Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                

Encontre milhões de e-books, audiobooks e muito mais com um período de teste gratuito

A partir de $11.99/mês após o período de teste gratuito. Cancele quando quiser.

O coração das trevas
O coração das trevas
O coração das trevas
E-book136 páginas2 horas

O coração das trevas

Nota: 3.5 de 5 estrelas

3.5/5

()

Ler a amostra

Sobre este e-book

Neste livro, que é um dos maiores sucessos de Joseph Conras (1857-1934), a jornada do marinheiro Charles Marlow a serviço de uma companhia de comércio de marfim por um rio africano torna-se uma um mergulho nas profundezas da loucura humana. Ora uma aventura, ora um suspense psicológico, "O coração das trevas" é até hoje considerada uma das obras mais importantes da literatura inglesa.
IdiomaPortuguês
Data de lançamento1 de abr. de 1998
ISBN9788525423108
O coração das trevas
Autor

Joseph Conrad

Joseph Conrad (1857–1924) und Ford Madox Ford (1873–1939) gehören zu den bedeutendsten Erzählern der modernen Literatur des 20. Jahrhunderts. In seinen vielschichtigen, auch vieldeutigen Romanen und Erzählungen knüpfte Conrad oft an die Erfahrungen seiner Seemannsjahre an. Die Romane von Ford Madox Ford haben an Wertschätzung in den letzten Jahrzehnten ständig zugenommen und gelten heute ebenfalls als Klassiker; er arbeitete viel und eng mit Joseph Conrad zusammen, mit dem er mehrere Bücher verfasste.

Autores relacionados

Relacionado a O coração das trevas

Ebooks relacionados

Ficção Geral para você

Visualizar mais

Artigos relacionados

Categorias relacionadas

Avaliações de O coração das trevas

Nota: 3.565598506488124 de 5 estrelas
3.5/5

6.273 avaliações141 avaliações

O que você achou?

Toque para dar uma nota

A avaliação deve ter pelo menos 10 palavras

  • Nota: 3 de 5 estrelas
    3/5
    I was expecting a little more out of this. Overall, I felt it was a little lackluster. I needed more meat to the story, it lacked...... something that I can't quite verbalize. Heart of Darkness describes one captain's journey up the Congo River into the "heart of Africa." It's dark, brooding, and ominous; nothing goes according to plan. The narrator upon arriving at his African destination; has a strange fascination with a man named Kurtz, an English brute with odd ways who is no longer in control of all his faculties. Marlow, the captain, is in awe at the darkness that lurks in the jungle and in men's hearts. Sigh. I'm not doing a very good job describing it because I couldn't really get into it.
  • Nota: 5 de 5 estrelas
    5/5
    This book is so very well written that many aspects of it seem to me to verge on perfection. It springs to mind a hundred times in discussing writing craft, in discussing what a story should do, how framing can work, or indeed, when contemplating John Gardner's theory that novellas at their best have a "glassy perfection". This book manages to be an experience as well as a literary work, and the effect of its final pages is profound, worthwhile, and haunting.
  • Nota: 4 de 5 estrelas
    4/5
    One of the finest novels of the twentieth century, "Heart of Darkness" is a moody masterpiece following a man's journey down the Congo in search of a Captain Kurtz. I saw the loose film adaptation "Apocalypse Now" before reading "Heart of Darkness" and feared seeing "Apocalypse Now" would detrimentally affect my reading experience. I need not have worried as the two are different enough to ensure the Congo's Kurtz was still full of surprises.
  • Nota: 5 de 5 estrelas
    5/5
    Strange and excellent. Conrad's use of the language is masterful. Full of incredible symbolism, and a very powerful anti-colonial screed.
  • Nota: 2 de 5 estrelas
    2/5
    This was pretty boring. The reader was fantastic but I just never could get into the story. Not my cup of tea.
  • Nota: 4 de 5 estrelas
    4/5
    The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much - Heart of Darkness

    This is a book that is difficult to rate. On the one hand, it is very hard to read. The perspective of the book is a person listening to another person telling the story, which means that almost all paragraphs are in quotes, which can and will get confusing if the narrator starts quoting people, and gets worse once he starts quoting people who are quoting people themselves. Add to that the slightly chaotic narration, the long sentences and paragraphs, and an almost complete lack of chapters (the book is structured into only 3 chapters), and then add some jumps in causality in the narration for good measure, and you have a recipe for headaches.

    On the other hand, the book has a good story. It has no clear antagonist, all characters except for the narrator are in one way or another unlikeable idiots, brutal savages (and I am talking about the white people, not the natives). It is hard to like any of them, and, strangely, the character who is probably the worst of the lot was the one I liked best, just because he was honest about his actions and did not try to hide behind concepts like "bringing the civilization to these people". He was brutal, yes. He was (probably) racist, yes. But they all are. He seems to show an awareness of his actions, of the wrongness of it, in the end, while all the others remain focussed on their personal political and material gain.

    I am not a big fan of books that are considered "classics". They usually do not interest me, and being forced to read them by your teachers will probably not improve your view of the books. I am not sure if I liked this book, and that in itself is an achievement on the part of this book: I am unable to give it a personal rating compared to my other books, because it is so different.

    There are many people who have liked the book. There are many who have hated it. I cannot recommend it, because I know that many people will not like it. Some would say that these people "don't get it", but that would be wrong as well. You need a special interest in the topics of the book, or a special connection to the book itself, to properly enjoy it. But I also would not discourage anyone to read it either.

    It is part of the public domain, so it is free. If you are interested, start reading it. You can still shout "this is bullsh*t" and drop it at any point.
  • Nota: 2 de 5 estrelas
    2/5
    I finished Joseph Conrad’s novella, “Heart of Darkness” this morning. I’m really a bit Ho-hum about it, can’t really recommend it.
  • Nota: 5 de 5 estrelas
    5/5
    This book has been recommended to me by a friend and was sitting on my to read list for years. When I saw that most of its reviews are either 5 star or 1 star I was intrigued. The book did not disappoint. Beautiful, evocative, mesmerizing, horrifying, revolting, it describes an abyss of a human soul. A story within a story, narrator's description sets the stage and his story takes you away into then disappearing and now non-existent primal world thus forcing you to see the events through his lenses.
  • Nota: 1 de 5 estrelas
    1/5
    I ended up sparknoting it because my English teacher expected us to read the entire thing between two classes. Based on that, I didn't think it sounded too great. I know this is a ridiculous claim to make without actually reading the book but I did read parts of it and just couldn't get attached.
  • Nota: 5 de 5 estrelas
    5/5
    Jaysus, this book is a brutal little thing.
  • Nota: 2 de 5 estrelas
    2/5
    Review of the audiobook narrated by Kenneth Branagh:

    If you have to read Heart of Darkness, I heartily recommend letting Kenneth Branagh read it to you. Actually, this is not the firs time I have listened to this book. In high school, I read it out loud to myself, because that was the only way I could make the page-long sentences resolve into meaning for me at the time. While I am one of the best narrators ever, I probably preferred Branagh.

    I mean, his voice is amazing! The editing of this audiobook was unfortunately not perfect. They didn't do a great job with the breathing, but that's pretty easy to tune out. More disconcerting were the constant changes in volume. I would realize that Branagh had gotten very quiet and would be thinking about turning up the volume when suddenly Bam! it would be all extra loud. Do not turn up the volume or it will be REALLY loud. You have been warned.
  • Nota: 3 de 5 estrelas
    3/5
    The longest 100 pages I have ever read. After several abandonments over the years I managed to discipline myself to stick with it. Allegorical and dense prose, dealing with imperialism, exploitation, racism and moral corruption. However, not much actually happens to a handful of characters none of whom I could readily empathise or care for. It was a struggle. That said, having finished it several days ago the story and fundamental imagery has stuck with me. Initially gave this 2 stars but upped it to 3 as there is something about this book that is quite haunting and it probably deserves another read and a better understanding.
  • Nota: 4 de 5 estrelas
    4/5
    This is the second time I've started this book. I tried to read it in my late teens but could not deal with the brutality toward the Africans by the Europeans. I'm not sure that the "darkness" Conrad refers to is the same "darkness" I see in the book. For me this is about the attitude and actions of the colonists / company men toward the native tribes' people. But I get the feeling that Conrad's contemporary readers (at time of publication) would have been more horrified at the way Kurtz "went native" so to speak.
    One paragraph did really stand out for me and in it Conrad says (paraphrase)who would we be if we didn't have the judgement of our neighbours / friends / family / society around us; if we were completely free of all expectations and only had our own morality to guide us? How many people obey the rules for fear of what society would do to them if who they really are were to show?
    The darkness that will stay in my head is the wholesale destruction of a native society for greed and profit - a destruction that continues today in that area of the world.
  • Nota: 2 de 5 estrelas
    2/5
    I finished Joseph Conrad’s novella, “Heart of Darkness” this morning. I’m really a bit Ho-hum about it, can’t really recommend it.
  • Nota: 5 de 5 estrelas
    5/5
    My favorite book!
  • Nota: 3 de 5 estrelas
    3/5
    Damn good catalyst.
  • Nota: 1 de 5 estrelas
    1/5
    I have never hated a book more. It was just. Awful. Plain and simple. I've never encountered a less accessible text where nothing happens. One star is generous.
  • Nota: 3 de 5 estrelas
    3/5
    Beautifully written, but I've read too much about international development to actually feel for the narrator. It's too much of a pity party for him.
  • Nota: 5 de 5 estrelas
    5/5
    The main argument of this story, is that without society's pressure to determine good and evil and an appropriate way to behave, there is the potential to act in a truly evil way. This story is a good analogy to unchecked power as well. The story itself doesn't carry the weight since I watched Apocalypse Now before reading this story. The elements are there and the unchecked aggression and evil are great, but there is a difference between controlling an area for profit, to obtain ivory, and a soldier using natives to butcher an enemy. My perception is a bit tainted because of the order. However, even without the extreme elements, it is a demonstration of how those who have power unchecked can lead to horrible behavior. Favorite Passages:"You should have heard him say, 'My ivory.' Oh yes, I heard him. 'My Intended, my ivory, my station, my river, my--' everything belonged to him. It made me hold my breath in expectation of hearing the wilderness burst into a prodigious peal of laughter that would shake the fixed stars in their places. Everything belonged to him--but that was a trifle. The thing was to know what he belonged to, how many powers of darkness claimed him for their own. That was the reflection that made you creepy all over. It was impossible--it was not good for one either--trying to imagine. He had taken a high seat amongst the devils of the land--I mean literally. You can't understand. How could you?--with solid pavement under your feet, surrounded by kind neighbors ready to cheer you or to fall on you, stepping delicately between the butcher and the policeman, in the holy terror of scandal and gallows and lunatic asylums--how can you imagine what particular region of the first ages a man's untrammeled feet may take him into by the way of solitude--utter solitude without a policeman--by the way of silence, utter silence, where no warning voice of a kind neighbor can be heard whispering of public opinion? These little things make all the great difference. When they are gone you must fall back upon your own innate strength, upon your own capacity for faithfulness. p. 123They only showed that Mr. Kurtz lacked restraint in the gratification of his various lusts, that there was something wanting in him--some small matter which, when the pressing need arose, could not be found under his magnificent eloquence. Whether he knew of this deficiency himself I can't say. I think the knowledge came to him at last--only at the very last. But the wilderness had found him out early, and had taken on him a terrible vengeance for the fantastic invasion. I think it had whispered to him things about himself which he did not know, things of which he had no conception till he took counsel with this great solitude--and the whisper had proved irresistibly fascinating. It echoed loudly within him because he was hollow at the core. p. 200And for a moment it seemed to me as if I was also buried in a vast grave full of unspeakable secrets. I felt an intolerable weight oppressing my breast, the smell of the damp earth, the unseen presence of victorious corruption, the darkness of an impenetrable night...p. 170"Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of somber pride, of ruthless power, of craven terror--of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision,--he cried out twice, a cry that was no more than a breath--"'The horror! The horror!'p. 223
  • Nota: 3 de 5 estrelas
    3/5
    Better than I remembered it, from my reading as a teen. I'll set myself on Achebe's side, though, when it comes to Heart of Darkness in relation to Africans.
  • Nota: 5 de 5 estrelas
    5/5
    I just finished re-reading “Heart of Darkness,” it’s short, very readable, very dark of course, the protagonist Marlowe (picture Mickey Rourke in a Panama hat) dives pretty deep into the abyss of human nature, give it a shot if you’re not looking for light reading…..
  • Nota: 2 de 5 estrelas
    2/5
    This book lacks any subtlety in its transparent meditation on morality and purpose. Perhaps this book was a bold, groundbreaking novel in its heyday for its bleak observations about human nature and the ways men abuse each other. But the novel reads more as a philosophy dissertation than as the jungle river expedition of its premise. There are numerous scenes where the narrator is so involved with his longwinded diatribes about the way the world works, that the actual world of the book becomes impossibly imperceptible to decipher what is actually happening to the characters. This story is certainly a overhyped classic, and deserves to be best remembered at this point as just the brilliant "Apocalypse Now."
  • Nota: 3 de 5 estrelas
    3/5
    Joseph Conrad begins his 1902 novella by having the sub-narrator, Charlie Marlow, talk about the Romans conquest of England centuries before. "And this also has been one of the dark places of the earth." I found this a bit odd. The only thing I could think Conrad (or Marlow) was doing, was to justify invading Africa, since this was not first instance of colonization. That goes along with a doctor telling Marlow he would love "to watch the mental changes, on the spot" of people who travel to Africa. But I'm thinking... what about the Africans? They're the people being kidnapped and murdered and sold into slavery. What about THEIR mental changes? The book is pretty darn racist, but I guess some people still are today, a century plus later. I think Conrad was either ironically OR unconsciously matching the general racist thoughts of early 20th century people. If he went out pointing most reader's inherent racism in 1902, he might have lost a lot of his readers at the start. They wouldn't have finished the book. But it is hard to say what writers were thinking, especially writers so far in the past. I'm not entirely sure that the book is ABOUT even Africa, since the book mainly seems to be about a character named Kurtz (he is the only character actually given a name except for the sub-narrator), even if Kurtz is first met twenty pages near the end. The book seems to say the "wilderness" has affected him (and certainly not stealing large amounts of ivory and using less that savory means to go about doing that). So instead of Africa, the book is about a pretty horrible guy. Maybe that is why the book is so short. The modern library edition I have has an excellent piece by Chinua Achebe who can sum it up better than I can: "..there is a preposterous and perverse kind of arrogance in thus reducing Africa to the role of props for the breakup of one petty European mind." I'm glad that the modern library edition included Achebe's piece, even if he wasn't entirely complimentary to the book. He is one of the famous Afican writers, after all. The writing was wonderful at times, which is why I guess the book has survived so long. And it's still quite a puzzle.
  • Nota: 3 de 5 estrelas
    3/5
    I read this my senior year of high school and immensely disliked it. It's probably time to read it again.
  • Nota: 4 de 5 estrelas
    4/5
    While I enjoy Kenneth Branagh as an actor, his voice in this audiobook was soporific to the point that I struggled to finish this quite short book. Next time I will read it in print.
  • Nota: 3 de 5 estrelas
    3/5
    A beautifully, descriptive work. The descriptions of place are outstanding. The slow pace of the work mirrors the leisurely, lazy flow of the river and the slow lives of the characters. The darkness that inhabits the place and the human soul is always at the heart of this work. But, it didn't have the emotional pull on me. Therefore its a three for this book.
  • Nota: 5 de 5 estrelas
    5/5

    It was a breathtaking read. There are few books which make such a powerful impression as 'Heart of darkness' does. Written more than a century ago, the book and its undying theme hold just as much significance even today. Intense and compelling, it looks into the darkest recesses of human nature. Conrad takes the reader through a horrific tale in a very gripping voice.

    I couldn't say enough about Conrad's mastery of prose. Not a single word is out of place. Among several things, I liked Marlow expressing his difficulty in sharing his experiences with his listeners and his comments on insignificance of some of the dialogue exchanged aloud between him and Kurtz. The bond between the two was much deeper. Whatever words he uses to describe them, no one can really understand in full measure what he had been through. In Marlow's words:

    ". . . No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one’s existence--that which makes its truth, its meaning--its subtle and penetrating essence. It is impossible. We live, as we dream--alone. . . ."

    This was the first time I read this book which doesn't seem enough to fathom its profound meaning and all the symbolism. It deserves multiple reads.
  • Nota: 5 de 5 estrelas
    5/5
    This classic book is very intriguing and well-written. Kenneth Branagh's phenomenal narration made this one of the best audiobooks I have ever listened to (thus the five-star review). The book itself would probably get 4 stars, despite its unfortunate racist overtones.
  • Nota: 3 de 5 estrelas
    3/5
    I found Heart of Darkness very easy to read. My copy was only one hundred and twelve pages long, so there's that, but it's also written in a way that tugs you into the story. Actually, I think it's probably best read in one sitting, due to the way it's written -- the actual story is being told by a man called Marlow, to his companions, who mostly just sit quiet and listen, in one sitting. So to experience the book as it was written, it's probably best to settle down with it and read the whole story at once. I found the prose pretty easy, though that might just be that I'm somewhat used to that kind of slow, elaborate writing style. A lot of the imagery in the book is very vivid, which I liked.

    Maybe I should have read it a little more slowly and carefully, but I felt sometimes that it lurched from one point to another and it took me a minute to catch up.

    I don't really "get" this book, I guess. I can see how to analyse it and pick it apart -- this bit of imagery refers also to that, and this reflects that, and the racism springs from the culture it was written in, and blahblahblah. I can see how you can pick all kinds of special meaning out of it. But... I'm not so impressed that I want to.
  • Nota: 4 de 5 estrelas
    4/5
    Odd that I've never read this before. Yes, yes, good and evil, light and dark, the souls of man, etc. Brilliant and visionary, but all a bit ponderous for me. Also, the guy who narrates this audio book edition, Scot Brick, he's American evidently and puts on a fairly awful English accent for the entire book. Tedious. Four stars if not for Mr. Brick.

Pré-visualização do livro

O coração das trevas - Joseph Conrad

O Nellie, iate de cruzeiro, balançou em torno da âncora, sem ondular as velas, e parou. A maré havia subido, quase não tinha vento, e, como o barco rumava rio abaixo, o melhor mesmo era esperar o início da vazante. A foz do Tâmisa estendia-se a nossa frente como o início de uma interminável hidrovia. Ao largo, o mar e o céu fundiam-se sem limites definidos, e, nesse espaço luminoso, as velas bronzeadas das embarcações que subiam com a maré pareciam paradas em grupos vermelhos de lonas extremamente pontiagudas, com brilhos de espichas envernizadas. Uma bruma cobria as margens baixas, que corriam planas para o mar até desaparecerem. O ar acima de Gravesend estava escuro e, mais além, parecia condensado em lúgubre obscuridade, pairando imóvel sobre a maior e mais grandiosa cidade da Terra.

O diretor da Companhia era nosso comandante e anfitrião. Nós quatro observávamos afetuosamente suas costas, enquanto se encontrava na proa olhando para o mar. Em todo o rio, não havia nada que parecesse tão náutico. Parecia um piloto, que, para o homem do mar, é a segurança personificada. Era difícil imaginar que seu trabalho não estava lá no estuário luminoso, mas atrás dele, no interior da envolvente escuridão.

Havia entre nós, como já disse antes, a ligação do mar. Além de manter unidos nossos corações durante longos períodos de separação, esse elo nos tornava tolerantes diante das diferenças e convicções de cada um. O advogado – o melhor dos velhos companheiros – tinha direito, em razão dos seus muitos anos e das suas muitas virtudes, à única almofada a bordo, e deitava-se sobre o único tapete. Já o contador trouxera uma caixa de dominós e brincava arquitetonicamente com as pedras. Marlow estava sentado de pernas cruzadas bem à popa, recostado contra o mastro da mezena. Tinha as faces chupadas, a tez amarela, as costas eretas e um ar ascético; com os braços caídos e as palmas das mãos voltadas para fora, assemelhava-se a um totem. O diretor, após assegurar-se de que a âncora estava bem presa, dirigiu-se à popa e sentou-se entre nós. Trocamos algumas palavras sem muita importância. Depois o silêncio tomou conta do iate. Por alguma razão, não iniciamos aquele jogo de dominós. Sentíamo-nos pensativos e dispostos apenas a uma plácida contemplação. O dia terminava na calma de uma luminosidade estática e requintada. A água reluzia pacificamente; o céu, sem uma mancha, era uma imensidão benigna de luz imaculada; até a névoa sobre o pântano do Essex era como gaze transparente e radiante, dependurada sobre as matas nos morros do interior e drapejando nas margens baixas em dobras diáfanas. Só a escuridão no poente, pairando sobre os lugares mais elevados, tornava-se mais sombria a cada minuto, como que irada com a aproximação do sol.

Finalmente, em sua descida curva e imperceptível, o sol afundou no horizonte, passando de branco resplandecente a um vermelho fosco, sem raios e sem calor, como se estivesse prestes a apagar, ferido de morte pelo contato com a escuridão que pairava sobre uma multidão de homens.

Logo ocorreu uma mudança sobre as águas, que ficaram menos radiantes em sua serenidade, porém mais profundas. O velho rio, em sua larga extensão, repousava sem rugas ao cair do dia, após séculos de bons serviços prestados à gente que habitava suas margens, estendido na dignidade tranquila de um curso d’água que levava aos mais longínquos confins da Terra. Olhávamos o venerável caudal, não na exuberância de um dia curto que vem e se vai para sempre, mas na augusta luz de duradouras lembranças. E nada é realmente mais fácil para um homem que tem, como diz o ditado, seguido o mar, com reverência e afeição, do que evocar o grande espírito do passado nos trechos mais baixos do Tâmisa. O fluxo da maré corre para cá e para lá num trabalho incessante, repleto de memórias de homens e navios que conduziu ao lar ou a batalhas no mar. Conheceu e serviu a todos os homens de quem a nação se orgulha, de Sir Francis Drake a Sir John Franklin, todos fidalgos, com ou sem títulos – os grandes cavaleiros andantes do mar. Deu origem a todos os navios cujos nomes são como joias brilhando na noite do tempo, desde o Golden Hind, voltando com seus largos costados cheios de tesouros, para ser visitado por Sua Alteza, a Rainha, e desaparecer, depois, nos desvãos da História, até o Erebus e o Terror, destinados a outras conquistas, e que jamais retornaram. Conheceu os navios e os homens. Partiram de Deptford, de Greenwich, de Erith – os aventureiros e os colonos; navios de reis e navios de homens de negócios; capitães, almirantes, os tenebrosos atravessadores do comércio com o Oriente, e os generais comissionados das frotas das Índias Orientais. Em busca de ouro ou fama, todos partiram por aquele rio, segurando a espada e frequentemente a tocha, mensageiros dos poderosos, levando uma centelha do fogo sagrado. Que grandezas não navegaram suas correntezas até o mistério de uma terra desconhecida!… Os sonhos dos homens, semente de nações, germe de impérios.

O sol se pôs; o crepúsculo desceu sobre o rio, as luzes começaram a surgir ao longo da costa. O farol de Chapman, uma estrutura de três colunas erguida sobre um lamaçal, brilhava fortemente. Luzes de embarcações moviam-se no canal – um grande alvoroço de luzes subindo e descendo. E adiante, a oeste, nos trechos mais elevados, o lugar da monstruosa cidade ainda estava marcado ominosamente no céu, taciturna escuridão à luz do sol, lúgubre clarão sob as estrelas.

E esse também, disse Marlow subitamente, foi um dos lugares mais sombrios da Terra.

Ele era o único entre nós que ainda seguia o mar. O pior que podia ser dito dele era que não representava sua classe. Era um homem do mar, mas era peregrino também, enquanto a maioria dos marujos levava, por assim dizer, uma vida sedentária. Eles sempre se sentem em casa, pois sua casa sempre os acompanha – o navio; bem como seu país – o mar. Um navio é muito parecido com outro, e o mar é sempre o mesmo. Num ambiente imutável, os litorais estrangeiros, as fisionomias estrangeiras, a variada imensidão da vida – tudo passa imperceptível, velado não por um misterioso sentido, mas por uma ignorância levemente desdenhosa; pois não existe mistério para um homem do mar, a não ser o próprio mar, que é senhor de sua existência e inescrutável como o Destino. Quanto ao resto, nas suas horas de folga, uma caminhada casual, ou uma eventual bebedeira em terra bastam para revelar-lhe o segredo de todo um continente – e geralmente acha que o segredo não vale a pena ser conhecido. As histórias dos homens do mar têm uma simplicidade direta, cujo significado cabe inteiramente na casca de uma noz partida. No entanto, Marlow não era um marinheiro típico (excetuando sua propensão a contar histórias), e, para ele, o significado de um episódio não estava dentro como um cerne, mas fora, envolvendo a narrativa que o descobriu apenas como um fulgor iluminando a neblina, na semelhança de um desses nevoentos halos que às vezes se tornam visíveis pela iluminação espectral do luar.

Sua observação não parecia nada surpreendente. Era típica dele. Foi aceita em silêncio. Ninguém se deu sequer ao trabalho de resmungar; e, pouco depois, ele disse, bem devagar:

Eu estava pensando em tempos muito distantes, quando os romanos estiveram aqui pela primeira vez, há mil e novecentos anos… outro dia… A luz, então, saía desse rio desde – os cavaleiros, dizem os senhores? Sim, mas é como um incêndio correndo na planície, ou um relâmpago nas nuvens. Vivemos num clarão – que dure tanto quanto a Terra há de girar! Mas aqui havia trevas antes. Imaginem os sentimentos do comandante de um fino – como devemos chamá-lo? – trirreme, no Mediterrâneo, que, de repente, recebe ordens para dirigir-se ao norte; atravessar a Gália rápido, por terra, no comando de uma daquelas embarcações que os legionários – também devem ter sido um ótimo grupo de homens habilidosos – construíam, aparentemente às centenas, em um mês ou dois, se devemos acreditar no que lemos. Imaginem esse homem aqui, neste fim de mundo, o mar cor de chumbo, o céu cor de fumaça, um tipo de navio quase tão rígido quanto uma concertina… subindo o rio com provisões, ou encomendas, ou sabe-se lá o quê. Bancos de areia, pântanos, florestas, selvagens – pouquíssimo para comer para um homem civilizado, nada além da água do Tâmisa para beber. Nenhum vinho de Falerno aqui, sem poder ir à terra. Aqui e ali um acampamento militar perdido na mata, como agulha no palheiro – frio, neblina, tempestades, doenças, exílio e morte –, morte escondida no ar, na água, nos bosques. Devem ter morrido como moscas aqui. Oh, sim – ele conseguiu. E muito bem, sem dúvida, e sem pensar muito nisso também, a não ser, talvez, depois de gabar-se do que teve de enfrentar na época. Eram homens o bastante para encarar as trevas. E talvez o animasse uma chance de promoção para a frota de Ravena; bastava ter bons amigos em Roma e sobreviver ao clima terrível. Ou, então, pensem num jovem e decente cidadão, de toga – que talvez jogasse dados demais, vocês sabem –, vindo para cá na comitiva de algum prefeito, coletor de impostos, ou até um comerciante, para refazer sua fortuna. Desembarca num pantanal, marcha através da floresta e, em algum lugar no interior, sente que a selvageria, a mais extrema selvageria, o cercou – toda aquela vida misteriosa que se agita no ermo das florestas, nas matas, no coração dos selvagens. Não há iniciação em tais mistérios, também. Ele tem de viver em meio ao incompreensível, que é igualmente detestável. E há, ainda, um fascínio que opera sobre ele. O fascínio do abominável – os senhores sabem –, imaginem os crescentes arrependimentos, o anseio de fugir, o desgosto impotente, a capitulação, o ódio.

Fez uma pausa.

Vejam, começou de novo, erguendo o braço a partir do cotovelo e com a palma da mão voltada para fora, de modo que, com as pernas cruzadas à frente, tinha a pose de um Buda pregando, em trajes europeus e sem a flor de lótus. "Vejam, nenhum de nós se sentiria exatamente assim. O que nos salva é a eficiência – a devoção à eficiência. Mas esses caras, realmente, não eram muito estimados. Não eram colonizadores; a administração deles era mera extorsão e nada mais, desconfio. Eram conquistadores, e para aquilo é preciso apenas força bruta – nada de excepcional, quando se tem, pois sua força é somente um acidente que decorre da fraqueza alheia. Agarravam o que podiam, e simplesmente porque estava ali para ser agarrado. Era simples assalto com violência, agravado com assassinato em alto grau e praticado às cegas pelos homens – como é próprio daqueles que tateiam na escuridão. A conquista da Terra, o que na maior parte significa tirá-la daqueles que têm

Está gostando da amostra?
Página 1 de 1