Getting Started With CAE: Speaking: Language Structures & Functions
Getting Started With CAE: Speaking: Language Structures & Functions
Getting Started With CAE: Speaking: Language Structures & Functions
Warmer
• Remind students on the different parts
of speech.
• Have them come up with the parts of speech and
write them on the board.
• Then have volunteers give examples of the parts
of speech written on the board.
Exam practice
1 • Organise the class into pairs to work on this
activity. Once they finish, check orally and ask
volunteers to give definitions for each word.
Answer key
1 point
2 fair
3 engaged
4 working
5 charge
Exam practice
1 • Recall students that now that they have already
gotten an overall idea of the structure and the
meaning of the text, they have to notice carefully
the information and ideas before and after each
gap as well as throughout the whole of the gapped
text so that they can decide which paragraphs fit
the gaps better.
• Give them some time to work on this activity
individually and check orally.
Answer key
1 D
2 F
3 A
4 G
5 E
6 B
Session 8
Answer key
1 • Draw students’ attention to the modals written 1 were obliged to take into
on the board and encourage them to tell you
2 was wondering if/whether you could/would/
their meaning by checking the information
might lend/give
in the chart.
3 not have raised my voice
• Give them some minutes to individually fill in
4 don’t/do not hesitate to call
the gaps, check orally.
5 slightly less than it
Answer key 6 (any) better it will mean
1 Can/May 7 make any/much difference to me
2 could 8 have broken into
3 should/had better
4 must
5 must/should
6 must
7 might/may
8 must not
9 May/Can
10 needn’t
11 shouldn’t/needn’t/mustn’t... might
Session 9
Writing: Part 2 SB pp. 32-33 1 • Read instructions aloud and go through the
first item together with students. Once you’re
Warmer sure they had understood the structure,
tell them to work in the rest of the activity.
Ask students:
Monitor and offer any help when needed.
• Have you ever written a reference? Check orally, inviting different students to
• Have you ever written a competition entry? read their sentences aloud.
• Have you ever written a letter of entry?
• What information should you include in Answer key
each one? Examples:
• What are the differences between them? 1 If I were fast, I would win the race.
2 I wish my boss weren’t so rude!
Prepare 3 I wish my cousins were coming!
• Have students read the paragraphs 2–4. 4 If I weren’t exhausted I would go to the movies.
Discuss about the information given in this 5 If I weren’t shy, I would invite her out.
part of the page.
Warmer
• Ask students:
Are you rich?
Do you have a million dollars?
What could you do with a million dollars?
• Elicit answers from different students and
point out that we use the subjunctive in
conditional sentences to express imaginary
situations in present.
Session 10
Speaking: Part 3 SB p. 37
Warmer
• Tell students they will talk about different
ways in which computers affect our lives.
• Have them think of the different tasks and
activities they do that require or involve
computers. And the kinds of devices they
can use.
• Have each one choose a different activity to
talk about.
Exam practice
1 • Have students read the instructions. Then ask
them to read the paragraph 21 The Computer
Generation. Then have them work in pairs
sharing their experience with their partners.
Background extra
• Have students look at the photographs on
page 37.
Warmer
• Have students read the instructions to the
Activity 1.
• Then have them scan the exercise in order to
discuss the vocabulary they might not know.
• Have them skim the exercise in order to tell
you what the general idea of the text is.
Exam practice
1 • Have students read the text in silence. When
they finish ask them:
- Which opinions and attitudes are expressed
in the text?
- Which viewpoints are apparently similar
but are not?
- What is the writer’s purpose for writing this
text?
• Have them work on the task individually.
Check orally.
Answer key
1 C 2 D 3 B
4 B 5 D 6 A 7 C
Session 12
Jane: Well, I’ll never stop doing comedy, but there were Inter: What attracted you in the first place to
practical reasons for wanting to take some time off and performing, and particularly to making people laugh?
write a book. I felt my daughter had been neglected. Jane: Oh, from an early age, I knew I wanted to be
She was just about to make the tricky transition from an actress. I innocently thought I was going
primary to secondary school and I thought she needed to be a glamorous film star. The reason I started to
her mum around. I seem to have spent most of her life in do comedy acts was that in the 1980s a lot of small
a van touring from venue to venue for my comedy act. provincial theatres closed down. In the past, girls
And I did enjoy being at home for a bit, although I missed would’ve come out of drama school and if they had a
the applause and the laughter. When I finished writing leaning towards comedy they’d join one of these small
in the evening, I’d turn the computer off and there’d be theatres and play a variety of comedy roles in all sorts of
nothing, which was hard to get used to. plays from Shakespeare to contemporary stuff. All of a
Inter: How was your novel received? sudden, with the demise of these theatres, rooms above
pubs opened up and comedians started telling jokes and
Jane: Well, a lot of male comedians had written books, developing their acts there. It was cheap, one performer
so there was a bit of a bandwagon waiting to be jumped one microphone, and anyone could do it. In some ways,
on, but with my impeccable timing I jumped slightly it’s a healthier performance art than acting,
late, when everyone was starting to get heartily sick of because with acting you’re at the mercy of
comedians’ books. everybody else deciding whether you can work
Also there’s a kind of fury coming from some journalists or not. With stand-up comedy, you might only get paid
about comics writing books. They’re absolutely livid, as peanuts, but nobody can stop you from just driving to a
if they see your book in a bookshop and they jump up venue, often hundreds of miles in
and down, shouting, ‘It’s not fair! Why should she make terrible weather, and going on stage.
money out of writing as well as performing?’ Inter: But what is it when you’re actually on stage …
Inter: Was it a difficult transition? [fade]
Jane: Well, if you think logically, writing is the obvious
step. I’ve spent years trying to make people listen to Exam practice
my anecdotes, so that must count for something! Also,
if you’ve been an observational comedian, which I am, 1 • Recall students that in this part they have to
it’s not a great leap to use those skills you’ve developed, be able to show understanding of the speakers’
like observing odd mannerisms to use for jokes, and attitudes and opinions both explicitly stated and
turn them into a book. At least that’s what I felt, but you implied.
don’t become a writer instantly. I’ll have to wait and see • Play U2 Track 2 once for them to work on the
whether it was just beginners’ luck. activity, play the recording again so they may
Inter: I think why people give you a hard time about the check their answers.
novel is surely because we’re so trapped into thinking
Jane Clarkson is a comedian. It’s as though, you know, Answer key
you can’t do anything else, which is quite ridiculous 1 B 4 B
because you’ve been writing radio comedy for years. 2 D 5 C
Jane: Yes, people do become obsessed about what you 3 C 6 A
are. The character I adopted for my comedy act became