Birds and All Nature
Birds and All Nature
Birds and All Nature
Author: Various
Language: English
FROM COL. F.
COPYRIGHT
KAEMPFER.
1900, BY
A. W. KILLDEER. NATURE
MUMFORD, ⅔ Life-size. STUDY PUB.
PUBLISHER,
CO., CHICAGO.
CHICAGO.
COTTON TEXTILES. II.
W. E. WATT, A. M.
OTTON is spun and woven into so many useful forms that we could
hardly live without it since we have become so thoroughly
accustomed to the comforts and luxuries it supplies to us. From the
loose fiber that we use in treating our teeth when they get to
troubling us to the delicate lace handkerchief which is such a dream of the
weaver's art we use cotton for our commonest and our most extraordinary
purposes.
Muslin takes its name from Mosul, in India, where it was first made.
Although muslin is now made in both Europe and America in great
quantities, the kind that is most famed for its fineness is that from Dacca,
India. To get an idea of the fine threads used in making the rarest of this
muslin we must note that one pound of cotton is spun into three hundred
eighty hanks of thread with eight hundred forty yards of thread in each
hank. This means that one pound of cotton is spun out to the length of
319,000 yards, or over one hundred eighty-one miles.
One pound of this thread would, if it could be stretched out without
breaking, reach from New York City up the Hudson to Albany, and there
would still be enough of it unused to reach over to Saratoga. Ten pounds
would reach from New York city to Omaha, with enough left over to reach
back to Chicago.
It is even possible to exceed this in fineness if we do not care for use. To
show the perfection of a machine, a thread of the fineness of 10,000 has
been spun. If this could be strung out, as suggested above, it would reach
4,770 miles. One pound of the finest fiber has thus been spun so that it
would reach from New York to Naples, Italy, and there would still be
enough of it left to reach half-way back to London on the return trip.
Where three hundred and eighty hanks of thread are spun from a pound the
muslin made from it is called three hundred eighty-degree muslin. But even
this is not the finest muslin made. It is the finest made by the old hand
processes, but the perfections of machinery have made it possible for us to
have seven hundred-degree cotton. A strange thing about our finest
machine-made cotton is that it does not seem to the eye or the touch to be as
fine as the Dacca. There is a peculiar softness which cannot be imitated by
the machine.
I went the other day into one of our great dry-goods stores to see how fine a
piece of cotton I could buy. I was surprised to find that the gentlemanly
clerks knew very little about where the goods were made and almost
nothing at all about the processes. They were very obliging, but their
business of selling does not seem to require any knowledge of those things I
was so desirous of learning.
The finest things I found were India linen and Swiss mull. The India linen
has a remarkable name, seeing it is not linen and is made in Scotland. The
Swiss mull is nearly as well named, for it is also made in Glasgow. Whether
these goods sell better because their names seem to indicate that they are
made somewhere else I cannot say, but the truth seems to be that they were
called by these names innocently enough by those who first made them,
being proud that they could produce mull equal to the finest worn by the
ladies in Switzerland or equal to the finest products of the Indian looms.
It is well known that in the dry-goods business it seems to be greatly to the
advantage of the merchant to have fine names for his wares, the larger
houses regularly employing women who do nothing but find fancy names
for the things that are for sale. Goods are sometimes displayed with one
name for several days without finding a purchaser, but the namer soon
comes in with a new name to attach to the goods and some of the very
shoppers who do not care for them under the first name buy them readily
under the new one.
A lady recently asked me to tell her the difference between muslin and long
cloth. I thought there might be a difference, but have been unable to find
anyone who can tell what it is. Both names are applied to white cotton
goods of various degrees of fineness. Long cloth is of a superior quality of
cotton, and so is muslin when intended for dress goods. Some of the names
under which white cotton goods are sold are muslins, tarletans, mulls,
jaconets, nainsooks, lawns, grenadines, saccarillas, cottonade, cotton velvet,
and velveteen.
Cotton is rarely manufactured where raised. It is carried to the seacoast as a
rule by river steamers, though there have been instances where the laziness
and ingenuity of man have combined to send it down-stream in bales
completely covered with india rubber wrappings, so they floated to their
destination with little care and no harm from water.
With all our boasted Yankee shrewdness and cunning in mechanics we do
not make up the finer grades of cotton very extensively. As a rule the
coarser kinds of cloth that take much material and less skill are made here,
while the finer grades that get more value out of the pound of cotton are
made abroad, chiefly in Great Britain.
As an indication of this the figures taken in the year 1884 form a striking
illustration. The average amount of cotton spun by each spindle in Great
Britain that year was thirty-four and a half pounds, while the amount
consumed by each spindle in America averaged just sixty-five pounds,
showing that the products of our spindles are just twice as heavy on the
average as those of the English and Scotch. A fortunate thing about our
goods when sent abroad is that they are accurately marked and prove to be
very nearly what they are represented. This is not the case with goods
shipped out of Great Britain, where their long experience in handling cotton
has made them more expert than we in stuffing their goods with sizing and
other adulterations which make the goods deceptive. There is so little
tendency in this direction among American manufacturers that our good
name has given us an advantage in China and India, where our
manufactures are much more readily sold than what purport to be the same
of British make.
Most of our cotton that is not exported is made up into yarns, threads, and
the coarser goods, such as shirtings, sheetings, drills, print cloths, bags, and
so forth. Yet there are several of our mills, especially in the North, that turn
out the finer fabrics with great credit to the country. Large quantities of
cotton are, of course, used up in woolen mills, where mixed goods are
made, and hosiery mills, felt factories, and hat works consume it largely.
Much cotton also goes into mattresses and upholstery.
It comes from a boll having three or five cells. This bursts open when it is
ripe. Cotton fiber is either white or yellow, and varies in length from a little
over half an inch to two inches. When gathered it is separated from its
clinging seeds by the cotton gin, and is then pressed firmly in bales
weighing about five hundred pounds each, although in some countries the
customary sizes of bales vary two or three hundred pounds from this
weight.
Of the twenty or more varieties of cotton but two are given much attention
in the United States. These are the famous sea island cotton and the
common, woolly-seed kind. The sea island cotton grows on the islands off
the coast of South Carolina, in Florida, and on the coast of Texas. The
peculiar salt air and humidity of these coasts seem necessary to its
perfection, for when it is planted in the interior it quickly loses its best
qualities and becomes similar to the common variety. Its fibers are long and
silky, and used for the finest laces, spool cotton, fine muslins, and such
goods, but there is so little of it as compared with the woolly seed cotton
that it is but an insignificant part of our great crop.
Cotton is the only fibre that is naturally produced ready to be worked
directly into cloth without special chemical or mechanical treatment. It is
the great article of comfortable and cheap covering for man's person. When
gathered and baled it is in a knotted and lumpy state, from which it is rather
difficult to extricate the fibers and arrange them for spinning. As we follow
the cotton through the mill we come to these machines in the following
order: It goes to the opener first, where it is beaten and spread out so that a
strong draft of air drives out much of its impurities; it then goes to the
scutcher after being formed into laps; the lap machine makes it into flat
folds; the carding engine not only cards it but straightens the fiber and gives
it another cleaning; in the drawing frame it is arranged in loose ropes with
the fibers parallel; then the slubbing frame gives it a slight twist; the
intermediate and finishing frames twist it still farther, especially when
preparing it for the higher numbers; the throstle frame prepares coarse
warps; and on the mules, either self-acting or hand, the coarse or fine yarns
are spun. In some systems several operations are performed by the same
machine.
Weaving follows. It consists in passing threads over and under each other as
a stocking is darned, the main difference being that in darning the needle
passes up and down to get over or under the threads it meets, while in
weaving the threads met by the moving thread move out of the way so the
shuttle may pass straight through the whole width of the cloth. As the
shuttle comes back the threads are reversed so that the ones that were up
before are now down and those that were down are now up. The machine
that holds many threads for this work is the loom.
An English clergyman by the name of Edmund Cartwright has the credit of
inventing the power loom. His description of his labors is interesting. We
copy from one of his letters: "Happening to be in Matlock in the summer of
1784, I fell in company with two gentlemen of Manchester, when the
conversation turned on Arkwright's spinning machinery. One of the
company observed, that as soon as Arkwright's patent expired, so many
mills would be erected, and so much cotton spun, that hands never could be
found to weave it. To this observation I replied, that Arkwright must then
set his wits to work and invent a weaving mill. This brought on a
conversation on the subject, in which the Manchester gentlemen
unanimously agreed that the thing was impracticable; and, in defense of
their opinion, they adduced arguments which I certainly was incompetent to
answer, or even to comprehend, being totally ignorant of the subject, having
never at that time seen a person weave. I controverted, however, the
impracticability of the thing, by remarking that there had lately been
exhibited an automaton figure which played at chess."
"Some little time afterward, a particular circumstance recalling this
conversation to my mind, it struck me that, as in plain weaving, according
to the conception I then had of the business, there could only be three
movements, which were to follow each other in succession, there would be
very little difficulty in producing and repeating them. Full of these ideas, I
immediately got a carpenter and smith to carry them into effect. As soon as
the machine was finished I got a weaver to put in the warp, which was of
such material as sail-cloth is usually made of. To my delight a piece of
cloth, such as it was, was the product. As I had never before turned my
thoughts to anything mechanical, either in theory or practice, nor had ever
seen a loom at work or knew anything of its construction, you will readily
suppose that my first loom must have been a most rude piece of machinery.
The warp was placed perpendicularly, the reed fell with a force of at least
half a hundred weight and the springs which threw the shuttle were strong
enough to have thrown a Congreve rocket.
"In short, it required the strength of two powerful men to work the machine
at a slow rate and only for a short time. Conceiving in my great simplicity
that I had accomplished all that was required, I then secured what I thought
a most valuable property by a patent, 4th of April, 1785. This being done, I
then condescended to see how other people wove. And you will guess my
astonishment when I compared their easy mode of operation and mine.
Availing myself, however, of what I then saw, I made a loom, in its general
principles nearly as they are now made; but it was not until the year 1787
that I completed my invention, when I took out my first weaving patent
Aug. 1 of that year."
As usual this worthy man, who had won the right to the title he received,
was not the only discoverer or inventor of the thing credited to his name.
Long before his time a description of a similar loom had been presented to
the Royal Society of London, but he had no knowledge of it. He spent
between £30,000 and £40,000 bringing his invention to a successful stage,
but failed to make it profitable to himself. A small return was made to him
later, at the suggestion of the principal mill-owners of the country, when he
received from the government the sum of £10,000. His work has been much
improved in detail since, but it has never been altered in its main principles.
But with all our arts and marvelous machines the most beautifully fine
cotton fabric is yet the Dacca muslin. It is called "woven wind," and when
spread out upon the grass it is said to resemble gossamer. It used to be made
for the Indian princes before the days when the British took possession of
the country. It was made only in a strip of territory about forty miles long
and three miles in width. With the change in rulers the weavers largely
dropped the work which they and their ancestors had done for centuries,
handing down their art from father to son; they took to the business of
raising indigo, as their soil and climate were well adapted to its production
and the demand was good.
Yet there are some of them weaving at this day, though not in sufficient
numbers to produce the muslin as a regular article of commerce. A bamboo
bow strung with catgut, like a fiddle string, is used to separate the fiber
from the seed. It is carded with a big fishbone. The distaff is held in the
hand and the loom is a very old-fashioned affair, home-made of bamboo
reeds, so simple that a few shillings will purchase one, though a lifetime
will not make one able to use it.
The weaver chooses a spot under the shade of a large tree, digs a hole in the
dirt for his legs and the lower part of the "geer" and fastens his balances to
some convenient bough overhead. His exceedingly fine threads will not
work well except in such a shady spot and early in the morning, when there
is just the right amount of moisture in the tropical air. There is no line of
hand work in which there is such a contrast to-day as in the business of
making cotton goods. Machinery has vastly outstripped the hand in quantity
of product and accuracy, yet the old ways prevail in the manipulation of the
very finest of web. Although Whitney's saw gin made a revolution in the
industry, yet the long and delicate fibers of sea-island cotton are separated
from the seed in the old way of passing seed cotton between two rollers
which are going in different directions. The smooth seeds of this cotton pop
away from the fiber quite readily without breaking it. If it were pulled
through Whitney's gin there would be more or less tearing and breaking. So
the great invention does not apply to cleaning the very finest material. The
short wool fibers of common cotton are not so much hurt by the saw teeth
and the amount of work done by the gin makes this damage of no account.
At the Atlanta Cotton Exposition in 1882 the old and the new were
strikingly contrasted. The mountain people of the South, in many instances,
live after the old fashions of colonial times. They make homespun cloth
which is a revelation to us. Some of these people were induced to show
their work at the exposition, and they were as much astonished at the
apparel of their visitors who gazed upon them and their strange labor as
were the visitors at the work and manners of the mountaineers.
Two carders operated hand cards, two spinsters ran the spinning-wheels and
one weaver made cloth upon a hand loom. In ten hours these five people
made eight yards of very coarse cloth.
FROM COL. F.
COPYRIGHT
KAEMPFER. CINNAMON 1900, BY
A. W.
MUMFORD,
TEAL. NATURE
½ Life-size. STUDY PUB.
PUBLISHER,
CO., CHICAGO.
CHICAGO.
THE CINNAMON TEAL.
(Anas cyanoptera.)
E ARRIVED that year very early in the season. It was about the
twelfth of February that I first heard his plaintive note far up in the
maple tree. Could it be Mr. Bluebird, I questioned as I hastened to
the window opera-glass in hand? Yes, there he stood, not too
comfortably dressed I am afraid, in his blue cap, sky-blue overcoat and
russet-brown vest edged with a trimming of feathers soft and white.
There had been a slight fall of snow during the night, and I fancied, from
his pensive note, that he was chiding himself for leaving the Mississippi
Valley, to which he had journeyed at the first touch of wintry weather in
Illinois.
"If it wasn't for the snowdrops, the crocus, the violets, and daffodils," he
was saying in a faint sweet warble, "I'd linger longer in the South than I do.
They, dear little things, never know, down in their frozen beds, that winter
will soon give place to spring till they hear my voice, and so, no matter how
bleak the winds or how gray the sky, I sing to let them know I have arrived,
my presence heralding the birth of spring and death of winter. It well repays
me, I am sure, when, in March under the warm kisses of the sun their pretty
heads appear above the ground, and, smiling back at him, out they spring
dressed in their new mantles of purple and yellow."
At this moment from the topmost branch of an adjoining maple came a low,
sweet, tremulous note very much indeed like a sigh.
"Ah," said he, surveying the new-comer with flattering attention, "that is the
young daughter of Mr. and Mrs. Bluebird who nested in Lincoln Park last
summer. For some reason they decided not to go South this season but
remained in Chicago all winter. She strikes me as being a very pretty
young-lady bird, and certainly it will be no more than friendly upon my part
to fly over there and inquire how she and her family withstood the rigors of
a Northern winter."
From Miss Bluebird's demeanor, when he alighted upon a twig beside her, I
concluded she greatly disapproved of his unceremonius approach. Prettily
lifting her wings and lightly trembling upon her perch she made as if to fly
away, but instead only changed her position a little, coyly turning aside her
head while listening to what the young gentleman had to say.
Encouraged by this Mr. Bluebird's manner became very friendly indeed,
and very soon, reassured by his respectful demeanor and sentiments uttered
in a voice of oh, such touching sweetness, the young-lady bird unbent,
responding at length in a very amiable manner, I noticed, to her
companion's remarks.
The conversation which followed may have been very commonplace or
very bright and sparkling, but as there is always an undercurrent of sadness
in the bluebird's note, and an air of pensiveness expressed in its actions, one
could only conjecture what the tenor of this one might be.
The pair, to my intense satisfaction, the next day met again in the top of the
maple tree exchanging confidences in low, tremulous strains of surpassing
sweetness, uneasily shifting their stations from time to time, lifting their
wings, as is their pretty habit, and trembling lightly upon their perches as
though about to rise and fly away.
The following morning, which was the fourteenth day of February, Mr.
Bluebird's manner when he greeted his new acquaintance appeared to
offend her very much. She was cold and distant, whether from maidenly
coyness or a laudable desire to check his too confident, proprietorship sort
of air, who can say? In no way daunted, that gay bachelor pressed his suit
warmly, picturing in tones of peculiar tenderness the snug little home they
would establish together, what a devoted husband he would be, attentive,
submissive, following her directions in all things. Miss Bluebird shook her
head.
It was all very well, she replied, for him to talk of poetry and romance, but
he knew well enough that upon her would devolve all the serious cares of
life. While he would be very active in hunting for tenements, submitting, no
doubt, to her choice, was it not the custom of all the Mr. Bluebirds to fly
ahead in quest of material, gayly singing, while their mates selected and
carried and builded the nest? What poetry would there be in life for her, she
would like to know, under such circumstances, and then, when all was
done, to sit for hours and days on the eggs she had laid in order to rear a
brood. Oh, no! She was not ready to give up all the pleasures of life yet, and
then—and then—Miss Bluebird lowered her eyes and stammered
something about being too young to leave her mother.
What argument Mr. Bluebird brought to bear against this latter reason for
rejecting his suit I cannot say, but being a wise bird he only stifled a laugh
behind his foot and continued more warmly to press it. Again and again he
followed her when she took a short flight, quavering tru-al-ly, tru-al-ly, no
doubt telling her of the many good qualities of the Mr. Bluebirds, how
devoted they were, how they ever relied upon the good judgment and
practical turn of their mates, never directing, never disputing, but by
cheerful song and gesture encouraging and applauding everything they did.
Then, too, unlike some other husbands that wear feathers, they regularly fed
their mates when sitting upon the nest and did their duty afterward in
helping to rear the young.
As he talked Miss Bluebird's coldness gradually melted till at length she
coyly accepted his invitation to descend and examine a certain tenement
which, hoping for her acceptance, he had the day previous, he said, been to
view.
"We can at least look it over," he said artfully, noticing the elevation of her
bill at the word "acceptance," "though of course it is too early in the season
to occupy it. Mr. Purple Martin lived in it last year and——"
Miss Bluebird interrupted him, a trifle haughtily, I thought.
"Is the tenement you speak of in a stump, fence hole, or tree cavity?" she
inquired.
"Neither," he hastened to answer; "it is a box erected by the owner of these
premises."
"Ah," said she, graciously, "that is another matter," and very amiably spread
her wings and descended upon the roof of the box in question.
"You see," explained Mr. Bluebird, "the man who put up this dwelling knew
what he was about. He had no intention the sparrows should occupy it, so
he built it without any doorsteps or piazza, as you have no doubt remarked."
"Really," replied Miss Bluebird, "in my opinion that is a great defect. A
house without doorsteps——"
"Is just what certain families want," interrupted Mr. Bluebird, smilingly.
"Our enemies, the sparrows, cannot fly directly into a nest hole or box like
this, as we can, but must have a perch upon which first to alight. It is for
that reason, my dear, this house was built without doorsteps. No sparrow
families are wanted here."
Miss Bluebird at this juncture thought it proper to be overcome with a
feeling of shyness, and could not be prevailed upon to enter the box.
More than once her companion flew in and returned to her side, singing
praises of its coziness as a place of abode.
"With new furnishings it will do capitally," said he; "we might even make
the Purple Martins' nest do with a little——"
Miss Bluebird's bill at once went up into the air.
"If there is anything I detest," said she, scornfully, "it is old furniture,
especially second-hand beds. If that is the best you have to offer a
prospective bride, Mr. Bluebird, I will bid you good-day," and the haughty
young creature prettily fluttered her wings as if about to fly off and leave
him.
"Do not go," he pleaded; "if this house does not please you I have others to
offer," and Miss Bluebird, moved apparently by his tender strains, sweetly
said tru-al-ly and condescended to fly down and enter the box.
It was scarcely a minute ere she reappeared, and, flying at once to her
favorite branch in the maple tree, called to him to follow. A scrap of paper,
woven into his nest by the Purple Martin the past season, fluttered to the
ground as she emerged from the box, and while the pair exchanged vows of
love and constancy up in the maple tree, I picked it up and saw, not without
marveling at the sagacity of Mr. Bluebird, who probably had dragged it into
sight, a heart faintly drawn in red ink, and below it the words:
"Thou art my valentine!"
THE CLAPPER RAIL.
(Rallus longirostris crepitans.)
FROM COL. F.
NUSSBAUMER COPYRIGHT
& SON CLAPPER RAIL. 1900, BY
A. W. NATURE
MUMFORD, ⅖ Life-size. STUDY PUB.
PUBLISHER, CO., CHICAGO.
CHICAGO.
THE SWINGING LAMPS OF DAWN.
REV. CHARLES COKE WOODS.
ELLIOTT COUES
I.
Name's Bobby Wilkins; I'm a-goin' on six years old;
Aunt Polly says 'at I'm a-gettin' purty pert 'n bold;
She 'aint er might uv use fer boys 'at's jest er-bout my size;
If Tabby'n me hev eny fun her "angry pashuns rise," 'n
When I try ter make some sparks fly out uv Tabby's tail
Aunt Polly says, "Bad boys like you are sometimes put in jail;"
But I don't mind her not a bit, an' make jest lots uv noise,
An' nen she looks so cross an' sez, "Deliver me frum boys."
II.
My Aunt Polly likes her cat er-nough sight better'n me, 'n'
Keeps a-coddlin' it 'ith cream 'n' sometimes catnip tea.
Seen some tracks behin' ther shed, an' nen I sez, sez I,
"I'll catch yer, Mister Cotton-Tail, to make a rabbit pie;"
So me'n' Tommy Baker found er empty cracker box;
Thought we'd hev it big er-nough fer fear he wuz er fox,
An' nen we propped ther cover up 'n' fixed it 'ith a spring
'At shut it suddin' 'ith a bang ez tight ez anything.
III.
We cut er fresh green carrot top 'n' put it in fer bait,
Wuz both so sure we'd ketch him 'at we couldn't hardly wait;
Pounded in some stakes each side 'n' made it good 'n' stout;
If Mister Cotton-Tail got in he never could get out.
Tom staid 'ith me till mornin', an' almos' 'fore it wuz light
We run behin' ther shed 'n' foun' our trap all shet up tight;
An' nen I shouted, "Got him!" 'n' Tom threw up his hat—
Blame 'f that ol' rabbit wasn't my Aunt Polly's cat!
"THE COUNTRY, THE COUNTRY!"
FROM A CLUB OF ONE, BY A. P. RUSSELL, L. H. D. [A]
REES! Think of them! In the United States thirty-six varieties of
oak, thirty-four of pine, nine of fir, five of spruce, four of hemlock,
two of persimmon, twelve of ash, eighteen of willow, nine of
poplar, and I don't know how many of the beautiful beech. I once
counted over thirty different varieties of trees in the space of one acre. And
the leaves—their number, their individuality, their variety of shape and tint,
the acres of space that those of one great tree would cover if spread out and
laid together! In the autumn to watch them fall—how slowly, how rapidly!
Yet they say nobody ever saw one of them let go. Homer's comparison to
the lives of men—how fine! Better than Lucian's to the bubbles. I remember
very well one October day in Ohio. It was long ago—"in life's morning
march, when my bosom was young." (I like to quote from that poem of
Campbell's, it is incomparable of its kind.) A delightful tramp! Elderberries.
(The great Boerhaave held the elder in such pleasant reverence for the
multitude of its virtues, that he is said to have taken off his hat whenever he
passed it.) Grapes. Haws. Pawpaws. (Nature's custard.) Spicewood.
Sassafras. Hickory nuts. Nearly a primeval forest. Vines reminding one of
Brazilian creepers. Trees that were respectable saplings when Columbus
landed. The dead roots of an iron-wood—so like a monster as to startle.
Behemoth I thought of. "He moveth his tail like a cedar.' Thistle-down.
Diffused like small vices. Every seed hath wings. Here and there a jay, or a
woodpecker. Grape-vines, fantastically running over the tops of tall bushes,
grouping deformities, any one of which, if an artist drew it, would be called
an exaggeration, worse than anything of Doré's. Trees, swaying and bowing
to one another, like stilted clowns in Nature's afterpiece of the seasons.
Trees incorporated, sycamore and elm, maple and hickory, modifying and
partaking each other's nature; resembling so much as to appear one tree. A
jolly gray squirrel, hopping from limb to limb, like a robin; swinging like an
oriole; flying along the limb like a weaver's shuttle; scared away, at length,
by a scudding cloud of pigeons, just brushing the tallest tree-tops, as if
kissing an annual farewell. Clover. Sorrel. Pennyroyal. A drink of cider
from a bit of broken crockery. ("Does he not drink more sweetly that takes
his beverage in an earthen vessel than he that looks and searches into his
golden chalices for fear of poison, and sleeps in armor, and trusts nobody,
and does not trust God for his safety?") "All is fair—all is glad—from grass
to sun!" Not a "melancholy" day. Keats' poem on Autumn comes to mind;
and Crabbe's
"Welcome pure thoughts, welcome, ye silent groves;
These guests, these courts, my soul most dearly loves."
HIS soft fur bearing animal has been described by Audubon and
Prince De Wied. Its nearest relatives are very closely allied to the
polecat and differ from it only by a flatter head, larger canine teeth,
shorter legs, the presence of webs between the toes, a longer tail,
and a lustrous fur, consisting of a close, smooth, short hair, resembling otter
fur. Its color is a uniform brown. The fur of the American mink is much
more esteemed than that of the European, as it is softer and of a more
woolly character.
According to Audubon the mink ranks next to the ermine in destructive
capacity, prowling around the farmyard or duck-pond, and its presence is
soon detected by the sudden disappearance of young chickens and
ducklings. Audubon had a personal experience with a mink which made its
home in the stone dam of a small pond near the home of the naturalist. The
pond had been dammed for the benefit of the ducks in the yard, and in this
way afforded the mink hunting-grounds of ample promise. Its hiding-place
had been selected with cunning, very near the house and still nearer the
place where the chickens had to pass on their way to drink. In front of its
hole were two large stones, which served the mink as a watch tower, from
which it could overlook the yard as well as the pond. It would lie in wait for
hours every day and would carry away chickens and ducks in broad
daylight. Audubon found the mink to be especially plentiful on the banks of
the Ohio river, and there observed it to be of some use in catching mice and
rats. But it was also addicted to poaching and fishing. The naturalist
observed it to swim and dive with the greatest agility and pursue and attack
the quickest of fishes, such as the salmon and trout. It will eat frogs or
lizards, but when food is plentiful it is very fastidious, preying upon rats,
finches and ducks, hares, oysters and other shell fish; in short, Brehm says
it adapts itself to the locality and knows how to profit by whatever food
supplies it may be able to find. When frightened it gives forth a very fetid
odor like the polecat.
The female gives birth to five or six young at about the end of April. If
taken young they get to be very tame and become real pets. Richardson saw
one in the possession of a Canadian lady who used to carry it about with her
in her pocket. It is easily caught in a trap of any kind, but its tenacity of life
renders it difficult to shoot. The European mink much resembles the
American, except that it is somewhat smaller and its fur is coarser.
Upon a large farm in Michigan visited by the writer this summer ran a creek
where the chickens, when the trough was dry—and dry it usually was—
traveled to get a drink. In the bank of the creek a mink made his home, and
not a week passed that one or more hens did not appear in the barnyard
crippled or mangled in a manner painful to behold—painful, that is, to the
visitor, but not apparently to the farmer, who only said: "It's that darned
mink; some day, when I have time, I'll set a trap and catch him," and so
went coolly on his way, leaving the poor maimed creatures to drag out a
painful existence for days or weeks, hoping that nature would heal the
wounds made by the mink.
Aside from the lack of thrift thus shown by the farmer—for the hens, when
badly mangled, in time succumbed—the inhumane aspect of the case never
seemed to strike him. The cultivation of his fields left no time for
cultivating the finer feelings of the heart.
FROM COL. F.
NUSSBAUMER COPYRIGHT
& SON. MINK. 1900, BY
A. W. NATURE
MUMFORD, 4/11 Life-size. STUDY PUB.
PUBLISHER, CO., CHICAGO.
CHICAGO.
THE NEW SPORT.
JOHN WINTHROP SCOTT.
N THE early days every man and boy knew how to use a gun. It was a
necessity of life. It brought in meat for the family. The regular business
of every holiday was to go to the woods and kill. The free life of the
woods, the pleasure of ranging about for a purpose, and the excitement
attending success in bagging game were among their greater pleasures.
Now we live in cities mainly. Even the country boy has less regard for the
gun. The game and many of the birds and animals that are not game have
been killed off, so that country boys now wish to give them a chance for
their lives. Probably the worst murderers of songsters and innocent animals
are the ignorant city youths who get only a day or two in the woods in a
year.
Guns have been "improved" to such an extent that whether the gunner has
any skill or not everything in sight can be killed because of the rapidity of
fire and the number of chances for killing. A gun has been invented which
pours a steady stream of rapid fire as long as you hold the trigger. It was
invented for killing men on the battlefield; but there are other guns nearly as
destructive that are used for "sport."
Public schools, Audubon societies, women's clubs, and other humanizing
agencies have so modified the ideas of boys and young men that there are
but few who hunt for sport.
The cheapening of the camera and its perfection for amateur use have
placed a new shooting apparatus in their hands, and many young people of
both sexes are now more or less expert in making exposures and
developing. A shot with a camera is worth more than a shot with a gun. You
have to eat or stuff the unfortunate bird or animal you shoot with a gun.
When it is gone you have nothing to show for your skill.
The shot with a camera gives you a handsome picture with many thrilling
details to relate. If you wish to boast you have the evidence at hand to
corroborate your statement. The pictures last indefinitely, are easily stored,
and may be duplicated at will.
Camera presents last Christmas far outnumbered the guns given. Boys and
girls much prefer the new sport to the old. With the aid of the bicycle in
getting about the country, young people are making trips to the country with
loaded cameras and bringing in much more satisfactory game than they
used to get with guns.
The skill some of them have manifested in getting a focus on some shy
resident of the woods or fields is indeed remarkable. Imitations of brush
heaps are made out of light stuff that may easily be carried about. These
may be placed before the residence of a rabbit or woodchuck for several
days before the attempt is made to get a shot from beneath. A great deal of
caution is sometimes necessary to get the subject accustomed even to a
strange brush heap, so he will act naturally at the instant the snap is made.
Two young Englishmen made a mock tree-trunk of cloth, painted its
exterior, cut holes in it for observation and for the camera, tricked it out
with vines, spread it out on a light frame so they could set it up where they
chose, and got so many beautiful and scientifically interesting views that
they have written a book that has had a large sale. It is embellished with
half-tone engravings made from their collections of photographs, and is a
most delightful and useful addition to one's library. It is entitled "Wild Life
at Home," and is published by Cassell & Company of New York. It has met
with such popularity largely because it has appeared just at the time when
so many young people are turning their attention from the killing of birds
and animals to the more pleasing and humane business of catching their
likenesses in their native haunts.
Dr. R. W. Shufeldt, of Washington, a distinguished naturalist, has made
many photographs of wild life in the United States, and embellished his
own works with reproductions of these pictures which are so very
interesting and difficult to secure.
The telephoto lens is a great help in taking the more timid subjects.
Audubon used a telescope to get the most familiar glimpses of these little
inhabitants of the forests long before the dry plate was invented. What
would he not have given to have been the possessor of a means of taking
instantly all the details and attitudes of the wild birds he loved so well!
The camera is now adding daily to the accurate knowledge we possess of
the things of nature, and every young person should own one and become
familiar with its rare qualities and usefulness. It is very gratifying to think
that sport in the woods now means something superior to the old bloody
work our boys formerly pursued with guns. With a copy of the book above
mentioned a boy is equipped with suggestions and directions enough to
keep him busy and well employed for several seasons.
MOLE CRICKET LODGE.
BERTHA SEAVEY SAUNIER.
R. and Mrs. Mole Cricket had folded their hands for the winter.
The busy season was over, for the ground was all hard with the
foot tread of Jack Frost and the snow lay all over the lodge—a
solid, warm cover that squeaked and crunched quite musically
when little Boy Will rode back and forth on it with his sled Dasher.
Shadows lay rather heavily in the lodge. The caverns and galleries which
had been built in warmer times were hung with darkness and all was still in
slumber.
Side by side in the chamber, just under the long, dead grass and the white
snow, with a roof formed of tiny roots and loose earth, lay Mr. and Mrs.
Mole Cricket.
It was the same chamber in which had lain the little white eggs that the
warm sun had hatched, and from it the young crickets had gone out, already
valiant, to burrow their own galleries, and seek their own food.
Slumber had gone on in the chamber for many weeks when, at a sudden
sound, Mr. Cricket moved. We fancy he was cross at being disturbed.
"What's that?" he said.
"Boy Will," answered his wife. "He's digging up the snow to make a snow
man, and shouting."
"He'll make us cold," grumbled Mr. Cricket.
"Then we must go to the cavern."
"But we can't—I'm as stiff as a stick."
"I believe I am, too."
The earth that covered their roof was very sandy and loose, when not
frozen, and as it was, it yielded readily to persistent thumps such as now fell
about it. The snow was soggy—just right for building purposes—and Boy
Will, in his enthusiasm, scraped up a shovelful of dirt with the last bit of
snow that covered the lodge. His sharp eyes saw something black lying
beneath the little dead roots that had in the summer belonged to his forget-
me-nots. He took the shovel—it was his mother's stove shovel—and
carefully pried the dark bundle up, and with his little red fingers separated it
from its wrappings.
"Aha!" he said, and ran into the house. "Look a-here!" he cried as he ran up
to his father's desk. "Well, well!" said his father, looking at the objects
through gold-bowed spectacles, "that's the same sort of fellow that we
teased last summer with a grass blade."
"Tell me," said Boy Will, in wonder, "don't you remember the little hole in
the garden, and when I put in a spear of grass how the fellow grabbed it
with his jaws? I drew him out and there was Sir Mole Cricket that does so
much mischief in the garden."
"Oh yes; and now here are two; but they are dead."
"No, only asleep for the winter. The warm room will revive them but they
may die after all. They will have awakened out of season."
"I wish I could put them back," said Boy Will.
"We will study them a little and then we will see," returned his father as he
took up his penknife and pointed to the folded legs.
"Those big flat fore-legs are what do all the mischief. They are like strong
little hands and have claws on them and they are used for digging. The main
business of Sir Cricket is to burrow and he works away with these hands of
his until he will have made a number of underground passages. And in his
work he will cut off hundreds of new, tender roots that belong to plants and
shrubs. And that's the mischief of him."
"What do they eat?"
"Why, little bugs; but they are fierce, hungry creatures, and when they meet
a mole cricket that is weak and defenseless they pounce on him and eat him.
They are no respecter of relatives."
"They don't deserve to live!" cried Boy Will, with a stamp.
"But we can give them their chances," returned Mr. Rey. "Now look at this
one. There are two sets of wings. One outside and one inside like
grasshoppers, but much shorter. Here are two delicate feelers, or antennæ,
bent backward, and two at the end of the body. I suppose those are for the
purpose of discovering any danger that might approach them from behind
while they are busy at digging. The jaws are toothed and horny, and so, all
in all, we may put Sir Cricket down in the same order in which are the
katydid, grasshopper, field and house cricket, cockroach, earwig and so on,
which is the order Orthoptera. Now come and show me where you found
them."
Boy Will led the way where stood his half-built snow-man, and Mr. Rey
with a stick felt about in the chamber for the opening to another cavity to
the lodge.
"Ah, here it is—a warmer and a better one than the other because it is
deeper," and he slipped the two objects in and stopped the doorway with
earth and snow.
"Well, I declare!" said Mr. Mole Cricket from under his horny skin, "What
do you think of that?"
"Why," said his wife, "they've put us in the cavern where we should have
been in the first place. What a mistake it was to go to sleep in the nursery!
Now we shall be quite safe until spring."
"Well, well, true enough!" returned Sir Mole Cricket. And they both fell
asleep again.
SNOW BIRDS.
This poem, by Louis Honoré Frechette, the laureate of Canada, is very fine
in the original, and holds the same position in French-Canadian literature
that Bryant's "Lines to a Waterfowl" occupies in American classics. It is one
of the poems that won for its author the crown of the French academy and
the Grand Prix Monthyon of 2,000 livres.
When the rude Equinox, with his cold train
From our horizons drives accustomed cheer,
Behold! a thousand winged sprites appear
And flutter briskly round the frosty plain.
No seeds are anywhere, save sleety rain,
No leafage thick against the outlook drear;
Rough winds to wildly whip them far and near;
God's heart alone to feel their every pain.
Dear little travelers through this icy realm,
Fear not the tempest shall you overwhelm;
The glad spring buds within your happy song.
Go, whirl about the avalanche, and be,
O birds of snow, unharmed, and so teach me:
Whom God doth guard is stronger than the strong.
—C. G. B.
VEGETATION IN THE PHILIPPINES.
UCH attention has of late been devoted to the Philippines, and as
one result considerable interest has been evinced in their natural
products. In the matter of vegetation they are highly favored.
Fruits grow in great abundance, and the reputation of some of
them is already established abroad, as is the case, for example, with the
mango. Other fruits grown in the islands are the ate (the cinnamon apple of
the French colonists), the mangosteen, the pineapple, the tamarind, the
orange, the lemon, the jack, the jujube, the litchi (regarded by the Chinese
as the king of fruits), the plum, the chico-mamey (the sapodilla of the West
Indies), the bread fruit, and the papaw. The last named is eaten like a melon,
and is valued as a digestive; its juice furnishes an extract which is used as a
medicament under the name of papaine, or vegetable pepsin. The banana
grows abundantly and is a great boon to the poor people, supplying them
with a cheap, delicious, and exceedingly nutritive food; there are many
varieties, ten of which are in particular highly esteemed.
Plants which are cultivated for industrial purposes include the sugar cane,
of which four varieties are grown—yellow cane, Otaheite cane, purple or
Batavia cane, and striped cane. Of vegetables there are several pulses used
as food by the natives which never appear on the tables of the European
settlers. These include the mango, mentioned above, and three or four kinds
of beans, such as the butingue, the zabache, the Abra bean, and the Patami
bean. These suit the natives much better than the garbanzos, or chick peas,
that are so highly prized by the Spaniards. Among the tuberous roots valued
as food the sweet potato ranks first, with an annual production of
98,000,000 pounds. The common or white potato, although of inferior
quality, stands next in importance. Then follows the camotengcahoy or
manihot (cassava), the root of which is made edible by the removal of its
poisonous juice in the same way as in the West Indies. After expression of
the juice the pulp forms a sort of coarse-grained flour that is very nutritious,
pleasant to the taste and easy to digest. Besides these tubers other plants,
such as the ubi, the togui and the gabi, are cultivated in the fields for the
sake of their edible roots. Other edible vegetables include calabashes,
melons, watermelons, cucumbers, carrots, celery, parsley, tomatoes, egg
plants, peppers, capers, cabbages, lettuce, endives, mustard, leeks, onions,
asparagus, and peas. Of the cocoa palms the ordinary cocoanut tree is the
most important, the oil of which is put to many and varied uses. The
bamboo is much valued, the young and tender shoots making a very
acceptable article of food, in the form of salads and other dishes, and the
fibre is used for numerous purposes. Tobacco as a cultivated crop is
generally grown in the same field as maize. Of spices the Philippines grow
cinnamon, nutmegs, pepper, ginger, and majoram. Of medicinal plants the
most familiar are the papaw, already mentioned, and ipecacuanha.
Among aromatic and ornamental plants may be mentioned magnolias,
camellias, clematis, several kinds of roses, dahlias, ylang-ylang, papua,
jessamine, and many species of orchids and ferns. These, however, grow
wild in such profusion that little care is bestowed upon their cultivation. —
Gardener's Magazine.
CARBONS.
Bituminous Coal Anthracite Coal Graphite
FROM COL.
CHI. ACAD COPYRIGHT
SCIENCES. 1900, BY
A. W. NATURE
MUMFORD, STUDY PUB.
PUBLISHER, CO., CHICAGO.
CHICAGO.
COMMON MINERALS AND VALUABLE
ORES.
3.—MINERALS CONTAINING CARBON.
THEO. F. BROOKINS, B. S.,
Principal Au Sable Forks Union Free School and Academy, New York.
The characteristically sweet taste of the licorice roots and rhizomes is due
to glycyrrhizin and some sugar. Glycyrrhizin is a glucoside which splits up
into glucose, a substance closely akin to sugar, and glycyrretin, a bitter
substance. The extract of licorice is prepared by crushing the fresh roots or
rhizomes, then boiling repeatedly in water, expressing and then condensing
the sap in copper kettles until it is quite hard when cooled. In Calabria the
condensed juice, while still warm and pliable, is rolled into sticks and
stamped with the name of the locality where it was prepared. In those
countries where the fresh roots cannot be obtained the dried roots are
crushed and then treated as above. The licorice sticks prepared in this
country usually have stamped upon them the initials of the manufacturing
firm. Much of the evaporated juice is also placed upon the market in large
lumps or masses. The pure licorice extract, prepared as indicated above, is a
glossy black, very brittle, with a glassy fracture. For shipment it must be
carefully packed to prevent its being broken into small bits. To reduce the
brittleness various substances are added as starch and gum arabic.
Licorice extract is a highly appreciated sweetmeat but unfortunately it is
often grossly adulterated with dextrin, starch, sugar, and gum arabic. Many
of the licorice drops, etc., contain very little licorice, but even the poorest
article seems to be highly prized by the average child. Licorice extract in
mass is known as licorice paste and is extensively employed in preparing
chewing tobacco and in brewing beer, to which substances it imparts a
peculiar flavor and a dark color.
Licorice extract is a popular remedy for colds and sore throat, though its
curative powers are certainly very slight. Physicians make extensive use of
it to disguise the disagreeable taste of medicines, such as quinine. It is an
ingredient of many cough remedies. The finely powdered roots are dusted
over pills to prevent their adhesion and to give them consistency.
Licorice roots have the same properties as the extract and may be similarly
used. Many children prefer the dried roots obtained at the drug store to the
stick licorice or the licorice drops. This choice is in many respects a good
one; the roots are at least not adulterated, but of course only the juice should
be swallowed—a precaution which it is not necessary to emphasize—as the
fibrous nature of the wood makes it difficult to swallow. Even if a little of it
is swallowed no particular harm would be done, as it is not in the least
poisonous, though the fibers may act as an irritant to the stomach.
As already indicated there are several species of Glycyrrhiza of which the
roots and rhizomes are used like those of G. glabra, but, in addition to these
there are a number of other plants designated as licorice. Indian licorice or
the wild licorice of India (Abrus precatorius), is a woody twining plant
growing quite abundantly in India; it is sometimes substituted for true
licorice. Prickly licorice (Glycyrrhiza echinata) resembles true licorice
quite closely. The wild licorice of America (Glycyrrhiza lepidota) is found
in the Northwest. Its roots are quite sweet and often used as a substitute for
true licorice. The European plant known as "rest harrow" (Ononis spinosa),
so-called because its tangled roots impede the progress of the harrow, has
roots with an odor and taste resembling licorice. The roots are extensively
employed by the country practitioners of France and Germany in the
treatment of jaundice, dropsy, gout, rheumatism, toothache, ulcers, and
eruptive diseases of the scalp. The name, wild licorice, also applies to
Galium circaezans and Galium lanceolatum on account of the sweetish
roots. The wild licorice of Australia is Teucrium corymbosum. Licorice
vetch (Astragalus glycyphyllus) has sweet roots. Licorice weed (Scoparia
dulcis) is a common tropical plant which also has sweet-tasting roots.
A WINTER WALK IN THE WOODS.
ANNE W. JACKSON.
AST week I had the good fortune to be invited with two other girls
to spend a few days in the country. We hailed the invitation with
delight and accepted it with alacrity, for we all three love to get out
into the woods and fields.
We started on Friday afternoon, going the first part of the journey by train.
The sky was cloudy and the weather mild. We watched the moving pictures
that sped by the car windows as eagerly as children.
After a half-hour's ride we arrived at a little "town" consisting of the station,
one store, one house, one grain elevator, and a blacksmith's shop. Here our
hostess met us with a surrey and pair, and we were soon driving along at a
brisk pace, drinking in the fresh air and country scenery with pure delight.
The person whose power of enjoyment in little things has become blunted,
is greatly to be pitied. "Ours was as keen as though newly sharpened for the
occasion; and nothing we saw, from the fields, trees, and hedges, to the
setting sun, failed to give us pleasure.
A merry drive of three or four miles brought us to the farm-house, where
we were cordially welcomed.
I should like to tell you about all the fun we had that night, for it was our
hostess' birthday, and there was a surprise party, at which we were as much
surprised as she was. But as it is our walk I'm going to tell about, I must
leave the events of our first evening unrelated.
The next morning we three girls decided to take a walk, as we were anxious
to see what birds there were about. It was a gray day, threatening rain, and
very wild for December.
The moment we set foot out of doors the distant "caw-caw" of the crows
sounded like an invitation in our ears. How I love that sound! It is to the ear
what a dash of color is to the eye.
We took the road to the right, where we saw some woods a quarter of a mile
or more away.
Before we had gone far we heard a medley of bird notes coming from the
fields on our left. We couldn't make out what they were, as they were some
distance away, but I caught a note now and then that sounded like a
fragment of the meadow-lark's song—just a faint reminiscence of it.
After passing two pastures and a cornfield on our left, we came to a piece of
thin timber land. The road, which began to descend here, had been cut
down somewhat, leaving banks more or less steep on either side. We went
along slowly, stopping frequently to examine the beautiful mosses and
lichens which abounded. We had seen no birds, with the exception of a
woodpecker, at close range yet.
Presently we came to a turn in the road which led us up a slight rise of
ground, bordered on both sides by woods. Arrived at the top of this hillock
we loitered about looking at the many interesting thing that are always to be
seen in the woods. All at once we were startled by a shrill scream, or cry,
which sounded like some young animal being strangled, and behold! an
immense hawk flew off over the tree-tops. It didn't fly very far though, and
gave us more of its music at intervals.
The road from this point led down to a small brook spanned by a wooden
bridge. Looking down toward this bridge, a gorgeous sight met our eyes. A
flock of cardinals, half a dozen or more, were flying and sporting about
among the low bushes near one end of it. What a delicious touch of color
for a winter landscape! There were chickadees, too, hopping about among
them in a most neighborly fashion. We watched them closely, quietly
drawing nearer and nearer. Pretty soon they flew into the trees close by, and
from thence deeper into the woods. We saw and heard many woodpeckers,
both the downy and the hairy being very plentiful.
As the place where we had seen the redbirds was such a pretty one, we were
in no haste to leave it, even after they had departed. So we perched
ourselves on top of an old rail fence, and waited for some birds to come to
us and be looked at. We hadn't been there very long before some tufted
titmice came into the trees near us, and delighted us with their cheery notes
and cunning ways. The "caw" of the crows was quite loud here and, with
the added notes of the woodpeckers and chickadees, made it quite lively.
Every once in a while a few drops of rain would fall. But this only added to
the wildness of our surroundings, and seemed to put us farther away from
the rest of the world.
Though we found our rural perch very enjoyable, we felt obliged to move
on again, however reluctantly. So we crossed the bridge and climbed the
hill beyond. A short walk then brought us to another turn, to the right, but
on the left an open gate into the woods.
We lost no time in turning in here, you may be sure. We found many more
birds inside the woods than we had along the road. Here were titmice,
chickadees, plenty of nut-hatches white-breasted; hairy and downy
woodpeckers, and also a third kind that we were uncertain about. Its upper
parts looked like black and white shepherd's plaid, and the back of its head
and nape were deep red. Its note was a sonorous cow-cow-cow-cow-cow.
We heard brown creepers about, and saw many flocks of juncos.
When we came to the end of the woods we saw a pair of our cardinals
flying about some low brushwood. It was like seeing old friends.
I must not forget to mention the blue-jay, who added his voice and brilliant
color to the pleasure of our walk.
We had entered a cornfield, and as we advanced, flocks of little birds,
mostly juncos, would start up before us and fly into the hedge or next field,
twittering gaily. Twice we heard distinctly the goldfinch's note; but as the
birds all flew up at our approach, we couldn't get near enough to distinguish
them. It seemed very odd to hear this summery note amidst that wintry
scene.
We crossed the cornfield and came to a fence, at right angles, following
which took us in the direction of the road. Just as we came up to a few
scattered trees, part in the field, and part in the pastures on the other side of
the fence, we again heard our medley chorus of many voices, some of
which had reminded us of the meadow-lark's. The members of the chorus
who proved to be the meadowlarks' cousins, the rusty blackbirds settled in
these trees and gave us a selection in their best style. Some of the solo parts
were really sweet.
After climbing a rail fence we crossed a small pasture and looked in vain
for a gate. Nothing but barbed wire. We finally made our escape through a
pigs' corn-pen, from whence we emerged into another pasture where the
grass was like the softest carpet to our feet. This pasture had a gate opening
onto the road; so we were very soon back again at the house, with appetites
for dinner fully developed.
We saw and heard no less than fourteen different kinds of birds during our
walk. So those who desire to see birds need not despair of finding them
because it is winter. Nature always has plenty of beautiful things to show
us, no matter what the time of year.
My story ought to end here, but I must tell you about the tufted "tits" we
saw next morning. The weather turned very cold that night, and in the
morning a keen wind was blowing, so we didn't think many birds would be
about. But hearing some chickadees in the yard, we ventured out, and went
across the road, where we sat down in the shelter of a large corncrib.
From here we saw plenty of chickadees, titmice, nut-hatches, and other
woodpeckers busily engaged in hunting their breakfasts. We had a fine
opportunity of studying them with our glasses.
One bold "tit" stole a grain of corn from the crib and carried it off to the tree
in front of us, where he took it in his claw, and proceeded to pick the
choicest morsel out of it. Presently another tufted rogue flew up and there
were some "passages of arms," and a flight into another tree, and in the
midst of the fray, alas! the corn was dropped.
THE SCARLET PAINTED CUP.
PROF. WILLIAM KERR HIGLEY,
Secretary of The Chicago Academy of Sciences.
A monument to Washington?
A tablet graven with his name?
Green be the mound it stands upon,
And everlasting as his fame!
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license,
apply to copying and distributing Project Gutenberg™ electronic
works to protect the PROJECT GUTENBERG™ concept and
trademark. Project Gutenberg is a registered trademark, and may not
be used if you charge for an eBook, except by following the terms of
the trademark license, including paying royalties for use of the Project
Gutenberg trademark. If you do not charge anything for copies of this
eBook, complying with the trademark license is very easy. You may
use this eBook for nearly any purpose such as creation of derivative
works, reports, performances and research. Project Gutenberg eBooks
may be modified and printed and given away—you may do practically
ANYTHING in the United States with eBooks not protected by U.S.
copyright law. Redistribution is subject to the trademark license,
especially commercial redistribution.
1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the terms
of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in any
country other than the United States.
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any
work on which the phrase “Project Gutenberg” appears, or with which
the phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States
and most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with
this eBook or online at www.gutenberg.org. If you are not located
in the United States, you will have to check the laws of the
country where you are located before using this eBook.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide
access to or distribute copies of a Project Gutenberg™ work in a
format other than “Plain Vanilla ASCII” or other format used in the
official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means of
obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
• You pay a royalty fee of 20% of the gross profits you derive from the
use of Project Gutenberg™ works calculated using the method you
already use to calculate your applicable taxes. The fee is owed to the
owner of the Project Gutenberg™ trademark, but he has agreed to
donate royalties under this paragraph to the Project Gutenberg Literary
Archive Foundation. Royalty payments must be paid within 60 days
following each date on which you prepare (or are legally required to
prepare) your periodic tax returns. Royalty payments should be clearly
marked as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information about
donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he does
not agree to the terms of the full Project Gutenberg™ License. You
must require such a user to return or destroy all copies of the works
possessed in a physical medium and discontinue all use of and all
access to other copies of Project Gutenberg™ works.
1.F.
1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project
Gutenberg™ electronic works
Most people start at our website which has the main PG search facility:
www.gutenberg.org.