- Russian Federation
- Greek Vases, греческая вазопись, вазы Древней Греции и Италии, Ancient Greek ceramic workshops and iconography, Corpus Vasorum Antiquorum, Collectors and Collecting, and 21 moreHistory of Collecting, Museum Collection history, Collectors of greek and etruscan vases, Etruscan and Corinthian Pottery, Corinthian pottery, Attic black-figured vases, Athenian black-figured vases, Etruscan Black-figured Vases, Boeotian Red Figure in Context, Boeotian red-figure vase painting, Boeotian black-figure vase painting, Laconian red-figure pottery, East Greek Pottery, Museum Studies, Museums and Exhibition Design, Museology, History of Museums, Curatorial Studies and Practice, Curatorial Practice (Art), Hellenistic Pottery, and В. М. Боковаedit
A catalogue of ancient Greek painted and black-glazed pottery (mostly Attic black-figure, but there are also some Corinthian and Ionian fragments) excavated in 2002-2019 in Tyritake (one of the Bosporan settlements) by the team leaded by... more
A catalogue of ancient Greek painted and black-glazed pottery (mostly Attic black-figure, but there are also some Corinthian and Ionian fragments) excavated in 2002-2019 in Tyritake (one of the Bosporan settlements) by the team leaded by professor doctor Victor Zinko. Introductory article is on the Attic black-figure and black-glaze in Tyritake and the Northern Black Sea Areain general, problems of export, review of shapes of the vases and subjects of the paintings. This is the fourth catalogue of ancient pottery in the series of scholarly catalogues of Classical antiquities developed and maintained by The Demetra Charity Foundation, Kerch.
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A catalogue of ancient Greek and Italiote painted pottery (vases and fragments) preserved by four Russian collections which are not profilic in this area. Introductory articles on the museums, on the history of ancient vases collecting in... more
A catalogue of ancient Greek and Italiote painted pottery (vases and fragments) preserved by four Russian collections which are not profilic in this area. Introductory articles on the museums, on the history of ancient vases collecting in Russia as well as captions, headings and attribution indications in the catalogues are bilingual. This is the third catalogue of ancient pottery in the series of scholary catalogues of Classical antiquities developed and maintained by The Demetra Charity Foundation, Kerch.
Research Interests: Museum Studies, History of Museums, Collecting and Collections, Greek Vases, Etruscan and Corinthian Pottery, and 13 moreAttic black-figured vases, Attic red-figure vases, Collections and Collecting, Etruscan Black-Figured Pottery, Etruscan pottery, Collecting and Collections History of Collecting, History of Greek vases, Greek Vases and Terracottas of the Archaic to Hellenistic Periods, Italiote and Siceliote Red figure Vase painting, вазы Древней Греции и Италии, история художественных коллекций, Государственный Эрмитаж, and Russian Imperial Collections and Collecting
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Preface Abbreviations Amphorae Amphoriskoi Lekythoi Kraters Olpae Oinochoai Pyxidae Kotylai Kylices Fragments Indices Index of plates Concordance of inventory numbers Index of subjects Index of provenances Index of former owners Index... more
Preface
Abbreviations
Amphorae
Amphoriskoi
Lekythoi
Kraters
Olpae
Oinochoai
Pyxidae
Kotylai
Kylices
Fragments
Indices
Index of plates
Concordance of inventory numbers
Index of subjects
Index of provenances
Index of former owners
Index of Groups and Painters
Plates signed Russia from 993 to 1049
Abbreviations
Amphorae
Amphoriskoi
Lekythoi
Kraters
Olpae
Oinochoai
Pyxidae
Kotylai
Kylices
Fragments
Indices
Index of plates
Concordance of inventory numbers
Index of subjects
Index of provenances
Index of former owners
Index of Groups and Painters
Plates signed Russia from 993 to 1049
Research Interests: Classical Archaeology, Classics, Art History, Pottery (Archaeology), History of Art, and 9 moreCeramics (Art History), Ceramics (Archaeology), Ancient Art, Ancient Craftmanship (Archaeology), Ancient Greek and Roman Art, Greek Vases, Classics: Ancient History and Archaeology, Hermitage Museum, and Corpus Vasorum Antiquorum
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Owl-skyphoi are a kind of mass-produced Attic red-figure vase of the 5th century BC, much studied by F. P. Johnson, J. D. Beazley, A. D. Trendall, O. V. Tugusheva, B. Kreuzer and others. Widespread in the Mediterranean, owl-skyphoi could... more
Owl-skyphoi are a kind of mass-produced Attic red-figure vase of the 5th century BC, much studied by F. P. Johnson, J. D. Beazley, A. D. Trendall, O. V. Tugusheva, B. Kreuzer and others. Widespread in the Mediterranean, owl-skyphoi could transmit all over the oecumene the imperial prestige of Athens. The non-authorized copies made in Corinth, Laconia, elsewhere in Greece as well as Magna Graecia allow us to assume that everybody could understand their connotations. The
simplicity of the standard depiction with the owl between a pair of olive twigs could be compared with any modern logo, understandable even without any details, communicated by visual or narrative means. However, the meticulous study of the owl-skyphoi allow us to discover separate series of them, painted at a particular time, in a particular workshop, by a particular hand and even depicting different small species of owls. It could represent a case study for an understanding of the interrelation of artistic minimalism and the deep-seated roots of folklore symbolism in a common form of red-figure vase painting in Athens of the 5th century.
simplicity of the standard depiction with the owl between a pair of olive twigs could be compared with any modern logo, understandable even without any details, communicated by visual or narrative means. However, the meticulous study of the owl-skyphoi allow us to discover separate series of them, painted at a particular time, in a particular workshop, by a particular hand and even depicting different small species of owls. It could represent a case study for an understanding of the interrelation of artistic minimalism and the deep-seated roots of folklore symbolism in a common form of red-figure vase painting in Athens of the 5th century.
Research Interests: Visual Rhetoric, Animals in Culture, Greek Vases, Greek mythology, Bosporan Kingdom, and 13 moreAncient Greek Cultural & Social History, Ancient Greek Colonies of the Northern Black Sea Shore, Attic red-figure vases, Vasology, Sir John Beazley, Tauric Chersonesos, Athenian Vase Painting, Chersonesos in Taurica, Animals in the ancient world, Greek vase painting, Vase painting and Iconography, Animals in ancient and medieval culture, and Shapes of Greek Vases
Front matter. In the article : ca. 30 specimens related to the Owl-skyphoi Class of Attic red-figure and Italiote derivatives. Both in Russian and in English translation.
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The paper deals with the depictions typical of the Athenian red-figure vases of the 4th century BC (so-called Kerch vases) with polychrome additional decoration. All of them have been found in burials, serving not only as just grave... more
The paper deals with the depictions typical of the Athenian red-figure vases of the 4th century BC (so-called Kerch vases) with polychrome additional decoration. All of them have been found in burials, serving not only as just grave goods, but also as urns for ash or bones. The thematic circle of these vase-paintings is rather limited to several subject; ca. 40 percent related to marriage or wedding subjects. The reason should be the symbolic parallelism of the funeral and the wedding as rites de passage. There are some archaeological complexes with significant difference in dating of vases under consideration and other items (half a century or more). This fact claims for socio-cultural interpretation and for the revision of the chronology of the Athenian red-figure polychrome vases.
Research Interests: Rites of Passage, Polychromy in Ancient Art, Bosporan Kingdom, Ancient Greek Colonies of the Northern Black Sea Shore, Attic red-figure vases, and 6 moreAthenian Vase Painting, 'Greek Vases': Iconology and Reading, In Context, Cultural Practices and Transfer, Psychology of Clandestine Burials, греческая вазопись, культурный трансфер, and аттическая вазопись
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Three fragments of Athenian pottery psykters dated to the later 6th – early 5th century B.C. have been identified for the first time in Cimmerian Bosporus. Two black glazed sherds came from the supposed sanctuary in Nymphaion, the red... more
Three fragments of Athenian pottery psykters dated to the later 6th – early 5th century B.C. have been identified for the first time in Cimmerian Bosporus. Two black glazed sherds came from the supposed sanctuary in Nymphaion, the red figure one was found in domestic context.
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Mythological subjects on the black-figure fragments from Tyritaka are mostly related to the thiasus of Dionysus. There are also figures of other gods (Apollo, Athena, Nike). Among subjects with heroes there are Labours of Heracles... more
Mythological subjects on the black-figure fragments from Tyritaka are mostly related to the thiasus of Dionysus. There are also figures of other gods (Apollo, Athena, Nike). Among subjects with heroes there are Labours of Heracles (battles with Nemean lion, Amazons and Cretan bull) as well as fighting of Peleus and Thetis. There are also Gorgoneions (and, possibly, Perseus with the Gorgon); sphinxes (figures framing the figure friezes); sirens (obviously, playing music); possibly hippalectryon.
Key world: Athenian black figure vase painting, Greek mythology, Classical mythological iconography, Tyritake, Cimmerian Bosporus, North Black Sea.
Key world: Athenian black figure vase painting, Greek mythology, Classical mythological iconography, Tyritake, Cimmerian Bosporus, North Black Sea.
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Author analyzes the historical background for collecting and trading in the ancient painted pottery (Corinthian, Boeotian, Euboean, Greek geometric, Italiote, Cypriot) which was considered as finds from the South Russia (Crimea, Odessa... more
Author analyzes the historical background for collecting and trading in the ancient painted pottery (Corinthian, Boeotian, Euboean, Greek geometric, Italiote, Cypriot) which was considered as finds from the South Russia (Crimea, Odessa region and Taman peninsula) during 1890-1910s. At that time these specimens of ancient pottery played an important role as an element bringing more colors to the expected image of "the Classical Hellas in the South Russia". The pieces are currently available for studies in various Russian museums.
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Several Classical antiquities acquired for the Imperial Hermitage in the 1870s - 1880s were allegedly found in Macedonia in the vicinity of the Struma (Strymónas) river and in near of the ancient Via Egnatia. The seller was Stefan... more
Several Classical antiquities acquired for the Imperial Hermitage in the 1870s - 1880s were allegedly found in Macedonia in the vicinity of the Struma (Strymónas) river and in near of the ancient Via Egnatia. The seller was Stefan Ilyich Verkovich. Studies of Verkovich's archival materials and documents of the Ministry of the Russian Imperial Court and the State Hermitage Museum made it possible to identify these antiques with items of the museum's modern collection. These are both genuine Greek and Roman pieces as well as forgeries. The history of antiquities of Verkovich colorfully illustrates the development of the Russian culture of collecting and Classical archeology in the second half of the 19th century as well as the Russian-Balcan cultural contacts of the period.
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// ПРОБЛЕМЫ РАЗВИТИЯ ЗАРУБЕЖНОГО ИСКУССТВА : ИТАЛИЯ. ИСПАНИЯ : Материалы научной конференции, посвященной памяти М. В. Доброклонского (20–22 апреля 2011 г.) / РАХ Санкт-Петербургский государственный академический институт живописи,... more
// ПРОБЛЕМЫ РАЗВИТИЯ ЗАРУБЕЖНОГО ИСКУССТВА : ИТАЛИЯ. ИСПАНИЯ : Материалы научной конференции, посвященной памяти М. В. Доброклонского (20–22 апреля 2011 г.) / РАХ Санкт-Петербургский государственный академический институт живописи, скульптуры и архитектуры имени И. Е. Репина Санкт-Петербург, 2012. С. 29-42.
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// Проблемы развития зарубежного искусства. Германия-Россия. Ч.II. Материалы Международной научной конференции, посвященной памяти М.В.Доброклонского (24-26 апреля 2012 г.) : Сб. статей / Науч. ред. В.А.Леняшин, Н.М.Леняшина,... more
// Проблемы развития зарубежного искусства. Германия-Россия. Ч.II. Материалы Международной научной конференции, посвященной памяти М.В.Доброклонского (24-26 апреля 2012 г.) : Сб. статей / Науч. ред. В.А.Леняшин, Н.М.Леняшина, Н.С.Кутейникова, сост. С.Ю.Верба. СПб. : Ин-т имени И.Е.Репина, 2015. 276 с. C. 38-48.
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// Кучумовские чтения. Сборник докладов научной конференции 2015 г. Атрибуция, история и судьба предметов из императорских коллекций: сборник докладов научной конференции Кучумовские чтения / [под общ. ред. А. Н. Гузанова]. —... more
// Кучумовские чтения. Сборник докладов научной конференции 2015 г. Атрибуция, история и судьба предметов из императорских коллекций: сборник докладов научной конференции Кучумовские чтения / [под общ. ред. А. Н. Гузанова]. — Санкт-Петербург: ГМЗ «Павловск», 2015.
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уловить аромат древности – вот истинная цель изучения античной классики, потому что это может доставить классическую радость... умение же правильно радоваться есть умение необходимое и самое важное для свободного человека ... Однажды... more
уловить аромат древности – вот истинная цель изучения античной классики, потому что это может доставить классическую радость... умение же правильно радоваться есть умение необходимое и самое важное для свободного человека ... Однажды Нерон истратил 4 миллиона систерциев на розовое масло, воду и лепестки, и один из гостей задохнулся в этом великолепии...
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// Произведения античного искусства из собрания семьи Карисаловых и коллекции ГМЗ "Павловск" : Каталог выставки. СПб., Павловск, 2016