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    Angel Academy Process by Alison de Sando

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    Alison De Sando Manzoni
    The document outlines the 4 step process for wash drawing and painting an angel academy: 1) Using raw umber to outline the drawing and add dark values, 2) Applying flat "dead colours" to denote overall light and dark areas, 3) Completing form modeling with direct opaque paint in the right colors and values without blending, and 4) Applying a thin paint layer over the first to refine subtle colors and tactile descriptions through mixing and rendering.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Angel Academy Process by Alison de Sando

    Uploaded by

    Alison De Sando Manzoni
    294 views4 pages
    The document outlines the 4 step process for wash drawing and painting an angel academy: 1) Using raw umber to outline the drawing and add dark values, 2) Applying flat "dead colours" to denote overall light and dark areas, 3) Completing form modeling with direct opaque paint in the right colors and values without blending, and 4) Applying a thin paint layer over the first to refine subtle colors and tactile descriptions through mixing and rendering.

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    Angel academy process by Alison de Sando

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    The document outlines the 4 step process for wash drawing and painting an angel academy: 1) Using raw umber to outline the drawing and add dark values, 2) Applying flat "dead colours" to denote overall light and dark areas, 3) Completing form modeling with direct opaque paint in the right colors and values without blending, and 4) Applying a thin paint layer over the first to refine subtle colors and tactile descriptions through mixing and rendering.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    294 views4 pages

    Angel Academy Process by Alison de Sando

    Uploaded by

    Alison De Sando Manzoni
    The document outlines the 4 step process for wash drawing and painting an angel academy: 1) Using raw umber to outline the drawing and add dark values, 2) Applying flat "dead colours" to denote overall light and dark areas, 3) Completing form modeling with direct opaque paint in the right colors and values without blending, and 4) Applying a thin paint layer over the first to refine subtle colors and tactile descriptions through mixing and rendering.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 4

    Angel academy process

    Wash drawing:
    1. Using raw (or burnt) umber carefully go over
    your tracing strengthening the lines and filling
    in the darks. You are aiming for a 2 or 3 value
    rendering of the image.
    Dead Colour:
    2. Dead colouring is the stage of painting in
    which you state the overall colour
    relationships. You aim for a simple average
    colour of every part of the painting. One flat
    colour for the lights and one colour for the
    darks.
    First painting:
    3. In this step, the work is completed on the big
    form modeling. With direct and opaque
    painting, try to put the right color / value in the
    right place, through precise color mosaics. The
    emphasis in this stage is to build the three-
    dimensionality of the form. Avoid blending.
    Attention is paid to refining shapes, shades and
    variety of tints.
    Second painting:
    4. A thin layer of paint (couch) is used to cover the
    first thicker paint and in this way make it
    possible to feel paint wet in the wet again.
    Repaint each area with attention to mixing and
    rendering. It is in this stage that the most
    subtle colors and the tactile description of the
    object are sought.

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