CHAPTER II

An Analysis of English- Indonesian Translation Method Used by Ingrid

Ingrid Dwijani Nimpoeno in Translating Green’s The Fault in Our Stars

In this chapter, the writer discusses about the definition of translation,

translation methods, the classification of a good translation, definition of sentence,

and kinds of sentence, about the author, about the translator, and summary of the

novel.

2.1 Definition of Translation

According to Wilss in Rudi Hartono (2009) in Widarwati’s research paper 2015

translation is a transfer process which aims at the transformation of a written source

language text (SLT) into an optimally equivalent target language text (TLT), and

which requires the syntactic, the semantic, and the pragmatic understanding and

analytical processing of the source text. Based on the definition above, the process

of translation is by someone who wants translating novel from English into

Indonesian. Thus in that example, the Source Language is English and the Target

Language is Indonesian.

In addition, translation is a transfer process of some texts from one language into

another language equivalently. It should be equivalent because translation is not

only focus on the equivalent of formal language such as word by word but also the

equivalent meaning that consists of ideas and messages in the source language.

Thus, the result of translation itself could be understood by readers. In other word,

translation is an effort which is resulted naturally of target language from source

language. Ordudari (2007) in Widarwati’s research paper 2015 stated the language

that will be translated is called source language (SL), and the text is called the

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source text (ST). The language of translation result is called the target language

(TL); while the final product is called the target text (TT). Based on the definition

of Ordudari, in this research the writer uses several abbreviation. Below is the list

of abbreviation and the explaination.

No. Abbreviations Explanation

1. SL Source Language
2. TL Target Language
3. ST Source Text
4. TT Target Text
Table 1: List of Abbreviations

2.2 Translation Methods

Hurtado Albir (1999: 32) stated that translation method refers to the way a

particular translation process is carried out in terms of the translator’s objective, i.e.,

a global option that affects the whole text. There are several translation methods that

may be chosen, depending on the aim of the translation: interpretative-

communicative (translation of the sense), literal (linguistic transcodification), free

(modification of semiotic and communicative categories) and philological

(academic or critical translation). Meanwhile, in Siboro’s research paper, she said

that translation method (global translation strategy) is the overall strategy as if the

translator applies to a text as a whole. It is used if the translator is willing to make

the target text in the same purpose as well as the source text .

In addition, the writer states that translation method is the way to translate a text,

or sentence or phrase in certain rules, it depends on the ideas or messages which will

be translated from the source language . It could help the translator to translate a

text in order to produce a good translation. Based on Newmark’s book entitled A

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Textbook of Translation (1988 p. 45-47), there are eight translation methods in

translating. The eight methods are separated into two classifications: Source

Language (SL) and Target Language (TL) emphasis. Below are the following of

translation methods by Newmark:

SL emphasis TL emphasis
Word-for-word translation Adaptation
Literal translation Free translation
Faithful translation Idiomatic translation
Semantic translation Communicative translation
Table 2: List of translation methods
(Source: Newmark, 1988, p. 45)

1) Word-for- word Translation

This is often demonstrated as interlinear translation, with The TL

immediately below the SL words. The SL word-order is preserved and the words

translated.

2) Literal translation
The SL constructions are converted to their nearest TL equivalent but the

lexical words are again translated singly, out of context. As a pre-translation

process. This indicates the problems to be solved.

3) Faithful Translation
A faithful Translation attempts to reproduce the precise contextual meaning

of the original within the constraints of the TL grammatical structures. It

‘transfers’ cultural words and preserves the degree of grammatical and lexical

‘abnormality’ (deviation from SL norms) in the translation. It attempts to be

completely faithful to the intentions and the-realisation of the SL writers.

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4) Semantic Translation
Semantic translation differs from faithful translation only in as far as it must

take more account of the aesthetic value. The distinction between faithful and

semantic translation is that the first is uncompromising and dogmatic, while the

second is more flexible, admits the creative exception 100% fidelity and allows

for the translator’s intuitive empathy with the original.

5) Adaptation
This is the ‘’freest’ form of the translation. It is used mainly for plays

(comedies and poetry; the themes, characters, plots are usually preserved, the SL

culture converted to the TL culture and the text rewritten. The deplorable

practice of having a play or poem literally translated and then rewritten by an

established dramatist or poet has produced many poor adaptations, but other

adaptations have ‘rescued’ period plays.

6) Free Translation
Free translation reproduces the matter without the manner, or the content

without the original form . Usually it is a paraphrase much longer than the

original. So-calledintralingual translation, often prolix and the pretentious, and

not translation at all. The result of translation is often totally different from

Source Language and a paraphrase is longer than the original text. This method

is used in a special use and special purpose such as in maass media.

7) Idiomatic translation
Idiomatic translation reproduces the ‘message’ of the original but tends to

distort nuances of meaning by preferring colloquialisms and idioms where these

do not exist in the original. The translator try to find the meaning of idiom and

use the word choices correctly for Target Language.

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 8) Communicative Translation
Communicative translation attempts to render the exact contextual meaning

of the original in such a way that both content and language are readily

acceptable and comprehensible to readership.

Based on the explanation above, the writer states that there are two types of

translation method by Newmark. The methods in the left are methods that emphasis

to the source language they are; word by word, literal, faithful, and semantic

translation. The methods in the right are methods that emphasis to the target

language, they are; adaptation, free, idiomatic, and communicative translation.

More down the method, it means the translation has better. Because the ‘V’ diagram

was made from up the easiest methods until the bottom is the hardest methods to

use (semantic and communicative translation). In addition if the translators use the

top methods of the diagram (word by word and adaptation translation).

Then, if the translator uses the bottom, it means that the translation result is

good or perhaps it could be great, because in the bottom is difficult to use. In other

word, the method has a lot of factors to encourage the tranlator produces the good

translation that understandable such as culture, and of course it has good

equivalence, in the target language. Meanwhile, there is another expert who states

the translation methods but he called as the degree of translation. He has three the

same kinds with Newmark. The expert is Crystal (1997: 346) in Rokhman 2006

divided translation methods into three as follows:

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 1) Word for word Translation
Translation of this model, trying to translate text from one language to

another by finding the equation grammatically. Examples of words in English

are translated into Indonesian words, phrases into phrases, causal clauses, and so

on.

2) Literal Translation
In this model, it translates by seeing only the literal meaning of a word,

phrase, or sentence that is translated. In this way, the structure of source language

is followed and then it is adjust to the grammar of the target language.

3) Free Translation
In this model, attempts to translate the meaning expressed by the source

language into the target language. In this case, the linguistic structure does not

become important because the emphasis is more on the equivalence of meaning.

Besides of the translation method by Newmark and Crystal, there also Vinay

and Darbelnet (2000:84-91) in Hanif’s research paper (2017), they have different

name of translation method. They called it as translation procedure. They divided

into two strategies or on Newmark’s that seems as emphasis, first is direct

translation and the second is indirect or oblique translation. In the direct translation

consists of three procedures, and in the indirect or oblique translation consists of

four procedures. Thus the total are seven procedures.

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a) Direct or Literal Translation

1) Borrowing
Borrowing is the simplest of all translation procedures. We can say that this

task refers to a case where a word or an expression is taken from the source

language and used in the target language, but it in a “naturalized‟ form, that is,

it is made to conform the rules of grammar or pronunciation of the target

language. Borrowing in translation is not always justified by lexical gap in the

target language, but it can mainly be used as a way to preserve the local color of

the word, or be used out of fear from losing some of the semiotic aspects and

cultural aspects of the word if it is translated.

2) Calque
A calque is a special kind of borrowing whereby a language borrows an

expression from another, but then translates literally each of its elements.

Calque, where the source language expression is literally transferred to the target

language.

3) Literal Translation
Literal, or word for word, translation is the direct transfer of a SL text into a

grammatically and idiomatically appropriate target language text in which the

translator’s task is limited to observing the adherence to the linguistic servitudes

of the target language. In principle, a literal translation is a unique solution

reversible and complete in itself. The translation does not need to make any

change other than the obvious one, like those concerning grammatical concord

or inflectional endings.

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b) Indirect or Oblique Translation
On the other hand, the oblique translation is used when a source language text

cannot be directly translated without the semantic or lexical changes in a target

language text. This strategy consists of four procedures.

1) Transposition
Transposition is a change of sequence of parts of speech with another without

changing the meaning of the message. The change of sequence also can be

followed by the change of word class, the change from singular to plural and

others. This change can occur because the source language and the target

language have the different grammatical structure.

2) Modulation
Modulation is a variation of the form of the message, obtained by a change in

the point of view. This change can be justified when, although a literal, or even

transposed, translation results in a grammatically correct utterance. It is

considered unsuitable, unidiomatic or awkward in the target language.

3) Equivalence
Vinay and Dalbernet (2000) used this term to refer to the cases where

languages describe the same situation by the different stylistic or structural

means. The classical example of equivalence is given by a reaction of an amateur

who accidentally hits his finger with hammer: if he were a French, his cry of

pain would be transcribed as, aie, but he is an English, and the expression would

be interpreted as ouch, and if he were an Indonesian, he would say aduh. Another

striking case of equivalences are the many onomatopoeias of animal sounds.

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 4) Adaptation
Adaptation is use of a recognized equivalent between two situations. In

tadaptation, the translator works on changing the content form of SL in a way

that conform to the form of language and culture in the TL. In addition, it is used

as an effective waay to deal with culturally bound words or expression,

methapors and images in translation.

Besides of the translation method by Newmark and Crystal, Vinay and

Darbelnet, there is also translation methods by Molina and Albir (in Rahmawati’s

research paper 2016) They called it as techniques. They classified into 18

techniques. Most of the methods are similar with the methods by Newmark, but

they divided more details to distinguish easier how to translate based on the every

factor. Below are the details of techniques which can be implemented to (written)

translation:

1) Adaptation
This technique replaces the cultural element of the source text (ST) with one

of the element in the target language which is similar. The purpose of this

technique is to have the same response of the reader although the literal meaning

might not the same.

2) Amplification
Amplification is the technique of introducing the details that are not

formulated in the ST: information, explicative paraphrasing, e.g., when

translating from Arabic to add the Muslim month of fasting to the noun Ramadan.

This technique is effective to avoid ambiguity in the target text.

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3) Borrowing
Borrowing technique is implemented by taking a word or expression straight

from another language. It can be pure (without any change), e.g., to use the

English word urine, horizon, diameter, stereo, and neutron in Indonesian text,

or it can be naturalized (to fit the spelling rules in the TT (Target Text), e.g., gol,

informasi, and tes.

4) Calque
It is the literal translation of a foreign word or phrase; it can be lexical or

structural, e.g., the English translation Police Academy for the Indonesian

Akademi Polisi.

5) Compensation
It is to introduce a ST element of information or stylistic effect in another

place in the TT because it cannot be reflected in the same place as in the ST for

instance, the translation of English “Me?” Exclaimed Mrs. Albert Forrester, for

the first time in her life regardless of grammar into Indonesian “Apaan?”

TeriakNy. Albert Forrester, untuk pertama kali dalam hidupnya lupa pada tata

bahasa (Hartono, 2011:40).

6) Descriptive
This technique replace a term or expression with a description of its form

or/and function in the ST message to make it clear in the target, e.g., to translate

English cow-creamer into Indonesian poci yang berbentuk sapi untuk tempat

susu.

7) Discursive Creation
This technique is implemented by finding a temporary equivalence that is

totally unpredictable out of context, e.g., the Indonesian translation A Betrayed

Son Malin kundang into Si Malin kundang.

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8) Established Equivalence
It is the using of a term or expression recognized (by dictionaries or language

in use) as an equivalent in the TT (Target Text), e.g., to translate the English

expression They are as like as two peas into Mereka sangat mirip in Indonesian.

9) Generalization
It is the using of a more general or neutral term, e.g., to translate English go

by inches into sedikit demi sedikit in Indonesian. It happens because there is no

expression that have the same meaning in Indonesian, so the translator translated

it into more general.

10) Linguistic amplification

It is the addition of linguistic elements. This is often used in consecutive

interpreting and dubbing, e.g., to translate the English expression everything is

up to you! into Indonesian as semuanya terserah anda sendiri!

11) Linguistic compression

It means to synthesize linguistic elements in the TT (Target Text). This is

often used in simultaneous interpreting and in sub-titling, e.g., to translate the

English question are you sleepy? into ngantuk? In Indonesian.

12) Literal Translation

It means to translate a word or an expression word for word, e.g., electronic

mail as surat elektronik, or, upload as unggah.

13) Modulation
It is to change the point of view, focus or cognitive category in relation to

the ST (Source Text); it can belexical or structural, e.g., to translate English you

aregoing to have a child instead of kamu akan menjadiseorang ayah.

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 14) Particularization
It is the using of a more precise or concrete term, e.g.,to translate window in

English as guichet (jendela toko) in French (Hartono, 2011:52).

15) Reduction
It is to suppress a ST information item in the TT (Target Text), e.g., the

proposal was rejected and repudiated into usulnya ditolak when translating into

Indonesian.

16) Substitution (linguistic, paralinguistic)

It is the change of linguistic elements for paralinguistic elements (intonation,

gestures) or vice versa, e.g., to translate the Arab gesture of putting your hand

on your heart as Thank you. It is used above all in interpreting.

17) Transposition
It is the change of a grammatical category, e.g., glasses translated into

Indonesian as kacamata.

18) Variation
It is the change of linguistic or paralinguistic elements (intonation, gestures)

that affect aspects of linguistic variation: changes of textual tone, style,

socialdialect, geographical dialect, etc., e.g., to introduce or change dialectal

indicators for characters when translating for the theater, changes in tone when

adapting novels for children, etc.

Based on the explanation above, from many experts such as Newmark divided

translation method into two classification first, then for each classification he

divided into four methods. Those classifications are formed based on both source

language and target language emphasis. By other expert, Crystal divided into three

methods without classified first, because he divided the three of methods based on

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the translation level, such as from grammatical, second from linguistics structure

and the last from the meaning equivalence. Futhermore, Vinay and Darbelnet

divided into two strategies consists of direct and indirect or oblique translation. In

addition, they divided the direct into three procedures then the indirect or oblique

into four procedures. Then, Molina and Albir divided into 18 techniques. Thus,

from many experts, except Newmark, there are same perspective to Newmark’s

methods.

All of the method by Crystal have same name with Newmark’s, and the

definition also close to Newmarks’ such as word for word, literal, and free

translation. Furthermore, Vinay and Darbelnet have the same perspective with

Newmark’s on two strategies. There are direct and indirect or oblique translation,

eventhough the name is not the same as Newmark’s. Then, they divided the direct

translation into three procedures, and four procedures for the indirect or oblique

translation. From the seventh methods by Vinay and Darbelnet, at least there are

five methods which have same aim with Newmark’s, while Molina and Albir

divided into eighteen techniques. Their methods are more detail than Newmark’s,

but their techniques are seem to be the combination of Newmark’s and Vinay and

Darbelnet theories.

2.3 The Classification of a Good Translation

Nida, 1964 (In Venuti, 2000, p.134, in Siboro’s reseach paper, 2016, p.11 )

purposes four basic requirements of translation, there are:

1) Making sense

2) Conveying the spirit and manner of the original

3) Having a natural and easy form of expression

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 4) Producing a similar response.

Furthermore, Massoud (1988, cited in Abdellah, 2002, p.26, in Siboro’s reseach

paper, 2016, p.11) states some criteria for a good translation as follows:

1) A good translation is easily to understood.

2) A good translation is fluent and smooth.

3) A good translation is idiomatic.

4) A good translation conveys, some text extent, the library subtitles of the

original.

5) A good translation distinguishes between the metaphorical and the literal.

6) A good translation reconstructs the cultural context of the original.

7) A good translation makes explicit what is implicit in abbreviation and in

allusions to sayings, songs, and nursery rhymes.

8) A good translation will convey as much as possible the meaning of the

original text.

Hence, based on several points above, the translator must be convey the

meaning of original text and the translation should be understood. The translation

is influenced by contextual meaning also to produce the appropriate result. Thus the

translators must be careful in translating. If a message of the source language is not

well delivered, it can not be understood, or it can missunderstanding.

2.4 Definition of Sentence

In Tuckyta (2012:50), a sentence is a group of words that containing a subject

and a verb and it expresses a complete thought. It is same with Werner and Nelson

(2007:8), but they defined a sentence more complete. They said that a sentence is a

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group of words that expresses a complete idea. Every sentence includes at least one

subject and one verb. The verb may be followed by an object or a complement.

There are four basic types of sentences; statement, question, exclamation, and

command. Below is the detail explanation about the types of sentence.

a. Statement

A statement gives an information or an opinion. Examples:

- English is a wonderful languages.

- I just bought the novel.

b. Question

A question asks for information. Examples:

- What is your sister’s name?

- Have you found the roomate yet?

c. Exclamation

An exclamation expresses surprise, pleasure, or another emotion.

Example:

- How cute you are!

- What a pretty red dress you wear!

d. Command

A command tells what to do. Example:

- Be quiet, please!

2.5 Kinds of Sentence

Related to dependent clauses and independent clauses, sentences could be

classified into four kinds. There are simple sentence, compound sentence, complex

sentence, and combination of compound and complex sentences.

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2.5.1 Simple Sentence
A simple sentence has one independent clause. The independent clause

consist of one subject and one verb. The example:

- Nada has a cat. (Tuckyta, 2014)

The example above illustrate each sentence containing one clause. The one

clause is one independent clause. It is called as simple sentence because it is an

independent clause only.

2.5.2 Compound Sentence

Compound sentences have two independent clauses. The connector connects

to one independent clause to another one of the three ways. The three ways are a

coordinating conjunction, a conjunctive adverb, or a semicolon.

Example : My little brothers are playing footbal (Independent Clause)

and my sister is reading a novel. (Independent Caluse)

For more details, the following table is a list of coordinating conjunction and their

relationship according to Hogue, 2003: 33 in Tuckyta (2014).

Relationship Coordinating
Addition And
Contrast But
Result So
Choice Or
Surprise Yet
Reason For
Addition of a negative Nor
Table 3: List of Coordinating Conjunction
(Source: Tuckyta: 2014, p.52)

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The following table is a list of conjunctive adverbs and their relationship according

to Hogue (2003: 35) in Tuckyta 2014.

Relationship Conjunctive Adverbs

Addition Also, besides, furthermore, in addition,
moreover
Contrast (complete) However, in contrast, in other hand
Contrast (partial) However, nevertheless, nontheless, still
Result As a result, consequently, therefore, thus
Sequence Afterward, meanwhile, then, subsequently
Comparison Likewise, similarly
Example For example, for instance
Table 4: List of Conjunctive Adverbs
(Source: Tuckyta: 2014, p. 52)

2.5.3 Complex Sentence

Based on Werner and Nelson book (2007: 141), a complex sentence joins

two or more clauses of unequal importance. Each complex sentence includes at least

one main (independent) clause and one dependent clause. The most important idea

is generally placed in the independent clause. In a complex sentence (a sentence

with both a main clause and a dependent clause), the information that the speaker

or writer wants to emphasize is usually placed within the main clause. Thus, that is

the reason why main clause is the most important. A variety of connecting words

may be used to join the clauses. There are three basic types of dependent clauses;

adjective, adverb, and noun clauses. Below there are common connecting words

used in each dependent clause:

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1. Connecting words used in Adjective Clauses (Relative Pronouns)

Used For Examples

Animals and Things Which, that

People Who, whom, that

Place Where

Possessive Whose

Reason Why, that

Time When

Table 5: List of Relative Pronouns

(Source: Werner, Nelson: 2007, 138)

Example of Adjective Clause:

Dependent Clause

We are working on a project that is very difficult.

Main Clause

2. Connecting words used in Adverb Clauses (Subordinating Conjuntion)

Used For Examples

Comparison More (less, -er... than, as....as)

Condition If, unless, as long as, provided that, whether

or not

Contrast: Although, even though, though, despite (in

Concession spite of) the fact that

Contrast: While, where, whereas

Opposition

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 Manner As, as if, as though

Place Where, wherever

Purpose So that, in order that

Reason So....that, such.....that

Result As, because, since

Time After, as long as, as soon as, before, once,

since, until, when, whenever, while

Table 6: List of Subordinating Conjuntion in Adverb Clauses

(Source: Werner, Nelson: 2007, p. 138)

Example of Adverb Clauses:

Main Clause

After we have finished the project, we’ll take a long vacation.

Dependent Clause

3. Connecting words used in Noun Clauses (Subordinating Conjuntion)

Used For Examples

Reported Speech That (or no conjuntion)

Embedded How, if, what, when, whether, why, and

Questions all other question words

Table 7: List of Subordinating Conjuntion in Noun Clauses

(Source: Werner, Nelson: 2007, p. 139)

Example of Noun Clause:

Dependent Clause

Phil said that we should all go to a movie.

Main Clause

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2.5.4 Compound Complex Sentence
Based on Eva Tuckyta (2014) a compound-complex sentence combines the

compound and the complex sentence. It contains at least two independent clauses

and at least one dependend clause.

Example: The students were waiting for the announcement

Indepenndent Clause

when I arrived at school and

Dependent Clause

they are worried about the result of the test

Independent Clause

The writer tries to analyze the English-Indonesian translation in John Green’s

novel entitled “The Fault in Our Stars” by Ingrid Dwijani Nimpoeno. The analysis

is only focus on the complex sentences. Futhermore, the writer will categorize the

result of analysis based on the Newmark’s theory.

2.6 About the Author

John Michael Green is an American novelist. He was born in Indianapolis,

Indiana, on August 24th 1977. Green had written six novels and several short

stories. The main characters in Green’s novels are mostly teenagers and the stories

are mainly related to romance. Green received many awards for his novels, such as

Michael L. Printz Award, Edgar Allan Poe Award, and Corine Literature Prize.

The New York Times Best Seller list for children’s books listed The Fault in

Our Stars at number one for two weeks in January and February 2012. In 2013,

Green was awarded with Teen Book of the Year award in the annual Children’s

Choice Book Award and won the Innovator’s Award in Los Angeles Times Book

Prize Award. The latest award he received is the Visionary Award from mtv U

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Fandom Awards. (Green’s book The Fault in Our Stars (Author) 2012 in Fahrizy’s

research paper, 2015).

2.7 About the Translator

The translator, Ingrid Dwijani Nimpoeno who translated The Fault in Our Stars.

Nimpoeno has translated various books, most of them are major works in fiction

that are originally written in English. Some of the books she translated are Max

Havelaar by Multatuli, Inferno and The Lost Symbol by Dan Brown, The Host by

Stephenie Meyer, The Time Traveler’s Wife by Audrey Niffenegger, several books

of Sherlock Holmes such as the Beekeper’s Apprentice by Laurie R. King and

House of Silk by Anthony Horowitz (Books by Ingrid Dwijani Nimpoeno (2015)

in Fahrizy’s research paper, 2015).

2.8 Summary of the Novel

The Fault in Our Stars is the story of Hazel Grace Lancaster, a sixteen-years

old girl who suffers from cancer. In the beginning of the story, she meets Augustus

Waters, a cancer survivor, in a support group. Augustus later admits that he finds

Hazel beautiful and asks her to come to his house to watch a movie. Afterwards,

Augustus and Hazel share their favorite book to each other. Augustus have to read

An Imperial Affliction, Hazel’s favorite book, while Hazel reads The Price of

Dawn, Augustus’s favorite.

One day, Augustus done reading the book, then he becomes intrigued by An

Imperial Affliction and decides to contact the author of the book by email. Peter

Van Houten is the author of the book. He create the novel with ambiguous ending.

Because Augustus intrigued to the novel, so he becomes as curious as Hazel.

Augustus manages to start an email correspondence with the author. He and Hazel

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start to send their questions to the reclusive author, but Van Houten says that he can

only answer those questions in person. He invites them to stop by if they are in

Amsterdam, where Van Houten lives.

Because of her family’s financial situation and the health condition of Hazel,

she can not go to Amsterdam. However, Augustus has a Wish from a foundation

that grants the wishers of kids with cancer. He uses his Wish to take Hazel to

Amsterdam to meet their favorite author. This is where Hazel realizes that she falls

in love to Augustus. However, she believes that she will hurt Augustus when she

dies, so she allows herself to only have a platonic relationship with Augustus.

Hazel, Augustus and Hazel’s mother go to Amsterdam. When Hazel and

Augustus finally meet Van Houten, they discover that, instead of a genius, he is a

man of drunk. Van Houten says that he does not really invite them to come to

Amsterdam and refuses to answer their questions.Then, Hazel and Augustus leave

in disappointment. However Van Houten’s manager, Lidewij, who feels horrified

by her boss’s behavior, she invites Hazel and Augustus to visit Anne Frank’s house

where Hazel and Augustus share a romantic kiss. Hazel and Augustus head back to

the hotel and make love for the first and only time.

The following day, Augustus confesses that before they leave home, he goes in

for a PET scan and finds out that his cancer has returned and spread everywhere.

From this point, Augustus’s health deteriorated quickly. Several weeks later,

Augustus died. Hazel is surprised to find Van Houten attend in the Augustu’s

funeral. Van Houten explains that Augustus demands him to come to Augustus

funeral to see Hazel and answer Hazel’s questions about An Imperial Affliction.

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Hazel refuses Van Houten’s answers and tells him to leave her immediately, sober

up and write another book.

Several days later, Isaac tells Hazel that Augustus writes something for her,

probably a sequel of An Imperial Affliction that Augustus promises when they

leave Van Houten’s house. Hazel tries to locate the paper but she comes to a dead

end. A friend of Hazel unintentionally tells Hazel to ask about the pages to Van

Houten, since Augustus spends his final days corresponding to him. When Van

Houten does not reply Hazel’s message, then she tries to communicate with Lidewij

and ask her to find the pages. At the end, Hazel learns that the missing pages contain

Augustus feeling about Hazel and his request to Van Houten to write a eulogy for

her. (Fahrizy’s research paper, 2015)

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