Arts 10 - Q1 - Las 1 2
Arts 10 - Q1 - Las 1 2
Arts 10 - Q1 - Las 1 2
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Name of Student: ______________________________________ Date: ________
Learning Area: ARTS Grade Level: 10 Quarter: 1st Week: 1&2 _
I. Introductory Concept
In all of human history, art has mirrored life in the community, society, and the
world in all its colors, lines, shapes, and forms. The same has been true in the last two
centuries, with world events and global trends being reflected in the art movements.
The decades from 1900 to the present have seen the human race living in an ever-
shrinking planet. The 20th century saw a boom in the interchange of ideas, beliefs,
values, and lifestyles that continues to bring the citizens of the world closer together.
In this learning activity sheet, you will discover impressionism the art movement
that emerged in the second half of the 19th century among a group of Paris-based
artists.
III. Activities
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B. The name impressionism was coined
from the title of a work by French painter
Claude Monet, Impression, soleil levant
2. (in English, Impression, Sunrise).
Impression, Sunrise Claude Monet,
1872 Oil on canvas.
1.____The painting conventions and techniques of earlier art periods were very much
concerned with line, form, and composition. In contrast, the impressionists painted
with freely brushed colors that conveyed more of a visual effect than a detailed
rendering of the subject. They used short “broken” strokes that were intentionally
made visible to the viewer. They also often placed pure unmixed colors side by
side, rather than blended smoothly or shaded. The result was a feeling of energy
and intensity, as the colors appeared to shift and move—again, just as they do in
reality.
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2.____Impressionists also began to break away from the creation of formally posed
portraits and grandiose depictions of mythical, literary, historical, or religious subjects.
They ventured into capturing scenes of life around them, household objects,
landscapes and seascapes, houses, cafes, and buildings. They presented ordinary
people seemingly caught off-guard doing everyday tasks, at work or at leisure, or doing
nothing at all. And they were not made to look beautiful or lifelike, as body parts could
be distorted and facial features merely suggested by a few strokes of the brush.
3.____The location in which the impressionists painted was also different. Previously,
still lifes, portraits, and landscapes were usually painted inside a studio. However, the
impressionists found that they could best capture the ever-changing effects of light on
color by painting outdoors in natural light. This gave their works a freshness and
immediacy that was quite a change from the stiffer, heavier, more planned paintings
of earlier masters.
4.____Impressionist painting also moved away from the formal, structured approach
to placing and positioning their subjects. They experimented with unusual visual
angles, sizes of objects that appeared out of proportion, off-center placement, and
empty spaces on the canvas.
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4 5 6
7 8 9
10 11 12
1._____ was one of the first 19th century artists to depict modern-life subjects. He was
a key figure in the transition from realism to impressionism, with a number of his works
considered as marking the birth of modern art.
2.______ was one of the founders of the impressionist movement along with his
friends Auguste Renoir, Alfred Sisley, and Frédéric Bazille. He was the most prominent
of the group; and is considered the most influential figure in the movement. Monet is
best known for his landscape paintings, particularly those depicting his beloved flower
gardens and water lily ponds at his home in Giver
3.______ along with Claude Monet, was one of the central figures of the impressionist
movement. His early works were snapshots of real life, full of sparkling color and light.
By the mid-1880s, however, Renoir broke away from the impressionist movement to
apply a more disciplined, formal technique to portraits.
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IV. Answer Key
Activity 1:
1. a
2. b
3. c.
Activity 2:
1. Color and Light
2. Everyday Subjects
3. Painting Outdoors
4. Open Composition
Activity 3:
1. A 7. G
2. B 8. H
3. C 9. I
4. D 10. J
5. E 11. K
6. F 12. L
Activity 4:
1. .A
2. B
3. C
VI. References
Music and Arts 10
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ACTIVITY SHEET No. 2
Name of Student: ____________________________________ Date: _______
Learning Area: Arts Grade Level: 10 Quarter: 1st Week: 3-5 _
I. Introductory Concept
Hello Grade 10 students! In this learning activity sheet, you will be provided with
the knowledge about Post-impressionism works of Paul Cézanne and Vincent van
Gogh.
III. Activities
Direction: Identify the title of each post-impressionism art works. Write only the
letter of the correct answer.
a. Hortense Fiquet in a Striped Skirt Paul Cezanne, 1878 Oil on canvas
b. Still Life with Compotier Paul Cezanne, 1879-1882 Oil on canvas
c. Harlequin Paul Cezanne, 1888-1890 Oil on canvas
d. Boy in a Red Vest Paul Cezanne, 1890 Oil on canvas
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e. Sheaves of Wheat in a Field van Gogh, 1885 Oil on canvas
f. The Sower Vincent Vincent van Gogh, 1888 Oil on canvas
g. Still Life: Vase with Fifteen Sunflowers Vincent van Gogh, 1888 Oil on
canvas
h. Bedroom at Arles Vincent van Gogh, 1888 Oil on canvas
i. Starry Night Vincent van Gogh, 1889 Oil on canvas
j. Wheat Field with Cypresses Vincent van Gogh, 1889 Oil on canvas
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3 4
5 6
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7 8
9 10
Activity 2: IMPASTO
Creating Your Own Impressionist Artwork: Impasto
One of the most distinctive painting techniques used by impressionist artists
was Impasto. Impasto is the very heavy application of paint to the canvas often with a
spatula or knife instead of a paintbrush, and sometimes even directly squeezed from
the tube.
In this activity you will need the following materials:
¼ illustration board or chipboard
Tubes of acrylic paints (can be shared among the class members)
Paintbrushes
Wooden popsicle sticks
Pencil
Rags for clean up
Procedure:
1. Decide on a simple design for your artwork. Keep in mind what paint
colors are available to you.
2. Using a pencil, sketch in the general design on the illustration board
or chipboard.
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3. Apply the paints to your design with the brush, then more thickly
with the popsicle sticks and, in certain spots, squeeze the paint
directly from the tube.
4. Allow the paint to dry thoroughly before handling or displaying the
finished artwork.
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IV. Answer Key
Activity 1:
1. a
2. b
3. c
4. d
5. e
6. f
7. g
8. h
9. i
10. j
VI. References