SuperRack SoundGrid User Guide
SuperRack SoundGrid User Guide
SuperRack SoundGrid User Guide
Introduction ............................................................................................................. 7
Part 1: Getting Started ............................................................................................. 8
Software Installation ................................................................................................................................... 8
Hardware Configurations .......................................................................................................................... 10
Connecting the Hardware ...................................................................................................................................................13
SuperRack SoundGrid I/O Device Assignment.....................................................................................................................14
Routing I/O Channels to Racks .................................................................................................................. 16
Inserting Plugins ........................................................................................................................................ 18
Floating Panels .......................................................................................................................................... 19
Detaching a Panel ............................................................................................................................................................................. 19
Detached Plugin Panes ..................................................................................................................................................................... 20
Hot Plugins Panel.............................................................................................................................................................................. 20
Tear-Off Windows ............................................................................................................................................................................ 21
System Requirements ............................................................................................................................... 21
Part 2: Top Bar ....................................................................................................... 22
Left Panel: Rack Controls........................................................................................................................... 23
Rack Name ..........................................................................................................................................................................23
Racks Menu .........................................................................................................................................................................23
Rack Select........................................................................................................................................................................................ 24
Racks Menu: Import and Export Presets .......................................................................................................................................... 24
Racks Menu: Save and Copy Presets ................................................................................................................................................ 25
Racks Menu: Copy/Paste Presets ..................................................................................................................................................... 25
Racks Menu: Rack Recall And Auto Route ....................................................................................................................................... 26
Current Preset......................................................................................................................................................................26
Link Group Assignment........................................................................................................................................................27
Latency Group Assignment..................................................................................................................................................28
Center Section: Window Selection Tabs ................................................................................................... 29
Overview 1 and Overview 2 Windows ............................................................................................................................................. 29
Rack Window .................................................................................................................................................................................... 29
Show Window .................................................................................................................................................................................. 30
Patch Window .................................................................................................................................................................................. 30
Setup Window .................................................................................................................................................................................. 31
SuperRack SoundGrid operates in a SoundGrid network, and each host can assign up to eight servers. This moves
plugin processing from the host computer to the server and significantly increases plugin count, minimizes latency,
and enables the host and I/O devices to be far removed from each other.
The first chapter of this user guide is about getting started: installation, configuration, the basics of using SuperRack.
Read it; it may be all you need. The rest of this guide provides detailed descriptions and about every section of the
product. You’ll also find explanations of some of the concepts that you need in order to effectively run a networked
system (e.g., clock, I/O sharing, chaining, latency). There’s a comprehensive table of contents that will quickly take
you to the topic you need, and throughout the guide there are internal links that jump to relevant information.
Software Installation
1. Use the Waves Central application to download and install all Waves software and manage licenses. If you
don’t have Waves Central, you can download it here: https://www.waves.com/downloads. You’ll need a free
Waves User Account to log on to Waves Central. If you don’t already have a Waves account, click the Sign-Up
button on the Waves home page.
2. Launch Waves Central. On the left side of the interface, select Install Products and then go to My Products.
This shows a list of all your Waves purchased products. If you don’t see SuperRack or your plugins in this list,
go to your Waves account and register the products. You can also select the All Products tab, which shows
you a list of the entire Waves catalogue. This is an easy way to choose plugins for purchase or demo.
3. Select the SuperRack application and the plugins that you want to install. Products selected for installation
and/or license activation are shown in a list on the right side. Click the “Install” button, or “Install & Activate” if
you are activating licenses. The SuperRack application and your plugins will be installed on your computer. By
default, licenses are activated to your computer.
4. You can install SuperRack and your plugins on more than one computer (e.g., your studio computer, along
with a few live venue setups). Follow the instructions above to install SuperRack and your plugins on as many
computers as you like, and then activate your licenses to a USB flash drive rather than to your computer.
If your production computer is not connected to the internet, you can use Waves Central to create an offline
installer. An offline installer must be created on a computer that’s connected to the internet. It includes the
SuperRack application and your plugins. Save this installer on a USB flash drive and use it to install
SuperRack on your production computer (that is not connected to the internet). Activate your licenses
separately on a USB flash drive.
Host computer Runs the SuperRack that controls the SoundGrid network. The SuperRack application, plugins,
and preset files are located here. However, audio is not processed on the host computer. The SuperRack
application runs on both Mac and Windows and can support multiple displays.
SoundGrid server The “number cruncher”—all plugin processing is done here. The speed of the server has a
direct impact on the number of SoundGrid channels and plugin instances available to you.
SoundGrid 1Gb Ethernet switch Links the I/O devices, server, and host computer. Note the model and version
of the switch you purchase: some versions work well, others don’t. To ensure compatibility, we suggest that you
obtain your Ethernet switches from Waves.
Console/sound card/IO devices You can assign SoundGrid I/O devices that are located on the SoundGrid
network. These range from 2-channel preamps to 128-channel MADI interfaces. You can also use the
ASIO/Core Audio sound card as the I/O or add a console expansion card.
This is a classic SuperRack SoundGrid FOH/Stage configuration. It provides on-stage I/Os for mics and monitors
and an I/O for FOH and PA. The second server provides redundancy. The SG ASIO/Core Audio driver patches the
SuperRack host to a DAW for recording and for virtual sound checks. In this example, the DAW is in a separate,
dedicated computer.
This setup is built on the basic SuperRack configuration— it’s simply larger and stronger. You can add more I/Os
anywhere on the SoundGrid network. You can also assign driver channels from the host computer.
2. Take care to protect connectors and cables from crushing and shearing.
3. Connect the host computer and server(s) to the switch.
4. Power up all devices.
5. Launch SuperRack.
This is an overview of device assignment in SuperRack SoundGrid. To learn more, refer to the
Assign I/O Devices: SuperRack SoundGrid section of this user guide (begins on page 38).
Your SoundGrid network assets are referred to as the “Inventory.” These devices are assigned in the
Setup Window >Inventory Page, shown here.
When the configuration has finished, there will be a brief audio dropout, the length of which depends on the
size of the session. Don’t reconfigure when you can’t tolerate a drop. Wait for a short pause in the program.
If you later change your inventory, you can reconfigure the devices by clicking the Auto-Configuration button.
Servers
Servers are assigned in the same manner as I/O devices. If you assign two servers to a server group, the second
server is marked as redundant (RSGS).
To learn more about assigning devices, please refer to Part 3: Setup Window (begins on page 37).
Select a device.
In this example, Rack 1 input is five channels wide (5.0). Its patching is:
Input A, STG 1608-1, Analog mic/line channels 2-6, stream format L-R-C-Ls-Rs (ITU).
An I/O can be patched to several rack inputs. Only one rack can patch to an output I/O.
If the channel formats for the rack’s input and output are the same
(e.g., mono-to-mono, stereo-to-stereo, 5.1-to-5.1, etc.), the I/O
channel numbers for a rack’s in and out will increment together.
Here, inputs and outputs are mono:
Rack 1: input D1, output D1
Rack 2: input D2, output D2
Rack 3: input D3, output D3, etc.
If, on the other hand, the rack input has fewer channels than
output channels (or vice versa), certain channels will go
unused so that each rack begins with the same input and
output channel number. In this example, rack input is mono,
and output is 5.0. The resulting patching looks like this:
Rack 1: input D1, output D1–D5
Rack 2: input D6, output D6–10
Rack 3: input D11, output D11–15, etc.
Changing plugin order may result in a short audio drop. Wait for
a convenient time to rearrange the rack.
DETACHING A PANEL
Each detachable panel has a Float symbol at the top of its frame. Click this button to detach
the panel from its dock. It can now be positioned anywhere on the SuperRack interface. When
a panel has been detached from its original position, the Float symbol is blue.
Click anywhere else on the display and the floated panel will move backward and disappear. To keep a panel in the
foreground, click the Pin button. Click the Float symbol again to return the panel to its dock.
The Floating Panels drop-down menu on the right side of the Top Bar is a list of all detached
panels. Select a panel or window and it will move to the front.
The name of the current session is shown at the top of the list.
At the top of a floating plugin is a control bar. There are three control buttons:
Deselect the IN button to bypass the plugin.
Click the Pin button to keep the detached plugin visible when other plugins are detached. A pinned plugin
remains visible in all SuperRack views.
Close the window and the floating plugin panel will return to the plugin pane. You can also close a window by
clicking on the Detach symbol.
The original Window Selection Panel. All window tabs are available. In this
example we will separate the Rack window from the other windows to create
its own screen.
This creates a new screen containing only the torn-off window. Move this
separated window to another display.
The main display can access any window except the secondary view. Repeat
the procedure for additional displays.
The name of the panel will appear in the Floating Panels drop-down menu. Click on the window
name and it will move to the front. Close the torn off window to return it to the default location in
the Top Bar.
System Requirements
Specifications for host computers, cables and connections, servers, display resolutions, and controllers can be found
at Waves Support.
The Top Bar is visible from every SuperRack window. It includes the menus, information boxes, system feedback,
and navigation tools that you need all the time.
Rack Name
The Rack Name box displays the name of the selected rack. Left and right arrows move the selection to the previous or
next rack. You can move directly to a rack using the Racks menu on the right. To rename a rack, double-click on the
Name box and then type. If the rack is set to Recall Safe, the word “SAFE” appears.
Racks Menu
The Racks menu is used to load, save, import and export, and copy and paste the presets
for the selected rack. A Rack Preset is a complete description of a rack (i.e., I/O patching,
rack structure, and plugin settings).
A rack’s settings can be copied from one rack to another. Factory presets can be loaded,
modified, and then saved as new user presets. Presets can also be copied and exported
as files, which can then be imported to another SuperRack host. This enables moving
individual racks between sessions.
The Racks Menu is divided into five sections, indicated here with letters.
RENAME PRESET
Changes the name of the current rack preset.
PASTE PRESET
Pastes the copied rack preset from the clipboard to another rack. A dialog box lets you choose what rack information
will be replaced in the target rack and what will be left unchanged.
Note: Before you paste a rack preset to another rack, make certain that the plugins and their sequence is the same
on the source and target racks. Loading a preset to a rack that uses a plugin chainer order that’s different from that
of the current rack will apply the new preset to all scenes. This action cannot be undone.
Current Preset
Displays the rack preset if one is loaded. An asterisk (*) indicates that the preset has been modified since it was
loaded.
The Link Group Assignment box displays the name of the link group that the rack
is assigned to. A link group can include up to 64 racks, but a single rack can be a
member of only one link group. The Patch window provides an overview of all link
patches in the session and allows you to make many assignments simultaneously.
RACK WINDOW
The Rack window is a detailed view of the selected rack.
It’s used to control plugins, assign I/Os, set input and
output levels, and recall hot plugins and user-assigned
keys. When a plugin in the chainer is selected, its
complete interface is displayed in the middle of the
screen.
PATCH WINDOW
Snapshots Menu
The Snapshots menu is used to store and recall snapshots. The name of the current
snapshot and its index number are displayed in the box. If a snapshot has been modified
since it was recalled, its name is followed by an asterisk (*). A session can hold up to
1024 snapshots.
Snapshots are discussed at length in the Snapshots section of the Show chapter
(pages 124–129).
Session Menu
Used to open and save sessions and templates:
Session: Displays the name of the current session.
Open Session: Opens a session from a file.
Open Template: Opens a session template, which you will save as a regular session.
Save Session: Saves the current session, overwriting the previous save to that file (in other words, a regular
save).
Save Session As: Saves the current session to a new file.
Save Template: Creates a new SuperRack template from the current session.
Status Panel
PROVIDES CRITICAL SYSTEM FEEDBACK:
CPU Indicators
The CPU indicator bars display the average CPU load of all cores of the primary server in the
server group. The number beneath also shows the average CPU load for that server. The small
line above the bar shows the peak load of the core with the highest CPU in that server group.
The color of the bar indicates server CPU status. CPU values are shown numerically in the Inventory page.
METER INDICATION
GREEN BAR CPU load is less than 75%. It is likely that more plugins can be added.
RED BAR The bar turns red when CPU exceeds 85%.
ORANGE DSP LINE Displays peak CPU of the core with the greatest CPU load. The bar turns
red when peak load of the busiest core exceeds 85%.
Utilities
CLOCK
The clock displays the current time on the host computer. When MIDI Control is used, this box can display MIDI timecode.
MIDI ACTIVITY LED
Flashes when incoming MIDI is present
GLOBAL TEMPO SECTION
This section sets the tempo for all relevant plugins. By default, tempo-based Waves plugins are in a “tempo listen”
state. Their tempo rates will fix to this value. Alternatively, click a rhythm on the Tap button. These taps are
averaged to create a tempo value. You can also enter a numeric value in the box below. The tempo light flashes at
the designated tempo.
FULL SCREEN MODE
Full Screen On: Fits the SuperRack window to 100% of the resolution set for the display (screen space), while
maintaining the aspect ratio. Click again or tap ESC to exit Full Screen mode.
Full Screen Off: Window behavior follows the Scaling selection in the Settings window.
Inventory Page
Assign I/Os, drivers, servers, and
controllers. Configure and monitor the
SoundGrid network.
Use the buttons on the left sidebar to move between Setup pages.
LINK STATUS
Reports the status of the Ethernet connection to the host computer.
Range: UP / DOWN / INVALID
SPEED
Reports the speed of the S oundGrid network: 100 Mb/sec, 1 Gb/sec, N/A.
SAMPLE RATE
Reports the sample rate of the SoundGrid network.
AUTO-CONFIG
A SuperRack system can be configured manually or with the aid of this auto-configure tool. Auto-Configure
surveys the network for available I/O devices and assigns them to SuperRack. Auto-Configure requires that the
correct LAN port is selected. If you forget to select the port, or if you chose incorrectly, you will be prompted to
select the correct port.
CLEAR ALL
Removes all assigned I/O devices, servers, and drivers.
Up to four servers—on any SuperRack system on the local area network—can be assigned to a SuperRack: two
main processing servers and two redundant servers.
Clock Indicators
Font Color Indication
Green SOE slave device is working properly and is owned by this user. 1
Blue The SOE master device is working properly and is owned by this user. A blue “M” indicates
that this device is the clock master of the local SOE network.
Red The device is not available (e.g., disconnected, in the process of firmware re-flashing, owned by
someone else). This state overrides other settings if there is a conflict. Device icon text: "Not
Available: (owner's name)." Red also indicates an offline device.
Orange This is a shared device that you can assign to your inventory and patch to its free I/O channels.
1
SoundGrid uses Ethernet to stream audio between devices. Clock synchronization is also carried over Ethernet. This method of providing clock
is called Sync over Ethernet (SOE). The local network of devices clocked to the same system is called the “SOE Network.”
Offline A virtual device is assigned to this rack slot for offline preparation of
sessions without I/Os connected. All device patching will be maintained
when the session is launched on a complete system.
Clock Master M (master) / (blank = slave) Identifies the device as the clock
master of the SOE network.
FW Firmware status and re-flash start Click the FW button to start firmware
update.
Gray Firmware is compatible with installed mixer software.
Blue Firmware is compatible with installed mixer software, but a newer version exists. Firmware should
be updated as soon as possible.
Red Firmware is not compatible or is out of date. Click the FW button to re-flash device hardware.
1. Select “Set Master.” This opens a drop-down menu of all I/O devices assigned to the SOE network.
2. Choose a device. Its icon changes to blue and “M” appears. Other assigned devices will become slaves.
The clock slave/master assignment of certain I/O devices cannot be changed directly from the SuperRack interface.
One example is when an I/O device is receiving clock from another device via word clock or AES. In this case, the
I/O clock cannot be set from the Inventory page, but rather from its own control panel.
Consult the user guide for your I/O devices if you need to change clock settings using the control panel.
Driver Channels Range: 32–128 channels, Sets the number of channels assigned to the SoundGrid
and Auto ASIO/Core Audio driver. A higher number of driver channels can
Default: 32 channels increase network load and may require more buffering. AUTO
assigns the maximum number of driver channels available, based
on the number of input and output device channels.
Driver Network Buffer (Values in samples) The network buffer helps the OS send synchronized information
Range @ 44.1–48 kHz: between the ASIO/Core Audio drivers and the I/Os through the
104, 144, 192, 240, 288, network port. When many channels are going in/out of the
336, 384, 432, driver(s) to several destinations, the Driver Network Buffer size
480, 528, 576, 1024 may need to be increased to reduce the possibility of audio drops
Range @ 88.2–96 kHz: or artifacts as a result of overloading the network port driver.
208, 256, 304, 352, 400,
448, 496, 544,
592, 640, 1088
All host computers on the SoundGrid network should have the same up-to-date version of SuperRack
and SoundGrid Studio software installed. Device firmware should match the host applications. You can
download and install the latest versions from Waves Central.
A host that has assigned a device to its Inventory is the manager of that device. When a device is removed from a
host, the device becomes Free and it can be assigned by any other host, which in turn becomes its manager.
2
Version-specific limitations apply. Please check www.waves.com for specific information regarding constraints.
For example, a 128-input MGB patched to four hosts will use up the 1 Gb network capacity of the SoundGrid
network. 3 In this case, the device will output 128 x 4 channels=512 channels (at 48 kHz).
3
DiGiGrid MGB and MGO MADI-to-SoundGrid interfaces are used to connect MADI-enabled devices to a Waves SoundGrid network. The MGB
unit is equipped with MADI BNC connections; MGO is equipped with MADI optical connections. Refer to the MGO user guide, which is available
on the Waves Manuals download page.
SuperRack SoundGrid / User Guide
50
SETTING UP DEVICE SHARING
For other SuperRack systems to access a device in your Inventory, you must
enable sharing for the device:
• Select the assigned device you wish to share.
• Select Share from the device’s drop-down menu. The sharing symbol
will appear on the device icon.
Only the manager of a device can activate its sharing.
Other systems can now assign the I/O device to their Inventories and patch
available I/O channels. Output I/O channels patched by the manager cannot
be shared with other systems until the device’s manager releases the
patches or removes the device from its Inventory.
When assigning a shared device whose clock source is not the same as that of the
client system, this prompt will appear (left). Click OK to set the clock of the client
system as your system’s clock. The shared device, or its master clock, is now the
local SOE clock master for all the devices in your local SoundGrid network.
If this clocking configuration is not acceptable, cancel from the dialog. Create a clock source that is common to the
host system and the client system and then start sharing.
Use each system’s Set Master menu to reassign clock masters. Select the same device in both systems, if possible,
and the clock will be common to both systems. If this is successful, the shared device can now be a slave in the
client system.
If the shared device cannot synchronize to the new clock, it will be unavailable for sharing
by that host. Other SuperRack hosts in the super system may be able to sync to the
shared device if they can adjust their clocks accordingly.
A shared device can be a slave or the clock master of its own SOE network,
indicated by the M on the shared device’s icon (left). On the right, the device is
still the SOE master of the system it’s being shared with but it is a slave within its
own system.
When devices from more than two systems are assigned to a system’s inventory, all systems must be locked to the
same master clock device.
Note: Changing the master clock assignment in a system that includes shared devices will result in a
clock reset in all associated systems. This causes a short audio dropout.
There may be situations where a device is not managed by any host. It will continue to stream audio and it
can be used, and patched, but its control panel settings cannot be modified until one of the hosts claims full
management of this device.
Normally, reassigning the management of a device will not affect the audio. In certain situations, however, changing
the device management can result in routing changes.
Assigning Servers
Server assignment is the same for all SuperRack systems, regardless of the physical location of the servers.
4
Version-specific limitations apply. Please check www.waves.com for specific information regarding constraints.
The second server assigned to a server group will serve as the group’s redundant
server. A small mark next to the server group letter (circled here) shows that the
server is the redundant server in this processing group. Should the primary server
fail, its redundant copy will automatically and seamlessly take over processing for
the group. To work effectively, the group’s redundant server should be the same
model as the primary server and provide identical processing power.
“Test Redundancy” (the button above Group A) runs your session through the main and redundant servers
separately to confirm that each can handle the session without failure. If the redundant server cannot handle the
session’s processing needs, it will likely not be able to provide adequate protection.
When the test is finished, the results for each server group appear in a message box:
Green “V” Passed CPU load up to 75%
Orange “V” Passed marginally CPU load 75%–85%
Red “X” Failed CPU load above 85%
1. Select a Rack and open the Processing Server drop-down menu in the Rack’s input section. The list displays the
following information:
a. Server group letter
b. Server name (“friendly name” if you have renamed the server)
c. Peak CPU value
d. Average CPU value across all cores.
2. From the list, choose a server group for plugin processing. Server group A is the default selection.
Server Status
Indicators on the icon describe server status.
The meter bars on a server icon indicate CPU usage of each of the server’s cores. There is one meter per core.
The solid bar areas display average DSP use per core. A yellow line shows peak DSP use per core.
Both indicators are color-coded.
• A high CPU average load value means that the network line carrying the connection may be reaching its limit
and dropouts might occur. Reduce the number of channels on this connection to reduce the network load.
• A low CPU load, combined with audio drops, on a connection from a server might indicate the server is causing
the drops. If the server’s peak CPU is high, reduce the server load or switch to another server.
• A low load and low SoundGrid server CPU might indicate a bad cable.
• Widespread drops can indicate that the switch may be faulty.
Note: Certain devices (e.g., IOS) incorporate a server and an I/O in one cabinet, but these components are
completely independent of each other. You may choose to rename the server or I/O to avoid confusion.
Click anywhere else on the SuperRack window and the Routing View Panel will move backward and disappear. To
keep a panel in the foreground, click the Pin button. Click the Float symbol again to return the panel to its dock.
The Controllers slots at the bottom of the System Inventory page are used to assign up to five control devices. These
devices can be used to control SuperRack functions. Click on a controller slot to open the drop-down menu and
select a controller protocol. All installed controller drivers appear in the list, whether the device is present or not.
Once a controller is selected and functioning properly, click on the Gear button to open its control panel.
SuperRack Configuration
Sets the number of racks in the session. Limiting the number of racks in a session to no more than needed makes
for a cleaner display.
Configuration is normally established when a session is created, but you can change the number of racks in an
existing session. However, if you reduce the number of racks in a session, the settings in racks that are no longer
part of the session will be discarded. Save a session under a revised name before you reduce its size.
GUI Scaling
SuperRack’s native display resolution is 1920x1080 (HD). The Scaling control sets how the SuperRack window
relates to displays.
Non-Scaled (default): SuperRack maintains its native size, regardless of the resolution of the display or displays.
Scaled: Scales SuperRack’s interface to occupy 90% of the screen of each connected display. Aspect ratio is
maintained.
Startup Session
Determines the startup condition of the mixer:
Previous Session Loads the most recent session to the last user save.
Last State Loads the most recent session to its last state before quitting.
Empty Session Mixer opens with a blank session.
Automatic means that the application launches and connects to the server automatically.
Manual means the application launches with the session but waits for you to press the Connect button to
connect to the server. This provides control over when the relinking mute will occur.
Lock
Determines what controls cannot be altered when the Lock button in the top bar is engaged. Any combination of
these controls can be locked: plugins, routing, snapshots, and password. In addition, the entire interface (GUI)
can be locked. All selections can be protected with a password.
Plugins
Rescans the plugins folder. This is useful, for example, if you download a demo plugin and you don’t want to
restart SuperRack. Use this as well when you configure a session offline.
History
Establishes preferences for auto-saving.
Autosave Every xx Minutes: Makes a complete copy of the current SuperRack condition at defined intervals
Range: 3 minutes–30 minutes
On Snapshot Update: Auto-save each time a snapshot is stored, recalled, or modified.
Save History Files To: Each time SuperRack does an auto-save, a new History file is created. Auto-saved files
are not deleted; new saves do not replace old saves. SuperRack provides a default location for history files:
Mac: Users/Shared/Waves Audio/SuperRack SoundGrid/history
Windows: Users\Public\Waves\SuperRack\history
Use the Browse button to select a new location. This path is saved in the session preferences.
User-saved session files are saved in the adjacent Sessions folder. Delete history files and session files using the
host computer, not the SuperRack application.
Troubleshooting
Warn Before Deleting Snapshots
If checked, a warning will appear when you attempt to delete a snapshot.
Show Patch Warnings
If checked, a warning will appear when you attempt to change a patch.
Enable Logging
An activity log is constantly being updated. Enable Logging switches the log detail level from Support to
Verbose. A Support-level log can be analyzed by Waves technical support for troubleshooting. A Verbose
level log is intended for developers.
Log
Opens the Log folder. If requested, send these files to Waves technical support for analysis.
Diagnostics
Runs a diagnostics test on your software and computer environment and creates a file, which is placed on
your desktop. The Diagnostics report is used by Waves to improve the product.
The User Keys panel can be torn off and floated to any location on the display. Click the
arrow in the top left corner of the panel to tear it off and to reattach it.
User Keys are assigned in the panel on the right side of the Settings page.
Select one of the 16 buttons, open the drop-down menu, and choose a function or
command.
Patching is the same for each kind of connection—only the frame around the Patching Grid changes to match the
nature of the assignment. Making a patch involves three steps.
Patch Views
The Patch Views selector is on the left side of the window. Selecting a Patch View determines the category of patch.
This establishes the framework of the patch grid and sets the possibilities of what can be patched to what.
Patching Frameworks
When you select a Patching View, the frame around the Patch Grid changes to provide the connections necessary
for the type of patch selected. The Patching Framework displays the specific I/O devices and their channels, racks,
link groups, or delay groups.
1–Device-to-Device
I/O Device Select Click on a device icon to display or hide its channels on the
framework. This makes for a tidier patch view.
Device name
Channel format: digital, analog
Certain patches are not possible (e.g., a device cannot patch to itself). Should you attempt to create a patch that is
Connector: mic, line, phones, AES, S/DIF, ADAT, Core Audio, etc.
not possible, you will see this prompt:
I/O Channel number A number indicates a mono channel; L or R indicates stereo.
Device-to-Device patching connects devices: it is not used to patch audio to and from a rack. Audio routing to and
from the racks is carried out in the Rack window and Overview windows.
If you’re using several I/O devices, the list of device icons may spread beyond the frame. Use the arrow buttons
to scroll the device list left and right or up and down.
2–Latency Groups
Use the Latency Groups framework to assign racks to latency groups, define the group’s behavior, and assign delay
values per rack. Latency is discussed in the next section, Managing Latency in SuperRack.
When racks are linked, the identical controls of all members of the group move together. Variable controls are linked
relatively. If controls are set to different values before they are linked, they will move together, and their offsets will be
preserved.
Controls that are linked:
• A/B input and output selection
• Input and output gain
• Plugin In/Out
• Mute
Plugin controls are not linked.
There are 16 link groups. Any link group can include up to 64 racks, depending on the size of the session, but a single
rack can be a member of only one link group. The Patch window is an easy way to assign racks to link groups and to
gain an overview of all link patches in the session.
Rack Number
Rack Name
You can also use the Link Groups Assignment drop-down menu to assign the selected rack to one of sixteen link groups.
To create noncontiguous patches Hold Cmd (Mac) or Ctrl (PC) and click on
the patch points
Click Clear All to remove all patches in a view. This cannot be undone.
Click the + and – buttons to zoom in and out of the Patch Grid.
Use the scrollbars at the bottom and right sides to move beyond the visible image.
Use the Latency Groups framework in the Patch window to assign racks to latency groups, define the group’s
behavior, and assign delay values per rack. You can also assign a rack to a latency group in the Top Bar.
RACK NUMBER
RACK NAME
LATENCY GROUP ON/OFF
Turning off a latency group suspends
it from latency compensation
calculations.
LATENCY GROUP NAME
Double-click to rename the group
ASSIGNMENT MODE
Auto: Group latency is calculated
automatically. It varies depending
on the latency of plugins in the
group.
Manual: In this mode, you can
assign a latency value to the
latency group.
LATENCY GROUP VALUE
In the Manual Assignment mode, this setting provides a fixed group latency. Group latency will never be less or
more than this value. This value box is disabled in the Auto Assignment Mode.
DELAY CALCULATION UNIT
Unit of measurement used for displaying the delay of a latency group. This selection does not affect the value, only
the display. The delay value can be entered in samples, milliseconds, feet, or meters.
SuperRack SoundGrid / User Guide
73
Latency Compensation
Latency compensation assures that signals are time-aligned, regardless of how they are processed or routed.
Depending on settings, SuperRack can compensate for latency differences in three different ways:
• Align the plugins within a rack
• Align the racks in a latency group
• Align every rack and plugin to one delay group
You can remove individual plugins from the rack’s latency compensation calculations.
This is done in the plugin’s drop-down menu. Turning off a plugin’s latency
compensation does not affect its actual latency: it merely takes it out of latency
calculations. If, in the example above, plugin #1 is removed from latency compensation,
the rack will report a latency of only 45 samples. Plugin #1 will still have a latency of 100
samples, but it will not affect the latencies of the other plugins in the rack.
Plugins and racks can be aligned to one common latency or assigned to latency groups. This
is selected in the Settings page.
Align all Racks Together Latency compensation is calculated across the entire session; all racks are time-aligned
together. Latency for the entire session is calculated based on the rack with the greatest latency.
Align by Latency Groups Several racks can be combined to form up to 16 latency groups. All of the racks in a
latency group are time aligned with each other, so that when their signals return to the sound card or interface, they
are all in sync. There are, in addition, two modes within the Align by Latency Groups setting. Latency groups can be
delayed so that racks can be sent to specific I/Os and their delays controlled.
Align by Latency Groups offers two modes for managing each latency group. Choose between these modes in the
Patch window (Patch>Latency Groups).
Auto mode calculates latency compensation dynamically. Rack latency adjusts to match the delay of the plugin in
the group with the highest latency.
Manual mode lets you set a specific delay for the group. Latency will never go above or below the specified
value. You cannot insert a plugin if it will result in this latency value being exceeded. To manually set a group’s
latency value, toggle the Auto/Manual button to Manual. Double-click on the value box to enter a number.
This latency group consists of three racks. Rack #1 has a latency of 100 samples. This is the rack that we aligned in
the previous example. Rack #13 and Rack #27 have lower latencies.
Delay was added to Rack #1 and Rack #27 to align with rack #13, the rack with the greatest latency. The resulting
Latency Group delay is 132 samples.
There’s a lot of overlap between the Rack window and the Overview windows, but they are used differently. The
Overview windows show a condensed view of an entire layer of racks so that you can quickly interpret and manage
several racks at once. The Rack window, on the other hand, presents you with everything you need to set up and
control one rack. Use it to set every detail of a rack
Input I/O Source Select Choose from any assigned I/O device, anywhere on the SoundGrid system.
Processing Server Select the server that will be used by this Rack for plugins processing.
Input Set Select Choose between two input sets, A and B. This is useful, for example, in a situation where two
mixers share the same SuperRack, or when different songs use different channels on the main consoles (e.g.,
singer has moved to another mic). It is also a convenient way to switch between a virtual soundcheck and the
show.
The full-scale Input Meter displays post-input-trim gain. The number of meter bars reflects the format of
the input I/O device. The meter turns red when the input level is clipping. Adjust clip threshold in the
Settings page.
The Input Gain Knob controls the rack input level. The position of the input knob is shown in the value box.
Range: -18 dB to +18 dB.
The In button bypasses the rack’s plugin processing. The rack still passes audio.
Green: rack on; Gray: rack off.
If a SuperRack system has more than one I/O device assigned, the order of the devices in the
Inventory determines the sequence in which I/O channels will patch to the racks. When the first I/O
has routed all of its channels, patching continues with the next device.
I/O channels are patched into existing rack configurations, so you need to set the number of input
and output channels before you start the auto-route routine.
1. Select a SuperRack template that loads the desired framework, void of patches—just the rack
structure. If you don’t have a template that matches your needs, follow these steps to create an
auto-route template:
a. Create a session with the desired rack input/output configuration and number of tracks.
If your hardware I/O devices are not assigned in your SuperRack Inventory, use offline
devices to build a framework. Make sure that your plugins have components that will
support a rack’s configuration.
b. Once you’ve routed I/O channels to provide the framework you want, select “None” in
the input and output drop-down menus.
c. Save the session as a template.
d. Load the template.
2. Click Auto Route to patch the session automatically.
If you want to create a blank session in which all racks are mono-in and mono-out, select “New” in the
Sessions page of the Show window.
When you change the server group selection of a Rack that is a member of a link group, all other Racks in the link
group will change their server selection correspondingly.
The format of the Input I/O device sets the input format of the rack, and hence the plugins that you can use. If,
for example, the format of the Input I/O is 5.1, then only the plugins that support this channel input format will
be displayed in the plugins list.
Note: Adding, removing, disabling, or moving a plugin changes the structure of the rack, which can result in a
brief audio mute. Do not make these changes when an audio interruption is unacceptable. Wait until there is
a pause in the performance. Bypassing a plugin or changing its parameters can be done at any time.
Open Plugin Menu Use the menu to access all plugin management items.
Displays plugin latency. Total rack latency is displayed above the
Plugin Latency Indicator
input meter.
Includes clipping indicator. Number of meters indicates the number
Plugin Output Meter
of rack output channels.
Indicates that the plugin is receiving a sidechain signal and its
Sidechain Enabled
sidechain is active.
Plugin Recall Safe The plugin is in a snapshot-safe mode.
Inserting a plugin that has a different number of inputs than outputs
Mono-to-Stereo Plugin will change the channel format on all subsequent plugins (see next
page).
Turns the plugin on or off. It does not remove it from the processing
Plugin In/Out
chain.
Hot Plugin is Assigned Indicates that the plugin has been assigned to a hot plugin position.
Plugin is removed from CPU. Plugin settings are restored when the
Disabled Plugin
plugin is reenabled.
Empty Plugin Slot Click on the down arrow to assign a plugin to the slot.
Stereo-to-5.1 plugin
The Plugin menu is accessed with the arrow at the top of a rack slot.
EXTERNAL INSERT
Add external inserts to a plugin rack.
Plugin List
Plugin Section
Presets Section
Latency Section
ENABLE/DISABLE PLUGIN
Removes the plugin from the processing chain without deleting it from the rack. Disabling a plugin removes its
latency from the rack. It also frees up processing power. You can re-enable the plugin without losing its settings,
controls, or automation assignments. When a plugin is disabled, its name will remain visible above the slot and its
icon will be replaced with DISABLED. You can also disable and enable a plugin by clicking its rack slot while holding
down the Ctrl key.
REMOVE PLUGIN
Deletes the plugin from the rack slot. All settings and control assignments are lost. You can also remove a plugin by
dragging it off the plugin pane.
COPY
Copies the plugin and its settings. This enables pasting the plugin and its current settings to another rack slot. There
are two paste options: Paste [plugin name] and Paste [plugin name] Preset.
ENABLE SIDECHAIN
Enables or disables the plugin’s sidechain key input when an active sidechain is patched to an appropriate plugin.
Sidechain sources are established at the top of the Plugin Pane. Plugins with an active sidechain have a drop-down
menu (S/C) that patches the sidechain source.
Latency Section
RACK LATENCY
Indicates the total latency of all plugins and inserts in the rack. If no latency is declared by any of the plugins in the
rack, both latency menu items will be grayed out. Rack latency is also displayed on the output panel.
Select the physical send and return I/Os using the drop-down menus.
I/Os must be compatible with the rack configuration.
Use the Device cell to rename the insert, if needed. Use the Insert drop-
down menu to move between inserts. If no send is assigned, the insert
will be bypassed. It remains in the rack and its place in the processing
chain is unchanged.
The Latency knob is used to adjust the amount of delay added to the signal returning from the external device.
Unlike a plugin, an external insert does not declare its delay to the latency compensation engine, so this must be
done manually.
Recall Safe is indicated with a green Safe indicator beneath the plugin icon.
In this example, an API-560 EQ is in slot #3. Slide its icon to slot #1 and the
other plugins will ripple downward. This will alter the plugin’s place in the signal
flow and will likely alter its relationship with the other plugins in the rack.
Note: Repositioning a plugin requires the rack to re-clock, which may result in a click or dropout. Do not move
plugins at times when this is not acceptable. Bypassing a plugin or changing its parameters can be done at any time.
Assign a plugin to the Hot Plugin panel in the Rack Window chainer
(right). Open the plugin’s drop-down menu and select a Hot Plugin
panel position from the drop-down menu.
NOTE: Racks in the Overview window are controlled in the same way as in the Racks view—only their layouts
are different. With that in mind, this chapter provides only what is required to patch audio through a rack,
control levels, and insert and access plugins. To learn more about controlling a rack and its plugins, refer to
Part 5: Rack Window (pages 77–84).
Layers
A SuperRack session can have up to 64 racks. These racks are organized into four layers of racks, each with 16
visible racks. This organization is typical of digital mixing consoles. There are three types of layers:
• Four 16-rack Factory layers. These provide complete control of each visible rack.
• A Wide View in which you can view and control all of the racks at once, up to 64 racks. This affords complete
oversight, but it offers less controls per rack.
Modes
A mode determines what sort of processing is currently being controlled on the racks: Plugin (Rack) processing or
Dugan Speech automixer processing. Mode selection affects only the center section. It does not affect Input or
Output settings, cue, mute, or meters. The Rack mode presents an eight-plugin chainer for each rack.
The Dugan Speech automixer is a processor used to control several microphones in situations where many people
are talking, possibly several at the same time. It’s described at the end of this chapter.
Racks
These are the chainers where plugins are inserted and controlled.
Use the Layers buttons to choose one of the four factory layers. A factory layer can have up to 16 racks.
The number of racks in a session, and therefore the number of layers, is configured in the Settings page.
Inactive layers or parts of layers are empty.
We suggest that you create a session whose size approximately matches the number racks you will be
using. Unnecessary layers don’t do you any good and can be distracting.
Active layer buttons have small output meters with peak indicators for each rack. Click on the
button to clear the indicator.
Custom Layers
To re-sequence rack order or combine racks from several layers in one view, create Custom layers. Each of the four
custom layer pages can house up to 16 racks. Racks from any factory layer can be combined in custom layers. This
lets you change the sequence of racks in a layer or combine racks from several layers into one custom view.
Double-click on a custom layer page to rename it.
• Click on an empty strip. Use the drop-down menu to assign a rack to the strip.
• Racks can be added in any order.
• Racks can be added from any layer.
• Click and drag on the channel name at the top of a strip to re-arrange the channel strip
sequence.
If there is already a rack in a slot, you will need to hold Ctrl while clicking on the rack to
access the menu.
There are other options available in the Custom layer drop-down menu:
None Removes the selected rack from the custom layer page.
Clear Page Removes all racks from the current custom layer page.
Lock Strips Prevents rack strips in the current page from being repositioned.
Copy from Factory Layer Copies all of the racks of a factory layer and pastes them to the current page of the
custom layer.
Optimize Layer Layout Removes blank slots and moves all populated rack strips to the left.
Insert Empty Strip Inserts a blank strip to the left of the selected populated strip.
In the Racks mode, the plugin chainer racks are displayed. Each rack can host up to eight plugins.
In the Dugan mode, plugin chainers are replaced with the controls for the Dugan Speech
Automixer. This processor is used to control a group of live microphones in multi-speaker
environments. It turns up mics where someone is talking and turns them down where people are
quiet. It’s commonly used in situations such as roundtable discussions, talk shows, debates, and
the like, and is based on the original Dugan Automatic Microphone Mixer.
The Dugan Speech Automixer requires a separate license. When a license is not present, the Dugan button is
grayed out. Refer to “Using the Dugan Speech Automixer” (pages 114–115).
Rack Latency
Output Meter
Output Level
Mute On/Off
Each rack has two inputs: Input I/O Banks A and B. A rack’s inputs can patch to different device
channels, but they must have the same channel format. The I/O bank selector is immediately
above the input meter.
Once the I/O Bank is set, you are ready to route the input channels.
Route Inputs
Select the format of the rack you are building (e.g., mono, stereo, 5.1, 7.1). The Input Format selector
determines the devices, I/O channels, and formats that can be selected. It also determines which plugins you
can use, since a plugin must have a component that is compatible with the rack format.
Choose an I/O device. Only devices that can provide the requested number of I/O channels are listed.
Select the range of device channels. If there are not enough free I/O channels on this device, you’ll be
presented with a list of patches that must be removed in order to make the new assignments. You can accept
the new configuration (removing certain patches) or select Cancel, which allows you to reconsider your
patching with a different device.
Set the channel format (e.g., L-C-R-S, L-CL-C-CR-LS-RS-LFE, etc.). This sets how channels in the stream
are arranged. For example, as shown above, a 5.0 channel stream can be formatted as L-C-R-Ls-Rs or L-R-C-
Ls-Rs or L-R-Ls-Rs-C.
If your I/O selection includes I/O channels that are currently in use, you
will see this prompt. Select OK to make the new assignment and un-
assign the indicated I/O channels. Click Cancel to maintain the existing
assignments. Choose different I/O channels for the new assignment.
Each rack has a full-scale Input meter. The number of meter bars reflects the
format of the I/O device. The meter on the far left indicates a stereo input, and
therefore a stereo rack.
Meters turn red (middle image) when the input signal is clipping. Behavior for
clip level and clip hold are controlled in the Settings page. On the right is a
5.1-channel input.
Input gain is controlled with the knob below the meter. Alt+Click on the knob
to reset.
Use the Input Gain knob to adjust input gain to the rack. Knob position is indicated in the value box.
Range: -18 dB to +18 dB
The IN switch serves as the rack’s bypass.
IN: Normal rack operation
Not IN: Rack bypass
Click on a plugin button to access the plugin’s complete control interface in the Rack window.
Inserting a Plugin
Inserted plugin
in a chainer slot
Click the + (plus) symbol on an empty slot. This opens the Plugin menu (note: in the Rack window, click on the down-
arrow to open this menu). If the plugin slot is already populated, right-click on the icon. Open the Plugin List sub-menu
and choose from among the available plugins. Its name then appears in the chainer slot. Only plugins that are
compatible with the rack’s channel type will be shown.
Plugins are managed through the Plugins drop-down menu in both the Rack window and the Overview window.
These menu items are explained in Part 5: Rack Window.
In the current section we cover only the essential Plugins menu items.
Bypass
Bypasses the plugin while keeping it in the processing chain. Bypassing a plugin does not alter its DSP load. A
bypassed plugin button appears white in the Plugin Chainer (to shortcut, hold Ctrl+ALT+click).
Disable Plugin
Removes the plugin from the processing chain without deleting it from the rack. Disabling plugins may reduce rack
latency and DSP load. You can re-enable a disabled plugin without losing its settings, controls, or automation
assignments. When a plugin is disabled, its name will remain visible, but the slot will be solid gray.
Remove Plugin
Deletes the plugin from the slot. All settings and control assignments are lost. You can also remove a plugin by
dragging it left or right, off the chainer rack.
Note: Holding the ALT key while selecting Insert, Remove, or Disable extends the action across an entire row.
This affects ALL layers, not just the visible one.
Latency
Indicates the delay introduced by the plugin or external insert. Displayed in samples and milliseconds.
Rack Latency
Indicates the total latency of all plugins and inserts in the rack.
Note: Adding, removing, disabling, or moving a plugin changes the structure of the plugin chainer, which can
result in a brief interruption. Do not make these changes when a dropout is not acceptable.
Bypassing a plugin or changing its parameters can be done at any time.
Output Section
The output section patches the rack to an output device. Rack output gain can also be controlled here.
Output routing
Use this drop-down menu to select the output I/O device and the rack output type.
Mute
Mutes the rack.
1. Click the Dugan Engine On button in the Global Control panel (left side).
2. Use the Dugan Speech Plugin button at the top of each panel to enable the automixer on all racks for which
Dugan Speech automixing is desired. Disable all non-live-talking racks where automixing will not be used.
Disabled racks are grayed out.
3. Click the Auto button to turn on the automixer for that rack. Effective automixing depends on correct input gains
for each rack. Adjust each rack’s input gain so that the level display is green.
4. Set the Weight controls to balance the rack’s automix gain and establish the priority of one speaker over others.
Weight levels can be changed by dragging the faders up or down.
5. Assign racks to Dugan groups. A group functions as a separate and independent automatic mixer. Each rack
can be assigned to one of three groups: a, b, or c.
For detailed instructions, please refer to the Waves Dugan Automixer User Guide on the Waves download page.
Dugan Speech requires a separate license. If a license is not found, the Dugan mode selector button will be grayed out.
Sessions Page
Create, save, and
open sessions.
Import rack presets
from a session file.
Open History files.
Snapshots Page
Create, store, and
recall snapshots.
Set snapshot
scope.
Recall Safe
Define recall safe
parameters for
racks, plugins, hot
plugins, and more.
Open Navigates to a session file that is not displayed in the Sessions list.
Load Loads the selected session displayed in the Sessions list.
Save Template Saves current session as a template. Templates are stored in the Templates folder.
Loads a factory or user-made template. Templates are used to create new sessions based on
Load Template previous sessions.
User Session This large notepad is used for notes about the session, the venue, or anything else you want to
Notes write.
Session File
Displays session file name, creation time, and size, as reported by the operating system.
Details
Saving a Session
Sessions can be saved at any user-defined location, but a default Sessions folder is provided for convenience.
Mac: /Users/Shared/Waves/SuperRack SoundGrid/Sessions
Windows: Users\Public\Waves\ SuperRack SoundGrid\Sessions
There are two recovery files in this folder: “CurrentSPRK.dat-journal” and “CurrentSPRK.dat.” Do not delete or move
them.
Sessions that been saved under DiGiCo integration are located in the “Integrated Sessions” folder. SuperRack
sessions use the “sprk” extension.
You can change the number of racks at any time. If the number of racks in the
session has been reduced since the last time it was saved, this prompt will appear
when you save.
Removing racks clearly results in a loss of channel information. A normal Save at this point would eliminate all
settings from the removed channels, since it overwrites the session file. To preserve that information, we suggest
you do a Save As with a different file name. If you forget to do this, you can always recall a previous History file.
The number of racks is established in the Settings page.
If the current session has changed since it was last saved, there will be a prompt asking if you’d like to save it before
loading the new session. If the new session has the same number of racks and calls for the same or similar I/O
inventory, then the new session will load immediately. When working on the same SuperRack repeatedly, this is
often the case.
The Session menu is located on the right side of the Top Bar. It’s a quick way to load and save
sessions and templates.
Example 1
The saved session has more racks than does the current SuperRack configuration.
In this case, the new session calls for 64 racks, while the system inventory has
only 32. The session will load the first 32 racks and drop the last 32. This
structure becomes permanent when the user performs a save on the "reduced"
session—it cannot be undone. Make a copy (“Save As”) before you save the
reduced session.
Example 2
The I/O inventory of the saved session does not match the current inventory.
Whenever the saved session’s I/O inventory is not the same as that of the
mixer, there is a chance that certain routes cannot be supported. If, for
example, the session calls for a 128-channel MADI device, while the current
I/O hardware in the same slot is an 8-channel I/O, it will be difficult to provide
the session with the I/O channels it needs.
The Session Load routine provides two strategies when sessions and inventory are mismatched.
When a missing device is reassigned, the session will load completely. Routing to or from unavailable devices is not
possible in any window.
Option 2: Current – The saved session loads into the existing I/O inventory. The saved inventory is replaced with a
new one that reflects the current device inventory. SuperRack searches each device slot for an assigned device that
will match the needs of the session. The device in the slot needn’t be precisely what the session requests, but it
must have sufficient I/O channels.
Inventory is catalogued by slot, so an appropriate device must be found in the same slot as the session calls for. The
original session’s patches for the I/O in a specific slot will be patched depending on the current channel count. For
example:
• The session calls for a DiGiGrid IOX device in slot 1, and another in slot 2 (12 I/O channels each).
• The current inventory has DiGiGrid MGBs in slots 1 and 2 (up to 128 I/O channels each).
• When you load the session into this inventory, all the patches will be intact. The first 12 I/O channels from
each MGB DiGiGrid interface will be patched, but the remaining channels are unused.
A newly loaded template does not appear in the Sessions list. Once you open a template and save it as a session
under the desired name, it will show up in the Sessions list. Use the Template Save button to create a session
template from the current session. Templates are stored in the Templates folder:
Mac: Users/Shared/Waves Audio/SuperRack SoundGrid/templates
Windows: Users\Public\Waves\ SuperRack SoundGrid\templates
In its default setting, Auto-Save is not active. If you want to use this feature, switch it on manually.
History files are named based on session name, followed by date stamp and series number. Use the host computer
to copy, move, and delete files. History files can be saved to any location. Set the save location in the Setup >
Settings page. We recommend saving in the default History file folder:
Mac: Users/Shared/Waves Audio/SuperRack SoundGrid/history
Windows: Users\Public\Waves\SuperRack\history
New Creates a new snapshot, based on the current SuperRack condition and scope
settings. This makes a new snapshot from the current one and serves as a
“Save as” function.
Copy Copies the selected snapshot to the clipboard. This can then be inserted back
to the Snapshot list as a copy.
Recall Recalls the snapshot that’s selected in the Snapshot list. The name of the
recalled snapshot is displayed in the Snapshots section of the Top Bar.
Insert Pastes the copied snapshot to the list. It does not recall the snapshot.
Delete Deletes the selected snapshot (which is not necessarily the current one).
Snapshots List A list of all snapshots that have been created, imported, or saved with the
current session.
Scope Section Sets which racks, plugins, and other controls and functions will be affected
when a specific snapshot is recalled.
All/None Selects or deselects all Scope buttons.
Hot Snapshot Assignment Designates the snapshot as a Hot Snapshot, which can be recalled from the
Snapshots menu in the Top Bar or by means of User Keys.
Notes A large space for writing notes about the selected snapshot.
Tear Off Notes Button Click to disconnect the notes pad and float it anywhere on the screen.
Hot Snapshots are recalled from the Snapshots menu on the Top Bar.
The Snapshots list can be controlled with MIDI program changes. Use the MIDI control panel to set up Follow
Program Change or Generate Program Change commands (Setup > System Inventory > Controllers > Device
Control Panel).
If, for example, you assign snapshot number 5 the remote ID of 130, and in the MIDI Controller you assign CC
Number #7 to the 129-256 range, then this MIDI CC #7 with value 1 will recall snapshot 130 (value 0 will recall 129,
and so forth).
When you initially name a snapshot, you can assign an ID using the
External ID drop-down menu.
Functions
Racks
Hot Plugins The contents of the Hot Plugins Panel can be changed per snapshot. If Hot Plugins is selected, then
when this snapshot loads, it will also read what plugins should be in the HPP and will load them
accordingly. If the button is off, then the snapshot won’t update the contents of the HPP.
Windows Recalls which windows were open and how they were located on the screen when the snapshot was
stored. This allows you to create a specific workspace for a snapshot.
Racks sets which racks are included in the scope of the snapshot. Scope parameters (e.g., Hot Plugins, Dugan, Mute)
apply only to highlighted racks, so a rack that is not highlighted will not change with a snapshot recall, regardless of the
Function settings. The number of racks in the Scope section reflects the current SuperRack configuration.
All/None Select: Resets the Scope selection to “all parameters/channels are within the scope of this snapshot” or “no
parameters/channels are within the scope of this snapshot.”
The Recall Safe status of the other plugins in the rack, as well as other plugins in
the same position of other racks, are not affected by this setting.
There are two types of remote control: MIDI Controller and Console Remote Control.
MIDI Controller Maps common SuperRack controls, including plugins.
Console Remote Control Synchronizes scenes and snapshots between a console and
SuperRack. In this mode, only the console can control these
functions.
The MIDI Controller interface displays SuperRack functions that can be assigned to a MIDI controller.
Rack Controls Maps MIDI control messages to control the rack's input gain, output gain, in/out state, and
mute on/off.
File The Import and Export controls enable you to save the settings you’ve made in the MIDI
controller panel and export them to another panel.
User Keys Maps the 16 user-assignable keys that are defined in the Settings page.
Plugin Controls This panel maps plugin settings controls for the selected plugin.
You can map 8 continuous controls and 8 discrete switches per page.
Next Page/Previous Page navigate between plugin control pages.
See below to learn more about controlling plugins with MIDI.
Snapshots Maps eight hot snapshots for direct recall via MIDI.
Next/Prev maps recalling the next or previous snapshot.
A SuperRack Session can have up to 64 racks, each containing up to eight plugins. Since every plugin has several
parameter controls, remote control of so many different variables could be a complex task and would require you to
re-map MIDI links each time the configuration changes. MIDI mapping is simplified in SuperRack by using a matrix
that sits between the plugin and the MIDI controller. This matrix assigns key parameter control knobs and buttons
to fixed matrix positions so that MIDI assignments always make sense, regardless of type of processor. For
example, when dynamics processors are being used, the matrix usually assigns the first position to Threshold, the
second to Ratio, the third to Attack, and so forth. With EQ processors, the first variable position is usually Input
Gain, followed by Band One Gain, Band One Frequency, etc. Plugin controls that are currently under MIDI control are
outlined in red, as shown below.
The relationship between hardware and software needs to be set only once. The specific parameter control will
change with each type of plugin, but the logic will remain consistent within categories (e.g. EQs, Dynamics) of
Waves plugins.
Some consoles have a second LAN port. You can use this port to create an additional network for remote control.
Imagine a broadcast plant with its own network that includes several consoles that are spread throughout the building.
This network facilitates exchange of files and other data. In many situations, it’s not desirable for an audio network—
which is mission-critical and usually uses a lot of bandwidth—to be on the same network that serves the plant. Two
networks are needed: the SoundGrid network for SoundGrid traffic only, and the other network for remote control.
3. Connect an Ethernet cable between the second LAN port on the console (if available) and the SoundGrid switch.
Select this LAN port in the Remote Control Surface Option panel.
Session files are saved to a folder that SuperRack searches when Remote Control is active. If you are copying
sessions from one machine to another, make sure to look for the session files in this location. SuperRack
SoundGrid and SuperRack have their own dedicated folders:
Mac: /Users/Shared/Waves/SuperRack SoundGrid/Integrated Sessions/
/Users/Shared/Waves/SuperRack/Integrated Sessions/
PC: C:\Users\Public\Waves Audio\SuperRack SoundGrid\Integrated Sessions\
C:\Users\Public\Waves Audio\SuperRack\Integrated Sessions\
SETTING UP MIRRORING
The Mirroring Control Option control panel shows compatible consoles that are available to this console.
Refer to the user guide for your DiGiCo console to learn more about setting up Console Mirroring.
Reset All Alt+click on a control Returns most controls to default value. This is also true with
most plugin controls.
Insert to all racks Overview Alt + right click/insert a plugin The selected plugin is inserted in the same rack insert position
on all channels in the layer.
Bypass on all Overview Alt + right click/bypass a plugin Bypasses all plugins in the same rack insert position on on all
racks channels in the layer. This affects the chosen rack position,
regardless of the plugin type.
Disable on all racks Overview Alt + right click/disable a plugin Disables all plugins in the same rack insert position on all
channels in the layer. This affects the chosen rack position,
regardless of the plugin type.
Remove from all Overview Alt+ right click/remove a plugin Removes all plugins in the same rack insert position on all
racks channels in the layer. This affects the chosen rack position,
regardless of the plugin type.
Move plugin to Overview Drag plugin from one rack to another Moves the plugin and its presets to another rack.
another rack
Copy plugin to Overview Alt+drag plugin from one rack to Copies the plugin and its presets to another rack.
another rack another
Remove plugin Rack / Swipe plugin icon off of the screen Removes a plugin from the rack.
Overview
Save All Cmd+S (Mac), Ctrl+S (PC) Saves the current session.