The document outlines an 18-week drawing course with various assignments. It includes:
- Weeks 1-2 focusing on basic drawing skills like proportion and sighting using a viewfinder from still life objects.
- Weeks 3-4 having students draw drapery and folds using graphite on 12x18 paper to learn shading fabric.
- Weeks 5-6 working on contour line drawings of fruits/vegetables in different compositions and learning color pencil techniques.
- Weeks 7-8 creating a still life drawing using pastels to render color, values and textures on 18x24 paper.
- Weeks 9-10 doing a subtractive self-portrait using char
The document outlines an 18-week drawing course with various assignments. It includes:
- Weeks 1-2 focusing on basic drawing skills like proportion and sighting using a viewfinder from still life objects.
- Weeks 3-4 having students draw drapery and folds using graphite on 12x18 paper to learn shading fabric.
- Weeks 5-6 working on contour line drawings of fruits/vegetables in different compositions and learning color pencil techniques.
- Weeks 7-8 creating a still life drawing using pastels to render color, values and textures on 18x24 paper.
- Weeks 9-10 doing a subtractive self-portrait using char
The document outlines an 18-week drawing course with various assignments. It includes:
- Weeks 1-2 focusing on basic drawing skills like proportion and sighting using a viewfinder from still life objects.
- Weeks 3-4 having students draw drapery and folds using graphite on 12x18 paper to learn shading fabric.
- Weeks 5-6 working on contour line drawings of fruits/vegetables in different compositions and learning color pencil techniques.
- Weeks 7-8 creating a still life drawing using pastels to render color, values and textures on 18x24 paper.
- Weeks 9-10 doing a subtractive self-portrait using char
The document outlines an 18-week drawing course with various assignments. It includes:
- Weeks 1-2 focusing on basic drawing skills like proportion and sighting using a viewfinder from still life objects.
- Weeks 3-4 having students draw drapery and folds using graphite on 12x18 paper to learn shading fabric.
- Weeks 5-6 working on contour line drawings of fruits/vegetables in different compositions and learning color pencil techniques.
- Weeks 7-8 creating a still life drawing using pastels to render color, values and textures on 18x24 paper.
- Weeks 9-10 doing a subtractive self-portrait using char
Students will create a sketchbook and will learn review some basic drawing skills. Working from a variety of still life objects, various hand to eye coordination activities will focus on drawing what you see versus what you think you see. Students will do studies in sighting, proportion, using of a viewfinder, the grid, continuous line and blind contour drawing, tonal value & light a & shadow.
Week 3-4- Graphite Drawing of Drapery and Folds
Composition is an important part of this assignment. Fabric is a popular subject matter in drawing; it is used in many drawings from still lifes, portraits, comics, and fashion design. Fabrics are tricky to draw because of all the folds and complicated shading. Students will learn how to draw and shade fabric using graphite pencils on 12x18 drawing paper. Time on project: 10 days
Week 5-6 Composition / Parts of a Whole Fruit/Vegetable Drawing
Composition is an important part of this assignment. Students will bring in a fruit, vegetable or edible object to work from. They should make a series of three contour line drawings of that object on white 9x12 paper. The size of each drawing should be no bigger than 5x7 inches and centered on the paper. Views should be chosen that have a dynamic composition and strong visual interest. Drawings should be composed with one drawing showing almost the entire object, another with a close up and the final with either a below eye level or above eye level point of view. Students will share their drawings in an informal critique with the class-examining which composition is more dynamic. The students will then learn about color pencil methods and render the object to look realistic. The goal is to make the common ordinary object look extraordinary. Final project will be matted on mat board. Time on project: 10 days
Week 7-8 Chalk Pastel Still Life Drawing
This technical drawing emphasizes the importance of careful observation, proportion, color and value. Students will sit directly in from of the still life each day for this observation drawing. The students will be working with a variety of textured still life objects. First they will create two thumbnail sketches on 12x18 newsprint in pencil to find the best composition. Then they will create a very light contour line drawing on 18x24 colored pastel paper. Pastel pencils, stick pastels will finally be used to render in color, highlights and values. Students should push the range of values to show contrast in the drawing. Time on Project 10 days
Week 9-10 Charcoal Subtractive Self Portrait
Students will learn about drawing portraits and the proportion of the human face. They will work from a photograph of themselves on 18x24 paper and use the subtractive drawing technique. The subtractive method is the process of first laying down a layer of charcoal and then using an eraser to create the lightest values of the drawing and then later going in with more charcoal to at value and contrast. Time on Project 10 days
Week 11-12 One-point and Two-point Perspective
Students will learn about one and two point perspective. Students will review Art One perspective basics. Then an interesting part of the art room to use as inspiration for their drawing. Camera phones and digital cameras will be sued to find the best composition. Preliminary sketches will be done on newsprint paper, once they have a strong scene, correct proportions and perspectives they should redraw it on 12x18 paper. The final drawing should be outlined in sharpie marker . Time on project: 10 days
Week 13-14 Drawing the Human Form
Students will learn about human proportion and how to draw the human form. Students will begin by creating a pencil drawing of the skeleton. Carefully measuring the proportions from an actual human skeleton they will sight and render each bone on 24x36 paper. Once this drawing is complete- they will more closely examine the skeletal structure by using camera phones or digital cameras to take several close ups of a sections of the skeleton. They will select the best composition to draw using sketch and wash pencils to show proportion, contrast, value and texture on 11x14 bristol board. Time on project: 10 days
Week 15 Practice drawing human form from model
Students will study human proportion and work from live models. A series of gesture drawings done with conte crayon will teach students how to work quickly to find accurate proportion in the human form. A final study done in ink wash from the model will be done on 18x24 paper and rendered to look as realistic as possible. Time on project: 5 days
Week 16-18 Surreal Landscape Drawing
Students will learn about surrealism and create a surrealistic type landscape. The landscape must include some kind of Fantastic beast that lives there. Composition should have a clear background, middleground and foreground, with an obvious center of focus/dominant form. For surrealism to be successful students must render the objects as realistically as possible and should therefore research photographic images to work from. A rough sketch of the idea must be worked out on newsprint paper and discussed with Mrs. Jacobson. Final project will be done on bristol board with any of the medias that we used. Time on project: 15 days
How to Teach Drawing: A Teacher's Manual To Be Used In Connection With Class Room Practice; Containing Suggestive Lessons In Landscape Drawing, Nature Drawing, Object Study, Figure Drawing, Animal Drawing And Design; Together With A Glossary Of Art Terms And A Practical Color Theory
Masters of Science Fiction and Fantasy Art - A Collection of The Most Inspiring Science Fiction, Fantasy, and Gaming Illustrators in The World-Rockport Publishers (2011)