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  • I am an intellectual historian, with a specialisation in the pre-modern history of science, technology, and medicine ... moreedit
This book examines the life and works of Santorio Santori (1561-1636) and his impact on the history of medicine and natural philosophy. Reputed as the father of experimental medicine and procedures, he is also known for his invention of... more
This book examines the life and works of Santorio Santori (1561-1636) and his impact on the history of medicine and natural philosophy. Reputed as the father of experimental medicine and procedures, he is also known for his invention of numerous scientific instruments, including early precision medical devices (pulsimeters, hygrometers, thermometers, anemometers), as well as clinical and surgical tools. The chapters in this volume explore Santorio’s legacy through the seventeenth and eighteenth centuries. They highlight the role played by Santorio and his followers (Galileo, Dodart, De Gorter, Keill, Linnaeus, Lavoisier and others) in the development of corpuscularian ideas, central to the ‘new science’ of the period, and place new emphasis on the role of the life sciences, chemistry and medicine in encouraging new forms of experimentation and instrument-making.
Il Rinascimento evoca sentimenti di ammirazione, di rimpianto, addirittura un’acuta nostalgia di un momento della storia umana lontano nel tempo, ma non remoto. L’età della Rinascenza soprattutto si vede, ma pure si ascolta e si legge; e... more
Il Rinascimento evoca sentimenti di ammirazione, di rimpianto, addirittura un’acuta nostalgia di un momento della storia umana lontano nel tempo, ma non remoto. L’età della Rinascenza soprattutto si vede, ma pure si ascolta e si legge; e anche per questo è sempre presente, confondendosi con il classico che, per sua natura, quasi non ha tempo. Non vi è dubbio che il suo rinnovamento in una cultura nuova, che si lasciava alle spalle un assai lungo Medioevo, è il tratto peculiare dell’epoca, che portò a nuova vita forme, linguaggi, espressioni del passato. Ciò avvenne anche nel discorso politico che, nella Penisola travagliata dalle guerre d’Italia, seppe comprendere quanto stava così drammaticamente avvenendo. Storia e pensiero, lungi dall’appiattirsi su una mera descrizione del presente, si lanciarono in un’ardita interpretazione del tempo presente, alla luce di un modello classico che, solo, poteva suggerire indizi utili alla comprensione di ciò che appariva ai più un mondo mai visto. La riflessione sulla repubblica occupò una parte cospicua dell’intera meditazione politica rinascimentale. Diverse furono le proposte sviluppate tra Venezia e Firenze, che coinvolsero in un ideale confronto gli ordini di Roma o per imitarli o per superarli. Machiavelli, Guicciardini, Giannotti e Contarini furono i protagonisti di tale approfondimento. La rinascita si avvertì forte anche nel mondo della scienza, che azzardò un nuovo paradigma ben visibile nella moderna comprensione del cosmo e nell’importantissima svolta all’interno del sapere anatomico del Cinquecento. Tutto si rinnovò sulla base della medicina antica e del sistema tolemaico, che aveva posto la terra al centro dell’universo.
This study looks at the ways in which physicians and philosophers developed Galen's philosophical legacy at the end of the Renaissance, and shows how their reading of classical medical texts moved beyond accepted patterns and... more
This study looks at the ways in which physicians and philosophers developed Galen's philosophical legacy at the end of the Renaissance, and shows how their reading of classical medical texts moved beyond accepted patterns and conventions.

By challenging a traditional historiographical account that described Renaissance Galenism in terms of decline and fall, this study argues for a new assessment of Galen's legacy, also read through the lens of those who opposed or reacted critically to it and thus contributed to the shaping of important aspects of the early modern debate on anthropology, ethics, psychology and even quantified experimentation. Among these many innovations and transformations, the notion of 'ingenuity' (ingenium) deserves particular attention. Hidden within this corporeal, inherent and heritable inclination, two major themes that side disquietingly with the development of modern subjectivity can be identified: the 'corporeality of the body', and the common destiny of humans and animals.

More generally, this study offers a contribution to the ongoing debate on the role and value of medical history, arguing in favour of the concept of 'historical translatability' in balancing the "longue durée" of traditions with the chaotic interactions of individual thinkers.
As a medical tradition, Galenism lived on through a series of conceptual and technical adaptations that allowed a core of ideas to develop also into a series of practical applications. This process is perhaps best illustrated by the... more
As a medical tradition, Galenism lived on through a series of conceptual and technical adaptations that allowed a core of ideas to develop also into a series of practical applications. This process is perhaps best illustrated by the quantification of therapy, as Galen's principles for the classification and composition of drugs were standardised and developed by subsequent generations of physicians into a veritable ars dosandi, which in turn provided the standard rationale of therapy until the mid-eighteenth century, if not later. In this chapter, I examine a variety of contributions from the period 1300-1550 by authors such as Gentile da Foligno (c. 1290-1348), Tommaso del Garbo (1305-1370), Bartolomeo da Montagnana (c. 1380-1452), Benedetto Vittori da Faenza (1481-1562), and Guillaume Rondelet (1507-1566), which shed light on how this process took shape. They were collected in a volume entitled De dosibus, seu de iuxta quantitate et proportione medicamentorum opuscula, first edited and published in Venice in 1579 and reissued a few years later (1584) in Lyon. I argue that the major theoretical shift testified by these works is a focus on the temperaments of drugs, as opposed to mere faculties, and the possibility of specifying the weight and dosage of remedies. This shift was made possible by Al-Kindi's seminal De gradibus, which is also included in the collection but to which I will only refer in passing for reasons that will be explained in this chapter. By analysing these works in relation to Galen's original account, I aim to show what specific gaps in his legacy were filled and what conceptual and practical tools were created to quantify therapy.
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Aristotle had left his pupils with a conundrum to solve: the nature of prime matter. Throughout the centuries, this concept remained the most obscure and elusive in Aristotle’s philosophy. While there were a number of conflicting opinions... more
Aristotle had left his pupils with a conundrum to solve: the nature of prime matter. Throughout the centuries, this concept remained the most obscure and elusive in Aristotle’s philosophy. While there were a number of conflicting opinions about the nature of prime matter, the debate was revived at the end of the 16th century when the logician and natural philosopher Jacopo Zabarella (1533-1589) proposed to identify prime matter as a material body of indefinite extension (quantitas interminata) which is bound within precise limits and shapes by the intervention of the actualising form (forma substantialis). Zabarella’s solution was further refined by his colleagues, including the theologian Paolo Sarpi (1557-1623), the physicians Girolamo Fabrici da Acquapendente (1533-1618) and Santorio Santori (1561-1636) and eventually by Galileo Galilei (1564-1642). They turned prime matter into a quantifiable substratum and developed some early forms of corpuscularianism or atomism. My aim in this paper is to recapture the essence of these developments starting from Zabarella’s own formulation of the problem of the extension of prime matter. In the second part, I will analyse its impact on the natural philosophies of Sarpi, Santorio and Galileo, showing how the debate on prime matter constituted the background against which early forms of quantified experimentation emerged.
This paper describes the emergence of quantification in medicine and the life sciences as an attempt to grapple with the issues posed by vital phenomena seen as processual, fluid, and turbulent events. The temporal framework covers the... more
This paper describes the emergence of quantification in medicine and the life sciences as an attempt to grapple with the issues posed by vital phenomena seen as processual, fluid, and turbulent events. The temporal framework covers the period from Greek medicine to the seventeenth century, not least because the development of quantification from the seventeenth century onwards has been covered widely as part of the major literature on the so-called "scientific revolution". By analysing a series of metaphors and case studies, my aim is to show how fluidity and turbulence have played a major role in shaping medicine's historical trajectory and its attempt at developing conceptual and technological tools able to cope with it.
The article sheds light on the invention of early modern precision instruments and their application in medicine, by analysing a neglected work by one of the Italian pupils of the physician Santorio Santori (1561-1636). This source... more
The article sheds light on the invention of early modern precision instruments and their application in medicine, by analysing a neglected work by one of the Italian pupils of the physician Santorio Santori (1561-1636). This source provides vital information on Santorio's experimental sample, and on the practical use and dimensions of instruments such as thermometers, hygrometers, pulsimeters and precision scales, showing that they also had a normative purpose: regulating the environmental factors affecting human health. The article first establishes the derivative nature of the source from Santorio's teachings, and then contextualises the invention of precision instruments with regard to Santorio's published and unpublished output. In the conclusions, I argue that the new instruments were meant to address the shortcomings of the traditional diagnostic rationale and are best conceptualised as 'intensity meters' meant to assess 'the magnitude' (magnitudo) of a patient's illness in degrees.
NTM Journal for the History of Science, Medicine and Technology, 2023
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This paper focuses on the scholastic approach to the intensity of complexions and presents some evidence as to how the meaning of complexio evolved in fourteenth-century Italian medicine: namely, how it was conceptualized, visualized, and... more
This paper focuses on the scholastic approach to the intensity of complexions and presents some evidence as to how the meaning of complexio evolved in fourteenth-century Italian medicine: namely, how it was conceptualized, visualized, and finally quantified. In the first part, I summarize the philosophical development of complexio, pointing out how the concept differs from simple mixtures, thereby allowing for the mathematisation of compounds and their intensity. I then move on to consider the links between medicine and mathematics and present the schemes provided by Gentile Gentili da Foligno (1280/90 - 1348) as a case study, analysing their philosophical premises and implications for medical treatment more generally. In the final part, I argue that, quite aside from representing early forms of the mathematisation of qualities, schemata and diagrams also captured the medieval ideal of the cosmos, a hierarchical progression of forms ordered in ascending degrees of perfection and nobility.
A chapter (in Italian) on the Development of Physiology at the University of Padua for the 800 anniversary of the University of Padua. From "L' Arte Medica. La Scuola Padovana e la Medicina in Europa e nel Mondo" (Donzelli Editore: Rome,... more
A chapter (in Italian) on the Development of Physiology at the University of Padua for the 800 anniversary of the University of Padua. From "L' Arte Medica. La Scuola Padovana e la Medicina in Europa e nel Mondo" (Donzelli Editore: Rome, 2022).
The introduction focuses on the career and work of Santorio Santori. It notes the contrast between his great influence before 1800 and his neglect in subsequent scholarship and offers an explanation of this. It then provides a revised... more
The introduction focuses on the career and work of Santorio Santori. It notes the contrast between his great influence before 1800 and his neglect in subsequent scholarship and offers an explanation of this. It then provides a revised account of his life, drawing on many new archival discoveries (including a new portrait) as well as a close reading of his own publications. It shows the importance of his family’s technical background, and his education and ongoing collective work with the innovative and politically progressive circles of the Morisini family and Paolo Sarpi in Venice, whose influence assisted his career as a physician and then professor at Padua, as well as ensuring his loss of position when more conservative forces triumphed there. The key innovations in each of his publications are explored and explained, showing his consistent commitment to quantification of the body through experimentation based on new instruments, but his positioning of this work within a Galenic framework of medical research and practice. His relationship with Galileo is clarified, confirming Santorio’s independence as both a philosopher and an inventor of instruments such as the pulsilogium and thermometer, and a summary is given of the purposes for which Santorio designed his instruments. The corpuscularian philosophy which underpinned this work is explored in the next chapter.
This paper provides the first detailed analysis of Santorio’s theory of matter by looking at its sources, context, development, and applications in medical diagnosis, natural philosophy and technology. In the first part, I discuss some... more
This paper provides the first detailed analysis of Santorio’s theory of matter by looking at its sources, context, development, and applications in medical diagnosis, natural philosophy and technology. In the first part, I discuss some problems posed by Santorio’s texts and style of writing, the intellectual background of the theory of matter and some chronology for its development. In the second, I deal specifically with the architecture of the theory, gathering evidence and instances of it across Santorio’s published and unpublished output. Finally, in the third part, I analyse the various applications the theory was susceptible of, both in medicine and natural philosophy, and show how Santorio’s programme of quantification was the outcome of a long-running endeavour that eventually culminated in a new vision of medicine and its possibilities.
The article provides the first description and analysis of the recently rediscovered manuscript titled Methodus anatomica by Girolamo Fabrici da Acquapendente (1533-1619). Acquapendente was one of the most important anatomists in late... more
The article provides the first description and analysis of the recently rediscovered manuscript titled Methodus anatomica by Girolamo Fabrici da Acquapendente (1533-1619). Acquapendente was one of the most important anatomists in late sixteenth-century Europe and played an instrumental role as Harvey's teacher in Padua towards the latter's discovery of the circulation of the blood. The manuscript provides first-hand testimony as to how anatomy was administered in Padua in the post-Vesalian era and sheds light on a number of otherwise unknown aspects of the development of the anatomical method. Chiefly among these is the attention devoted by Acquapendente to historia, as a way to order sensory data in a consistent way, which draws widely from the geometrical method and from the contemporary debate on the discretisation of continuous quantities.
Throughout the pre-modern era, plants, animals and humans shared a deep ontological continuity as different levels in the hierarchical organisation of life. Popularised by Lovejoy as 'the great chain of being' (scala naturae), such... more
Throughout the pre-modern era, plants, animals and humans shared a deep ontological continuity as different levels in the hierarchical organisation of life. Popularised by Lovejoy as 'the great chain of being' (scala naturae), such continuity relied on extensive use of metaphors, as well as on functional and psychological analogies in which the vegetable realm was understood as the primary and most fundamental manifestation of life. An appeal to the vegetable powers and to the plant-like functions of animals continued even during the golden period of mechanical philosophy and was actually revived as part of different theoretical strategies, stretching from Renaissance naturalism to eighteenth-century vitalism and materialism. From this standpoint, the survival of a classical model poses questions as to the kind of applications, implications and transformation the vegetal imagery was susceptible to. In this paper I take a longue-durée approach to the notion of vegetable life in order to show the complexity of the theme and its variations in medical and philosophical sources as well as in its technological applications and visual renderings. Notably, in the first part, I consider the analogical assumptions underlying the use of vegetable metaphors in ordering, classifying and visualising of the materia medica. In the second, I analyse the survival of the notion of vegetable soul in the seventeenth century and its interaction with various trends proper to the new mechanical philosophy. Finally, in the third part, I dwell on the anthropological implications of the vegetable as a means to highlight the 'material' and 'natural' side of human existence, an approach that runs counter to but parallels the dualist accounts of mind and body in Descartes and his epigones.
In humoral pathology, melancholia (the Latin word for “melancholy” or “black bile”) refers to a dark and thick juice whose accumulation in the body was believed to cause the homonymous disease, and denoted by symptoms such as fear and... more
In humoral pathology, melancholia (the Latin word for “melancholy” or “black bile”) refers to a dark and thick juice whose accumulation in the body was believed to cause the homonymous disease, and denoted by symptoms such as fear and deep sorrow. Since the time of Aristotle, melancholy has been associated with an inclination towards intellectual pursuits, spritual depth, and artistic creativity. In keeping with this trend and with Galen’s classification of temperaments, “melancholic” in the Middle Ages came to be identified as one the four fundamental temperaments (the others being phlegmatic, sanguine, and choleric) describing the basic typology of all human characters. Although both the medical rationale and the symptoms linked to melancholy changed in the early modern period, melancholy remained central to medical and non-medical theorizations of sorrow/depression until the end of the eighteenth century, featuring as one of the most durable concepts in Western culture.
Despite the fact that it had been established experimentally by the Greek doctors Herophilos (325 – 255 BC) and Erasistratus (c. 304 – c. 250 BC), the anatomical connection between the nerves and the brain, the latter understood as the... more
Despite the fact that it had been established experimentally by the Greek doctors Herophilos (325 – 255 BC) and Erasistratus (c. 304 – c. 250 BC), the anatomical connection between the nerves and the brain, the latter understood as the seat of the rational soul, remained controversial through the medieval and in the first part of the early modern period. Above all, this was because it challenged the fundamental tenets of Aristotelian physiology, which located sense perception and cognition in the heart. With the rediscovery of Galen's anatomical texts (1525) and the rebirth of anatomical dissection, however, the issue was revived and, by the end of the sixteenth century, physicians had established the connection between the brain and the nerves unequivocally. Anatomical discoveries were soon followed by new interpretations of the function and connection between the mind, brain and the nerves, eventually finding new formulations in Bernardino Telesio (c. 1509–1588), René Descartes (1596–1650), Francis Glisson (1597–1677), Isaac Newton (1642–1727) and Luigi Galvani (1737–1798).
Corpuscularianism (from the Latin corpusculum meaning 'little body') refers to a set of theories that explain natural transformations as the result of the interaction of particles (minima naturalia, partes exiles, partes parvae,... more
Corpuscularianism (from the Latin corpusculum meaning 'little body') refers to a set of theories that explain natural transformations as the result of the interaction of particles (minima naturalia, partes exiles, partes parvae, particulae, semina). It differs from atomism in that corpuscles are usually endowed with a property of their own and are further divisible, whilst atoms are neither. Although often associated with the emergence of early modern mechanical philosophy, and especially with the names of Galileo Galilei (1564-1642), René Descartes (1596-1650) and Robert Boyle (1627-1691), corpuscularian theories can be found throughout the history of Western philosophy. As distinct from physical and geometrical atomism, corpuscularianism originates with Aristotle (384-322 B. C.) and it remained vital, both in continuation of and in opposition to his teachings, until the late seventeenth century. A fundamental change occurring in the early modern period was that corpuscles were postulated as a necessary aspect of the mechanical model of the world and thus endowed with distinctly geometrical properties, such as shape, quantity, and weight.
This article calls attention to a specific case of improvement in the visualisation of the body in some authors of the so-called Anatomical School of Padua. I make the case here that the use of diagrams to replace the actual... more
This article calls attention to a specific case of improvement in the visualisation of the body in some authors of the so-called Anatomical School of Padua. I make the case here that the use of diagrams to replace the actual representation of the structure of organs could be regarded as a kind of ‘proof’ in physiology that is reminiscent of an analogous approach already adopted by Galen in many of his works and which, via Vesalius, will reach its utmost exploitation in Acquapendente and Santorio.
The early history of thermometry is most commonly described as the result of a continuous development rather than the product of a single brilliant mind, and yet scholars have often credited the Italian physician Santorio Santori... more
The early history of thermometry is most commonly described as
the result of a continuous development rather than the product of a single
brilliant mind, and yet scholars have often credited the Italian physician Santorio Santori (1561–1636) with the invention of the first thermometers. The
purpose of using such instruments within the traditional context of Galenic
medicine, however, has not been investigated and scholars have consistently
assumed that, being subject to the influence of atmospheric pressure and environmental heat, Santorio’s instruments provided unreliable measurements. The discovery that, as early as 1612, Santorio describes all vacuum-related
phenomena as effects of the atmospheric pressure of the air, provides ample
room for reconsidering his role in the development of precision instruments
and the early history of thermometry in particular. By drawing on a variety of written and visual sources, some unpublished, in the first part of this article I argue that Santorio’s appreciation of phenomena related to the weight of the
air allowed him to construct the first thermometers working as sealed devices.
Finally, in the second part, I consider Santorio’s use of the thermometer as
related to the seventeenth-century medical practice and his way to measure the
temperature as based on a wide sample of individuals.
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Abstract. The emergence of modern science in the sixteenth and seventeenth centuries had in medicine an important field of development thanks especially to the work of Santorio Santori (1561-1636). Mostly known for his contribution to the... more
Abstract. The emergence of modern science in the sixteenth and seventeenth centuries had in medicine an important field of development thanks especially to the work of Santorio Santori (1561-1636). Mostly known for his contribution to the study of metabolism, Santorio was a pioneer in the use of quantification and developed several types of instruments, among which was a device called pulsilogium that represents the first instrument of precision in the history of medicine. First mentioned in 1602 by a colleague of Santorio in Padua, the instrument possibly constituted a source of inspiration for Galileo and sparked an entire path of experiments in seventeenth-century Europe. Santorio presented his inventions in a series of rough engravings in his Commentaria in primam Fen primi libri Canonis Avicennae (Venice 1625) promising soon to publish another book called De instrumentis medicis: a task that, unfortunately, he was never able to fulfil. As a consequence, many descriptions related to Santorio’s instruments are partial or too general to provide a proper understanding of their mechanism. In order to understand the exact application of Santorio’s ideas to physiology, their reconstruction represents an essential task for any historian and philosopher of science. Relying on a new assessment of Santorio’s works, newly discovered documentary proofs as well as on experimentation carried out at the University of Exeter, we present here for the first time the key principles that led to the historically accurate reconstruction of the pulsilogium A2. The results are possibly of some importance in the history of science, as, unlike all previous scholars, we can now prove that the pulsilogium represented a moment of transition and departure from the late Aristotelian physics towards Galileo’s mechanics and that, despite the latter’s discoveries, it continued to be used not to obtain an absolute measurement of the pulse rate, but to record its ‘latitude’.
Between 2015 and 2016 a series of seminars on the history of early modern technology and medicine were held at the Centres for Medical History and Biomedical Modelling and Analysis of the University of Exeter. As a result of that work we... more
Between 2015 and 2016 a series of seminars on the history of early modern technology and medicine were held at the Centres for Medical History and Biomedical Modelling and Analysis of the University of Exeter. As a result of that work we laid down the basis for the first historically accurate reconstruction of a seventeenth-century instrument,
the pulsilogium of Sanctorius (1561-1636). Previous copies were in fact either simple models for display or lacked any commitment to historical accuracy. This short contribution explores some of the results we obtained from the recreation of this device and experiments we recreated which shed new light on the early application of the pendulum as a scientific instrument. A fuller and much more detailed account of
these discoveries will be given in a forthcoming contribution edited by Filip Buyse for a special issue of the "Journal of Social and Political Science".
This paper presents some of Santorio’s marginalia to his 'Commentaria in primam fen primi libri Canonis Avicennae' (Venice 1625), which I have identified in the Sloane Collection of the British Library in 2016, as well as the evidence for... more
This paper presents some of Santorio’s marginalia to his 'Commentaria in primam fen primi libri Canonis Avicennae' (Venice 1625), which I have identified in the Sloane Collection of the British Library in 2016, as well as the evidence for their authorship. The name of the Venetian physician Santorio Santori (1561–1636) is linked with the introduction of quantification in medicine and with the invention of precision instruments that, displayed for the first time in this work, laid down the foundations for what we today understand as evidence-based medicine. But Santorio’s 'monumentale opus' also contains evidence of many quantified experiments and displays his ideas on mixtures, structure of matter and corpuscles, which are in many cases clarified and completed by the new marginalia. These ideas testify to an early interest in chemistry within the medical school of Padua which predates both Galileo and Sennert and which has hitherto been unknown.
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Preliminary Extended Draft of "Le composizioni strumentali sacre di G. F. Anerio, G. Allegri, G.B. Organista e Anonimo nella Biblioteca Altemps" in Atti del Congresso Internazionale in Occasione dei 100 anni del Pontificio Istituto di... more
Preliminary Extended Draft of "Le composizioni strumentali sacre di G. F. Anerio, G. Allegri, G.B. Organista e Anonimo nella Biblioteca Altemps" in Atti del Congresso Internazionale in Occasione dei 100 anni del Pontificio Istituto di Musica Sacra,  Libreria Editrice Vaticana, Città del  Vaticano - 2013, Vol. 2, pp. 587-611
The paper focuses on the sources of and existing links between the Aristotelian rhetoric and monodic music in late Renaissance and first Baroque in Italy. It describes a practice well know as "Recitar cantando", practice which will soon... more
The paper focuses on the sources of and existing links between the Aristotelian rhetoric and monodic music in late Renaissance and first Baroque in Italy. It describes a practice well know as "Recitar cantando", practice which will soon be changed in "Affektenlehre".
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"Die Welt nach Graden Messen. Intensität in Medizin und Naturphilosophie der Frühen Neuzeit (1400-1650)" Deutsche Forschungsgemeinschaft Project (2022-2025)
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Measuring the World by Degrees. Intensity in Early Modern Medicine and Natural Philosophy (1400-1650) Project Description The project sets out to explore early modern forms of quantification that developed in medicine and natural... more
Measuring the World by Degrees. Intensity in Early Modern Medicine and Natural Philosophy (1400-1650) Project Description The project sets out to explore early modern forms of quantification that developed in medicine and natural philosophy as related to the measurement of intensity, an essential thread to various disciplines of knowledge which has never been studied in relation to the topic and for the period considered in this proposal (1400-1650). These forms provided new ways to understand the body and its functioning which were later reflected in programmes of proper quantitative experimentation (Marliani) and in the invention of precision instruments (Sanctorius, Marci, Kircher), thus testifying to the original, vital, and pivotal role played by medicine in the early modern effort to mathematise nature. Fundamentally the project seeks to collect, classify and explore the different notions, applications, and visualisations of intensity in medicine and natural philosophy, with the possibility to further expand the results in a different stage, so as to include the experimental applications of intensity. In this sense, and especially with contributions from the field of mechanics and theology, the project has the potential to prepare the groundwork for proper evaluation of theories of measurement of intensity from the late middle ages through the entire early modern period (1350-1750), thus having a great impact on the current state-of-the-art. Methodologically, this proposal will challenge the very concept of 'paradigmatic change' and current approaches to the 'scientific revolution', which have regarded medicine as a nonrelevant field of analysis. In particular, it will show that the emergence of "mechanical concept of force" coexisted with the old paradigm of intensity for quite a while and kept interacting with it to suggest new insights, both in physics (as in the case of Leibniz's 'vis viva') and philosophy, giving new impetus to the analytical study of emotions and perception (as in Barumgarten's 'quantitas virtutis' and Kant's principle of the anticipation of perception). The project is thus expected to fill a major intellectual gap and open new directions for the study of the early modern period in general.
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Wellcome Trust Project (2015-2018)
Below there are some links and a short video introduction concerning the  relevance of the project.
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This event honours the medical historian Giuseppe Ongaro (1936-2023) with a one-day conference dedicated to exploring his multifaceted legacy in the history of medicine.
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Organised in collaboration with the Centre for the History of Women Philosophers and Scientists – University of Paderborn, this series seeks to understand the role of women in the history of medicine by exploring their contributions in... more
Organised in collaboration with the Centre for the History of Women Philosophers and Scientists – University of Paderborn, this series seeks to understand the role of women in the history of medicine by exploring their contributions in fields such as natural philosophy, household remedies, plant manipulation and selection, as well as midwifery.
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STUDIOLO DIGITAL HUMANITIES LAB Winter School Series - Humanities for the Future 12-15 February 2024 Registration is now open for Studio Digital Humanities Lab, the new Winter School format designed to meet the needs of those, both... more
STUDIOLO DIGITAL HUMANITIES LAB
Winter School Series - Humanities for the Future

12-15 February 2024

Registration is now open for Studio Digital Humanities Lab, the new Winter School format designed to meet the needs of those, both inside and outside academia, who are facing the digital revolution.

Its interdisciplinary format allows participants to get a feel for the potential of new media, while acquiring basic coding skills, knowledge of 3D modelling, Optical Character Recognition (OCR) and key concepts in Artificial Intelligence (AI) and Large Language Models (LLM), as well as tools for communicating with experts in the field.

The possibilities opened up by digital humanities are vast, and worth considering for anyone writing a new project, seeking funding or simply new means of implementing existing ideas.

DEADLINES
12 December 2023 (Early Bird Deadline)
31 January 2024 (Regular Registration)

BURSARIES
Bursaries to attend the winter school are available via the competitive Comèl Grant
https://csmbr.fondazionecomel.org/grants-and-awards/comel-grant/

Comèl Grant Deadline: 15 November

INFO AND REGISTRATION AT:
https://csmbr.fondazionecomel.org/events/studiolo-digital-lab-2024/
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Held in the stunning premises and terrace of the Domus Comeliana, this summer school will explore how heat, colour, and sound have been used, conceptualised and graded in the pre-modern cosmos shaping both disciplines of knowledge and... more
Held in the stunning premises and terrace of the Domus Comeliana, this summer school will explore how heat, colour, and sound have been used, conceptualised and graded in the pre-modern cosmos shaping both disciplines of knowledge and everyday life.

Central to the various cosmologies that developed throughout the period 1200-1600 was the idea that phenomena are subject to a variation in intensity. Intensity determined why objects were of higher or lesser temperature, speed, brightness, porous or dense texture, pitch, and so forth. And yet, intensity also had wider metaphysical, theological, political and cultural implications: it was instrumental to justify the order of the cosmos, the necessity of evil, and the need for hierarchies in maintaining social peace, with shades of colour especially used to mark social status, both in garments and buildings.

Linking back to Greek philosophy and medicine (i.e Aristotle, Galen, Dioscorides) theories of intensity (intensio et remissio formarum) blossomed in the late middle ages but remained vital in early modern philosophy (e.g. Galileo, Leibniz) up to the eighteenth century, with Baumgarten and Kant attempting at measuring the quantity of virtue (quantitas virtutis) necessary to the human subject to perceive (aesthetica) an object in the external world.

On the one hand, medieval and early modern theories of intensity developed an ancient desideratum to classify the world in a hierarchical order, also known as scala naturae or ‘the great chain of being’. At the extremes of the ‘chain’ were located respectively God, as the metaphysical grantor of order and the embodiment of perfection, and matter, embodying imperfection and chaos. However, on the other hand, the pre-modern period moved beyond previous attempts, as the cosmos is now spatialised and measurable. As comprehended within two opposites (i.e. perfection/imperfection, hot/cold, up/down, etc.), change occurs within “a range” (latitudo), wherein objects acquire or lose certain “degrees” (gradus) of the quality that is being intensified; thus hotter or brighter objects are so because they participate more in the specific properties (formae) of heat or light. In this sense, it is significant that, while the modern cosmos was consciously built on “number”, “weight” and “measure”, the fabric of the pre-modern world was textured in grades and shades.

Grades and shades were at once quantities and values, representing perfection or imperfection in theology, purity or impurity of distillation in alchemical preparations, physiological or pathological functioning of the body, where humours were refined by cooking and where everything, from fever to pulse frequency, was ordered in degrees of intensity. In cosmology, light was given a preeminent role, as Robert Grosseteste (1175-1253) developed his cosmology of light where intensity shapes every aspect of the universe, and Dante Alighieri (1265-1321) ordered Inferno in rounds of degrading sin while Paradiso in spheres of ascending beatitude.

A new vision of the cosmos prompted a larger use of visual aids, such as diagrams both to visualise change and to measure intensity. Health starts being measured in latitudes, the temperature in degrees, herbs and drugs by their colours and the intensity of their effects on the human body. Colours are used to represent aspects of the material world but also to highlight status, dignity, conceptual clarity, as well as religious and seasonal cycles while the sounds of the French Ars nova (14th century) intensify the rhythmic capacity of music by developing a new virtuosity, Flemish masters establish the multilayered notation of polyphony (15th century) and the Venetian Andrea and Giovanni Gabrieli at the end of the 16th-century start experimenting with piano and forte.

Although instrumental to the constitution of the pre-modern cosmos, intensity and associated theories have remained poorly studied in modern scholarship, with the bulk of studies available in German only. Attempting to fill the gap and to deliver the thematic fullness of the pre-modern cosmos to a larger audience, this summer school features world-leading experts discussing relevant aspects of intensity in alchemy, medicine, theology, natural philosophy, music, art, optics, as well as social and religious settings.
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The conference aims at addressing aspects of Galen’s pharmacology in relation to the philosophical, cultural and social development it underwent in the early modern period. Most notably, it will discuss in detail how Galen’s Simple... more
The conference aims at addressing aspects of Galen’s pharmacology in relation to the philosophical, cultural and social development it underwent in the early modern period. Most notably, it will discuss in detail how Galen’s Simple Medicines had changed by 1500, and why. One reason for change was the new cultures into which the text had been introduced. Another was practical requirements for drug descriptions as opposed to medical theory, which led to a double manuscript tradition, and less focus on Galen’s experimental method. Such requirements also caused extra material to be introduced, especially from the tradition of Dioscorides. New plants too were incorporated into the system, such as tomatoes, which required accurate description and classification. In short, the early modern period faced a crisis over how to handle the power of new foods and drugs that were then imported and commercialised from the new continent, a crisis that physicians and natural philosophers sought to resolve by creating new conceptual, visual and technical instruments.

The conference will hence allow the participants to analyse how Renaissance writers had moved on from Galen’s understanding, as well as where and why they had not. Speakers will be looking at translations and how these reflect different approaches and/or traditions. Theories of action of drugs on the body will also be taken into account, viz. how these were modified in relation to Arabic pharmacology. A special emphasis will be laid on how plants were classified and visualised. Finally, attention will be devoted to the commercialisation of drugs, simples and recipes as developed within Galenic therapy.

Info and registration at: https://csmbr.fondazionecomel.org/events/conferences-webinars/em-galens-pharmacology/
As part of the online conference on "Scales, Norms, and Limit Values in Times of (Digital) Change", organised in Wien by Anna Echterhölter and Dr. Anne-Katrin Ebert, the CSMBR Sponsors a panel on medical history titled EXTREME BODIES:... more
As part of the online conference on "Scales, Norms, and Limit Values in Times of (Digital) Change", organised in Wien by Anna Echterhölter and
Dr. Anne-Katrin Ebert, the CSMBR Sponsors a panel on medical history titled EXTREME BODIES: Norm, Excess, and Transgression in Western Medicine"
Long before being measured, the body has been a unit of measurement and a canon in that it defines the norm within which health can be maintained and life can persist. As all in-formal parameters, whose existence and value predate their conceptual manipulation – their apprehension being individual, private, implicit, and prelinguistic – the body canon has defined the range of what is normal and abnormal in terms of excess and defect. However, the existence of different ways to express the normal and the abnormal across societies and cultures, in learned as well as in popular literature, inevitably plays a role in how the body is experienced, generating an array of cultural presuppositions, stereotypes, and expectations. Amongst these, a moral and political component should also be taken into account. Indeed, violating a norm implies an ethical stance towards perfecting, challenging, or transgressing accepted conventions. An example of this is how corpulence and fat have been dealt with across the ages, being used to highlight the belonging to the upper class, or - on the contrary - gluttony, intemperance, and incapability of abiding by shared societal mores. Sponsored by the Centre for the Study of Medicine and the Body in the Renaissance (CSMBR), this panel presents some of these entanglements, showing how the implications of the ‘nature vs nurture debate’ have been a constant preoccupation in Western medicine and culture more generally.
LATITUDES OF THE BODY. Human-Based Measurement and its Contexts, from Leonardo to Newton (1400-1700) CSMBR Summer School – 21-24 July 2021 Domvs Comeliana, Pisa Keynote Speakers: Martin Kemp (University of Oxford), confirmed Michael... more
LATITUDES OF THE BODY. Human-Based Measurement and its Contexts, from Leonardo to Newton (1400-1700)
CSMBR Summer School – 21-24 July 2021
Domvs Comeliana, Pisa

Keynote Speakers:
Martin Kemp (University of Oxford), confirmed
Michael Stolberg (Julius Maximilians–Universität, Würzburg), confirmed
Giulia Martina Weston (The Courtauld Institute of Art, London), confirmed

Organiser:
Fabrizio Bigotti (CSMBR, Julius Maximilians-Universität Würzburg, University of Exeter)


CONTACTS
For further information about the event contact the organizer at fb@csmbr.fondazionecomel.org or email info@csmbr.fondazionecomel.org with the subject SUMMER SCHOOL 2021
This Webinar explores the different ways in which medicine developed beyond the traditional boundaries of an academic discipline thereby informing approaches and practices as diverse as pedagogy, magic, the professionalisation of surgeons... more
This Webinar explores the different ways in which medicine developed beyond the traditional boundaries of an academic discipline thereby informing approaches and practices as diverse as pedagogy, magic, the professionalisation of surgeons across the German-speaking countries, as well as early modern visualisations of the body and theories of action at a distance. By drawing on a wide range of sources such as treatises by humanists, travel reports, and close reading of anatomical manuscript notes, speakers will uncover the changing outline of early modern medicine across borders and contexts.
Research Interests:
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The Centre for the Study of Medicine and the Body in the Renaissance (CSMBR) in cooperation with Fondazione Comel–Institutio Santoriana and Studio Firmano for the History of Medicine and Science is pleased to announce an International... more
The Centre for the Study of Medicine and the Body in the Renaissance (CSMBR) in cooperation with Fondazione Comel–Institutio Santoriana and Studio Firmano for the History of Medicine and Science is pleased to announce an International Summer School

THE KILN, THE ALEMBIC, AND THE CLOCKWORK
Early Modern Representations of the Body and its Changing Matter
29-31 March 2019
Organisers: Fabrizio Bigotti & Fabiola Zurlini

The summer school will explore how the representation of the body and its functions changed from antiquity to the early modern period and how technology altered the perception of what we are as human animals. By adopting three of the most iconic analogies ever used in the history of medicine to represent the human body, The Kiln, the Alembic, and the Clockwork will explore the early modern imagery of the body, in connection to the methods of investigation and its overlapping with disciplines such as alchemy and astronomy. Particular attention will be devoted to processes such as the combination and the concoction of humours (the kiln), distillation and perspiration (the alembic) and the mechanical action of innate heat (the clockwork) whilst considering, for each analogy, the visual impact it exerted on the Renaissance and early modern representation of human physiology.
The summer school is directed to undergraduates, postgraduates as well as PhDs wishing to deepen their knowledge of history of medicine and its connection to other disciplines of knowledge in the early modern period. Sources and papers will be pre-circulated in order for attendees to engage fruitfully in conversation with speakers in a roundtable at the end of the day.
The Summer School will be held in the outstanding location of DOMVS COMELIANA in Piazza dei Miracoli (Pisa) with the provisional programme available here.

Confirmed Speakers: Vivian Nutton (First Moscow State Medical University)

Hiro Hirai (Radboud University)

Fabrizio Bigotti (University of Exeter)

Fabio Zampieri (University of Padua)

Fabiola Zurlini (Studio Firmano for the History of Medicine and Science)

Registration fee to attend the Summer School is €244 and includes the cost of all breaks and lunches. Payment can be made directly to Fondazione Comel via Bank Transfer with the specification CSMBR 2019 by the registration deadline of Saturday 30th June 2018. For information and details please contact csmbr@fondazionecomel.org or f.bigotti@exeter.ac.uk

Santorio Fellowship 2018
The International Summer School runs along with the 2018 edition of the Santorio Fellowship for Medical Humanities and Science, which will be advertised separately. Selected winners will attend the Summer School for free and will receive a travel grant up to €250. Applicants must send a cover letter, a copy of their CV and a referee letter to santoriofellowship@fondazionecomel.org by the 31st of October 2018. Winners will be notified in early November. For information and details please contact Dr Fabrizio Bigotti at f.bigotti@exeter.ac.uk.
Topics:
Medical Historiography in Europe in the Twentieth century
History of the  medical profession in Europe
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International Conference
Domus Comeliana - Pisa 18-20 May 2017
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Panel for Scientiae Oxford 2016
Chair: Fabrizio Bigotti
Speakers:
Jonathan Barry (University of Exeter)
Fabrizio Bigotti (University of Exeter)
Peter Elmer (University of Exeter)
Research Interests:
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From brainstorming to revising and improving drafts, Artificial Intelligence (AI) has introduced new ways of thinking and researching in academia that can no longer be ignored. At the same time, however, the popular idea that AI could... more
From brainstorming to revising and improving drafts, Artificial Intelligence (AI) has introduced new ways of thinking and researching in academia that can no longer be ignored. At the same time, however, the popular idea that AI could replace intellectual work, and that one could train ChatGPT and other such programs to write an entire project from scratch, has proved to be a myth. In addition to ethical concerns, Large Language Models (LLM) have their own strengths and limitations, including lack of depth and bias. This presentation will provide a concise guide to embedding AI in research writing through practical applications in revising, summarising, brainstorming, classifying and visualising data. Examples will include the creation of Gantt charts to manage the working hours of a research team, as well as demonstrating the inherent limitations and biases of each of these applications.
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Etica e Nutrizione in Età Moderna
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Università degli Studi Roma Tre - 29 gennaio 2024 - Via Ostiense 234, Aula Verra / Sala del Consiglio

Kick-Off Meeting of the Italian National Research Project "Diet-Ethics. How Early Modern Ideas Shaped European Food Ethics"
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Paper for the Conference: "Standards. Non-Standard Conversation on How We Measure, Classify, and Understand the World" organised by Alma Igra and Magdalena Janosikova for The Van Leer Institute of Jerusalem, Jerusalem 8-9 January 2024.
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This paper examines the conceptual and historical evolution of "potentia" and "capacitas" in medical thought, from Late Scholasticism to Georg Stahl. It focuses particularly on the Aristotelian and Galenic roots of these concepts,... more
This paper examines the conceptual and historical evolution of "potentia" and "capacitas" in medical thought, from Late Scholasticism to Georg Stahl. It focuses particularly on the Aristotelian and Galenic roots of these concepts, focusing on the body's capacity to resist illness ("potentia resistendi aegritudinis causis"). Analysing the works of Gentile da Foligno, Benedetto Vitori da Faenza, and Stahl, the paper highlights key shifts in medical understanding over the centuries. It discusses the balance between innate capacities and external factors, the transition towards dynamic health perspectives, and Stahl's integration of soul and body in disease resistance. Ultimately This exploration reveals the intricate link between philosophy and medicine in conceptualising health and disease resistance.
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Organized by Simone Guidi and Enrico Pasini at the Institute for the European Intellectual Lexicon and History of Ideas of the National Research Council of Italy, in collaboration with Aristotelica – A peer-reviewed journal devoted to... more
Organized by Simone Guidi and Enrico Pasini at the Institute for the European Intellectual Lexicon and History of Ideas of the National Research Council of Italy, in collaboration with Aristotelica  – A peer-reviewed journal devoted to Aristotle.

Session 1 | 17 October 2023, 3PM CET Time
Christoph Sander • Least Attractive? Aristotelian Presuppositions to Explain Magnetic Movements
Olivier Ribordy • “Nothing New Under the Sun”? Observations of Sunspots and New Views on the World in the Early-modern Period

Session 2 | 7 November 2023, 3PM CET Time
Daniel Di Liscia  • The Notion of impetus in Late Medieval and Early-modern Science
Sylvain Roudaut • The Transformations of Heat in Late Scholastic Natural Philosophy

Session 3 | 14 November 2023, 3PM CET Time
Erik Åkerlund • Matter in Pedro Hurtado de Mendoza
Enrico Pasini • Aristotle Meets Infinity

Session 4 | 28 November 2023, 3PM CET Time
Fabrizio Bigotti • Life is the Capacity to Resist Decay. Medical Adaptations of Potentia and Capacitas from Late Scholasticism to Stahl
Yuan Tao • Elusive “Auditory Species” in Jesuit Theories of Sound

Session 5 | 12 December 2023, 3PM CET Time
Pietro D. Omodeo • Reflections on the Transformation of Cosmological Concepts in Renaissance Naturalism
Iolanda Ventura • Aristotelian Vocabulary in Silvestro Mauro’s Aristotelis Opera
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In this talk I will shed new light on the invention of early modern precision instruments and their use in medicine. In particular, I will focus on the work of the Italian physician Santorio Santori (1561-1636) in the light of my recent... more
In this talk I will shed new light on the invention of early modern precision instruments and their use in medicine. In particular, I will focus on the work of the Italian physician Santorio Santori (1561-1636) in the light of my recent discovery of a new source that provides crucial information on the practical use, composition of the experimental sample, and dimensions of instruments such as thermometers, hygrometers, pulsimeters, and precision scales, showing that they also had a normative purpose: the regulation of environmental factors affecting human health.
Research Interests:
In this talk I will shed new light on the invention of early modern precision instruments and their use in medicine. In particular, I will focus on the work of the Italian physician Santorio Santori (1561-1636) in the light of my recent... more
In this talk I will shed new light on the invention of early modern precision instruments and their use in medicine. In particular, I will focus on the work of the Italian physician Santorio Santori (1561-1636) in the light of my recent discovery of a new source that provides crucial information on the practical use, composition of the experimental sample, and dimensions of instruments such as thermometers, hygrometers, pulsimeters, and precision scales, showing that they also had a normative purpose: the regulation of environmental factors affecting human health.
Research Interests:
Western medicine is indebted to Pliny the Elder (23-79 AD) not only for the wide variety of remedies he bequeathed to later generations, but also for his description of the symptoms for which these remedies were prescribed. Although... more
Western medicine is indebted to Pliny the Elder (23-79 AD) not only for the wide variety of remedies he bequeathed to later generations, but also for his description of the symptoms for which these remedies were prescribed. Although criticised for its lack of systematicity, Pliny’s medicine remained popular with both laymen and scholars, who often found in its pages motives to uphold empiricism in opposition to the traditional rationale of medicine. But what of the physicians themselves? It is often assumed that the vitriolic attacks on Pliny by humanists such as Niccolὸ Leoniceno ("De Plinii et aliorum in medicina erroribus", 1492) marked the decline of the author’s popularity in the Renaissance, but this was far from the case, as physicians continued to draw inspiration from Pliny and other Roman authors in a variety of ways. In this paper, I will highlight two of these. First, I will focus on the embodiment of Pliny’s work as a source for medical therapy and the classification of remedies, where he plays a subsidiary but not minimal role alongside the Greeks Aristotle, Theophrastus, Dioscorides and Galen. Secondly, I will highlight the influence of the "Naturalis historia" on Renaissance botanists and naturalists with its classification of natural remedies according to their proximity to urban settlements, i.e. as either wild or domestic varieties, and how this approach inspired the structure of the first botanical gardens, the research agenda of Renaissance naturalists and their Wunderkammern.
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"Pliny the Elder on Medicine"
International Conference held in Lisbon, 19-20 October 2023
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One of the most striking applications of intensity in music can be found in the practice of "chori spezzati" (‘split choirs’), the use of two or more choirs, separated in different spaces, which were used together or alternately to create... more
One of the most striking applications of intensity in music can be found
in the practice of "chori spezzati" (‘split choirs’), the use of two or more choirs, separated in different spaces, which were used together or alternately to create a grandiose effect. The practice reached its peak in Venice at the end of the 16th century with the work of Andrea Gabrieli (c.1533-1586) and his nephew Giovanni (c.1566-1612), and from there spread throughout Europe via Giovanni’s German pupils such as Hans Leo Hassler (1564-1612), Michael Praetorius (1571-1621) and Heinrich Schütz (1585-1672). At St Mark’s, where they both worked, the two Gabrieli made the most of the spatial characteristics of the basilica, experimenting with the dynamics that could be created by multiplying the masses of sound in the various corners of the building. Historically, this led to one of the very first documented uses of dynamics in music (piano and forte), as can be seen, for example, in the "Sonata Pian e Forte" (Venice 1597) by Giovanni or even before in the "Aria della Battaglia" by Andrea (1590). As organists, Andrea and Giovanni were also keen instrumentalists, writing "canzoni da sonar" and consolidating the practice of substituting certain voices in the chorus with specific instruments: violins, trumpets, cornets for the higher
voices as opposed to viols, bassoons and trombones for the lower ones. This innovation allowed the musicians to add colours (dark or bright) to the instrumentation in order to emphasise the mood of certain passages. In this lecture we will analyse and listen to several compositions by Gabrieli and their contemporaries. No previous knowledge of Renaissance or Baroque music is required, only a willingness to engage with early music.
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In an age when connections are global, distances have shortened and news travels around the world with the speed of a mouse click, it is easy to forget that this progress takes up less than a fraction of a second in human history. Two... more
In an age when connections are global, distances have shortened and
news travels around the world with the speed of a mouse click, it is easy to forget that this progress takes up less than a fraction of a second in human history. Two major innovations mark the difference between before and after: the industrial revolution, with the replacement of animal labour by automated work, and the decentralisation of human perception, which, from the 17th century onwards, began to be mediated, if not replaced, by instruments. Consequently, while for us the problem of overcoming distances is simply a technical problem of finding the right instruments, in the pre-modern world it means coping with the limited capacity of our sense perception and the fatigue of manual labour. Nature implies limits, and so does the cosmos, which is the ultimate limit of all that exists and can be known. In such a cosmos, “far” and “near” refer to objective limitations in the capacity to see, hear, grasp, manipulate, and ultimately to achieve a result. Everything exists within maximum and minimum limits ("minimum"/"maximum naturae") of matter, time, and space, against which the intensity of human effort ("potentia"/"capacitas") and the priority of goals must be carefully gauged, lest we overwhelm man with impossible tasks and set ourselves up for failure. In this talk I will explore some of the conceptual and practical implications of reaching the limits of natural capacity in the pre-modern world, and what lessons we can learn from it today.
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In this lecture, I will examine how 13th-century thinkers treated ‘borderline species’, i.e., living beings which were perceived as halfway between two steps of the so-called scala naturae. Pygmies, with their rudimentary language, and... more
In this lecture, I will examine how 13th-century thinkers treated ‘borderline species’, i.e., living beings which were perceived as halfway between two steps of the so-called scala naturae. Pygmies, with their rudimentary language, and palms, with their partial local movement, challenged the conventional macro-categories, which established neat boundaries between human, animal, and vegetative realms. In fact, palms’ and pygmies’ souls perform activities that usually pertain to the living being of the superior step of the scala naturae. Differently from other plants, the palms exercise the local movement (traditionally ascribed exclusively to animals) in order to fulfill reproductive functions. The pygmies’ ability to communicate basic information and emotional states through a sort of rudimentary language challenges the idea that language is the prerogative of the animal perfectissimum, i.e., the human being. Are these borderline species to be taken as the most 'evolved' of animals and plants kingdom? Are they evidence of a psychological continuity between living beings? What is the nature of their distinctive functions?
Answering these questions, 13th-century authors, such as Albert the Great and Thomas Aquinas, tried to harmonize ‘borderline species’ within the Christian Neoplatonic outlook by interpreting natural dynamics as degrees of perfection. On the one side, the comparison between human perfection and animal imperfection allowed to determine the boundaries of pygmy’s cognitive skills; on the other side, animal perfection (in relation to plant imperfection) provided a template to investigate plants’ life, and go deeper into the powers of vegetative soul.
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While the contribution of medicine to the discussion of the latitude of forms has generally been overlooked, and it is even difficult to find specific literature on the argument beyond the 14th century, medicine was instrumental in the... more
While the contribution of medicine to the discussion of the latitude of forms has generally been overlooked, and it is even difficult to find specific literature on the argument beyond the 14th century, medicine was instrumental in the development of the theory. Since the very concept of latitude (latitudo) is medical (Galen, Avicenna), it provided the basis for subsequent philosophical and theological speculation on degrees of charity, motion, light and other qualities. Physicians were interested in the latitude of forms for at least two specific reasons: to quantify the proportion of compound medicines and the intensity of diseases in order to sketch their progression in time with precision. In this presentation I will focus on some overlooked contributions to the debate on the latitude of forms, and specifically on De gradibus medicinarum by Lorenzo Maiolo (1497) and Theorica latitudinum by Benedetto Vittori da Faenza (1510, publ. 1551). By analysing their arguments and diagrams, I will show how their approach to the intensity of qualities provides new insights into the visualisation of intensity in the sixteenth century.
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The question of how therapy should be regulated and when a given quantity becomes excessive for the organism was taken seriously in the late middle ages. Whilst physicians drew from Galen’s theory of drugs, they soon recognised that their... more
The question of how therapy should be regulated and when a given quantity becomes excessive for the organism was taken seriously in the late middle ages. Whilst physicians drew from Galen’s theory of drugs, they soon recognised that their source was both imprecise and inconsistent and were ultimately forced to elaborate their own theories as to why and how drugs work on the body. Al-Kindi provided the foundations needed to quantify drugs into four degrees of proportional intensity measured from the temperate state (degree 0) and his work was then introduced into the Latin West via Arnaldus de Villanova (1240-1311) and his work Aphorismi de gradibus. Al-Kindi’s and Arnaldus’ innovations built on a new interpretation of concepts such as “potential” (potentia, virtus) and “intensity of drugs” (intensio, vis). These concepts ushered into early forms of quantification that accounted for the strength of medicinals, their effect on the body and the bodily reaction to them, as well as the time needed for a drug to be absorbed (i.e. "digested") by the organism. In this talk, I will show the way in which these topics were debated in the Italian Trecento and how they developed later on. By taking into account the works of Pietro D’Abano (c. 1257-1316) on venoms (De venenis) and Gentile da Foligno (Fulginas, 1280-1348) on the degrees of drugs and intensity of diseases (De proportionibus medicinarum, De maioritate morbi, De resistentiis) I will argue that scholastic physicians conceptualised the difference between drugs and venoms not only in terms of their qualitative make-up but also in terms of their weight and intensity.
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Series of online seminars held on Zoom November 2022 - May 2023
Organisers: Sylvain Roudaut and Irene Binini
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Since antiquity, the need to assess the intensity of diseases was taken seriously in medical practice. Insofar as the functions of the body depended on the dynamic imbalance of qualities such as hot and cold, the variations in their... more
Since antiquity, the need to assess the intensity of diseases was taken seriously in medical practice. Insofar as the functions of the body depended on the dynamic imbalance of qualities such as hot and cold, the variations in their proportion gave rise to a series of natural phenomena that, while different in kind, could nonetheless be ordered in degrees.

Depending on the prevalence of one quality over the other, with respect to an ideal proportion fixed in advance ("aequale ad pondus"), functions were impaired to a lesser or greater degree, determining the intensity or severity of a disease. One of the first attempts at measuring the severity of a disease was provided by Galen of Pergamum (129-199/216 AD).

Galen proposed to conceptualise the alterations affecting an organism in terms of segment lengths ("latitudines"), an approach that remained vital in the Galenic tradition via the commentaries on his "Ars medica", a work also known as "Microtegni".

In this lecture, I focus on one of the latest examples of such commentaries, written by Santorio Santori (1561-1636) in 1612. I move on to analyse how the question of intensity is taken over by Santorio, and how he developed it to transform it into the preoperational theory which sustained his invention of precision instruments.

In the final part, along with a new discovery, I provide new visual and documentary evidence of how thermometers, pulsilogia and other such instruments were applied in everyday medical practice.
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The conference "The Universe on Paper. The Art of Linda Karshan" Opera del Duomo - Pisa gathers a highly original group of speakers: distinguished academics and professionals from various institutions and countries, who have all gained... more
The conference "The Universe on Paper. The Art of Linda Karshan" Opera del Duomo - Pisa gathers a highly original group of speakers: distinguished academics and professionals from various institutions and countries, who have all gained first-hand and in-depth knowledge of Karshan’s art. Collectively, their fields of expertise encompass art and architecture, ethics and psychology, medicine and astronomy. Read the abstracts here.

At the end of the conference, the audience and speakers will join the artist Linda Karshan and curator Giulia Martina Weston for a preview of the exhibition at the Domus Comeliana, followed by further moments of conviviality during an exclusive cocktail party on the terrace.
Until recently, the name of Santorio Santori (Sanctorius, 1561-1636) was linked to the practice of self-experimentation and weight-watching. Yet the Venetian physician went well beyond that, and can rightly be considered the founding... more
Until recently, the name of Santorio Santori (Sanctorius, 1561-1636) was linked to the practice of self-experimentation and weight-watching. Yet the Venetian physician went well beyond that, and can rightly be considered the founding father of evidence-based medicine.

In this lecture we will be exploring the background of his inventions and scientific instruments, including early precision medical devices (pulsimeters, hygrometers, thermometers, anemometers) how they worked and what impact they had on the subsequent generations of physicians and natural philosophers.

Santorio was one of the pioneers of modern experimentation as he experimented daily on himself and other subjects for over twenty five years. Seeking certainty, he devised and constructed new instruments, such as the ‘weighing chair’ (statera medica), the hygrometer, the first graded thermometer, and the ‘pulsilogium’ (an early pulsimeter).

Through these instruments, he managed to assess each of the many parameters involved in the complex calculation of the perspiratio insensibilis (insensible perspiration of the body). Relying on his quantitative experiences, Santorio envisaged the body as a clockwork and explored its main functions by means of mathematical parameters (numero, pondere et mensura) depending in turn on his theory of particles and corpuscles.

By highlighting the importance of these theories and instruments, we shall look at the context of Santorio’s life and works as well as the impact of his legacy on the history of medicine and natural philosophy.
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The paper explores some recently discovered sources on anatomical method (Bassanio Landi, Girolamo Fabrici da Acquapendente, Paolo Galeotti) in the context of the so-called Paduan School of Medicine. Specifically, it focuses on issues of... more
The paper explores some recently discovered sources on anatomical method (Bassanio Landi, Girolamo Fabrici da Acquapendente, Paolo Galeotti) in the context of the so-called Paduan School of Medicine. Specifically, it focuses on issues of induction and how anatomical findings were progressively endowed with geometrical and mathematical arguments to sustain the attack of Aristotelian philosophers demanding rigorous logical deductions from first principles. In this sense, the paper will describe the medical path to the "demonstratio quia" (e.g. Capivacci, Galeotti) and how it was refined and modified in the context of late sixteenth-century anatomical teaching. Through these examples, I hope to offer a fresh look at the role of empiricism and "historian", where a new emphasis is laid on the spatial organisation of bodily parts, now seen as geometrically definable parts rather than the result of the implementation of a single system articulating throughout interdependent limbs. In the final part, the paper offers an example as to how Galen's classification of ‘ill-composed parts’ (malae compositiones) could be modified and used to implement this new approach.
An important aspect in the early modern demise of Aristotelian natural philosophy is the reshaping of the doctrine of matter and place as continuous magnitudes. Before culminating in an outright rejection of Aristotle's physics, attempts... more
An important aspect in the early modern demise of Aristotelian natural philosophy is the reshaping of the doctrine of matter and place as continuous magnitudes. Before culminating in an outright rejection of Aristotle's physics, attempts at revising this theory originally grew out from within the scholastic tradition, as part of the debate on the extension of prime matter, i.e. whether the ultimate material substrate could be spatialised and to what extent.
Following in the footsteps of Philoponus's criticism of Aristotle, scholastic philosophers came to embrace the idea of a geometrically undefined materia prima, that is to say, a substrate that is three-dimensional but not confined as to its actual magnitude. The division, and subsequent spatialisation of matter into discrete parts (particulae minimae, corpuscula), is thus operated by an active principle (forma substantialis) that confines the substrate providing it with borders, thereby 'shaping' the shape-less matter.
In Sixteenth-century Italy, such a philosophical reconceptualisation goes hand in hand with an increased interest in the transformation of materials, especially glass and pottery making and, in medicine, it manifested itself in a renewed attention to the effects of drugs and the formation of the embryo. As to the latter, attention is especially devoted to the transformation of homogeneous, continuous and fluid parts (i.e. semen, temperaments and humours) into increasingly shaped and complex ones (e.g. cartilages, tissues, bones, organs) according to the geometrical principles of "place", "number" and "figure" (situs, figura, numerus).
Drawing from a variety of mostly manuscript or unfamiliar sources, in this paper I present some evidence as to how the debate migrated from philosophy to medicine, moving from the teachings of Jacopo Zabarella (1533-1589) and their elaboration by the theologian Paolo Sarpi (1552-1623), to Girolamo Fabrici da Acquapendente (1533-1619) and his newly discovered Methodus anatomica (1579) to culminate with an analysis of Santorio Santori’s (1561-1636) mechanical corpuscularianism.
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In this paper, I retrace the development of the "recitar cantando" ('acting while singing') from its inception in the mid of the 16th century up to Monteverdi. I show that much of what we perceive as modern in baroque music is in fact due... more
In this paper, I retrace the development of the "recitar cantando" ('acting while singing') from its inception in the mid of the 16th century up to Monteverdi. I show that much of what we perceive as modern in baroque music is in fact due to its modelled on the expression of emotions ("affetti") as well as on a physiological understanding of the human animal.
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When a complex of symptoms involved more than one organ and in ways that were unexpected or not clear, early modern physicians explained them through anatomical connections, either real or supposed. Pores, channels and vessels were... more
When a complex of symptoms involved more than one organ and in ways that were unexpected or not clear, early modern physicians explained them through anatomical connections, either real or supposed. Pores, channels and vessels were pressed into service of physiological theories that aimed at making sense of why peccant humours could affect parts as distant as the genitals and the head, or the liver and the (left) elbow. Such an approach was helped along by the strict adherence to the Hippocratic classification of the body into “contained”, “containing” and “moving” parts (contenta, continentia, impetum facientia), which had established a clear connection between the onset of disease and the underlying structure of the organ. However, the impact that early modern physiological theories exerted on the visualisation and the actual dissection of the body remains largely unclear. By drawing on a variety of unpublished anatomical notes, in this paper I call attention to some early modern case studies of anatomical inspections. My aim is to highlight the deep continuity that in the early modern period existed between physiological speculation, dissection and the conceptual, visual and spatial representations of the body.
"Complexio. Across Times and Disciplines" Center for the History of Philosophy and Science Radboud University, Nijmegen (The Netherlands) September 10-11, 2020 Organized by: Chiara Beneduce and Paul J. J. M. Bakker (Radboud University,... more
"Complexio. Across Times and Disciplines"
Center for the History of Philosophy and Science
Radboud University, Nijmegen (The Netherlands)
September 10-11, 2020

Organized by: Chiara Beneduce and Paul J. J. M. Bakker (Radboud University, Nijmegen)
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"Ingenuity in Early Modern Art and Science" for the Project "Genious before Romanticism" led by Alexander Marr, 11 April 2019 - 12 April 2019
WYNG Gardens, Trinity Hall, Thompsons Lane, Cambridge, CB5 8AQ
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Il concetto di equilibrio attraversa come un filo rosso l’intera storia della medicina occidentale. Dall’equilibrio Ippocratico-Galenico di temperamenti e umori alla medicina costituzionale, fino alla circolazione sanguigna e... more
Il concetto di equilibrio attraversa come un filo rosso l’intera storia della medicina occidentale. Dall’equilibrio Ippocratico-Galenico di temperamenti e umori alla medicina costituzionale, fino alla circolazione sanguigna e all’omeostasi, i medici si sono costantemente preoccupati di ristabilire il corretto funzionamento dell’organismo inteso come il raggiungimento di una condizione di equilibrio tra fattori interni ed esterni (ambientali). È tuttavia solo dal Seicento che strumenti atti alla misurazione dell’equilibrio sono stati inventati e progressivamente adottati nella diagnosi medica. Il merito principale in tal senso va riconosciuto al medico veneziano Santorio Santori (1561-1636) che per primo ha posto, indipendentemente da Galileo, lo studio dei fenomeni vitali su saldi parametri quantitativi e verificabili (peso, temperatura, frequenza, etc.). Con Santorio inizia perciò non solo un nuovo capitolo della storia dell’equilibrio, quello della precisione, ma anche della medicina nel suo complesso, ovvero la cosiddetta evidence based medicine. La Lectio propone l’analisi di alcuni dei filoni teorici, pratici e sperimentali che hanno prodotto questo cambiamento e in particolare il modo in cui la medicina ha contribuito allo sviluppo del concetto di precisione e alla sua progressiva applicazione alle scienze della vita.
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Descartes Huygens Ppremodern History of Knowledge Colloquium, keynote speakers Indra Kneepkens and Fabrizio Bigotti
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IRH-ICUB Series on Consciousness and Cognition. An Interdisciplinary Approach
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Conference presentation at the International Summer School of Rabat (2-5 July 2018)
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Santorio’s theory of qualities and mixtures represents one of the main strength of his quantitative approach to natural philosophy and, in its essence, is already fully deployed in the work Methodi vitandorum errorum omnium qui in arte... more
Santorio’s theory of qualities and mixtures represents one of the main strength of his quantitative approach to natural philosophy and, in its essence, is already fully deployed in the work Methodi vitandorum errorum omnium qui in arte medica contingunt libri XV (Venice 1603). According to Santorio, experiments in optics, distillation of urine, drugs and pottery making prove that the emergent qualities of compound substances are determined by the quantity and disposition of their ingredients. Notably they stem from ‘porosity and density of matter’ (raritas et densitas) which in turn are determined by «number», «shape» and «position» (numerus, figura, situs) of minimal particles (particulae minimae). To explain how qualities are the result of interlocked series of changes driven by geometrical-quantitative features of matter Santorio invokes a mechanical analogy: each stage depends on the other as the gears of an inner clock, where the final result is determined by disposition and quantity of pieces and does not require anything like as a ‘main cause’.  By highlighting the theoretical and experimental strands that underpin such an approach, in this paper I will explore the implications of Santorio's theory especially in its wider philosophical context, with a special outlook to the so-called Venetian Aristotelianism.
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Più che sul 'perché', o sul 'come', la medicina antica si è interrogata sul 'quando' il paziente mente: il mancato risconoscimento di una tale situazione da parte del medico avrebbe infatti potuto compromettere non solo la sua diagnosi... more
Più che sul 'perché', o sul 'come', la medicina antica si è interrogata sul 'quando' il paziente mente:  il mancato risconoscimento di una tale situazione da parte del medico avrebbe infatti potuto compromettere non solo la sua diagnosi ma anche il suo status sociale di esperto. Tecniche e metodi relativi a come smascherare il malato mendace sono stati sviluppati sin dai tempi di Ippocrate e Galeno, ma con l’avanzare dell’età moderna la menzogna ha riguardato non più o  non soltanto il paziente, ma anche il medico, giacché proprio i medici sono stati tra i promotori e i protagonisti più attivi della finzione, talora giustificata a fini retorici – rassicurare il malato o ridurlo verso un più salutare regime alimentare – tal’altra scaltramente invocata per suffragare ‘diagnosi drastiche’, che richiedevano il ricorso a pratiche chirurgiche cruente e scoraggianti per il paziente, con conseguente ricusazione del medico. In questa relazione il mio obbiettivo sarà quello di tracciare situzioni, motivi e finalità connesse all’uso della menzogna in ambito terapeutico come caso limite del rapporto medico-paziente, in quella che può essere forse apparire come un’inusuale, ma assai istruttiva analisi della medicina nel suo progressivo professionalizarsi.
The prolongation of life has always been one of the primary goals in the practice of medicine and this was even more the case during the Renaissance, where authors such as Marsilio Ficino (1433-1499) and Alvise Cornaro (1584-1566) strove... more
The prolongation of life has always been one of the primary goals in the practice of medicine and this was even more the case during the Renaissance, where authors such as Marsilio Ficino (1433-1499) and Alvise Cornaro (1584-1566) strove for a healthy lifestyle based on the practice of the ‘six non naturals’ (sex res non naturales). However, it was only at the beginning of the seventeenth century that this started being pursued in a more scientific way, especially thanks to the work of Santorio Santori (1561-1636). In the work Ars de statica medicina (Venice 1614) Santorio introduced a quantitative approach to medicine by means of experiments on insensible perspiration, pulse, body temperature, and environmental factors. In keeping with the Renaissance trends, Santorio conceived his main work as a manner to grant the prolongation of life (or 'slongamento della vita'); in so doing, however, he completely reshaped the concept of equilibrium and the traditional approach physicians had had to the non-naturals. The balance of the body rests now on a quantitative proportion between ‘ingestion’ and ‘excretion’ of food and drinks ('repletio-inanitio') which are used to measure the volumetric changes of the body and accordingly – in terms of Aristotelian physics – their quantity or weight. Medicine therefore still stems from ‘addition and subtraction’ ('additio et ablatio') but in a drastically different way from the traditional understanding of it: by constantly monitoring its vital parameters, the physician becomes a technician ('artifex sensatus') able to manipulate the body and to grant not only the restoration of full health but also its perpetuation; ideally, for ever.
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In the work Methodi Vitandorum Errorum Omnium...Libri XV (Venice 1603), Santorio devoted great endeavours in order to put the diagnosis on the ground of certainty. As opposite to the procedure used by empirical doctors, certainty is... more
In the work Methodi Vitandorum Errorum Omnium...Libri XV (Venice 1603), Santorio devoted great endeavours in order to put the diagnosis on the ground of certainty. As opposite to the procedure used by empirical doctors, certainty is always the result of an analytical approach (analyticae rationes). Accordingly, mathematics, and more specifically the use of quantity, is often used to sketch the outlines of a reliable experimentation. In keeping with the Aristotelian analysis and the Galenic theory of indication, Santorio perfected an approach to natural philosophy already elaborated by his teacher in Padua, the well-known logician Jacopo Zabarella (1533-1589). Painstakingly discussing possibilities and limits of quantification, he elaborated a new methodology and a new theory of matter that allowed him to avoid the tight spot of the Aristotelian distinction between substance and properties, and which he ultimately featured in four parameters, «where», «how», «how much» and «when» (ubi, quomodo, quantus, quando). By pointing out and analysing some examples of Santorio’s diagnostic reasoning, in this paper I will focus on the epistemological framework of his methodology. I shall also stress analogies and differences with Galileo, notably in the light of the distinction between “measurement” and “quantification”. By also relying on sources previously unknown, I will eventually illustrate the functioning of the pulsilogium to highlight what were the scientific outcomes of Santorio’s method and how they influenced generations of physicians, possibly representing a source of inspiration for the same Galileo.
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Since the time of the Hippocratic work "De prisca medicina", diet and pharmacy were meant as the same thing: a balanced diet was the best way to prevent the onset of disease as well as to guarantee a lasting life to the mankind.... more
Since the time of the Hippocratic work "De prisca medicina", diet and pharmacy were meant as the same thing: a balanced diet was the best way to prevent the onset of disease as well as to guarantee a lasting life to the mankind. Furthermore, food was believed to alter not only the inner constitution of human body but even his mind: as a part of the ecosystem, man could be affected by the same material elements that constitute the world as well as body. Through the doctrine of temperaments and, mainly, through Galen’s treatise "Quod animi mores corporis temperamenta sequantuur", this idea spread into Medieval medicine, though it was only during the Renaissance that the model would have been fully recovered as an ideal proportion between physical beauty, moral virtues and readiness of mind. Ficino wrote his De triplici vita (Florence 1489) as a manifesto of a sort of medicine of soul, an attempt that was followed soon after by many others, especially in the medical field (the most important of which was Huarte’s Examen de Ingenios (Baeza 1575) aiming to improve the natural faculties of the mind by regulating food and sexual life. Eventually this approach would partly found a scientific base in Santorio Santorio’s work Ars de static medicina (Venice 1614) whose purpose was to investigate the effects of metabolism in everyday life by analysing the mathematical ratio between ingested food and physiological excretions. By approaching the theme, whose literature remains largely unknown still today, the aim of my report would be to illustrate the cultural outcome of the interplay between nutrition and soul at the edge of the Modern Era.
The legacy of Vesalius extended far beyond the medical context in which it had originally been conceived; it had a momentous impact on the philosophy as well. As highlighted by Roger French, Renaissance anatomy was meant as an experiment... more
The legacy of Vesalius extended far beyond the medical context in which it had originally been conceived; it had a momentous impact on the philosophy as well. As highlighted by Roger French, Renaissance anatomy was meant as an experiment to be performed by philosophically-trained physicians, committed to assess their theoretical assumptions by means of the dissection. As such, Vesalian anatomy was equally invested with the new and powerful duty of showing how the soul operates through the body. It absolved such a task by displaying the parts of the body dissected, loose, and exploded. But, what does it happen when such an approach comes to interact with the scholastic theory, according to which the soul is the (immortal) form of the entire body? While, on one hand, Vesalius’ legacy extensively spreads out through the original contributions by Colombo, Falloppia, and Fabrici da Acquapendente, on the other, it also undergoes a series of significant modifications. Put side by side with the human dissection, animal vivisection eventually prompts physicians to reconsidering the primacy of the man over the animal: on the anatomical table, animals are by now not only an analogous, but a substitute of the man, an substitution that comes to suggest a different and possibly much more disturbing picture of the destiny of the human life.
Along with mechanics and astronomy, medicine played an important role at the beginning of the sixteenth century in the making of measurement. The pivotal figure in this sense can be considered the Italian physician Santorio Santorio... more
Along with mechanics and astronomy, medicine played an important role at the beginning of the sixteenth century in the making of measurement. The pivotal figure in this sense can be considered the Italian physician Santorio Santorio (1561-1636) who, thanks to his work Ars de statica medicina (Venice 1614), converted the process of metabolism in mathematical terms. Santorio worked within the context of academic medicine, yet he explored new ways to study  the so called ‘insensible perspiration of the body’ by evaluating the difference between the weight of ingested food and the one of the excretions. Santorio was quite aware of the modern idea of experimentation as he experimented daily for over thirty years. For the sake of scientific certainty, he felt also the need to invent and realize tools, namely the ‘steelyard chair’ (or ‘statera medica’), the first graded thermometer, the hygrometer and the ‘pulsilogium’ (an early pulsimeter) to assess each of the many parameters involved in the complex calculation of the weight of the perspiratio insensibilis. All together these instruments form one of the most interesting and yet underestimated laboratory of the early modern science: the laboratory of Santorio. Thanks to his results Santorio’s statica medicina extended the life of the concept of the balance converting it into the one of the proportion between two given quantities. As such he no longer needed to investigate the cause of a disease, being able to deduce the inclination toward health or sickness from the alteration of normal weight of perspiratio.  According to Santorio’s idea, the body is now capable of being studied as a clock, using numero, pondere et mensura. Shall we speak here about a ‘paradigm shift’ in the Kuhnian sense or we are rather dealing with a plan of ‘shared knowledge’? The answer to this question depend on more general questions that intend to illustrate in my report: What meant at the beginning of the sixteenth century measuring the body and its functions? What are the possible sources of such an approach and what kind of certainty Santorio’s instruments were able to guarantee?

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organised by Stefania Buosi Moncunill, this conference explores the historical use of various alchemical processes and remedies within the cultural and intellectual context of pre-modern Europe. It focuses particularly on medical alchemy,... more
organised by Stefania Buosi Moncunill, this conference explores the historical use of various alchemical processes and remedies within the cultural and intellectual context of pre-modern Europe. It focuses particularly on medical alchemy, whose ultimate goal was to create the elixir, a universal remedy capable of curing all diseases.

The conference features a presentation of Catalan databases on alchemy, emphasises the unity of Western European culture, and delves into the many facets of experimentalism in alchemy and medicine.
Spotlighting recent academic discoveries, it will provide scholars with a platform to deepen their understanding of pre-modern alchemy and potentially uncover new insights into the history of medical alchemy.
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This event honours the medical historian Giuseppe Ongaro (1936-2023) with a one-day conference dedicated to exploring his multifaceted legacy in the history of medicine. Ongaro’s life and oeuvre stand as a testament to scholarly... more
This event honours the medical historian Giuseppe Ongaro (1936-2023) with a one-day conference dedicated to exploring his multifaceted legacy in the history of medicine.

Ongaro’s life and oeuvre stand as a testament to scholarly dedication, resilience, and pioneering research in the history of medicine. Ongaro masterfully balanced his roles in the medical and academic fields, making seminal contributions that greatly enriched our understanding of medicine’s past, particularly the medical school of Padua.

As a doctor, he led the Centro Trasfusionale in Padova (now Unità Operativa Complessa Immunotrasfusionale), where his work with HIV-positive patients marked a significant period in medical treatment under challenging conditions. His academic journey was equally distinguished; obtaining his habilitation as a university professor (libera docenza) in 1962, he embarked on a career that would make a lasting impact on Italian and International medical scholarship.

Diagnosed with a rare form of multiple sclerosis around the same time, Ongaro faced profound personal challenges. Yet, his condition never impeded his scholarly output, which includes extensive publications that cover a broad spectrum of medical history. His translations of major medical works (Harvey’s "De motu cordis", 2004), the discovery of important manuscripts (Prospero Alpini’s "De medico presagio"), and countless papers and volumes have provided invaluable insights into the field. Alongside Loris Premuda, Onagaro was instrumental in the creation of the Centro Prospero Alpini in Marostica, and his authoritative volumes on Alpini, Wirsung, and medieval and early modern anatomy, remain landmarks in the discipline.

Ongaro’s work is marked by meticulous research into both original and secondary sources often conducted in multiple languages (including English, German, Spanish, French), at a time when global connectivity and resource exchange were far more limited than today. Despite the physical limitations imposed by his condition, his intellectual curiosity and dedication remained unbounded. His merits earned him various recognitions, including a fellowship from the Accademia Galileiana of Arts and Sciences and a membership in the Centre for the Study of the History of the University of Padua.

Through his life and work, Ongaro exemplifies the essence of perseverance, intellectual rigour, and a profound commitment to exploring the complexities of medical history.

This conference, co-organised with the Centro per la Storia dell’Università di Padova and the Studio Firmano, with sponsorship from the Accademia Galileiana, aims to delve into the many facets of his contributions, reflecting on the enduring impact of his legacy and the inspiration it continues to offer.
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STUDIOLO DIGITAL HUMANITIES LAB Winter School Series - Humanities for the Future 12-15 February 2024 Registration is now open for Studio Digital Humanities Lab, the new Winter School format designed to meet the needs of those, both... more
STUDIOLO DIGITAL HUMANITIES LAB
Winter School Series - Humanities for the Future

12-15 February 2024

Registration is now open for Studio Digital Humanities Lab, the new Winter School format designed to meet the needs of those, both inside and outside academia, who are facing the digital revolution.

Its interdisciplinary format allows participants to get a feel for the potential of new media, while acquiring basic coding skills, knowledge of 3D modelling, Optical Character Recognition (OCR) and key concepts in Artificial Intelligence (AI) and Large Language Models (LLM), as well as tools for communicating with experts in the field.

The possibilities opened up by digital humanities are vast, and worth considering for anyone writing a new project, seeking funding or simply new means of implementing existing ideas.

DEADLINES
12 December 2023 (Early Bird Deadline)
31 January 2024 (Regular Registration)

BURSARIES
Bursaries to attend the winter school are available via the competitive Comèl Grant
https://csmbr.fondazionecomel.org/grants-and-awards/comel-grant/

Comèl Grant Deadline: 15 November

INFO AND REGISTRATION AT:
https://csmbr.fondazionecomel.org/events/studiolo-digital-lab-2024/
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Held in the stunning premises and terrace of the Domus Comeliana, this summer school will explore how heat, colour, and sound have been used, conceptualised and graded in the premodern cosmos shaping both disciplines of knowledge and... more
Held in the stunning premises and terrace of the Domus Comeliana, this summer school will explore how heat, colour, and sound have been used, conceptualised and graded in the premodern cosmos shaping both disciplines of knowledge and everyday life. Central to the various cosmologies that developed throughout the period 1200-1600 was the idea that phenomena are subject to a variation in intensity. Intensity determined why objects were of higher or lesser temperature, speed, brightness, porous or dense texture, pitch, and
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Held in the stunning premises and terrace of the Domus Comeliana, this summer school will explore how heat, colour, and sound have been used, conceptualised and graded in the pre-modern cosmos shaping both disciplines of knowledge and... more
Held in the stunning premises and terrace of the Domus Comeliana, this summer school will explore how heat, colour, and sound have been used, conceptualised and graded in the pre-modern cosmos shaping both disciplines of knowledge and everyday life.

Central to the various cosmologies that developed throughout the period 1200-1600 was the idea that phenomena are subject to a variation in intensity. Intensity determined why objects were of higher or lesser temperature, speed, brightness, porous or dense texture, pitch, and so forth. And yet, intensity also had wider metaphysical, theological, political and cultural implications: it was instrumental to justify the order of the cosmos, the necessity of evil, and the need for hierarchies in maintaining social peace, with shades of colour especially used to mark social status, both in garments and buildings.

Linking back to Greek philosophy and medicine (i.e Aristotle, Galen, Dioscorides) theories of intensity ("intensio et remissio formarum") blossomed in the late middle ages but remained vital in early modern philosophy (e.g. Galileo, Leibniz) up to the eighteenth century, with Baumgarten and Kant attempting at measuring the quantity of virtue ("quantitas virtutis") necessary to the human subject to perceive ("aesthetica") an object in the external world.
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Until recently, the name of Santorio Santori (Sanctorius, 1561-1636) was linked to the practice of self-experimentation and weight-watching. Yet the Venetian physician went well beyond that, and can rightly be considered the founding... more
Until recently, the name of Santorio Santori (Sanctorius, 1561-1636) was linked to the practice of self-experimentation and weight-watching. Yet the Venetian physician went well beyond that, and can rightly be considered the founding father of evidence-based medicine.

In this lecture we will be exploring the background of his inventions and scientific instruments, including early precision medical devices (pulsimeters, hygrometers, thermometers, anemometers) how they worked and what impact they had on the subsequent generations of physicians and natural philosophers.

Santorio was one of the pioneers of modern experimentation as he experimented daily on himself and other subjects for over twenty five years. Seeking certainty, he devised and constructed new instruments, such as the ‘weighing chair’ (statera medica), the hygrometer, the first graded thermometer, and the ‘pulsilogium’ (an early pulsimeter).

Through these instruments, he managed to assess each of the many parameters involved in the complex calculation of the perspiratio insensibilis (insensible perspiration of the body). Relying on his quantitative experiences, Santorio envisaged the body as a clockwork and explored its main functions by means of mathematical parameters (numero, pondere et mensura) depending in turn on his theory of particles and corpuscles.

By highlighting the importance of these theories and instruments, we shall look at the context of Santorio’s life and works as well as the impact of his legacy on the history of medicine and natural philosophy.
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The conference will discuss in detail how Galen’s 'Simple Medicines' has changed by 1500, and why. One reason for change was new cultures into which the text had been introduced. Another was practical requirements for drug descriptions as... more
The conference will discuss in detail how Galen’s 'Simple Medicines' has changed by 1500, and why. One reason for change was new cultures into which the text had been introduced. Another was practical requirements for drug descriptions as opposed to medical theory, which led to a double manuscript tradition, and less focus on Galen’s experimental method. Such requirements also caused extra material to be introduced, especially from the tradition of Dioscorides. New plants too were incorporated into the system, such as tomatoes.

The conference will allow speakers to see precisely how Renaissance writers had moved from Galen’s understanding, and where they had not. The event is open to external attendees as well as students. Speakers will explore questions of what a quality, a humour, and a substance is - in antiquity and in the Renaissance - and to establish what the understanding of them should now be in the light in contemporary research.
Taking measurement of the body is all but standard practice in modern medicine. Indeed, we rely to a great degree on figures such as our body weight and our heart rate to inform us of the state of our health. This seminar will present... more
Taking measurement of the body is all but standard practice in modern medicine. Indeed, we rely to a great degree on figures such as our body weight and our heart rate to inform us of the state of our health.

This seminar will present how and why the pre-modern body was measured and explore how new methods of measuring, quantifying, and understanding the body affected early modern medical theory and practice. The individual papers presented will all explore how different aspects of the body such as fat, blood, and excreta, were measured using various instruments and research methods.

As such, this seminar will address a myriad of questions, relating to how new instruments and methods of measurements affected medical theory and practice, to what extent they challenged or reinforced existing knowledge, how measurements helped to determine what was healthy and unhealthy, normal and abnormal, and how researching this can help us understand how early modern society understood the relationship between the body and its environment.



Yijie Huang
Expressing the Pulse in Seventeenth-Century England: Idioms, Numbers, & Measurement
Opening Galen’s corpus, one would be impressed by the extensive variations of the quality of the pulse. Big/small, strong/weak, quick/slow, frequent/rare, hard/soft, even/uneven, regular/irregular, gazelling, double-hammer. Many of these descriptions extended into early modern medical treatises, guiding yet also disturbing pulse diagnosis during the period. Between the textual pulse-lore and the hands-on experience of the wrist, early modern medical practitioners sought for ways to justify the perceptibility of traditional pulse idioms and articulate their own pulse perception. This paper examines this process by focussing on the English physician John Floyer’s (1649-1734) The Physician’s Pulse-Watch (1707 & 1710), in which Floyer innovatively used numbers in addition to idioms in explicating diverse types of pulses and their respective physical indications. Some scholarships appreciate Floyer’s numerical analysis of the pulse as a significant shift from the long-lasting old paradigm of pulse diagnosis centred by subjective experience and qualitative rendering. This paper challenges the view by delving into the close interaction between numbers and idioms in Floyer’s pulse study, based on which it further discusses the hybrid episteme of his pulse-counting practice. It will show that by designing the combined form of pulse characteristics, Floyer strove to incorporate earlier philosophical conceptions of health into the recent empirical principle of investigating nature and the body. His deployment of the quantitative renderings contained little intention of questioning or replacing the experiential approach of expressing the pulse. Rather, they revealed notable capacity to reinforce experience as the ultimate standard to organise and make sense of its variety.





Holly Fletcher
Food and Fat: Creating Body Size in Early Modern Germany
Contemporary discussions concerning body size, and particularly fatness, are dominated by questions of food consumption and diet. Today, the relationship between food and fat is so deeply embedded in both medical and cultural perceptions of what determines a person’s body size that other contributing factors are frequently overlooked. In this paper, I examine whether this was similarly the case in early modern Germany. Were perceptions of fatness and thinness dominated by ideas about food? While food played a crucial role in the creation of body size it was far from being the only determining factor. I will explore the important distinction contemporaries made between ‘naturally’ and ‘unnaturally’ fat bodies, which drew on understandings of the four humours and the six non-naturals, thereby discussing the significance of additional factors such as sleep, bathing and the emotions for influencing body size. Finally, I will approach body size from a neo-materialist perspective, to consider how the construction of bodily form could be understood in relation to early modern people’s material entanglements with their physical surroundings. The fattening of human bodies could be understood in close relationship with the fattening of the animals which they consumed and the ‘fatness’ of the land upon which those animals grazed. Body size thus contributed to understandings of the ‘extended’ material early modern body which went far beyond merely food consumption.





Marsha Wubbels
A Weighty Matter: Understanding Santorio’s ‘Healthful Standard’ and Early Modern Body-Weighing Practices
Today, we consider our body weight to be important information of medical significance. At just a glance at the scales, we may categorise ourselves, healthy or unhealthy, underweight, overweight, or obese. The idea that our body weight can inform us on the state of our health is at least as old as the first medically motivated weighing experiment, undertaken by Santorio Santori over the course of the late sixteenth and early seventeenth century. The connection that we make between weight and fatness was not always so intrinsic, however. This paper will discuss early modern concerns with body weight and weight-watching and argue that these concerns differed significantly from our own. It will do so by first exploring Santorio weighing experiment and the aphorisms it wrought. It will assess the extent to which later weight-watching practices were still influenced by these aphorisms and argue that body-weighing practices remained ‘Santorian’ in nature until the late eighteenth century, when the motivations and methods of weight-watchers started to more resemble our own. As will be shown, body weight did not yet play a significant role in the medicalisation of fatness, and early modern English society did not yet share our concept of ‘overweight’. Instead, individuals pursued a perfect balance between their ingesta and excreta and used the balance to monitor this, a balance Santorio referred to as the ‘healthful Standard’.





Alexander Pyrges
Using Big Numbers. The Meaning and Purpose of Weight Indications in Medical Texts on Corpulence, c. 1600-1900
While historians of corpulence commonly regard the twentieth century as the age when quantification began to dominate medical approaches to corpulence, individual weight indications appear in medical texts on corpulence as early as the seventeenth century. The earliest weight indications were imported from outside the medical realm, more precisely, from the public discourse on monstrous bodies. Within medical reasoning, the trademark weight indications of a few publicized prodigies of nature served to underscore both the existence and the nature of corpulence as a pathology. The consequences of entangling the medical discussions on corpulence with the discourse on monsters were far-reaching, however, as it shaped both the approach to and the rhetorical framing of corpulence within medicine for at least two centuries.
As weight indications multiplied during the eighteenth century, physician authors strung them together to form the numerical basis of exceptional weight biographies, first of famous contemporaries but subsequently of common patients as well. Biographically paralleled with medical interventions, series of declining weight indications came to allegorize therapeutic success in a growing number of case descriptions. During the nineteenth century, a handful of authors attempted to expand the medical potential of weight indications beyond the mere observational. They had very limited success in the field of obesity medicine, however, as the majority of experts saw but little therapeutic and no diagnostic merits in weight measurements and indications. Thus, although weight indications were firmly established in the medical literature on corpulence by the late nineteenth century, the measurement of weight existed only in the margins of clinical obesity medicine.
As part of the online conference on "Scales, Norms, and Limit Values in Times of (Digital) Change", organised in Wien by Anna Echterhölter and Dr. Anne-Katrin Ebert, the CSMBR Sponsors a panel on medical history titled EXTREME BODIES:... more
As part of the online conference on "Scales, Norms, and Limit Values in Times of (Digital) Change", organised in Wien by Anna Echterhölter and
Dr. Anne-Katrin Ebert, the CSMBR Sponsors a panel on medical history titled EXTREME BODIES: Norm, Excess, and Transgression in Western Medicine"
Long before being measured, the body has been a unit of measurement and a canon in that it defines the norm within which health can be maintained and life can persist. As all in-formal parameters, whose existence and value predate their conceptual manipulation – their apprehension being individual, private, implicit, and prelinguistic – the body-canon has defined the range of what is normal and abnormal in terms of excess and defect. However, the existence of different ways to express the normal and the abnormal across societies and cultures, in learned as well as in popular literature, inevitably plays a role in how the body is experienced, generating an array of cultural presuppositions, stereotypes, and expectations. Amongst these, a moral and political component should also be taken into account. Indeed, violating a norm implies an ethical stance towards perfecting, challenging, or transgressing accepted conventions. An example of this is how corpulence and fat have been dealt with across the ages, being used to highlight the belonging to the upper class, or - on the contrary - gluttony, intemperance, and incapability of abiding by shared societal mores. Sponsored by the Centre for the Study of Medicine and the Body in the Renaissance (CSMBR), this panel presents some of these entanglements, showing how the implications of the ‘nature vs nurture debate’ have been a constant preoccupation in Western medicine and culture more generally.
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This webinar explores the different ways in which medicine developed beyond the traditional boundaries of an academic discipline thereby informing approaches and practices as diverse as pedagogy, the professionalisation of surgeons across... more
This webinar explores the different ways in which medicine developed beyond the traditional boundaries of an academic discipline thereby informing approaches and practices as diverse as pedagogy, the professionalisation of surgeons across the German-speaking countries, as well as early modern visualisations of the body and theories of action at a distance. By drawing on a wide range of sources such as treatises by humanists, travel reports, and close reading of anatomical manuscript notes, speakers will uncover the changing outline of early modern medicine across borders and contexts.
In this lecture, Fabrizio Bigotti explores the Renaissance rediscovery of Galenic anatomy and how it impacted the making of early modern philosophy. Most notably, he attributes Galen’s influence to the fortune of two main texts, the Quod... more
In this lecture, Fabrizio Bigotti explores the Renaissance rediscovery of Galenic anatomy and how it impacted the making of early modern philosophy. Most notably, he attributes Galen’s influence to the fortune of two main texts, the Quod animi mores and De placitis Hippocratis et Platonis in which the Greek physician discusses the relation between body and soul, mental faculties, the elemental composition of matter, and the passions of the soul. The anthropological vision Galen’ laid out in these texts was sufficient to shift the attention of early modern physicians and philosophers from the Medieval ‘narrative of the body’, whereby the body is seen as a text, to an organic substratum to be cut in pieces on the anatomy table and to be eventually rendered as an image. Galen himself was no longer perceived as a pious upholder of natural theology but as a materialist who denied the immortality of the soul. By challenging a traditional historiographical account that described Renaissance Galenism in terms of decline and fall, Fabrizio Bigotti will argue for a new assessment of Galen's legacy, also read through the lens of those who opposed or reacted critically to it and thus contributed to the shaping of important aspects of the early modern debate on anthropology, ethics, psychology and even quantified experimentation. Among these many innovations and transformations, the notion of 'ingenuity' (ingenium) deserves particular attention. Hidden within this corporeal, inherent and heritable inclination, two major themes that side disquietingly with the development of modern subjectivity can be identified: the 'corporeality of the body', and the common destiny of humans and animals.
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Institutio Santoriana – Fondazione Comel, in cooperation with the Centre for the Study of Medicine and the Body in the Renaissance (CSMBR), announces an international scheme entitled to the Italian physician Santorio Santori (1561-1636),... more
Institutio Santoriana – Fondazione Comel, in cooperation with the Centre for the Study of Medicine and the Body in the Renaissance (CSMBR), announces an international scheme entitled to the Italian physician Santorio Santori (1561-1636), who introduced the quantitative method to medicine and is considered the father of experimental physiology.

AIM
The fellowship aims at encouraging cooperation amongst scholars across the Europe and is awarded each year to students (Ma, PhD) and early career researchers (within 3 years from the PhD viva) whose interests in the field of History of Medicine and Medical Humanities (History of Medicine and Biology, History and Philosophy of Science, History of Ideas, Classics) are particularly strong and well recorded. The scheme works in connection to the CSMBR activities.

EDITION 2018
For the academic year 2018, the Santorio Fellowship will support participants to the International Summer School The Kiln, the Alembic and the Clockwork. Early Modern Representations of the Body and its Changing Matter (29-31 March 2019, Domus Comeliana – Pisa) organised by Fabrizio Bigotti and Fabiola Zurlini.

APPLICATION PROCESS
Santorio Fellowship 2018 - Aims and Application Process

Five Santorio Fellowships, worth of €300 each (plus a gratuity of €200 to join the Summer School) will be offered throughout by means of an application process.

Applicants should send a cover letter (max. 300 words), CV (max. 2 pages) and a reference letter to santoriofellowship@fondazionecomel.org.

The deadline is 31 December 2018 with successful applications notified in mid-Fecrurary 2019.

For further details or queries please contact csmbr@fondazionecomel.org or Dr Fabrizio Bigotti at f.bigotti@exeter.ac.uk.
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In collaboration with the Centre for the Study of Medicine and the Body in the Renaissance
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SANTORIO FELLOWSHIP FOR MEDICAL HUMANITIES AND SCIENCE fondazione comel – institutio santoriana announces an international scheme entitled to the Italian physician Santorio Santori (1561-1636), who introduced the quantitative method to... more
SANTORIO FELLOWSHIP FOR MEDICAL HUMANITIES AND SCIENCE

fondazione comel – institutio santoriana announces an international scheme entitled to the Italian physician Santorio Santori (1561-1636), who introduced the quantitative method to medicine and is considered the father of experimental physiology.

AIM
The fellowship aims at encouraging cooperation amongst scholars across the Europe and is awarded to early career researchers and PhD students whose interests in the field of Medical Humanities (History of Medicine and Biology, History and Philosophy of Science, History of Ideas, Classics) are particularly strong and well recorded.
For the academic year 2016-2017, the scheme will support participants of the international conference Humours, Mixtures and Corpuscles. A Medical Path to Corpuscularism in the Seventeenth Century organised by Fabrizio Bigotti and Jonathan Barry.

APPLICATION PROCESS
5 Santorio Fellowships, worth of 500 euros each, will be offered throughout by means of an application process.
Applicants should send a title of their report provided with abstract (max. 300 words), CV (max. 2 pages) and a reference letter to santoriofellowship@fondazionecomel.org.
The deadline is 22 February 2017 with successful applications notified in March 2017.
For further details or queries please contact Dr Fabrizio Bigotti (f.bigotti@exeter.ac.uk).
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This VivaMente conference explores the intersections of narrative, rhetorical persuasion, and factual evidence in medical and medico-legal case histories from Antiquity to the Renaissance focusing on the longue durée development of... more
This VivaMente conference explores the intersections of narrative, rhetorical persuasion, and factual evidence in medical and medico-legal case histories from Antiquity to the Renaissance focusing on the longue durée development of medical and medico-legal consilia.  The event emerges out of the organisers’ research projects on diagnosis (King) and legal medicine (Papakonstantinou). It will allow participants to analyse both the historical development of medical and medico-legal consilia and the complex relationships between medicine, rhetoric, and law at key historical moments.
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An important part of the contemporary debate on human nature was shaped by debates taking place in early modern Europe in the attempt to remove the animal part of the human mind by turning it into an abstract monad while converting the... more
An important part of the contemporary debate on human nature was shaped by debates taking place in early modern Europe in the attempt to remove the animal part of the human mind by turning it into an abstract monad while converting the body into a machine. Humans gained the promise of certain and universal knowledge (mathesis universalis) but began thinking of themselves as automata, bereft of individuality and real agency. Much of the questions raised back then resonate with us still nowadays:

                Is human nature something immutable or is it the product of history and social conventions?

                Do humans even have a nature? And what does it mean for humans to have a nature and to what extent does biology condition what we are?

                Is human nature something immutable or is it the product of history and social conventions?

                Is it desirable to use technology to enhance the desirable characteristics of the human species?

                What instruments, images, analogies, models and literary strategies were used to further such a project?

                How does the early modern debate on automata and man-machine (homme machine) predates the modern on transhumanism and posthumanism?

                How does the debate evolve after the eighteenth century?

The 2022 round of the VivaMente Conference in the History of Ideas aims at exploring such questions from a multidisciplinary approach, bringing together scholars from different fields, interests and periods. The conference is thought to take place as an open debate, with keynote speakers discussing the early modern philosophical and ethical implications of mechanical philosophy and with attendees focusing on the modern and postmodern impact of the early modern debate. By doing so, the conference aims to bring the research about the automata up to date and to connect historians of philosophy, arts and literature with researchers of transhumanism and artificial intelligence.

Today, the characteristic tropes and patterns that once defined the course of early modern mechanical philosophy are witnessing an extraordinary resurgence of interest among scientists, scholars and lay people concerned with the fate of human beings. The reasons are numerous and of various kinds: the outstanding progress of Artificial Intelligence (AI), the pervasive influence of the Internet of things (IoT) and the combined synergy of neuroscience and nanotechnology, to mention only the most relevant ones. Philosophically speaking, the field of possibilities is growing by the day. If a new La Mettrie were to live today, his Homme-machine would have to cope with the exponential growth of experimental evidence and scientific theorizations.

Thus, this Vivamente Conference intends to shed new light on the early modern origins of automata, to discuss the impact of their legacy throughout the seventeenth, eighteenth and nineteenth centuries, and, finally, to ask the fundamental question of how to update our knowledge – in both theoretical and moral terms – concerning automata and automation as we are confronted by a staggering and constantly evolving volume of information and innovations on the subject.

Discussions will also address the field of post-human and trans-human speculations. The future is looming with the possibility of increasingly sophisticated mechanical minds in addition to the more familiar – both philosophically and technologically – mechanical bodies.
Research Interests:
Research Interests:
An important part of the contemporary debate on human nature was shaped by debates taking place in early modern Europe in the attempt to remove the animal part of the human mind by turning it into an abstract monad while converting the... more
An important part of the contemporary debate on human nature was shaped by debates taking place in early modern Europe in the attempt to remove the animal part of the human mind by turning it into an abstract monad while converting the body into a machine. Humans gained the promise of certain and universal knowledge (mathesis universalis) but began thinking of themselves as automata, bereft of individuality and real agency. Much of the questions raised back then resonate with us still nowadays:



Is human nature something immutable or is it the product of history and social conventions?
Do humans even have a nature? And what does it mean for humans to have a nature and to what extent does biology condition what we are?
Is it desirable to use technology to enhance the desirable characteristics of the human species?
What instruments, images, analogies, models and literary strategies were used to further such a project?
How does the early modern debate on automata and man-machine (homme machine) predates the modern on transhumanism and posthumanism?
How does the debate evolve after the eighteenth century?


The 2022 VivaMente Conference in the History of Ideas aims at exploring such questions from a multidisciplinary approach, bringing together scholars from different fields, interests and periods. The conference is thought to take place as an open debate, with keynote speakers discussing the early modern philosophical and ethical implications of mechanical philosophy and with attendees focusing on the modern and postmodern impact of the early modern debate. By doing so, the conference aims to bring the research about the automata up to date and to connect historians of philosophy, arts and literature with researchers of transhumanism and artificial intelligence. Today, the characteristic tropes and patterns that once defined the course of early modern mechanical philosophy are witnessing an extraordinary resurgence of interest among scientists, scholars and laypeople concerned with the fate of human beings. The reasons are numerous and of various kinds: the outstanding progress of Artificial Intelligence (AI), the pervasive influence of the Internet of things (IoT) and the combined synergy of neuroscience and nanotechnology, to mention only the most relevant ones. Philosophically speaking, the field of possibilities is growing by the day. If a new La Mettrie were to live today, his Homme-machine would have to cope with the exponential growth of experimental evidence and scientific theorizations.

This edition of the Vivamente Conference in the History of Ideas intends to shed new light on the early modern origins of automata, to discuss the impact of their legacy throughout the seventeenth, eighteenth and nineteenth centuries, and, finally, to ask the fundamental question of how to update our knowledge – in both theoretical and moral terms – concerning automata and automation as we are confronted by a staggering and constantly evolving volume of information and innovations on the subject. Discussions will also address the field of post-human and trans-human speculations. The future is looming with the possibility of increasingly sophisticated mechanical minds in addition to the more familiar – both philosophically and technologically – mechanical bodies.

Thematically, the conference will address four major topics:

Mechanical philosophy and mechanistic thinking (origins, limits, perspectives, applications, ethical challenges);
Transcending the human in medicine, science, philosophy, art, literature, religion, etc.;
Normal, pathological and beyond: monsters, hybrid creatures and transhuman developments;
Images and metaphors of the above.


Conference Format
Hybrid Conference, with the possibility to partake remotely (Zoom).



Publication
Selected papers will be collected and proposed for publication as an edited volume for the series Palgrave Studies in Medieval and Early Modern Medicine (PSMEMM): https://link.springer.com/series/16206.



Application Process
info at: https://csmbr.fondazionecomel.org/events-and-activities/vivamente/vivamente_2022/
The Draft Programme of VivaMente 2020 is out. The event will be recorded and then premiered at our Youtube and Facebook Channels
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This edited volume explores the intersection of medicine and philosophy throughout history, calling attention to the role of quantification in understanding the medical body. Retracing current trends and debates to examine the... more
This edited volume explores the intersection of medicine and philosophy throughout history, calling attention to the role of quantification in understanding the medical body. Retracing current trends and debates to examine the quantification of the body throughout the early modern, modern and early contemporary age, the authors contextualise important issues of both medical and philosophical significance, with chapters focusing on the quantification of temperaments and fluids, complexions, functions of the living body, embryology, and the impact of quantified reasoning on the concepts of health and illness. With insights spanning from the sixteenth century to the nineteenth century, this book provides a wide-ranging overview of attempts to ‘quantify’ the human body at various points. Arguing that medicine and philosophy have been constantly in dialogue with each other, the authors discuss how this provided a strategic opportunity both for medical thought and philosophy to refine and further develop. Given today’s fascination with the quantification of the body, represented by the growing profusion of self-tracking devices logging one’s sleep, diet or mood, this collection offers an important and timely contribution to an emerging and interdisciplinary field of study.
This book provides the first comprehensive treatment of Albert the Great’s (c. 1193-1280) notion of "virtus formativa", a shaping force responsible for crucial dynamics in the formation of living beings. Crossing the boundaries between... more
This book provides the first comprehensive treatment of Albert the Great’s (c. 1193-1280) notion of "virtus formativa", a shaping force responsible for crucial dynamics in the formation of living beings. Crossing the boundaries between theology and philosophy, the notion of "virtus formativa", or formative power, was central in explaining genetic inheritance and the configuration of the embryo.  By adopting an interdisciplinary approach, this book reconstructs how Albert the Great, motivated by theological open issues, reorganised the natural-philosophical and medical theories on embryonic development, creatively drawing upon Greek, Patristic, and Arabic sources. A valuable contribution to research, this book offers essential insights for those studying the history of embryology, medicine, and science in the medieval and Renaissance periods.
This book examines Roger Bacon’s alchemical theories, and explains how he believed that the key to extending life lay not in the curricula as taught in the medical faculties of the universities, but in the study of alchemy. Though... more
This book examines Roger Bacon’s alchemical theories, and explains how he believed that the key to extending life lay not in the curricula as taught in the medical faculties of the universities, but in the study of alchemy. Though twelfth- and thirteenth-century alchemy was generally concerned with the transmutation of metals, Bacon’s alchemy was a much larger area of study, and encompassed the generation and corruption of all material things in the sublunary world. It was this aspect of alchemy, which Bacon referred to as speculative alchemy, that explained how the four elements of fire, air, water, and earth interacted with each other to make the basis of reality as man could know it. Thus, the study of alchemy in conjunction with humoral medicine could explain not only how the human body worked, but how it interacted with the materials around it, illuminating the method of prolonging life to extreme lengths.
This book is the first transcription and extensive commentary on a fascinating but almost entirely overlooked manuscript compilation of medical recipes and letters, which is held in the University of Nottingham. Collected by the Marquess... more
This book is the first transcription and extensive commentary on a fascinating but almost entirely overlooked manuscript compilation of medical recipes and letters, which is held in the University of Nottingham. Collected by the Marquess and Marchioness of Newcastle, William and Margaret Cavendish, during the 1640s and 1650s, this manuscript features letters of advice, recipes, and sundry philosophical and medical reflections by some of the most formidable and influential physicians, philosophers, and courtly scholars of the early seventeenth century. These include “Europe’s physician” Theodore de Mayerne, the adventurer and courtier Kenelm Digby, and the natural philosopher, poet, and playwright Margaret Cavendish. While the transcription and accompanying annotations will allow a diverse array of readers to appreciate the manuscript for the first time, the introduction situates the Cavendishes’ recipe collecting habits, medical preoccupations, natural philosophical views, and politics within their social, cultural, and philosophical contexts, and draws out some of the most significant implications of this important document.
This book examines the life and works of Santorio Santori and his impact on the history of medicine and natural philosophy. Reputed as the father of experimental medicine and procedures, he is also known for his invention of numerous... more
This book examines the life and works of Santorio Santori and his impact on the history of medicine and natural philosophy. Reputed as the father of experimental medicine and procedures, he is also known for his invention of numerous scientific instruments, including early precision medical devices (pulsimeters, hygrometers, thermometers, anemometers), as well as clinical and surgical tools. The chapters in this volume explore Santorio’s legacy through the seventeenth and eighteenth centuries. They highlight the role played by medical practitioners such as Santorio in the development of corpuscularian ideas, central to the ‘new science’ of the period, and place new emphasis on the role of the life sciences, chemistry and medicine in encouraging new forms of experimentation and instrument-making.
This book explores the importance of bodily fluids to the development of medical knowledge in the eighteenth century Reveals the lives and works of the scientists in the Boerhaave School, which grew to become a European-wide community of... more
This book explores the importance of bodily fluids to the development of medical knowledge in the eighteenth century Reveals the lives and works of the scientists in the Boerhaave School, which grew to become a European-wide community of physicians and chemists Shows how chemical experimentation on bodily fluids allowed doctors to gain a better understanding of physiological processes, reinventing ancient humoral theory This book explores the importance of bodily fluids to the development of medical knowledge in the eighteenth century. While the historiography has focused on the role of anatomy, this study shows that the chemical analyses of bodily fluids in the Dutch Republic radically altered perceptions of the body, propelling forwards a new system of medicine. It examines the new research methods and scientific instruments available at the turn of the eighteenth century that allowed for these developments, taken forward by Herman Boerhaave and his students. Each chapter focuses on a different bodily fluid-saliva, blood, urine, milk, sweat, semen-to investigate how doctors gained new insights into physiological processes through chemical experimentation on these bodily fluids. The book reveals how physicians moved from a humoral theory of medicine to new chemical and mechanical models for understanding the body in the early modern period. In doing so, it uncovers the lives and works of an important group of scientists which grew to become a European-wide community of physicians and chemists.
PALGRAVE STUDIES IN MEDIEVAL AND EARLY MODERN MEDICINE (PSMEMM) focuses on the intellectual tradition of western medicine as related to the philosophies, institutions, practices, and technologies that developed throughout the medieval and... more
PALGRAVE STUDIES IN MEDIEVAL AND EARLY MODERN MEDICINE (PSMEMM) focuses on the intellectual tradition of western medicine as related to the philosophies, institutions, practices, and technologies that developed throughout the medieval and early modern period (500-1800). Partnered with the "Centre for the Study of Medicine and the Body in the Renaissance (CSMBR)", it seeks to explore the range of interactions between various conceptualizations of the body, including their import for the arts (e.g. literature, painting, music, dance, and architecture) and the way different medical traditions overlapped and borrowed from each other. The series particularly welcomes contributions from young authors. The editors will consider proposals for single monographs, as well as edited collections and translations/editions of texts, either at a standard length (70-120,000 words) or as Palgrave Pivots (up to 50,000 words).

We welcome proposals for commented translations (if particularly relevant, even on a large scale) of medical and scientific texts into English (examples of original languages accepted are Greek, Latin, Arabic, Hebrew, Sanskrit, Syriac, as well as European vernaculars).

Starting from 2020, PSMEMM will host a section with books from young authors selected under the international scheme Santorio Award for Excellence in Research, which will award three of the best PhD theses in history of medicine and science with a cash prize a medal, a certificate and the opportunity to publish in the new series. Further details will soon be available at http://csmbr.fondazionecomel.org/santorio-award-for-excellence-in-research/
Please contact psmemm@csmbr.fondazionecomel.org if you would like more information on the series, or if you would like to discuss a proposal.
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CSMBR AWESOME PROMOTIONS 20% Discount on Any PSMEMM Titles Offer expires: 4 January 2021 Palgrave MacMillan - Springer Nature in cooperation with the Centre for the Study of Medicine and the Body in the Renaissance (CSMBR) is glad to... more
CSMBR AWESOME PROMOTIONS
20% Discount on Any PSMEMM Titles
Offer expires: 4 January 2021
Palgrave MacMillan - Springer Nature in cooperation with the Centre for the Study of Medicine and the Body in the Renaissance (CSMBR) is glad to offer to this community a bonus discount of 20% on any title of the Series Palgrave Studies in Medieval and Early Modern Studies (PSMEMM).
To access the discount please email info@csmbr.fondazionecomel.org with the object PSMEMM PROMO 20%
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The Centre for the Study of Medicine and the Body in the Renaissance (CSMBR) invites proposal for the series PALGRAVE STUDIES IN MEDIEVAL AND EARLY MODERN MEDICINE Series Editors: Jonathan Barry & Fabrizio Bigotti The series focuses on... more
The Centre for the Study of Medicine and the Body in the Renaissance (CSMBR) invites proposal for the series

PALGRAVE STUDIES IN MEDIEVAL AND EARLY MODERN MEDICINE
Series Editors: Jonathan Barry & Fabrizio Bigotti

The series focuses on the intellectual tradition of western medicine as related to the philosophies, institutions, practices, and technologies that developed throughout the medieval and early modern period (500-1800). Partnered with the Centre for the Study of Medicine and the Body in the Renaissance (CSMBR), it seeks to explore the range of interactions between various conceptualisations of the body, including their import for the arts (e.g. literature, painting, music, dance, and architecture) and the way different medical traditions overlapped and borrowed from each other. The series particularly welcomes contributions from young authors.

The editors will consider proposals for single monographs, as well as edited collections and translations/editions of texts, either at a standard length (70-120,000 words) or as Palgrave Pivots (up to 50,000 words).

For information psmemm@csmbr.fondazionecomel.org
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Contributions are invited from scholars working on any aspect of early modern medicine dealing with the theories, uses, consumption, marketing, and visualisation techniques of simples in the period 1600-1750. The editors particularly... more
Contributions are invited from scholars working on any aspect of early modern medicine dealing with the theories, uses, consumption, marketing, and visualisation techniques of simples in the period 1600-1750. The editors particularly welcome contributions on the embodiment of classical therapeutics in a variety of disciplines such, alchemy and 'chymistry', including corpuscular approaches to the question of the properties of drugs and foods. Equally welcome are contributions on the transformation of Galen's rationale across the Mediterranean and beyond, as derived from local adaptations, informal knowledge (e.g. magic and domestic medicine) and commercialisation. The volume would be the first to address the topic across such a broad spectrum in the early modern period, and would directly challenge current assumptions about the survival of Galenism beyond 1600.
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Sudhoffs Archiv, founded in 1917 as an archive for the history of medicine, is today the world's oldest continuously published journal for the history of science. It is committed to a strictly historiographical perspective and aims to... more
Sudhoffs Archiv, founded in 1917 as an archive for the history of medicine, is today the world's oldest continuously published journal for the history of science. It is committed to a strictly historiographical perspective and aims to present the history of the natural sciences, mathematics and medicine in a source-related analysis. "Sources" are understood to mean all primarily textual, object-related or oral traditions, the content of which serves to promote knowledge on questions of the history of science.

The journal's approach is international and not limited to one period or one discipline. Works are published in German, English and French. The selection of the contributions follows the criteria of the peer review. Since 1961 the magazine has been accompanied by a series of supplements.
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In the attempt to overcome Kant’s dualism between the phenomenal and noumenal world, German Idealists drew inspiration from the life sciences and especially from the concept of organism. They conceived philosophy itself as an organism,... more
In the attempt to overcome Kant’s dualism between the phenomenal and noumenal world, German Idealists drew inspiration from the life sciences and especially from the concept of organism. They conceived philosophy itself as an organism, namely as a system of knowledge in which each part plays simultaneously the role of instrument and end in view of the preservation of the whole. This conception ultimately prompted a fruitful conversation between philosophy and biology which is still vital today and shaped new ways and methodologies to look at the dynamic interaction between human/non-human animals and their environment.
The module proposes a thematic study of some of the major figures of German Idealism, from the standpoint of their borrowing from and contributing to the nineteenth-century life sciences. In particular, the module features a reading of excerpts from Kant’s 'Critique of Judgment' („Kritik der Urteilskraft“) and Goethe's 'The Metamorphosis of Plants' („Versuch die Metamorphose der Pflanzen zu erklären“), in addition to chapters of Schelling’s and Hegel's 'Philosophies of Nature'. Each class will be integrated with powerpoint presentations, illustrating the development of nineteenth-century botany, medicine, and biology, an outline of the basic terminology of German idealism as well as a schematic presentation of the secondary literature available on each topic.
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In this seminar, the first of a series devoted to the interaction between medicine and measurement, I shall consider the cross-references between mechanics, alchemy and medicine that eventually led to the construction of the new science... more
In this seminar, the first of a series devoted to the interaction between medicine and measurement, I shall consider the cross-references between mechanics, alchemy and medicine that eventually led to the construction of the new science at the end of the Renaissance. During the seminar the use of the balance and the pendulum will be illustrated and some experiments performed in order to reconstruct the backgrounds of two main authors: Santorio Santorio (1561-1636) and Galileo Galilei (1564-1636)
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The workshop aims at drawing people’s attention towards the use and relevance of scientific procedures in medicine, especially by rebuilding the devices and replicating the experiments of Santorio Santorio (1561-1636). Known for... more
The workshop aims at drawing people’s attention towards the use and relevance of scientific procedures in medicine, especially by rebuilding the devices and replicating the experiments of Santorio Santorio (1561-1636). Known for introducing the quantitative method in medicine, Santorio devoted his endeavours particularly to the dynamic of metabolism, which he studied for a period of over twenty five years by means of devices of his own invention, some of them (e.g. the thermometer) are still used in today’s clinic. Successfully replicated for centuries, Santorio’s experiments were gradually forgotten to such a degree that, not only his devices do no longer exist today, but either philosophers and historians of science lack of the knowledge needed to understand how these instruments worked. The undertaking of rebuilding Santorio’s devices and replicating his experiments would therefore help not only in understanding how the very practice of quantification has been developed but would significantly contribute also in making people familiar with it.

Because this would be the first time that such an attempt is accomplished, the workshop is intended to gathering the different skills required by the undertaking and accordingly explore four main topics:

1) Technology and experimental practice in early modern period;

2) Craftsmanship and expertise required in rebuilding Santorio’s instruments;

3) Ways to collect results and how to get people involved in experiments;

4) General plane and timing.
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We are familiar today with the idea that living beings evolve. Darwin’s On the origin of species (1859) made us fully cognizant that nature is better understood as a constantly developing process rather than a cyclical system; and yet,... more
We are familiar today with the idea that living beings evolve. Darwin’s On the origin of species (1859) made us fully cognizant that nature is better understood as a constantly developing process rather than a cyclical system; and yet, this very understanding can be traced back to well before Darwin, to German Idealism (approx. 1790-1850) and to the metaphysics of process which originated with it.
Il XVI secolo è un momento storico di grande importanza per lo sviluppo della disciplina medica grazie soprattutto alla diffusione delle ricerche scientifiche e degli studi anatomici, capaci di fornire le evidenze necessarie allo studio... more
Il XVI secolo è un momento storico di grande importanza per lo sviluppo della disciplina medica grazie soprattutto alla diffusione delle ricerche scientifiche e degli studi anatomici, capaci di fornire le evidenze necessarie allo studio del corpo. E proprio la città di Padova, nel Cinquecento, diventa il primo grande centro di studi di anatomia umana e comparata. Nell’evoluzione di queste discipline, alla cosiddetta “anatomia chirurgica” si affianca quella “animata”, rivolta a indagare e chiarire nello specifico il funzionamento degli organi. Proprio in questo tipo di studi si distingue la figura del medico galenista Santorio Santori che fu il primo ad applicare il metodo quantitativo in biologia e in medicina attraverso una serie di strumenti da lui stesso ideati e costruiti che ne fanno il padre della fisiologia sperimentale moderna. Con Santorio, infatti, comincia una radicale rivoluzione nell’ambito delle scienze mediche che segna l’inizio della medicina moderna, intesa come studio basato su numeri ed evidenze.
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renacentista fue famoso también por pesar a diario sus orines y heces
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Il medico veneziano suggerì una descrizione accurata della struttura della materia vent'anni prima di Galileo. Lo ha scoperto Fabrizio Bigotti, ricercatore italiano ora all'University of Exeter, nelle note a margine di un volume... more
Il medico veneziano suggerì una descrizione accurata della struttura della materia vent'anni prima di Galileo. Lo ha scoperto Fabrizio Bigotti, ricercatore italiano ora all'University of Exeter, nelle note a margine di un volume conservato alla British Library. Lo abbiamo intervistato
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Newly discovered notes show for the
first time the Venetian doctor who invented the thermometer
and helped lay the foundations for modern
medical treatment also played a key role in shaping
our understanding of chemistry.
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A book from the British Library reveals how Santorio Santorio, who lived between 1561 and 1636, came up with an explanation for how matter works two decades before Galileo Galilei. You might think your library is big, but it's just... more
A book from the British Library reveals how Santorio Santorio, who lived between 1561 and 1636, came up with an explanation for how matter works two decades before Galileo Galilei. You might think your library is big, but it's just peanuts to the British Library. The second largest library in the world holds over 150 million cataloged books, from all times and from all fields. Naturally within this gargantuan collection, also lie books which have not yet been properly explored. Bigotti analyzed the handwriting and writing style and concluded that the book was almost certainly written by Santorio Santorio. Inside the book, Santorio (who is also credited with inventing the thermometer and other early medical devices) came up with a good explanation of how matter works. He did not share the elemental vision of nature, as most people presumably did at the time. To make it even better, he did this twenty years before Galileo, who is largely credited with this breakthrough."
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Se curare significa prendersi cura, per la medicina ha significato nel tempo anche intervenire concretamente sul corpo del paziente; dalla trapanazione del cranio degli egizi alla scoperta dei nervi con i medici Alessandrini fino a... more
Se curare significa prendersi cura, per la medicina ha significato nel tempo anche intervenire concretamente sul corpo del paziente; dalla trapanazione del cranio degli egizi alla scoperta dei nervi con i medici Alessandrini fino a Vesalio, a Willis, e alla scoperta dell’anestesia, il medico è stato a tutti gli effetti un disvelatore dei segreti della natura e il protagonista della scienza del corpo. Negli ultimi decenni però questo ruolo si è radicalmente trasformato grazie allo sviluppo dalla tecnologia che oggi non è più, come in passato, al servizio della medicina, ma apre frontiere e interrogativi che sembrano ridefinirne l’oggetto e il campo di indagine.

Con il completo sequenziamento del genoma umano (2003), assistiamo oggi ad una ingegnerizzazione del corpo che non riguarda solo le pratiche mediche ma, più in generale, l’essere umano. La coltivazione di tessuti e organi in laboratorio renderà entro pochi anni il trapianto un capitolo da manuale di storia della medicina, mentre la microchirurgia non invasiva renderà obsoleta la practica settoria nei termini in cui essa è stata praticata da Galeno ai giorni nostri.
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Gregorio Allegri Opere Inedite dai manoscritti della Collectio Altaemps Musica Flexanima Ensemble Dir Fabrizio Bigotti Tactus Records 2014 Review with five stars by DAVID PONSFORD for the American Journal CHOIR AND ORGAN (May... more
Gregorio Allegri
Opere Inedite dai manoscritti della Collectio Altaemps
Musica Flexanima Ensemble

Dir Fabrizio Bigotti
Tactus Records 2014

Review with five stars by DAVID PONSFORD for the American Journal CHOIR AND ORGAN (May 2015):

Apart from the famous Miserere, Allegri’s other works are relatively unknown. Furthermore, the director of this ensemble of strings, cornetts, sackbuts, voices, lutes and organ, has edited and prepared no fewer than ten ‘new’ pieces that were included in the collection belonging to Duke Altemps, rediscovered in 1992 and recorded for the first time. Besides Allegri, composers include Bonomi and Anerio, all of whose canzonas and motets are excellently played and sung. Of special interest is Allegri’s Missa ‘In lectulo meo’for eight voices, based on Bonomi’s motet of the same name, and Lamentationes Jeremiae prophetae for four voices.


Review by JOHAN VAN VEEN for MUSICA DEI DONUM (February 2015):

...There can be no doubt that this is a most interesting disc which should contribute to the creation of a more differentiated picture of Allegri as a composer. In his moving back and forth between the "stile antico" and the "stile moderno" he was a precursor of many Roman composers of later generations who had to obey the ecclesiastical preference for the style of which Palestrina was the ultimate model. Even Alessandro Scarlatti composed some of his sacred music in this style. The Musica Flexanima Ensemble delivers fine performances. The singers have nice voices and create an optimum transparency. Bigotti rightly decided not to perform these works in the style of the 16th century, for instance in regard to dynamics. The instrumental pieces also receive good performances.
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Review to Barry J. and Bigotti F. "Santorio Santori and the Emergence of Quantified Medicine. Corpuscularianism, Technology and Experimentation (1614-1790) - Palgrave-Springer 2022
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REVIEW The Miserere of Gregorio Allegri is his most celebrated work, though he was a rather accomplished composer of masses, motets, cantatas, and instrumental music, much of which was published in his lifetime, though some remains... more
REVIEW The Miserere of Gregorio Allegri is his most celebrated work, though he was a rather accomplished composer of masses, motets, cantatas, and instrumental music, much of which was published in his lifetime, though some remains unpublished to this day. This 2014 Tactus release by Renaissance scholar Fabrizio Bigotti and his ensemble Musica Flexanima presents the eight-voice Missa, "In lectulo meo," sections from the Lamentationes Jeremiae prophetae, and several canzones for mixed instruments, all of which were drawn from manuscripts in the collection of the Palazzo Altemps for these world-premiere recordings. While Allegri lived in the early Baroque era, his writing often resembles the Renaissance style of Palestrina, so the choral selections reflect the pure, unornamented polyphony that was favored in the Sistine Chapel, where he sang and composed. Musica Flexanima's choral performances are all a cappella, and the singers deliver transparent textures with fluid lines, while the winds and strings in the canzones offer clean articulation and wonderfully evocative sonorities.
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Apart from the famous Miserere, Allegri's other works are relatively unknown. Furthermore, the director of this ensemble of strings, cornetts, sackbuts, voices, lutes and organ, has edited and prepared no fewer than ten 'new' pieces that... more
Apart from the famous Miserere, Allegri's other works are relatively unknown. Furthermore, the director of this ensemble of strings, cornetts, sackbuts, voices, lutes and organ, has edited and prepared no fewer than ten 'new' pieces that were included in the collection belonging to Duke Altemps, rediscovered in 1992 and recorded for the first time. Besides Allegri, composers include Bonomi and Anerio, all of whose canzonas and motets are excellently played and sung. Of special interest is Allegri's Missa 'In lectulo meo'for eight voices, based on Bonomi's motet of the same name, and Lamentationes Jeremiae prophetae for four voices.
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Colloquium in Italian on the occasion of the celebration of the Thousandth Anniversary of Capodistria-Koper.
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New Voices Summer Term 2024 Talk Series