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    Alan Golding

    Arguing that homosexual poetry is part of the mainstream of poetic writing-not a distinct and differentiated category within it-Gregory Woods provides a fastidious study of homosexual poetry in the twentieth century that emphasizes the... more
    Arguing that homosexual poetry is part of the mainstream of poetic writing-not a distinct and differentiated category within it-Gregory Woods provides a fastidious study of homosexual poetry in the twentieth century that emphasizes the homo erotic themes in the works of D.H. Lawrence, Hart Crane, W.H. Auden, Allen Ginsberg, and Thom Gunn. Woods's controlled and elegant study demonstrates that a critic who ignores the sexual orientation of a poet, particularly a love poet, risks overlooking the significance of the poetry itself.
    – '[W]riting deals with words and words only and . . . all discussions of it deal with single words and their association in groups'; 'the only real in writing is writing itself'.1 – 'But can you not see, can you... more
    – '[W]riting deals with words and words only and . . . all discussions of it deal with single words and their association in groups'; 'the only real in writing is writing itself'.1 – 'But can you not see, can you not taste, can you not smell, can you not hear, can you not touch – words? . . ...
    ... Newcomb succeeds in giving us both specific (to Stevens) and generalizable answers to that question, as he tracks in tandem the canonization of Stevens and the canonization of a particular version of modernism. Alan Golding University... more
    ... Newcomb succeeds in giving us both specific (to Stevens) and generalizable answers to that question, as he tracks in tandem the canonization of Stevens and the canonization of a particular version of modernism. Alan Golding University of Louisville. Note. ...
    ... letter shapes”(434),“3 dimensional syntax”(437), and “a network of non-linear signifiers”(436 ... In another close-up, the words “problems” and “uncertainty” form a frantic dancing palimpsest over their ... ellipsis in original].) In... more
    ... letter shapes”(434),“3 dimensional syntax”(437), and “a network of non-linear signifiers”(436 ... In another close-up, the words “problems” and “uncertainty” form a frantic dancing palimpsest over their ... ellipsis in original].) In his account, at a certain point in his career, typing came to ...
    The avant-garde, we're told, is, at least in theory, dead. Meanwhile, the poetic "mainstream" is commonly argued to have become so di verse and democratically inclusive as to be unlocatable, unrecogniz able as a mainstream.... more
    The avant-garde, we're told, is, at least in theory, dead. Meanwhile, the poetic "mainstream" is commonly argued to have become so di verse and democratically inclusive as to be unlocatable, unrecogniz able as a mainstream. This same historical moment, however, ...
    ... a host of feminist literary and cultural historians, is responsible for whatever recognition Bradstreet currently enjoys, Golding shows how Berryman aggres-sively ... His argument is very similar to Terry Eagleton's in... more
    ... a host of feminist literary and cultural historians, is responsible for whatever recognition Bradstreet currently enjoys, Golding shows how Berryman aggres-sively ... His argument is very similar to Terry Eagleton's in Introduction to Literary Theory, and to work by Cary Nelson and ...
    My thanks to Donald Allen, Michael Davidson, Michael Heller, and Lynn Keller for read-ing earlier versions of this essay, and to Kevin Killian for sharing information on Jack Spicer and the San Francisco poetry communities. Unpublished... more
    My thanks to Donald Allen, Michael Davidson, Michael Heller, and Lynn Keller for read-ing earlier versions of this essay, and to Kevin Killian for sharing information on Jack Spicer and the San Francisco poetry communities. Unpublished correspondence between Donald Allen and ...
    Page 2. New World Poetics Page 3. Nature and the Adamic Imagination of Whitman, Neruda, and Walcott Page 4. ... 2. Neruda, Pablo, 1904-1973—Criticism and interpretation. 3. Walcott, Derek— Criticism and interpretation. 4. American... more
    Page 2. New World Poetics Page 3. Nature and the Adamic Imagination of Whitman, Neruda, and Walcott Page 4. ... 2. Neruda, Pablo, 1904-1973—Criticism and interpretation. 3. Walcott, Derek— Criticism and interpretation. 4. American poetry—19th century— History and criticism ...
    At least in modernist studies, few critical approaches are less au courant than detailed treatments of poetic diction—an unfortunate lacuna if one considers the attention that poets from across the formal and lit-erary political spectrum... more
    At least in modernist studies, few critical approaches are less au courant than detailed treatments of poetic diction—an unfortunate lacuna if one considers the attention that poets from across the formal and lit-erary political spectrum have always paid to their choice of language. ...
    When the little magazine Trace compiled its first annual listing of such magazines published in English in 1952, it round-ed up a total of 182 (Anderson and Kinzie 739). In contrast, by one 1987 estimate there were around 5,000 little... more
    When the little magazine Trace compiled its first annual listing of such magazines published in English in 1952, it round-ed up a total of 182 (Anderson and Kinzie 739). In contrast, by one 1987 estimate there were around 5,000 little magazines being published in the US ...
    George Oppen is often discussed as if he were a kind of miniaturist, preoccupied with the small, the particular, the concrete detail. Readers note how modest his ambitions seem, how he writes mostly short poems capturing what he calls... more
    George Oppen is often discussed as if he were a kind of miniaturist, preoccupied with the small, the particular, the concrete detail. Readers note how modest his ambitions seem, how he writes mostly short poems capturing what he calls "moments of conviction" ("George ...
    Copyright © 1985 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America 10 98765432 Library of Congress Cataloging in Publication Data Von Hallberg, Robert, 1946-American poetry and... more
    Copyright © 1985 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America 10 98765432 Library of Congress Cataloging in Publication Data Von Hallberg, Robert, 1946-American poetry and culture, 1945-1980. Bibliography: p. ...
    Eliot's early poetry, but he may have atoned for this by influencing parts of The Waste Land (222), giving some of the first public readings of Eliot's major early poems, and hosting the club that supported... more
    Eliot's early poetry, but he may have atoned for this by influencing parts of The Waste Land (222), giving some of the first public readings of Eliot's major early poems, and hosting the club that supported Eliot's quarterly, the Crite-rion. ''No one did more than Harold Munro for ...
    Christopher Beach, ABC of Influence: Ezra Pound and the Remaking of American Poetic Tradition. Berkeley and Oxford: University of California Press, 1992. xii + 279 pp. $35.00. ... Marjorie Perloff, Radical Artifice: Writing Poetry in the... more
    Christopher Beach, ABC of Influence: Ezra Pound and the Remaking of American Poetic Tradition. Berkeley and Oxford: University of California Press, 1992. xii + 279 pp. $35.00. ... Marjorie Perloff, Radical Artifice: Writing Poetry in the Age of Media. Chicago and London: ...

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