Raiders of the Sulu Sea is a 2008 historical documentary produced by Oak3 Films about the slave-raiding activities of the Balangingi Samal and Ilanun people under the Sultanate of Sulu against Spanish settlements in the Philippines in retaliation for colonial oppression. The film analyzes the sophisticated maritime vessels and naval warfare techniques used in raids, and highlights the centuries-long resistance by Moro groups to Spanish and American rule in the southern Philippines rooted in religious and cultural conflicts between colonizers and indigenous peoples.
Raiders of the Sulu Sea is a 2008 historical documentary produced by Oak3 Films about the slave-raiding activities of the Balangingi Samal and Ilanun people under the Sultanate of Sulu against Spanish settlements in the Philippines in retaliation for colonial oppression. The film analyzes the sophisticated maritime vessels and naval warfare techniques used in raids, and highlights the centuries-long resistance by Moro groups to Spanish and American rule in the southern Philippines rooted in religious and cultural conflicts between colonizers and indigenous peoples.
Raiders of the Sulu Sea is a 2008 historical documentary produced by Oak3 Films about the slave-raiding activities of the Balangingi Samal and Ilanun people under the Sultanate of Sulu against Spanish settlements in the Philippines in retaliation for colonial oppression. The film analyzes the sophisticated maritime vessels and naval warfare techniques used in raids, and highlights the centuries-long resistance by Moro groups to Spanish and American rule in the southern Philippines rooted in religious and cultural conflicts between colonizers and indigenous peoples.
Raiders of the Sulu Sea is a 2008 historical documentary produced by Oak3 Films about the slave-raiding activities of the Balangingi Samal and Ilanun people under the Sultanate of Sulu against Spanish settlements in the Philippines in retaliation for colonial oppression. The film analyzes the sophisticated maritime vessels and naval warfare techniques used in raids, and highlights the centuries-long resistance by Moro groups to Spanish and American rule in the southern Philippines rooted in religious and cultural conflicts between colonizers and indigenous peoples.
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RAIDERS OF
THE SULU SEA
PRODUCED BY: OAK3 FILMS VOCABULARY: • Raider/s- a person or group of people who suddenly and unexpectedly attacks a place or a group and also to steal or take something accordingly to their purpose. • Sea- a large body of water that serves as portal or place for trade. PICTURE ANALYSIS In this activity, you are acting like a historian that will examine the following picture. Put your analysis about the picture in a ¼ sheet of paper or any scratch paper. Have fun and enjoy this activity. PICTURE ANALYSIS ANSWERS: • Illanun Pirate • Illanun War-Boat • Illanun War Equipment's • Moro Crater Massacre DISCUSSION Background of the Producer Historical Background of the Documentary Analysis of the Film. BACKGROUND OF THE PRODUCER • Raiders of the Sulu Sea is a historical document produced by Oak3 Films. Established in 1996, Oak3 Films was founded by Zaihirat Banu Codelli (CEO) along with Lim Suat Yen (COO) and Jason Lai (Director of Content). It became popular because they co-produced a documentary with Discoveries Asia titled “the Gods Must Be Hungry,” which earned Discovery Asia’s viewership in 10 years. BACKGROUND OF THE PRODUCER • The documentary was the product of a co-production agreement between the Media Authority of Singapore and the Korean Broadcasting Commission in 2007 for Q Channel Korea. It was Distributed Internationally by Looking Glass International Through Discovery Channel and History channel (for Asia) in 2008. it was directed by Idzwan Othman. HISTORICAL BACKGROUND OF THE DOCUMENTARY • Raiders of the Sulu Sea (2008) depicts the slave-raiding activities perpetrated by the Balangingi Samal and the ilanun people under the command of the Sultanate of Sulu. Key informant of the documentary were Icelle D. Borja; Samuel K. Tan, PhD; Barbara W. Andaya, PhD; Julius Bautista, PhD; Margarita D. Cojuangco, PhD; and Halman Abukar (Councilor, Jolo, Sulu). HISTORICAL BACKGROUND OF THE DOCUMENTARY • The documentary shows the Moro resistance to the Spanish and American colonial governments in the Southern Philippines. The raids were facilitated by different indigenous group of the Sulu region including the Ilanuns, Balangingi Samals, and tausugs. Such raids on the coastal areas of the Spanish settlements were sanctioned by the Sultans to retaliate against the colonizers. The sophisticated ancient maritime vessels were launched to raid the coast of the Philippines and capture the natives to be later sold to slavery. HISTORICAL BACKGROUND OF THE DOCUMENTARY • Raiders of the Sulu Sea (2008) depicts the slave-raiding activities perpetrated by the Balangingi Samal and the ilanun people under the command of the Sultanate of Sulu. Key informant of the documentary were Icelle D. Borja; Samuel K. Tan, PhD; Barbara W. Andaya, PhD; Julius Bautista, PhD; Margarita D. Cojuangco, PhD; and Halman Abukar (Councilor, Jolo, Sulu). HISTORICAL BACKGROUND OF THE DOCUMENTARY • Raiders of the Sulu Sea (2008) depicts the slave-raiding activities perpetrated by the Balangingi Samal and the ilanun people under the command of the Sultanate of Sulu. Key informant of the documentary were Icelle D. Borja; Samuel K. Tan, PhD; Barbara W. Andaya, PhD; Julius Bautista, PhD; Margarita D. Cojuangco, PhD; and Halman Abukar (Councilor, Jolo, Sulu). HISTORICAL BACKGROUND OF THE DOCUMENTARY
• Throughout the hundreds of years that the Philippines was
ruled by colonizers, the armed struggle against the Spaniards, Americans, and Japanese colonial governments are considered by Moro leaders as part of the four-century long “national liberation movement.’ the long-standing Moro Conflict is rooted in the Spanish and American wars against the Moros. • Under the Spanish rule, the propagation of Christianity heightened the prejudice against the Moros. In addition, Spain’s efforts to control maritime trade caused Moros to lose sources of livelihood, putting many of them in poverty. Under the American rule, thousands of Moros were killed by American soldiers in the Moro Crater Massacre. ANALYSIS OF THE FILM • The Spanish established their colony on the southern tip of Mindanao in Zamboanga. Fort Pilar was constructed with ten (10) meter-high wall fortification all around. This was the base of the Spaniards to facilitate their trade. • Three tribes were known as Balangingi-Samal, Ilanuns and Sultanate of Sulu, all which were employing Tausugs who were excellent warriors and seafaring Muslims. THE FORT PILAR ANALYSIS OF THE FILM • The three tribes are not really pirates during the times they were plying their trade of capturing people and selling them as slaves. Slave trading was a business then and they were not raiding ships in high seas. What they did was go and land in different shores posing as fishermen. Without any warning, draw their 1-meter long swords and take as many slaves as they can. Once captured, the slaves’ palms are punctured and tied to each other. The slaves are loaded in their 25 to 27 meter by 6 meter boats that has 30 to 34 oarsmen and sails. It was said that their boats were the fastest that Spanish Galleons could not even give chase. ANALYSIS OF THE FILM • These three tribes are not really pirates just like what others call them. They were known for being the exporter of people for slavery. They are very brutal because they would make a hole in the palm of the captives and tied them all together. ANALYSIS OF THE FILM • The film focuses on the slave raiding as retaliation on colonizers- the sophisticated ancient maritime vessels such as the Lanong, Garay and the Salisipan and tools of war such as the Barong, Kris, and the Kampilan and the well- organized forces that is launched for slave raiding the coasts of Mindanao Visayas, and Luzon, between July to October called as the Pirate wind “Pirate monsoon” ANALYSIS OF THE FILM • Moreover, the steamboats were faster, easier to navigate and had various armaments to take on the tribes. Spaniards were now able to chase and follow the boats to their bases and conduct raids, But the raiders show a strong will and courage. Even if their ships are no match to the new ships of the Spaniards they still fought. • It was said that the conflict between the tribes and the Spaniards did not stem from business or trade but was more on belief, religious belief. • In the film, we can observe also the conflict and the distinction between the Muslims and Christians. LESSON OF THE DAY! • In that film watching, it made me realize how interesting history is. It is very important to have knowledge about the past so that somehow we can understand the present. • The courage and the skill of the raiders where really impressive especially in planning the raid in Fort Pilar. But we can’t neglect the fact that their brutality and wickedness is really scary. But then again all of those are already in the past that those should not destroy our friendships and the peacefulness with the Muslims today. GOD BLESS YOU.
Full download Familial Feeling: Entangled Tonalities in Early Black Atlantic Writing and the Rise of the British Novel 1st ed. Edition Elahe Haschemi Yekani pdf docx
Full download Familial Feeling: Entangled Tonalities in Early Black Atlantic Writing and the Rise of the British Novel 1st ed. Edition Elahe Haschemi Yekani pdf docx