TEMA 7 (Vowels)
TEMA 7 (Vowels)
TEMA 7 (Vowels)
OUTLINE
1. INTRODUCTION
2. MAIN CONSIDERATIONS
2.1. PHONETICS/PHONOLOGY
2.2. VOWELS/CONSONANTS
3. VOWEL CLASSIFICATION
3.1. VOWEL LENGTH/QUALITY
3.2. POSITION OF THE SOFT PALATE
3.3. POSITION OF THE TONGUE
3.4. POSITION OF THE LIPS
3.5. TENSE VS LAX
3.6. WEAK VS STRONG
4. PHONETIC SYMBOLS AND SPELLING
5. DIPHTONGS
5.1. CLOSING
5.2. CENTRING
6. SPANISH AND VALENCIAN VS ENGLISH VOCALIC SYSTEM
7. CONCLUSION
8. BIBLIOGRAPHY
1. INTRODUCTION
One of the basic … that differentiates languages and defines them is their pronunciation, the
way each language sounds. Spanish people say that one of the most difficult parts of English is
its pronunciation, especially that of vowels. English pronunciation is not always predictable
from the spelling forms that you see. Words that look the same might have very different
pronunciations. For example, cough, tough, through, bough, though, borough all end
in ough but all have a different British English pronunciation.
When we learn a new language, we try to equate new sounds with the ones from our mother
tongue. Spanish students have difficulties in mastering English sounds and differentiating
those which sound similar to them because of the non-existence of those exact sounds in our
vocalic system. For that reason, this topic is aimed at explaining in detail the vocalic system of
the English language, the phonetic symbols that represent it and their different realizations or
spellings.
2. MAIN CONSIDERATIONS
2.1. PHONETICS / PHONOLOGY
Linguistically speaking, we may establish a distinction between the terms phonetics and
phonology.
On the one hand, phonetics deals with characteristics of the sounds themselves without any
reference to their function. Since the phonetic unit is the sound, it formulates methods of
description and classification of the sound types which occur in speech:
On the contrary, phonology deals with phonemes (the smallest distinctive unit of speech
which may differ according to the phonetic environment in which it occurs). Thus, phonology
involves the study of the concrete phonetic characteristics within the context of a specific
language (English or Spanish phonemes, for example):
How particular sounds (vowels, consonants) contrast to form an integrated system.
How that system differs from one another.
The nature and use of prosodic features like pitch, stress and length.
Celce-Murcia (2001) claims that defining vowel sounds and describing their phonetic
properties is not as simple a matter as naming the five orthographic vowels (a, e, i, o, u). In
fact, when we begin to examine the vowel sounds of English more scientifically, we find that
there are at least 12 distinct vowel sounds.
Vowel sounds differ from their consonant counterparts in that the airstream is allowed to
escape from the mouth in an unobstructed manner, without any interruption. There is no
contact of the articulators as there is in the production of consonant sounds, and this is the
reason why the classification of vowels is not so clear-cut as that of consonants.
3. VOWEL CLASSIFICATION
Grimson’s system of phonetic transcription is the most widely phonetic analysis used in the
field of teaching English pronunciation. He distinguishes 20 phonetic realizations of the vowel
phonemes:
7 short vowels
5 long vowels
8 diphtongs
Vowel sounds can be distinguished from each other by several features related to the position
of the main organs responsible for the resonators, such as the soft palate, tongue and lips.
Therefore, a common classification must describe the position of the articulatory organs
according to:
1. Vowel quality
2. The position of the tongue
3. The position of the soft palate
4. The position of the lips
We deal both with the nasal and oral cavity. Vowels are then classified as oral vowels if the
soft palate is raised, so that the air is forced to go out only through the mouth, and nasal
vowels if the soft palate is lowered, so that the air can pass through the nose as well as
through the mouth. The vowels pronounced this way are always in the environment of a nasal
consonant as in the word “sing”.
Vowel sounds can be distinguished from each other by the degree of raising of the tongue, and
by which part of the tongue is raised. Accordingly, in relation with the raising of the tongue,
we distinguish four degrees:
Close vowels (the tongue is held as high as possible without touching the roof of the
mouth) /iː/ /uː/
Semi-close vowels (the tongue is about one third of the distance from close to
open) /ɔː/ /ɪ/ /ʊ/
Mid vowels (the tongue is in the middle) /ɜ:/ /ə/ /e/
Semi-open vowels (the tongue is about two thirds of the distance from close to
open) /ʌ/ /ɒ/
Open vowels (the tongue is as low as possible) /ɑː/ /æ/
With respect to the part of the tongue raised, we distinguish three types:
Front vowels (the front of the tongue moves towards the hard palate) /iː/ /e/ /æ/
Central vowels (the central art of the tongue is raised) /ɜ:/ /ə/ /ɪ/ /ʊ/ /ʌ/
Back vowels (the back of the tongue is raised to the soft palate) /ɑː/ /ɔː/ /uː/ /ɒ/
According to Grimson (1980), another factor that characterizes the production of vowel
sounds is lip position, which can be described as rounded, spread and neutral.
Rounded vowels (drawn together with a round opening) /ɔː/ /ɒ/ /ʊ/ /uː/
Spread vowels (characterized by lips together) /iː/ /e/ /ɜ:/ /ɪ/ /ʌ/ /æ/ /ɑː/
Neutral vowels (included by Celce-Murcia, 2021) /ə/
Tense vowels are articulated with more muscle tension than lax vowels. This muscle tension
serves to stretch the articulation of tense vowel sounds to more extreme positions of the
mouth, making them less centered. Often, tense vowels are accompanied by a glide, which is
defined as a slight diphtongization.
On the contrary, to produce lax vowels the tongue is supposed to be held loosely, and the jaw
also drops slightly. Moreover, the tongue moves towards the central position of the mouth.
English is a stress-accent language, where content and function words may be stressed or
unstressed (weak or strong), both at word and sentence level. Besides, we deal with
reductions of unaccented vowels to schwa.
Since content words (nouns, verbs, adjectives) generally retain some measure of qualitative
prominence even when no pitch prominence is associated with them, we will concentrate on
weak and strong forms regarding function words (prepositions, articles) since they are
usually pronounced in English with their weak form. Besides, function words have two or
more qualitative patterns according to whether they are stressed (special situations or
isolated) or unstressed (the normal case).
Strong forms:
When it occurs at the end of a sentence, as in reduced sentences, short answers, etc.:
Where are you from?/ Tom does / Yes, I do.
When a function word is in opposition to another word so as to establish a clarification
of meaning: I laugh with him, not at him.
When a function word is given special stress for emphasis purposes: You must do it.
According to the previous classification according to several factors, here follows a vowel
quadrant:
4.1. /iː/
4.2. /I/
4.3. /e/
4.5. /æ/
4.6. /ɑː/
a pass er clerk
ea
ar art heart
r
au aunt al calm
4.7. /ʌ/
o come ou trough
oo blood, flood oe does
u cut, sun
4.8. /ɒ/
o sorry ou cough
au because ow knowledge
a what
4.9. /ɔː/
4.11. /ʊ/
o woman u full
oo good ou could
4.12. /ə/
There is no regular character to represent de schwa.
It appears in most unstressed syllables.
It’s the most common vowel to appear in English.
5. DIPHTHONGS
A diphthong is a glide from one vowel to another, and the whole glide acts like one of the long,
simple vowels. All the diphthongs in English are falling, which means that the first element
carries all the vocalic strength when the diphthong is pronounced, and the second element is
the point in the direction of which the glide is made, and therefore, it is not pronounced so
loud as the first part.
5.1. CLOSING
In Spanish, there are 5 vowels and there is no long or short distinction between them. In
Valencian, we have two more vocalic sounds (“open e” and “open o”).
This chart shows Spanish vowels and their different realizations in English:
7. CONCLUSION
8. BIBLIOGRAPHY