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Ang Kiukok

Ang Kiukok (March 1, 1931 – May 9, 2005)


was a Filipino painter of Chinese descent
and was a National Artist for Visual Arts.[2]
Ang Kiukok
Born Ang Kiukok
March 1, 1931
Davao, Davao Province,
Philippine Islands

Died May 9, 2005 (aged 74)


Quezon City,
Philippines[1]

Nationality Filipino

Education University of Santo


Tomas
Vicente Manansala

Known for Painting

Movement Cubism
Surrealism
Expressionism
Awards

National Artist of the


Philippines
Chinese name

Traditional Chinese 洪救國

Simplified Chinese 洪救国

Transcriptions

Standard Mandarin

Hanyu Pinyin Hóng


Jiùguó

Southern Min

Hokkien POJ Âng Kiù-kok

Early life and training


Ang was born on March 1, 1931 in Davao,
Davao Province, Philippines and Chin
Lim[1] who were immigrants from Xiamen,
China.[3] Ang was the only son in his family
and he had four sisters. He was originally
intended to be named Ang Hua Shing
("Hua Shing" literally means "Chinese-
born") but did not push through with the
plan upon learning that his cousin was
given the name by his uncle.[1]

Ang was taught by a commercial artist at a


young age on how to make charcoal
portrait.[3] His influence at the time was
the artworks of Qi Baishi.[1] After World
War II, the family moved to Cotabato. Ang
made movie billboards here and later his
family moved to Manila, where he
attended the University of Santo Tomas
where one of his mentors was Vicente
Manansala.[3] He studied in the university
from 1952 to 1954.[1]

Career
Ang's first formal recognition in his career
as an artist was when his work Calesa
garnered third place at the Shell National
Students Art Competition in 1953. In 1954,
he launched his first one-man show at the
Contemporary Arts Gallery after he was
urged by his mentor Manansala.[1] Within a
few years his works such as garnered him
more recognition such as Still Life (1951,
Honorable mention), The Bird (1959, First
Prize), Still Life in Red (1963, Third Prize),
Fish (1963, Second Prize), and Geometric
Still-Life Fish (1963, Second Prize). All of
these recognition was from the Art
Association of the Philippines.[1]

He first attained prominence in the


Philippine arts scene in the 1960s with a
distinct style that fused influences from
cubism, surrealism and expressionism.
Some classified his style as "figurative
expressionism", others merely called it
ugly. What could not be doubted was the
violence in his imagery, a factor that
slighted the commercial viability of his
works until the 1980s. He favored such
subjects as fighting cocks, rabid dogs, and
people enraptured by rage or bound in
chains. As someone who has a Catholic
background, he painted multiple
depictions of the crucified Christ that did
not shirk from portraying the agonies
normally associated with the crucifixion.
When asked why he was so angry, he
replied, "Why not? Open your eyes. Look
around you. So much anger, sorrow,
ugliness. And also madness." The intensity
of his works stood in contrast to his own
personality, described as "placid and
affable".[3][4]

The grave of Ang Kiukok at the Libingan ng mga


Bayani.

It did not escape attention that many of


Ang's most violent or gruesome imagery
was painted during the martial law rule of
Ferdinand Marcos, though he did not build
a reputation for himself as a prominent
critic of the Marcos regime.
Ang was conferred the honor of being a
National Artist for Visual Arts in 2001, by
virtue of Presidential Proclamation No. 32,
s. 2001, which was signed on April 20,
2001.[5] The ceremonial conferment of the
honor to Ang and three other artists - F.
Sionil Jose (literature), Ishmael Bernal
(film) and Severino Montano (theater arts)
- was held on June 11, 2001.[6]

Legacy and death


In the end, Ang emerged not only as a
critical favorite, but a commercially
popular artist as well. Upon his death from
cancer on May 9, 2005, it was reported
that he and fellow National Artist
Fernando Amorsolo were the most widely
bidded after Filipino painters in auctions.[7]

References
Specific

1. "ANG KIUKOK" . Geringer Art, Ltd.


Retrieved 8 October 2016.
2. Cultural Center of the Philippines
(2008). The National Artists of the
Philippines 1999-2003. Pasig City:
Anvil Publishing, Inc. ISBN 971-27-
1412-8.
3. "Ang Kiukok: From Xiamen to Davao
to National Artist" . Inquirer.net.
Philippine Daily Inquirer. 29 February
2016. Retrieved 8 October 2016.
4. (Cultural Center of the Philippines
2008, p. 20)
5. "Proclamation No. 32, s. 2001 |
Official Gazette of the Republic of the
Philippines" . gov.ph. Retrieved
2014-01-29.
6. Vanzi, Sol Jose (May 21, 2001). "4
NATIONAL ARTISTS HONORED ON
INDEPENDENCE DAY" . PHILIPPINE
HEADLINE NEWS ONLINE. Manila.
Retrieved February 5, 2013.
7. "inq7.net" . news.inq7.net. Retrieved
2014-04-03.

General

Torres, Emmanuel (2003). "Ang Kiukok's


Icons of Pain and Struggle". The
National Artists of the Philippines 1999-
2003. Philippines: Cultural Center of the
Philippines & Anvil Publishing, Inc.
pp. 15–29. ISBN 971-27-1411-X.
Zulueta, Lito B. Visionary National Artist
Ang Kiukok Dies; 74, The Philippine Daily
Inquirer, May 11, 2005 , retrieved on
January 1, 2007 and
FilipinioLibrarian.Blogspot.com ,
retrieved on, July 6, 2007
Endaya, Imelda Cajipe (artist and
independent curator) and Cecilia B.
Rebong (Philippine Consul-General).
"Pamana: Modernong Sining" (A
Heritage of Modern Art), An Art Exhibit
from the Collection of the Philippine
Center in New York, Printed Catalogue,
The Consulate General of the
Philippines, Philippine Center
Management Board, and PCGNY.net,
June 11, 2007, 12 pages.

Retrieved from
"https://en.wikipedia.org/w/index.php?
title=Ang_Kiukok&oldid=913632768"
Last edited on 2 September 2019, at 07:…

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