The aim of this short note is to highlight a possible, hitherto unnoticed, telestich in Verg. Aen. 8.246–9, which presents the Greek word SĒMA (‘portent’, ‘wonder’, ‘prodigy’, ‘tomb’). To justify this identification, I will argue for its... more
The aim of this short note is to highlight a possible, hitherto unnoticed, telestich in Verg. Aen. 8.246–9, which presents the Greek word SĒMA (‘portent’, ‘wonder’, ‘prodigy’, ‘tomb’). To justify this identification, I will argue for its significance from its context in the poem (the battle between Hercules and Cacus), pointing out the insistence on the imagery of light and revelation, and the use of the phrase mirabile dictu, which appears in the same episode of the Aeneid, in the Latin poetic tradition.
This article aims to explore how Hosidius Geta integrates lines of Vergil’s Eclogues and Georgics into his tragedy Medea, written in the form of a cento. I will try to show that Geta arranged the bucolic and georgic material in such a way... more
This article aims to explore how Hosidius Geta integrates lines of Vergil’s Eclogues and Georgics into his tragedy Medea, written in the form of a cento. I will try to show that Geta arranged the bucolic and georgic material in such a way that it works in a tragic text without generic dissonance. Departing from textual analysis of ll. 131-138 and 250-259 of the cento, I have sought to build on textual evidence to pinpoint how Geta used certain excerpts from the Eclogues and the Georgics and to explore the generic enrichment embedded in the reuse of these poems.
The aim of this note is to highlight an acrostic regarding leprosy (lepra) in Quintus Serenus’ Liber medicinalis (vv. 48-52), arguing that it is no accident but intentional. To this end, I show its relevance in context and take as... more
The aim of this note is to highlight an acrostic regarding leprosy (lepra) in Quintus Serenus’ Liber medicinalis (vv. 48-52), arguing that it is no accident but intentional. To this end, I show its relevance in context and take as examples the structure and contents of the poem, namely its reference to the case of Sulla’s disease.
This article aims to offer a fresh analysis of two passages in the extensive necromancy episode in Lucan's Bellum Ciuile: the ritual to reanimate the dead soldier's corpse (6.667–73), and the surgical procedure Erichtho then proceeds to... more
This article aims to offer a fresh analysis of two passages in the extensive necromancy episode in Lucan's Bellum Ciuile: the ritual to reanimate the dead soldier's corpse (6.667–73), and the surgical procedure Erichtho then proceeds to undertake (6.750–7), resembling the practice of a vivisection. The study will focus mostly on the strong connection of magic to medical traditions in antiquity, with a commentary on, and analysis of, these verses through the lenses of medical vocabulary, themes and motifs. It ultimately concludes that Lucan was familiar with the language and characteristics of the medical tradition, enriched his report with them, and was playing with his audience's knowledge of the same.
De uniuersa mulierum medicina, by the Portuguese physician Rodrigo de Castro, is a complex gynaecological treatise that comprises sources concerning various medical aspects, both ancient and contemporary to the author, and also... more
De uniuersa mulierum medicina, by the Portuguese physician Rodrigo de Castro, is a complex gynaecological treatise that comprises sources concerning various medical aspects, both ancient and contemporary to the author, and also non-technical sources, namely poets from classical antiquity. This being the first article on the presence of Virgil in Castro, the main goal is to see where Virgil's Georgics 4 and Aeneid 6 are used in the De uniuersa mulierum medicina and explore how passages from the Virgilian oeuvre were used by the Portuguese physician.
In this article, I examine the nature of Dido’s magic ritual in Aeneid 4, reading it as a magic ritual aimed at inducing forgetfulness. I argue that in burning his belongings, Dido intends to forget Aeneas and not to destroy him; for this... more
In this article, I examine the nature of Dido’s magic ritual in Aeneid 4, reading it as a magic ritual aimed at inducing forgetfulness. I argue that in burning his belongings, Dido intends to forget Aeneas and not to destroy him; for this purpose, I study this episode in the light of non-literary sources and of the poetic tradition concerning love magic and the obliteration of memory.
João Curvo Semedo (1635-1719) is the author of, among other works, the Tratado da Peste (1680), a treatise concerning the origins and causes of the plague, and its prevention and treatment. This article aims to present this opus, which... more
João Curvo Semedo (1635-1719) is the author of, among other works, the Tratado da Peste (1680), a treatise concerning the origins and causes of the plague, and its prevention and treatment. This article aims to present this opus, which has long been neglected, to understand how it follows the tradition of the genre of 'plague literature', and to highlight its value and originality. This analysis draws upon other plague treatises, especially those written by Portuguese physicians.
Portuguese translation of Lucan's Pharsalia (books 6 and 7).
Portuguese translation of Vergil's Georgics.
Portuguese translation of Vergil's Eclogues.
Please note this article is published with Brepols Publishers as a Gold Open Access article under a Creative Commons CC 4.0: BY-NC license. The article is also freely available on the website of Brepols Publishers:... more
Please note this article is published with Brepols Publishers as a Gold Open Access article under a Creative Commons CC 4.0: BY-NC license.
The article is also freely available on the website of Brepols Publishers: https://doi.org/10.1484/J.EUPHR.5.132025 under this same license.
The article is also freely available on the website of Brepols Publishers: https://doi.org/10.1484/J.EUPHR.5.132025 under this same license.
Please note this article is published with Brepols Publishers as a Gold Open Access article under a Creative Commons CC 4.0: BY-NC license. The article is also freely available on the website of Brepols Publishers:... more
Please note this article is published with Brepols Publishers as a Gold Open Access article under a Creative Commons CC 4.0: BY-NC license.
The article is also freely available on the website of Brepols Publishers: https://doi.org/10.1484/J.EUPHR.5.132025 under this same license.
The article is also freely available on the website of Brepols Publishers: https://doi.org/10.1484/J.EUPHR.5.132025 under this same license.
Please note this article is published with Brepols Publishers as a Gold Open Access article under a Creative Commons CC 4.0: BY-NC license. The article is also freely available on the website of Brepols Publishers:... more
Please note this article is published with Brepols Publishers as a Gold Open Access article under a Creative Commons CC 4.0: BY-NC license.
The article is also freely available on the website of Brepols Publishers: https://www.brepolsonline.net/doi/abs/10.1484/J.EUPHR.5.128816 under this same license.
The article is also freely available on the website of Brepols Publishers: https://www.brepolsonline.net/doi/abs/10.1484/J.EUPHR.5.128816 under this same license.
Please note this article is published with Brepols Publishers as a Gold Open Access article under a Creative Commons CC 4.0: BY-NC license. The article is also freely available on the website of Brepols Publishers:... more
Please note this article is published with Brepols Publishers as a Gold Open Access article under a Creative Commons CC 4.0: BY-NC license.
The article is also freely available on the website of Brepols Publishers: https://www.brepolsonline.net/doi/abs/10.1484/J.EUPHR.5.128816 under this same license.
The article is also freely available on the website of Brepols Publishers: https://www.brepolsonline.net/doi/abs/10.1484/J.EUPHR.5.128816 under this same license.