Lesson 1: Assumption and Nature of Arts: Spoliarium by Juan Luna (1884)
Lesson 1: Assumption and Nature of Arts: Spoliarium by Juan Luna (1884)
Lesson 1: Assumption and Nature of Arts: Spoliarium by Juan Luna (1884)
The Angono Petroglyph is a recent archeological breakthrough during the 80’s found
in the mountainside of Angono and Binangonan by Carlo “Botong” Francisco. It is a
stylized anthropomorphic and zoomorphic forms etched on the rock shelter.
In the cave, you will see the different carvings of the tribes settling in this cavern. It is
said to be the oldest, known art carvings found in caves in the Philippines. Dated
approximately 1000 years B.C. Originally, there were 127 engravings of human and
animal figures in stick forms but due to negligence and vandalism of visitors, some
rock carvings have disappeared. Many years ago, it was believed that there was a
language barrier and the only form of communication is through the use of symbols.
Symbolisms and figures are used to convey what our ancestors think and feel as
part of their everyday life. Carving those symbols was also their means of recording
their data and activities in their lives such as the celebration of birth, feast and death.
Through the years, the cavemen may have migrated from one place to another. But
studies have shown that intermarriages took place with other tribesmen that resulted
to the exchange of different skills and abilities.
Fairies invoke thoughts of fantasy. They help you escape the real world for a
moment and are generally associated with good things.
The title of this grim tale has an unusual ring to it. It doesn’t sound like anything
we’ve ever heard before. It’s a mystery. But nothing to be scared of.
We’ll start with “Amontillado”. Literally, it’s an alcoholic beverage, closely related to
sherry. Unless people have read Poe’s story, or are wine connoisseurs, they
probably haven’t heard of it, much less seen a cask of it.
Casks, by the way, are barrels for storing wine or other drinks, and they come in
many sizes. Montresor tells Fortunato he has a “pipe of what passes for
Amontillado.” In this context, “pipe” and “cask” mean the same thing. As you may
have suspected, “cask” also literally means “casket.” This is important because,
though Fortunato seeks a cask of Amontillado, he finds a casket of death.
Les Misérables by Victor Hugo
Twenty years in the conception and execution, Les Misérables was first published in
France and Belgium in 1862, a year which found Victor Hugo in exile from his
beloved France. Enemies and admirers throughout the world devoured his works—
poetry, political tracts, and fiction—and the effect of these works upon the public was
always sensational. On the morning of 15 May, a mob filled the streets around
Panderer’s book shop, eyeing the stacks of copies of Les Misérables that stretched
between floor and ceiling. A few hours later, they had all—thousands of books—
been sold. Hugo’s critics were quick to condemn him for making money by
dramatizing the misery of the poor, while the poor themselves bought, read, and
discussed his book in unprecedented numbers. True to Hugo’s political stance, he
had written a book about the people that was for the people, a book that demanded
a change in society’s judgement of its citizens.
Lesson 4-5: Art History, The artists and The Artisan
This picture, in a sense, depicts more than the creation of the first man, in fact, it
shows the very start of what would later become the human race. Adam's figure is
curved as he stretches out to God, taking one's mind to the idea that man is made in
the likeness of God himself. The way the two dominant figures relate and correspond
to each other, one can almost see the closeness that Adam has with his creator.
Michelangelo made the Creation of Adam in such a way that the figure of Adam
echoes the figure of God, almost as if one is nothing but an extension of the other.
God's form, in turn, is stretched out to reach Adam. However, God appears to be in
some suspended imperceptible shape that houses him and other angelic figures.
Moth man Statue by Bob Roach
Though not everyone may have known Bob Roach, 81, of Letart, they most certainly
knew his work. Roach, who died Aug. 30, was an artisan when it came to stainless
steel with his unique pieces known around the world, particularly the famed
Mothman statue that sits in Gunn Park in downtown Point Pleasant. Roach’s steel
statues also appear in an impressive family of historical figures in Point Pleasant’s
Riverfront Park. His sculpture of Jesus Christ also more recently ended up at Heights
United Methodist Church on North Main Street in Point Pleasant. Even more of his
work appears in his native Bend Area at the New Haven Fire Department and
Wahama Junior/Senior High School.
Whang-od
If there is one person who could best represent the rich culture of Kalinga, a province
located in the far north of the Philippines, it is none other than Whang Od, the oldest
Filipino tribal tattoo artist. Some even say she put Kalinga on the Philippine map of
must-visit places for local and foreigners alike. In fact, many people brave the cold
weather and the 10-hour trip to the mountains just to get inked by her.
Whang-od Oggay is known as the last mambabatok (Kalinga tattooist) from the tribe
of Butbut in Buscalan, Kalinga. She has been tattooing for the past 80 years
including head hunters of the indigenous tribe, at the beginning of her long career.
Michelangelo Merisi da Caravaggio
Arrogant, rebellious and a murderer, Caravaggio's short and tempestuous life
matched the drama of his works. Characterised by their dramatic, almost theatrical
lighting, Caravaggio's paintings were controversial, popular, and hugely influential on
succeeding generations of painters all over Europe.
Born Michelangelo Merisi, Caravaggio is the name of the artist's home town in
Lombardy in northern Italy. In 1592 at the age of 21 he moved to Rome, Italy's
artistic centre and an irresistible magnet for young artists keen to study its classical
buildings and famous works of art. The first few years were a struggle. He
specialized in still lifes of fruits and flowers, and later, half-length figures (as in 'The
Boy bitten by a Lizard') which he sold on the street. n 1595, his luck changed. An
eminent Cardinal, Francesco del Monte, recognised the young painter's talent and
took Caravaggio into his household. Through the cardinal's circle of acquaintance,
Caravaggio received his first public commissions which were so compelling and so
innovative that he became a celebrity almost overnight.