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- The Chaconne in G minor is a Baroque composition for violin and continuo, traditionally attributed to the Italian composer Tomaso Antonio Vitali. A Dresden manuscript that may have been transcribed in the early 18th century is the earliest known version of the chaconne, but it was not published until 1867 when Ferdinand David arranged it for violin and piano. The origin of its composition has been debated, with some musicologists hypothesizing that the work is a musical hoax composed by David rather than Vitali. Léopold Charlier made significant alterations to the chaconne in the early 20th century, transforming it into a virtuosic, Romantic-style showpiece. It has been arranged by numerous other composers, including Hans Werner Henze, who used it as the basis for his work Il Vitalino raddoppiato (1977). Differing somewhat from the major archetypes of ground bass variations, the chaconne features a descending tetrachord in the continuo part, the lowest voice (this bass-line pattern is traditionally associated with lament and figured, at a time, more prominently in the passacaglia), above which the violin part presents increasingly complex variations on the original theme. There are several abrupt changes in the key between variations, atypical of other chaconnes from the Baroque era. Some suggest that this characteristic, along with the observation that the chaconne is dissimilar to Vitali's other surviving compositions, is indicative of a different composer. Jascha Heifetz began his American debut recital at Carnegie Hall in 1917 with the chaconne and regularly performed it as part of his concert repertoire for the next four decades. (en)
- La Ciaccona in sol minore per violino e basso continuo è stata attribuita a Tomaso Antonio Vitali - del quale è la maggiore composizione. Il manoscritto indica "parte del Tommaso Vitalino", e questo spiega le controversie sull'attribuzione di questa pagina violinistica. (it)
- 《바이올린과 통주저음을 위한 샤콘 사 단조》는 가 쓴 것으로 알려진 곡이다. (ko)
- De Chaconne in g mineur is een compositie welke wordt toegeschreven aan de Italiaanse componist Tomaso Antonio Vitali, maar evenzogoed een "muzikale hoax" kan zijn. De chaconne is geschreven voor viool met basso continuo. De chaconne werd voor het eerst gepubliceerd in 1867 door de componist Ferdinand David in een bundel met andere werken van Vitali, genaamd Die Hoch Schule des Violinspiels. Door de veelvuldige verwisselingen van toonsoort in de chaconne lijkt het werk totaal niet uit de barokperiode te komen en eerder uit de romantiek. Hierdoor rees de vraag op of David het stuk zélf niet had gecomponeerd of anders zwaar had aangepast. David liet de muziekwereld tot zijn dood in het ongewis. Tot op de dag van vandaag zijn we nog niets wijzer geworden op de vraag of Vitali de eigenlijke componist was. Ondanks de dubieuze authenticiteit is het stuk een populair werk geworden onder violisten. Zo speelde Jascha Heifetz het werk op zijn debuut in de Carnegie Hall in 1917. (nl)
- Чакона Витали — музыкальное произведение вариационной формы (чакона), приписываемое итальянскому композитору Томазо Антонио Витали (1663—1745). Средняя продолжительность 10-12 минут. (ru)
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- Handwritten sheet music for violin and continuo parts (en)
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- First page of the Dresden manuscript (en)
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- "At the first few bars of Vitali's 'Chaconne', with which the program began, the audience seemed to sense a rising star." (en)
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- 0001-10-28 (xsd:gMonthDay)
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- attributed to Tomaso Antonio Vitali (en)
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- La Ciaccona in sol minore per violino e basso continuo è stata attribuita a Tomaso Antonio Vitali - del quale è la maggiore composizione. Il manoscritto indica "parte del Tommaso Vitalino", e questo spiega le controversie sull'attribuzione di questa pagina violinistica. (it)
- 《바이올린과 통주저음을 위한 샤콘 사 단조》는 가 쓴 것으로 알려진 곡이다. (ko)
- Чакона Витали — музыкальное произведение вариационной формы (чакона), приписываемое итальянскому композитору Томазо Антонио Витали (1663—1745). Средняя продолжительность 10-12 минут. (ru)
- The Chaconne in G minor is a Baroque composition for violin and continuo, traditionally attributed to the Italian composer Tomaso Antonio Vitali. A Dresden manuscript that may have been transcribed in the early 18th century is the earliest known version of the chaconne, but it was not published until 1867 when Ferdinand David arranged it for violin and piano. The origin of its composition has been debated, with some musicologists hypothesizing that the work is a musical hoax composed by David rather than Vitali. Léopold Charlier made significant alterations to the chaconne in the early 20th century, transforming it into a virtuosic, Romantic-style showpiece. It has been arranged by numerous other composers, including Hans Werner Henze, who used it as the basis for his work Il Vitalino radd (en)
- De Chaconne in g mineur is een compositie welke wordt toegeschreven aan de Italiaanse componist Tomaso Antonio Vitali, maar evenzogoed een "muzikale hoax" kan zijn. De chaconne is geschreven voor viool met basso continuo. De chaconne werd voor het eerst gepubliceerd in 1867 door de componist Ferdinand David in een bundel met andere werken van Vitali, genaamd Die Hoch Schule des Violinspiels. Ondanks de dubieuze authenticiteit is het stuk een populair werk geworden onder violisten. Zo speelde Jascha Heifetz het werk op zijn debuut in de Carnegie Hall in 1917. (nl)
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- Chaconne in G minor (en)
- Ciaccona in sol minore per violino e basso continuo (it)
- 샤콘 (비탈리) (ko)
- Chaconne (Vitali) (nl)
- Чакона Витали (ru)
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