
At every step of the learning process, you have take quizzes, practice tests, write questions
to answers you have set yourself and write essays
Testing helps identify gaps in knowledge, increases confidence.
Ensure that you match the test to the sort of questions you will be asked in the exam
You must, must test yourself at regular intervals, otherwise you will not know for sure whether
you know it or not.
If you do not do this throughout the whole learning circle, you won't be able to get it at the
end
Reflect on your learning regularly
7. Have a designated, sacred spot for studying
Only you know what it takes to make a perfect study zone – for some a neat desk in a quiet
corner, for others a relaxed messy space
It must be;
well-equipped with everything you might need (a set of files/box files – one for each exam
you will take, all the stationary you will need – hole punch, paper, pens, calculators etc. –
keep them in one place so that you don't waste time searching for them!
comfortable
somewhere that inspires you – have a photo of your holiday destination to remind you why
you are working so hard
distraction-free
At the end of each session/day, file your notes so that the work area is clear
It is detrimental to concentration.
Students not using music focus much better
The Impact of Listening to Music on Cognitive Performance
Begin Page Content !
By Arielle S. Dolegui
2013, VOL. 5 NO. 09 | PG. 1/2 |
Many students listen to music to alleviate the emotional effects of stress and anxiety when
engaged in complex cognitive processing, such as studying for a test, completing
homework assignments, or while reading and writing.
This practice is so common that it would be beneficial for students to understand the role
that music plays on cognitive performance.
Research demonstrating the effects of music on performance is well documented, but
have shown ambiguous evidence on this matter.
In studies conducted to learn about the effects of musical distraction on cognitive task
performance, the findings have demonstrated the idea of music improving cognitive
performance (Cockerton, Moore, & Norman, 1997), but there has also been research
contradicting those results, where music was found distracting for participants performing
cognitive tasks (Furnham & Bradley, 1997).
However, with the plethora of music genres available to music listeners, it is important to
understand how different types of music impact performance.
Additionally, very few studies address the interaction between the intensity or volume of
the music played and its effect on cognitive processing.
The present study aims to understand the effect of listening to different genres of music
played at different volume levels on cognitive task performance.
Many students choose to listen to a preferred genre of music when they study or do their
homework without understanding the potential harmful effects of such practice.
A study conducted by Smith and Morris (1977) addressed this question by studying the
effects of sedative and stimulative music.
The study focused on the influence these two distinct genres of music have on
performance, anxiety, and concentration.
Participants had to indicate their preferred genre and were requested to repeat a set of
numbers backwards while listening to either the stimulative, sedative, or no music.
The results indicated that participants performed worse while listening to their preferred
type of music.
Additionally, in the no music condition, participants performed best.
These results indicate that a preferred type of music can serve as a distracting factor when
one is engaged in a cognitively demanding task perhaps due to the fact that less
cognitive resources are available when the attention is drawn to the lyrics, emotions, and
memories that such music can evoke.
Participants who listened to sedative music performed better than participants who listened
to simulative music and worse than those who listened to no music at all.
These results indicated that stimulative music is a stronger distractor and obstructs cognitive
processing more than sedative music does.
The influence of music on cognitive performance has also been linked to personality types.
A study conducted by Furnham and Bradley (1997) illustrated pop music as a distracter on
the cognitive performance of introverts and extraverts.
They predicted that extraverts would outperform introverts in the presence of music.
The participants were required to perform two cognitive tasks: a memory test with both an
immediate and a delayed recall and a reading comprehension test.
The two tasks would be completed in the pop music condition as well as in silence.
The results determined that immediate recall on the memory test was severely impaired for
both introverts and extraverts when the pop music was played.
In the delayed recall component of the memory test, introverts showed significantly poorer
recall than did extraverts in the pop music condition as well as introverts in the silent
condition.
Also the introverts’ performance on the reading comprehension task in the pop music
condition was impaired when compared to extraverts in the same condition and to
introverts who performed the task in silence.
Overall, the researchers determined that pop music served as a distractor for the cognitive
performance of both extraverts and introverts; however, introverts seemed to be most
affected.
Interestingly, this study revealed some evidence that overall background noise, such as
television, music, and chatter could improve performance in complex cognitive tasks for
extraverts, although it will significantly impair introverts’ performance (Furnham & Bradley,
1997).
Studies involving noise as a distraction have demonstrated the same ambiguous results
regarding their effect on cognitive processing as studies involving background music.
Dobbs, Furnham, and McClelland (2011) conducted a study that tested the effect of
distracters, specifically background noise and music, on cognitive tasks for introverts and
extraverts.
The researchers hypothesized that performance, for both introverts and extraverts, would
be worse in the presence of music and noise than it would be in silence; specifically, for all
the cognitive tasks, performance would diminish in the presence of background noise,
improve with only background music, and be optimal in silence.
The findings supported their predictions and showed that cognitive performance in silence
was better than performance with background music, which in turn was better than
performance with background noise.
The results also demonstrated that, overall, performance in silence was best when
compared to performance in background noise and music (Dobbs, Furnham, &
McClelland, 2011).
In contrast, a study conducted by Pool (2002), monitored the distracting effects of
background television on homework performance and did not find any significant
impairment on homework assignments when students were distracted by television while
working on those assignments.
These findings indicate that background noise, just like background music impacts
cognitive performance in ways that have not been fully understood by researchers.
Although previous research has established that music can either distract or facilitate
cognitive task performance, improved performance in the presence of music might be
directly related to the type of music listened to (Cockerton, Moore, & Norman, 1997).
A study conducted by Hallman, Price, and Katsarou, (2002) supported this argument. In
fact, they tested the effect of calming and relaxing music on arithmetic and memory
performance tests in children ranging from ages ten to twelve.
They found better performance on both tasks in the calming and relaxing music condition
when compared with a no-music condition.
They also tested these children in an arousing, aggressive, and unpleasant music condition,
and the results showed that their performance on both tasks was heavily disrupted and led
to a lower level of reported altruistic behavior by the children (Hallman, Price, & Katsarou,
2002).
Although this data did not find that calming music enhanced performance, one might
imply that this type of music can provide a soothing environment that puts students at
ease, facilitating cognitive processing.
The present study considers the effects of two different types of music at varying intensities
on cognitive task performance and compared them to tasks performed in silence.
It was predicted that tasks performed in silence would yield better results than tasks
performed both in the soft music and the loud music conditions, demonstrating that music
is a distracter to cognitive performance.
Additionally, performance scores were expected to be significantly lower in the presence
of loud music at a high intensity, suggesting that both the type of music and the volume at
which the music is played are contributors to the distracting effect of music.
Finally, performance was predicted to be significantly higher in the presence of soft music
compared to loud music.
9. Put away your phone/ipad etc!
A no-brainer! Your texts and social media notifications severely decrease concentration
Facebook is for breaks!
Selfcontrolapp.com