SHIFT - Pioneers Pitch
SHIFT - Pioneers Pitch
SHIFT - Pioneers Pitch
WRITTEN BY DIANA IRVINE & BIANCA RUSU // A DECK BY SIMILAR BUT DIFFERENT
overview & tone
Survival stories are integral to our perception of America and the foundation of its Mecca: the West. We have seen them
countless times: a battle against the elements, extreme mental and physical stress in the wilds of nature, and our most
primal instinct to get ‘home’. But tales of female heroism often fade into the background of history books and
Hollywood films in service of male-centeredness. We have chosen to focus our story on two women breaking ground in the
earliest stages of the American West: Lois and Claire, not Lewis and Clark. Evolutionary theory suggests that the
child-bearing ability, maternal instinct and unique camaraderie embedded in females makes them the ultimate survivors.
Countless Pioneer mothers literally gave birth in a moving wagon. We aim to explore female archetypal power through the
discovery of robust self-sufficiency. The end result or measurement of success is irrelevant. The true test is staying
in the fight.
The greatest female survival story is quite simply: the History of Women.
EXT. CALIFORNIA DESERT (1849) - DAY
A raging sun bakes the caked dust of wide, open land. No sign of
civilization; a mountain range looms in the far distance. The
CRUNCH of footsteps. CORA & MATTIE, women in their early 20s, walk
slowly over the expanse. Their lips are blistered, and their
dresses soiled. Cora carries a small water CANTEEN. Mattie carries
a baby in her PREGNANT belly. Words catch in their dry mouths...
production design & visual tone
wasted and barren. cracked and cooked — a warped landscape, shimmering with
radiating heat; a nearly baked mirage.
our camera will inch through this desert: another character creeping through
the heat, fighting to move an inch. we plan to partner wide, static scope with
stumbling intimate close ups. á la MEEKS CUTOFF we’ll witness the patience and
impossibility of the world — with wide landscape shots — partnered with the
very human textures of skin, hot breath, and squint beneath a bonnet; we want
to feel every sunburn and blister. its a wonder they can even speak. let alone
push forward. burrowing under your skin with subtly, we’ll feel that struggle
of movement — that sway of desperation.
MATTIE
Cora we might go back.
CORA
For what?
MATTIE (CONT'D)
(re: her belly)
It’s been a full day since I have
felt him move.
CORA (CONT'D)
Let us not talk on it anymore.
MATTIE
(distraught)
I don't see it--
CORA
Try. Try harder to see.
Just ahead!
MATTIE (CONT'D)
The blue…
CORA
The blue! Praise be to God!
CUT TO BLACK.
ABOUT DIRECTORS: SIMILAR BUT DIFFERENT
After a year of living off the grid in Marfa, TX, artist Charlotte Fassler — former visual
editor and producer at Man Repeller — officially partnered with long time creative
collaborator Dani Girdwood — protege of director Reed Morano. Girdwood was coming fresh
off of THE HANDMAID’S TALE and associate producing Morano's most recent film I THINK WE’RE
ALONE NOW, starring Elle Fanning and Peter Dinklage.
Uniting under the moniker, SIMILAR BUT DIFFERENT, the NY based directing duo is known for
their work with raw human stories and authentic performance —
Together they’ve shot in London, Paris, Miami, Hong Kong, Ho Chi Min, Jakarta, and
Singapore.
ABOUT THE WRITERS & ACTRESSES: DIANA IRVINE & BIANCA RUSU
LA-raised and NY-trained, Diana Irvine is a proud alumna of New York Bianca Rusu is a Romanian-born, Toronto raised, New York educated, Los
University’s Tisch School of the Arts and the Atlantic Theater Co. Some Angeles local actor. She is a graduate of New York University's Tisch
notable roles from this time include Helen of Troy (Trojan Women) and School for the Arts, Atlantic Acting Studio, winning an award upon
Dawn (Heartsick Pioneer). She will make her theatrical film debut this graduating for Outstanding Achievement in Studio. Late last year, she
February with The Boy Downstairs, opposite Zosia Mamet, which premiered worked on Brie Larson’s directorial debut “Unicorn Store”, and James
at TriBeCa Film Festival and was awarded ‘Best Ensemble Cast’ at Napa Franco directed "The Institute". Her work in Canada includes most
Valley Film Festival. Diana’s short film, Cuddle Buddy, which she co- notably cult horror short "Demonology of Desire" which ran the festival
wrote and co-starred in, premiered on 'Short of the Week' and will play circuit worldwide garnering her a Best Actress award at the City of
at Vail Film Festival in early April. She is currently performing in Death International Film Festival and at Fantastic Fest.
North Coast Repertory’s West Coast Premiere of Steven Dietz’s This
Random World.
ABOUT THE PRODUCERS: SLMBR PRTY
Kirstin VanSkiver is a producer based in New York City. She has
produced work for top brands and advertising agencies such as
Google, Netflix, Dior, Buffalo Wild Wings, The ALS Association,
MMB, Deeplocal, and TBWA Chiat/Day. Her narrative and documentary
producing includes the short film “Mama Jane,” starring Constance
Shulman (Orange Is The New Black), the Frontline series “Betting
On Trump: Jobs,” and a feature length documentary on grass-roots
dirt track racing in upstate NY, to begin principal photography in
Spring 2018. Kirstin is excited to continue producing female led
stories with SLMBR PRTY Films.
Leah + Sarah Donnenberg are twin sisters who are 2 minutes apart. The
sisters grew up immersed in theatre, art, and dance, performing
professionally since the age of 5. In college, they focused their
studies on Advertising and Film which led them to a career in
commercial production. They are both senior producers at major
advertising agencies in NYC with eight years of experience working on
brands such as NBA, Google, Walmart and Tide to name a few. In
addition to their commercial work, they have produced music videos,
comedy skits, and most recently a short film titled “Mama Jane”. As
the need for branded content and branded entertainment continues to
evolve , Leah and Sarah are excited to be at the forefront of the
collision of indie filmmakers and advertising.
THANK YOU FOR YOUR CONSIDERATION