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10.1145/3569009.3576176acmconferencesArticle/Chapter ViewAbstractPublication PagesteiConference Proceedingsconference-collections
abstract

Contingent Dreams

Published: 26 February 2023 Publication History

Abstract

Robots are usually considered tools, devoid of agency and thus creativity. This robotic art performance – Contingent Dreams – explores the generative role of the human artist, algorithm, machine, medium, and environment in art making. In this performance a robot, programmed and assisted by the artist, draws an algorithmic composition in ink. The drawings – derived from recordings of everyday sounds – represent the noise of cities in Louisiana, rendering an ephemeral aspect of the city in unruly mechanical brushstrokes. The drawings come to life as the precise paths of the algorithm are translated into bold, enigmatic brush strokes and anomalous drops of ink. The drawings emerge not just from the imagination of the artist, but also from the sounds of the city, the code of the algorithm, the mechanical motion of the robot, the physics of the brush bristles and ink, and the texture and absorbency of the paper. Each aspect of the performance adds meaningful contingency to the process, resulting in drawings that evoke, as accidents accumulate into meaning, the multiplicity of urban experience.

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MP4 File (CD_noSound.mp4)
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References

[1]
Jane Bennett. 2010. Vibrant Matter: A Political Ecology of Things. Duke University Press.
[2]
Don Brenneis. 2013. Trading fours: Creativity, analogy, and exchange. American Ethnologist 40, 4 (2013), 619–623. https://doi.org/10.1111/amet.12042
[3]
Gilles Deleuze. 1993. The Fold: Leibniz and the Baroque. University of Minnesota Press.
[4]
Mary Ann Doane. 2007. The indexical and the concept of medium specificity. Differences 18, 1 (2007), 128–152. https://doi.org/10.1215/10407391-2006-025
[5]
Everyware. 2014. Bitscape. http://everyware.kr/home/portfolio/bitscape/
[6]
Jörg Marvin Gülzow, Liat Grayver, and Oliver Deussen. 2018. Self-Improving Robotic Brushstroke Replication. Arts 7, 4 (2018). https://doi.org/10.3390/arts7000000
[7]
Jörg Marvin Gülzow, Patrick Paetzold, and Oliver Deussen. 2020. Recent developments regarding painting robots for research in automatic painting, artificial creativity, and machine learning. Applied Sciences (Switzerland) 10, 10 (may 2020). https://doi.org/10.3390/APP10103396
[8]
Jean Tinguely. 1959. Méta-matic no. 10. Stedelijk Museum Amsterdam. https://www.stedelijk.nl/en/collection/12623-jean-tinguely-metamatic-no.-10
[9]
Eitan Wilf. 2013. Sociable robots, jazz music, and divination: Contingency as a cultural resource for negotiating problems of intentionality. American Ethnologist 40, 4 (2013), 605–618. https://doi.org/10.1111/amet.12041

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Published In

cover image ACM Conferences
TEI '23: Proceedings of the Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction
February 2023
709 pages
ISBN:9781450399777
DOI:10.1145/3569009
Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 26 February 2023

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Author Tags

  1. Arts
  2. collaboration
  3. creativity
  4. robotics

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  • Refereed limited

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TEI '23
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Overall Acceptance Rate 393 of 1,367 submissions, 29%

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